Psalm 150 (Bruckner)
Psalm 150 | |
---|---|
by Anton Bruckner | |
The composer, c. 1860 | |
Key | C major |
Catalogue | WAB 38 |
Form | Psalm setting from the Luther Bible |
Occasion | Opening of the Internationale Ausstellung für Musik und Theatherwesen |
Text | Psalms 150 |
Language | German |
Performed | 13 November 1892 – Musikvereinsaal, Vienna |
Recorded | c. 1950 |
Vocal | SATB choir and soprano soloist |
Instrumental | Orchestra |
Anton Bruckner's Psalm 150, WAB 38, is a setting of Psalm 150 for mixed chorus, soprano soloist and orchestra written in 1892.
History
Richard Heuberger asked Bruckner for a festive hymn to celebrate the opening of the exposition Internationale Ausstellung für Musik und Theatherwesen, but Bruckner did not deliver the piece in time for Heuberger's purpose.[1] The setting was premiered on 13 November 1892, conducted by Wilhelm Gericke.[2] The concert also included "a Schubert overture and Liszt's Piano Concerto in E-flat, followed by Richard Strauss' Wanderers Sturmlied and Mendelssohn's Loreley."[3]
Text
- Halleluja. Lobet den Herrn in seinem Heiligthum; lobet ihn in der Feste seiner Macht;
- Lobet ihn in seinen Thaten; lobet ihn in seiner großen Herrlichkeit.
- Lobet ihn mit Posaunen; lobet ihn mit Psalter und Harfe;
- Lobet ihn mit Pauken und Reigen; lobet ihn mit Saiten und Pfeifen;
- Lobet ihn mit hellen Cymbeln; lobet ihn mit wohlklingenden Cymbeln.
- Alles, was Odem hat, lobe den Herrn, Halleluja.[4]
Setting
The choir has sopranos, altos, tenors, basses, while the orchestra consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones (alto, tenor and bass), contrabass tuba, timpani, strings.[5]
Unlike the other psalm settings composed some 40 years earlier, for which he used a German-language Bible approved by the Catholic Church,[6] Bruckner used this time the German-language Martin Luther Bible for the text.
The piece starts out in C major, alla breve, with a tempo marking of "Mehr langsam! Feierlich, kräftig" (More slowly! Festive, strong) as the choir sings "Hallelujah" several times before moving on to the second line of the psalm. At rehearsal letter E, marked "Bewegter" (more moving), begins the listing of instruments with which to praise God. At J, "Langsamer" (More slowly) follows "Alles, Alles lobe den Herrn" At K, with a return to the initial tempo, Bruckner repeats the opening Hallelujahs, but at L follows with "a complex fugue"[7] starting with the words "Alles, was Odem hat" once again "Langsam" (Slowly). Another return to the initial tempo at R marks the beginning of the coda with the words "Alles, alles lobe den Herrn". The theme of the fugue is related to that of the fugue of Bruckner's fifth symphony and that of the Adagio of his ninth symphony.
The last time Bruckner improvised at the organ, he used melodies from this psalm setting.[8] Psalm 150 "shares both the key and the triumphant mood of rapturous exaltation of the Te Deum."[9] In 1893, Heinrich Schenker published a critique of Bruckner's setting in the Musikalisches Wochenblatt,[10] quoting the flute in m. 43–44 and the soprano in m. 125–126 as examples of "badly constructed lines."[11]
Bruckner also set Psalms 22, 112, 114 and 146 to music.
Selected discography
The first recording (c. 1950) was by Henry Swoboda with the Wiener Akademie-Kammerchor and the Wiener Symphoniker, LP: Westminster WAL 201 (with Symphony No. 6 and Psalm 112). Swoboda's historical performances of Psalms 112 & 150 and Richard Strauss' Wanderers Sturmlied have been recently transferred to CD by Klassichaus Recordings: GSC052.
