Postcards from the Edge (film)

Postcards from the Edge

Original poster
Directed by Mike Nichols
Produced by John Calley
Mike Nichols
Written by Carrie Fisher
Starring Meryl Streep
Shirley MacLaine
Dennis Quaid
Gene Hackman
Rob Reiner
Music by Carly Simon
Cinematography Michael Ballhaus
Edited by Sam O'Steen
Distributed by Columbia Pictures
Release dates
  • September 14, 1990
Running time
 101 minutes
Country United States
Language English
Budget $22 million[1]
Box office $39,071,603 (US)[2]

Postcards from the Edge is a 1990 American comedy-drama film directed by Mike Nichols. The screenplay by Carrie Fisher is based on her 1987 semi-autobiographical novel of the same title. The film starred Meryl Streep, Shirley MacLaine and Dennis Quaid.

Plot

Actress Suzanne Vale (Meryl Streep) is a recovering drug addict trying to pick up the pieces of her acting career and get on with her life after being discharged from a rehab center to kick a cocaine-acid-Percodan habit; after overdosing while on a date, her mother admitted her to the rehab center from the emergency room. When she is ready to return to work her agent advises her the studio's insurance policy will cover her only if she lives with a "responsible" individual such as her mother Doris Mann (Shirley MacLaine) who was the reigning musical comedy star of the 1950s and '60s. Suzanne is very reluctant to return to the woman she struggled to escape from for years after growing up in her shadow. The situation is not helped by the fact that Doris is loud, competitive, manipulative, self-absorbed and given to offering her daughter unsolicited advice with insinuating value judgments while treating her like a child.

Producer Jack Faulkner (Dennis Quaid) runs into Suzanne on the set and reveals that he is the one who drove her to the hospital during her last overdose, and the two kiss. Suzanne then agrees to go out with him. During the course of a passionate first date, he professes intense and eternal love for her and she believes every word is true. She learns from Evelyn Ames (Annette Bening), a bit player in her latest film, that Jack is sleeping with Evelyn as well. Still dressed in the costume she wears as a uniformed cop in the schlock movie, Suzanne drives to Jack's house and confronts him. As their argument escalates, Jack implies that Suzanne was much more interesting when she was trying to function while under the influence.

At home, Suzanne learns from Doris that Suzanne's sleazy business manager Marty Wiener has absconded with all her money. This leads to a verbal brawl between the two women, and Suzanne storms out to go to a looping session. There the paternalistic director Lowell Korshack (Gene Hackman) tells her he has more work for her as long as she remains clean and sober.

Suzanne arrives home and discovers that Doris has crashed her car into a tree after drinking too much wine (and Stolichnaya smoothies). Suzanne rushes to her hospital bedside where the two have a heart-to-heart talk while Suzanne fixes her mother's makeup and arranges a scarf on her head to conceal the fact she bloodied her wig in the accident. Looking and feeling better, Doris musters her courage and faces the media waiting for her. Suzanne runs into Dr. Frankenthal (Richard Dreyfuss), who had pumped her stomach after her last overdose, and he invites her to see a movie with him. She declines, telling him she's not ready to date yet. Dr. Frankenthal tells her he's willing to wait until she is.

In the film's closing moments Suzanne performs "I'm Checkin' Out", a foot-stomping Country Western number, for a scene in Lowell Korshack's new film.

Production

In discussing adapting the book for the screen director Mike Nichols commented "For quite a long time we pushed pieces around, but then we went with the central story of a mother passing the baton to her daughter."[3] He added "Carrie doesn't draw on her life any more than Flaubert did. It's just that his life wasn't so well known."[3]

Responding to questions about how closely the film's Suzanne/Doris relationship parallels her relationship with her mother, Debbie Reynolds, Carrie Fisher stated "I wrote about a mother actress and a daughter actress. I'm not shocked that people think it's about me and my mother. It's easier for them to think I have no imagination for language, just a tape recorder with endless batteries."[3] In the DVD commentary she notes that her mother wanted to portray Doris but Nichols cast Shirley MacLaine instead. In her 2013 autobiography, Unsinkable, Reynolds writes that Nichols told her, "You're not right for the part."

Blue Rodeo accompanied Meryl Streep on "I'm Checkin' Out" which was written by Shel Silverstein. Other songs performed in the film include "I'm Still Here" by Stephen Sondheim (sung by MacLaine) and "You Don't Know Me" by Cindy Walker and Eddy Arnold (sung by Streep).

Cast

Jerry Orbach filmed a scene as Suzanne's father, as divulged by writer Carrie Fisher in the DVD commentary, however it was cut.

Critical reception

The film earned positive reviews from critics and currently holds a 90% rating on Rotten Tomatoes based on 29 reviews.

Vincent Canby of The New York Times said the film "seems to have been a terrifically genial collaboration between the writer and the director, Miss Fisher's tale of odd-ball woe being perfect material for Mr. Nichols's particular ability to discover the humane sensibility within the absurd."[4]

Roger Ebert of the Chicago Sun-Times observed, "What's disappointing about the movie is that it never really delivers on the subject of recovery from addiction. There are some incomplete, dimly seen, unrealized scenes in the rehab center, and then desultory talk about offscreen AA meetings. But the film is preoccupied with gossip; we're encouraged to wonder how many parallels there are between the Streep and MacLaine characters and their originals, Fisher and Debbie Reynolds... Postcards from the Edge contains too much good writing and too many good performances to be a failure, but its heart is not in the right place."[5]

Hal Hinson of The Washington Post said, "Meryl Streep gives the most fully articulated comic performance of her career, the one she's always hinted at and made us hope for." He felt the film's earlier section was "the movie's best, primarily because Nichols is so focused on Streep. In fact, almost nothing else seems to matter to him... But while Nichols is servicing his star, he lets the other areas of the film go slack... [He] is finely attuned to the natural surreality of a movie set, but when he moves away from the show-biz satire and concentrates on the mother-daughter relationship, the movie falters."[6]

Box office

The film opened in 1,013 theaters in the United States on September 14, 1990 and grossed $7,871,856 on its opening weekend, ranking #1 at the box office.[7] It eventually earned $39,071,603 in the US.[2]

Awards and nominations

American Film Institute recognition:

References

  1. ↑ http://www.nytimes.com/1989/12/07/movies/it-s-fade-out-for-the-cheap-film-as-hollywood-s-budgets-soar.html?pagewanted=all&src=pm
  2. ↑ 2.0 2.1 "BoxOfficeMojo.com". BoxOfficeMojo.com. 1990-11-06. Retrieved 2011-10-31.
  3. ↑ 3.0 3.1 3.2 Dougherty, Margot (1990-09-28). "''Entertainment Weekly'', September 28, 1990". Ew.com. Retrieved 2011-10-31.
  4. ↑ Canby, Vincent (1990-09-12). "''New York Times'' review". Movies.nytimes.com. Retrieved 2011-10-31.
  5. ↑ "''Chicago Sun-Times'' review". Rogerebert.suntimes.com. Retrieved 2011-10-31.
  6. ↑ "''Washington Post'' review". Washingtonpost.com. 1990-09-14. Retrieved 2011-10-31.
  7. ↑ Broeske, Pat H. (1990-09-17). "Postcards Takes No. 1 at Box Office Movies: Mother-daughter comedy sales hit $8.1 million. Paramount's `Ghost' is in second place on $5.8 million in sales.". Los Angeles Times. Retrieved 2011-01-01.
  8. ↑ AFI's 100 Years...100 Laughs Nominees

External links