Promos

"Promos" is the eighteenth episode of the ninth season of the American comedy television series The Office and the 193rd overall. The episode was written by Tim McAuliffe and directed by Jennifer Celotta. It originally aired on the National Broadcasting Company (NBC) on April 4, 2013. The episode guest stars sports star Ryan Howard, Chris Diamantopoulos, Nora Kirkpatrick, and Allan Havey. Former lead actor Steve Carell also appears through archival footage.

The series—presented as if it were a real documentary—depicts the everyday lives of office employees in the Scranton, Pennsylvania, branch of the fictional Dunder Mifflin Paper Company. In this episode, everyone in the office is excited when international promos for the documentary surface, but are soon horrified to discover how much candid filming has taken place. While everyone panics about their secrets being revealed, Pam Halpert (Jenna Fischer) reflects upon how much she and Jim (John Krasinski) have changed over the past nine years. Dwight Schrute (Rainn Wilson) makes Angela Lipton (Angela Kinsey) jealous when he starts dating a Brussels sprout farmer. Meanwhile, at Athlead's office in Philadelphia, Jim and Darryl Philbin (Craig Robinson) have a big meeting with baseball player Ryan Howard, who pitches a bizarre sci-fi sports movie about himself.

The episode received mostly positive reviews from critics; many felt that while the episode had an interesting theme and that much of the drama was successful, the humor was too broad or forced. The episode was viewed by 3.44 million viewers and received a 1.8/5 percent rating among adults between the ages of 18 and 49. The episode ranked fourth in its timeslot, and it was the highest-rated NBC series of the night, though it was lowest rated episode of The Office at the time of airing.

Plot

The office is excited to see promos for the upcoming documentary "The Office: An American Workplace", which will consist of the daily footage of them that has been compiled over the past nine years. However, many of the workers are dismayed to learn just how much of their activities have been recorded, and how much of their conversations the microphones picked up; for instance, Dwight and Angela's affair that occurred a year ago was captured. Several excuse themselves and go to the warehouse to talk, turning off their microphones in an unsuccessful effort to keep the discussion private. Pete Miller (Jake Lacy) suggests that Pam Halpert (Jenna Fischer) talk to dismissed crew member Brian (Chris Diamantopoulos) to learn more. She decides to turn to Brian, primarily to talk about her recent troubles with Jim; Pam and Jim have been having marital troubles ever since Jim started his own sports marketing company Athlead. Brian, however, also informs her that the staff's private moments were still recorded, regardless of using their own microphones or not. On re-watching the promo, Pam decides she is glad that the history of her relationship with Jim has been captured.

Meanwhile, Angela Lipton (Angela Kinsey) and Oscar Martinez (Oscar Nunez), after some arguing, jointly call Angela's husband Sen. Robert Lipton (Jack Coleman) to inform him that the documentary will probably out him and reveal that Angela slept with Dwight. Andy Bernard (Ed Helms) becomes obsessed with online comments regarding his brief appearance in the promo, replying and even uploading his own reply video. It is eventually revealed that Nellie Bertram (Catherine Tate) has left at least some of the comments, and she takes pleasure in seeing Andy's annoyance. Dwight Schrute (Rainn Wilson) also makes Angela jealous when he starts dating a Brussels sprout farmer.

At the Athlead offices, Jim Halpert (John Krasinski) and Darryl Philbin (Craig Robinson) have a big meeting with Major League Baseball player Ryan Howard (himself). The meeting ends up with Darryl and Jim reading Ryan's self-written screenplay of a baseball player turned superhero.

Production

The episode guest stars sports star Ryan Howard.