Among the ten other recordings, Hans Roelofs selects the following four recordings:
- Eugen Jochum, Chor der Deutschen Oper Berlin and Berliner Philharmoniker, 1965, LP: DG SLPM 139137/8 (with Symphony No. 7). This recording, which has been transferred to CD as part of the 4-CD box set DG 423 127-2, remains according to Hans Roelofs the reference.
- Daniel Barenboim, Chicago Symphony Orchestra & Chorus, 1979, LP: DG 2707 116. This recording has been transferred to CD: DG 437 250-2 (with Symphony No. 0 and Helgoland). It is more widely available as part of a ten-CD set DG 477 8903 containing Symphonies 0-9, the Te Deum, and Helgoland.
- Matthew Best, Corydon Singers & Orchestra, 1992, CD: Hyperion CDA66599 (with Mass No. 3)
- Helmuth Rilling, Gächinger Kantorei and Bach-Collegium Stuttgart, 1996, CD: Hänssler Classic 98.119 (with Mass No. 2 and the Te Deum)
References
- ↑ Grasberger
- ↑ Grasberger
- ↑ Grasberger
- ↑ Die Bibel, oder die ganze Heilige Schrift des alten und neuen Testaments, nach der deutsche Übersetzung D. Martin Luthers, abgedruckt nach der Hallischen Ausgabe, 1839, p. 683
- ↑ Anton Bruckner Critical Complete Edition – Psalms and Magnificat
- ↑ Die Heilige Schrift des alten und neuen Testamentes, Dritter Band (mit Approbation des apostolischen Stuhles), 4. Auflage, Landshut, 1839
- ↑ Watson, p. 96
- ↑ Meier, p. 50
- ↑ Watson, p. 96
- ↑ Rast, p. 123
- ↑ Larry Laskowski, Heinrich Schenker: an annotated index to his analyses of musical works, Pendragon Press, New York, 1978, p. 80
Sources
- Max Auer, Anton Bruckner als Kirchenmusiker, Gustav Bosse Verlag, Regensburg, 1927, pp. 187–200
- Franz Grasberger, Foreword to Anton Bruckner: Sämtliche Werke: Band 20 Teil 6: Psalm 150: Studienpartitur, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Richard Rickett (translator), Vienna, 1964
- Paul Hawkshaw, "Bruckner's large sacred compositions" The Cambridge Companion to Bruckner edited by John Williamson, Cambridge University Press, Cambridge, 2004
- Keith William Kinder, The Wind and Wind-Chorus Music of Anton Bruckner, Greenwood Press, Westport, Connecticut, 2000
- Timothy Jackson, "Bruckner's 'Oktaven'", Music & Letters, 78, No. 3, 1997
- Lee T. Lovallo, "Mass no. 3 in f minor" – Anton Bruckner: a Discography, Rowman & Littlefield, New York, 1991
- Elisabeth Meier, "An "inner" biography of Bruckner" Bruckner Studies edited by Timothy L. Jackson and Paul Hawkshaw, Cambridge University Press, Cambridge, 1997
- Leopold Nowak, Preface to Anton Bruckner: Sämtliche Werke: Band 18: Messe F-Moll: Studienpartitur Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Christl Schönfeldt (translator), Vienna, 1960
- Nicholas Rast, "A checklist of Essays and Reviews by Heinrich Schenker", Music Analysis, 7 No. 2, Blackwell Publishing, 1988
- Hans Ferdinand Redlich, Preface to Mass in F minor (revision of 1881), Ernst Eulenburg Ltd, London, 1967
- Hans-Hubert Schönzeler, Bruckner, Marion Boyars, London, 1978.
- Robert Simpson, The Essence of Bruckner: An essay towards the understanding of his music, Victor Gollancz Ltd, London, 1967
- Derek Watson, Bruckner, J. M. Dent & Sons Ltd, London, 1975
External links
- Commented discography by Hans Roelofs
- Piano-vocal score at IMSLP
- A live performance by the DePaul Community Chorus (2012) can be heard on YouTube: Psalm 150 (English text)
- Another live performance by the Colorado Springs Chorale (2014) can be heard on YouTube: Psalm 150