Pietà (van der Weyden)

Rogier van der Weyden, Pietà, c 1441.^[1] Oil on oak panel, 32.5cm x 45.8cm. Royal Museums of Fine Arts of Belgium

Pietà is a painting by the Flemish artist Rogier van der Weyden dating from about 1441 held in the Royal Museums of Fine Arts of Belgium, Brussels. There are number of workshop versions and copies, notably in the National Gallery, London, in the Prado, Madrid, and in the Manzoni Collection, Naples.^[2] Infra-red and X-radiograph evidence suggest that the Brussels version was painted by van der Weyden himself, not necessarily excluding the help of workshop assistants.^[3] Dendrochronological analysis gives a felling date of 1431 for the oak panel backing, supporting the dating of the painting to around 1441.^[1]

Campbell & van der Stock describe the painting as evincing a technical and aesthetic mastery in no way inferior to that of The Descent from the Cross, of comparable emotional force and controlled by an equally strongly balanced composition. Christ's dead body is conceived in a similarly natural way as in the Descent, the dangling arms and limp fingers typical of van der Weyden's acute observation. The conspicuous elongation of Christ's wrists has been explained away as the ineptness of an assistant, but equally it might be a consequence of Christ's hanging on the Cross, the kind of realistic detail characteristic of van der Weyden.^[4]

Although a fair number of imitations were made of the Brussels version, only a few were based directly on it. A direct connection can be seen only in the versions belonging to the Rademakers collection in The Hague, the Museum Mayer van den Bergh, Antwerp, and the Manzoni collection, Naples. The Manzoni version combines features from the Brussels version as well as those of the Madrid version and another in the Staatliche Museen, Berlin.^[4][5]

Gallery

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  Pietà, National Gallery, London

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  Pietà, Prado, Madrid

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  Vrancke van der Stockt, Bewening van Christus, circa 1455-60, Museum Mayer van den Bergh, Arnhem

References

Bibliography

• Campbell, Lorne. The Fifteenth Century Netherlandish Schools. London: National Gallery Publications, 1998. ISBN 1-85709-171-X
• Campbell, Lorne & Van der Stock, Jan. Rogier van der Weyden: 1400–1464. Master of Passions. Davidsfonds, Leuven, 2009. ISBN 978-90-8526-105-6
• Dijkstra, Jeltje, Originele en kopie. Een onderzoek naar de navolging van de Meester van Flémalle en Rogier van der Weyden, dissertation, Amsterdam, 1990

Rogier van der Weyden Single religious works Virgin and Child Enthroned (c. 1430–32) The Madonna Standing (c. 1430–32) The Magdalen Reading (fragment, c. 1435–38) Durán Madonna (c. 1435–38) The Descent from the Cross (c. 1435–38) Saint Luke Drawing the Virgin (c. 1435–40) The Dream of Pope Sergius (c. late 1430s) Christ on the Cross with Mary and St John (c. 1440) Pietà (c. 1441) Head of the Virgin (c. 1460) Virgin and Child (c. 1460) Lamentation of Christ (c. 1460–63) Medici Madonna (c. 1460–64) Portraits Portrait of a Woman (c. 1435) Portrait of a Young Woman (c. 1440–45) Portrait of Isabella of Portugal (c. 1445–50) Portrait of Philipp the Good (after 1450) Portrait of Charles the Bold (1460) Portrait of Antoine, 'Grand Bâtard' of Burgundy (c. 1460) Portrait of Francesco d'Este (c. 1460) Portrait of a Lady (c. 1460) Portrait of John I, Duke of Cleves (14??) Diptychs Crucifixion Diptych (c. 1464–65) Diptych of Philip de Croÿ with The Virgin and Child (c. 1460) Triptychs Annunciation Triptych (c. 1434) Miraflores Altarpiece (c. 1442–45) Seven Sacraments Altarpiece (c. 1448) Beaune Altarpiece (c. 1445–50) The Braque Triptych (c. 1452) Saint Columba altarpiece (c. 1455) Altar of Saint John (c. 1455) Nativity Triptych (1460s) Civic The Justice of Trajan and Herkinbald (c. 1450) Miniature Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good (1447–1448) Embroidery Fragments of a Cope with the Seven Sacraments