Pulse (2001 film)

Pulse
Theatrical release poster
Directed by	Kiyoshi Kurosawa
Produced by	Ken Inoue Seiji Okuda Shun Shimizu Atsuyuki Shimoda Yasuyoshi Tokuma Hiroshi Yamamoto
Written by	Kiyoshi Kurosawa
Starring	Kumiko Aso Haruhiko Kato Koyuki Kurume Arisaka
Music by	Takefumi Haketa
Cinematography	Jun'ichirô Hayashi
Edited by	Jun'ichi Kikuchi
Distributed by	Toho Company
Release dates	10 February 2001
Running time	118 minutes
Country	Japan
Language	Japanese
Box office	$51,420[1]

Pulse, known in Japan as Kairo (回路), is a 2001 Japanese horror film directed by Kiyoshi Kurosawa. The film is based on his novel of the same name. The film was screened in the Un Certain Regard section at the 2001 Cannes Film Festival.^[2] The movie was well-received critically and has a cult following.^[3] An American remake, also titled Pulse, debuted in 2006 and spawned two sequels.

Plot

The plot centers on ghosts invading the world of the living via the Internet. It features two parallel story lines.

First Story

The first story involves a young woman named Kudo Michi (Kumiko Aso) who works at a plant sales company. She has recently moved to the city and her main friends are her three colleagues, Sasano Junko, Toshio Yabe and Taguchi. At the start of the film, it appears Taguchi has been missing for some days working on a computer disk. Michi goes to visit his apartment and finds him distracted and aloof; in the middle of their conversation, he casually makes a noose, leaves and hangs himself. Michi and her colleagues inspect the computer disk he left behind and discover it contains an image of Taguchi staring at his own computer monitor, which is displaying an image of Taguchi staring at his computer monitor, creating an endless series of images.

In the monitor, Michi and her friends discover a ghostly face staring out into Taguchi's room. Yabe later receives a phone call that seems to be Taguchi saying "Help me", over and over. He goes to Taguchi's apartment and sees a ghostly black image on the wall. He notices a door sealed up with red tape and enters, encountering a ghost. Yabe shows up at work later depressed and uncommunicative, ultimately taking to hiding in his apartment. When Michi goes to check on him, she discovers that he has dissolved into a black mark on the wall similar to the one on Taguchi's wall. Michi and Junko are soon alone at work; their boss has also disappeared. Doors with red tape are cropping up all over Tokyo. When Junko enters one of them, she is attacked by a ghost. Michi rescues her, but the encounter proves too traumatic for Junko, who dissolves into ash.

Second Story

Ryosuke (Haruhiko Katô) is an economics student who has recently signed up to a new Internet Service Provider. His computer accesses a website by itself, showing him disturbing images of people alone in dark rooms, exhibiting bizarre, depressed behavior. That night, Ryosuke wakes up to find his computer on again; the site now shows a man with his face obscured by shadows, who is then replaced by a man with a plastic bag over his head. Before he pulls it off, Ryosuke unplugs his computer in panic. The next day, Harue Karasawa (Koyuki), a post-graduate computer science student, suggests he either bookmark the page or print the images for her to examine. Ryosuke attempts to follow her advice but finds that his computer will not follow his commands. Instead, a video plays of a man with a plastic bag on his head standing in a room with the words "HELP ME" written all over the walls. A fellow student mentions the appearance of ghostly-looking people around campus and explains his theory that souls have begun to invade the physical world.

Harue begins exhibiting strange, depressive behavior and suggests that ghosts would want to save humans from the loneliness of the afterlife by bestowing immortality on them. Later that night, Ryosuke visits Harue to find her acting even stranger; the two try to escape to a faraway place using the subway. However, the train stops and Harue is seized by a desire to return home and flees. Upon returning to her apartment, she claims that she is "not alone". When Rosuke bursts into her apartment later, she is gone.

As more and more people begin to vanish, evacuations of Tokyo begin. There are ghosts appearing everywhere. Ryosuke meets Michi and they find Harue in an abandoned factory, where she shoots herself. Ryosuke later wanders through a door sealed up with red tape and encounters a ghost who explains that "death was eternal loneliness." Ryosuke loses the will to live, and Michi has to drag him to safety. They drive through a burning Tokyo, encountering numerous apocalyptic scenes : the sky turns black, a US Army C-130 cargo plane crashes out of the sky, and people leap to their deaths from tall buildings. The pair find a ship about to depart Tokyo, crewed by a small group of survivors who tell them that similar events are happening all over the world. As the ship heads for Latin America, Ryosuke and Michi go below deck, where Ryosuke disintegrates into ash.

Cast

• Kumiko Aso as Michi Kudo
• Haruhiko Kato as Ryosuke Kawashima
• Koyuki as Harue Karasawa
• Kurume Arisaka as Junko Sasano
• Masatoshi Matsuo as Toshio Yabe
• Shinji Takeda as Yoshizaki
• Jun Fubuki as Michi's mother
• Shun Sugata as Boss
• Koji Yakusho as ship captain
• Show Aikawa as employee
• Kenji Mizuhashi as Taguchi

Critical reception

The film was well-received critically. On review aggregator website Rotten Tomatoes, the film has an approval rating of 73%, and is certified "fresh".^[4]

AllMovie praised the film, writing "The first 30 minutes of Kairo is perhaps some of the most unnerving, frightening sequences to come down the pike in a long time."^[5] Anita Gates of The New York Times wrote, "There are very few moments in Kiyoshi Kurosawa's fiercely original, thrillingly creepy horror movie that don't evoke a dreamlike dread of the truly unknown."^[4] Slant Magazine gave the film four stars out of four, writing "Kurosawa's movies have a genuinely unnerving effect on the viewer because they deal with the kind of loneliness that exists in an overcrowded world. [...] Pulse is his strongest elucidation of this theme, treating the world wide web as a literal snare forging sinewy connections between strangers where the ultimate destination is chaos."^[6] The Guardian called it "an incredibly creepy horror film" that, in the same way as Ring, "finds chills in the most dingy and mundane of locales; skillful deployment of grisly little moments and disturbing, cryptic imagery produce the requisite mood of dread and gloom."^[7] Film Threat wrote, "What's worse than a horror film that frightens you sleepless is one that disturbs you to depression."^[8] The Washington Post commented, "Pulse is best enjoyed if it's not questioned too closely. It lives visually in a way it cannot live intellectually".^[9]

Entertainment Weekly was critical of the film, writing "Watching Pulse [...] you could almost die of anticipation", commenting that "nothing in the two snail-paced hours [...] makes close to a shred of sense".^[10] The Seattle Times criticized the film's storyline and length, writing "While it's rattling your nerves, Pulse leaves your brain wanting more",^[11] and The Village Voice called the film "at least half an hour too long".^[12]

In 2012, Jaime N Christley of Slant Magazine listed the film as one of the greatest films of all time.^[13] In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films.^[14] Pulse placed at number 71 on their top 100 list.^[15]

See also

• List of ghost films

References

External links

• Official website
• Pulse at the Internet Movie Database
• Pulse at AllMovie
• Pulse at Rotten Tomatoes
• Pulse at the Japanese Movie Database (Japanese)