"Promos" was written by consulting producer Tim McAuliffe, his first writing credit for the series. It was directed by former series writer, director, and co-showrunner Jennifer Celotta, her third such credit for the series.^[2] The episode features Philadelphia Phillies star Ryan Howard playing himself. This marks the second time a major sports star has played themselves for the season, as former Philadelphia 76ers star Julius Erving portrayed himself in the episode "Lice".^[3] Robinson later said that Ryan "killed it" and that "He’s pretty damn funny in real life, which doesn’t always translate to TV".^[4] He also joked that Howard is "definitely a better actor than John Krasinski. Without a doubt."^[4] The titular promos are composed of stock footage from The Office, primarily from early seasons of the series. They feature the departed characters Michael Scott (Steve Carell) and Ryan Howard (B.J. Novak).^[5]

Cultural references

In the cold open, Phyllis is seen listening to an audiobook of the erotic romance novel Fifty Shades of Grey on her iPod, which makes everyone uncomfortable due to her arousal. Ryan Howard makes reference to the restaurant Subway's slogan, "Eat Fresh", a reference to the fact that he is a spokesman for the franchise. During the table read of Howard's screenplay, he mentions that it is of utmost importance for them to secure the rights to the name Darth Vader from the popular space movie series Star Wars. Oscar notes that Angela's husband—when he was dressed as former US president Ronald Reagan for Halloween—kissed him like former president John F. Kennedy.^[6] The title of the in-series documentary, The Office: An American Workplace, is the name given to the series itself when it was broadcast in the UK to differentiate it from the British version of the show.^[7] In the context of the series and episode, it is revealed that the documentary is scheduled to air on WVIA-TV, the actual Scranton PBS affiliate.^[8]

Reception

Ratings

"Promos" originally aired on April 4, 2013 on NBC.^[1] In its original American broadcast, the episode was viewed by an estimated 3.44 million viewers and received a 1.8 rating/5 percent share.^[9] This means that it was seen by 1.8 percent of all 18- to 49-year-olds, and 5 percent of all 18- to 49-year-olds watching television at the time of the broadcast.^[9] This marked a decrease in the ratings from the previous episode, "The Farm".^[10] The Office ranked fourth in its timeslot, being beaten by an entry of the ABC series Grey's Anatomy which received a 2.8/8 percent rating, an episode of the CBS police procedural Person of Interest which received a 2.7/8 percent rating, and an installment of the Fox comedy series New Girl which earned a 2.0/6 rating.^[9]

Reviews

Erik Adams of The A.V. Club awarded the episode a "B–".^[8] He noted that it "represents a tipping point for The Office" because it eliminates the fact that—while the characters have known they were on camera—many of the people that the documentary is following have not realized the extent to which the camera people have been following and recording them.^[8] Unfortunately, Adams noted that the strong plots, such as Pam's realization about her relationship, were rushed and that other plots, like Dwight's, were made to "[run] out the clock".^[8] M. Giant of Television Without Pity awarded the episode a "B–".^[6]

Roth Cornet of IGN awarded the episode a 7.9 out of 10, denoting a "good" episode.^[11] She was complimentary towards the fact that the episode had "cohesive, united feel", even though Jim and Darryl were separated from the main action.^[11] She also enjoyed the way "past, present, and (possible) future combined together nicely" and that "the emotion wasn't overplayed".^[11] However, she ultimately that this was not the "funniest episode of The Office that we've ever seen".^[11] Dan Forcella of TV Fanatic awarded the episode 3.5 stars out of 5, and criticized the reintroduction of Brian; he noted that Brian's reappearance felt "forced" and that it ruined "something so innately interesting".^[12]

Nick Campbell of TV.com wrote that the quality of the episode hinged on whether or not you could accept the fact that the characters were unaware of the extent of the footage that the camera crew caught. He wrote that if one could suspend their disbelief on this matter, "this might have been a pretty funny episode".^[13] However, he noted that if one cannot, "this episode is pretty awful."^[13] He ultimately concluded that he could see both sides of the coin, and that while "Promos" had "its moments", it was not the most solid of the series' episodes.^[13] Alan Sepinwall of HitFix felt that "there was good idea hiding inside of 'The Promo' [sic]", but that much of the episode was undermined by the broad nature of the humor.^[14]

References

External links

• "Promos" at NBC.com
• "Promos" at the Internet Movie Database
• "Promos" at TV.com