Philco Radio Time

Philco Radio Time
Other names The Bing Crosby Show
The Bing Crosby Program
Genre Anthology
Running time 30 minutes
Country United States
Language(s) English
Syndicates ABC
Armed Forces Radio Network
Starring Bing Crosby
Peggy Lee
The John Scott Trotter Orchestra
Announcer Ken Carpenter
Bob Murphy
Glenn Riggs
Kenny Delmar
Writer(s) Charles Tazewell
Bill Morrow
Larry Clemmons
Al Lewis
Director(s) Murdo McKenzie
Producer(s) Bill Morrow
Recording studio Hollywood, USA
Air dates October 16, 1946 to June 1, 1949
No. of series 3
No. of episodes 108
Opening theme Where the Blue of the Night (Meets the Gold of the Day)
Sponsor(s) Philco
see below

Philco Radio Time was an old-time radio radio series starring entertainer Bing Crosby. The series ran over ABC Radio with episodes airing from October 16, 1946June 1, 1949.[1][2] The series also was syndicated for a period of time over the Armed Forces Radio Network.

The series is also known for being the first pre-recorded radio program aired on the major USA radio networks. For the first season, the shows were recorded on disc, but beginning with the series' second season, the show began using Ampex tape recorders for their broadcasts.[3][4]

The program was usually recorded in Hollywood and was sponsored by the Philco Corporation.[5]

Show origins

Starting in 1931, singer and entertainer Bing Crosby had had many appearances on radio as a solo performer before Philco Radio Time. In January 1936, Crosby moved from CBS Radio to NBC working as the master of ceremonies for The Kraft Music Hall. In June 1945, with the ensuing accompaniment of much legal wrangling, Bing Crosby terminated his almost, ten-year association with the Kraft Foods Company, leaving himself free to choose another sponsor. He declined other offers in favour of a deal with the Philco Corporation of America which, apart from the financial considerations involved, afforded the appealing convenience of pre-recording his broadcasts. He was obliged to honour an agreement with Kraft which required him to appear in thirteen more shows, the last of which was broadcast in May 1946 but then, on Wednesday October 16th 1946, ‘'Philco Radio Time' - The Bing Crosby Show’, opened on the ABC network and (according to the publicity of the time), Wednesday, became ‘Bing’s Day’. [6]

Overview

Unfortunately, after a promising start, Philco began to lose its audience. This occurred during a three-year period when Bing, in spite of the criticisms levelled at the time, was still, consistently, the cinema’s biggest box-office draw and was still racking up outstanding record sales, including five more million-sellers. Many theories have been propounded for the slump in ratings - loss of voice, loss of spontaneity, loss of sound quality, etc., but in fact, the whole of the radio industry was declining world-wide as a form of entertainment. The public, perhaps, were in pursuit of a more sophisticated distraction than the medium which had served them so well and often been their sole comfort during the war years. Live entertainment was back. Theatres closed for the duration had re-opened their doors; international sporting events could be seen again. The cinema was, naturally, still booming and most significant of all, television had returned, flexing its muscles in preparation for an overwhelming victory as the most popular in-home entertainment. [7]

Season one

Philco Radio Time premiered on Wednesday October 16, 1946 on the newly formed American Broadcasting Company. Bob Hope was the program's first guest.[8]

The program had an audience rating of 16.1 during the season which made it one of the network’s top shows but left it outside the top twenty. Fibber McGee & Molly again topped the Hooper ratings with 30.2 but they had to share the position with Bob Hope.

The series faced immediate problems during its first season having to do with its recording process. The first season of Philco Radio Time was recorded onto 16-inch diameter lacquer-coated aluminum disks. This made editing the show difficult, but not impossible. The actual broadcast was an edited version of the live performance shipped to radio stations on two discs with detailed instructions on when and how to play them. Unfortunately, many people complained that the sound quality was inferior to a live broadcast.

Sound engineer Mary Howard suggested that part of the problem was the local radio stations:

Most stations play a hundred records a day, and they play every last one wrong. Take the new Crosby show. Everybody complains that Bing has lost his voice, that the recording is tinny and distorted. That's nonsense. Bing sings about as well as he ever did, and the recording is all right. It's the stations that play it wrong. The grooves in a record are cut at varying angles and depths with styli of varying sizes. Records have to be played back with corresponding needles set for corresponding angles and sizes to fit the grooves. Until radio stations learn that, these big, nighttime transcribed shows are going to flop.[9]
TIME, Dec. 30, 1946

Season two

Crosby continued to pioneer in radio broadcasting during Philco's second season. To address complaints about the audio quality of the first season of recorded broadcasts, the program brought in Ampex magnetic tape recorders and machines, becoming the first to do so. Beginning with the program's second season premiere on October 1, 1947, Philco Radio Time pre-recorded all of their programs on to tape.[10] Not only was the audio quality much improved, but tape was more easily edited than disks.[11] The audience share for the season was 16.8 which enabled the programme to scrape into twentieth place in the Hooper ratings. Fred Allen’s show was in top place with 28.7 and the Kraft Music Hall (with Al Jolson as host) reached eleventh position with 21.4.

Season three

The third and last season of the program premiered on September 29, 1948. Several "firsts" were made during this season of the program. The first 33rpm long-playing record changer was introduced to the public through this program. Also the first ad for Philco television sets were also broadcast through this program.[12] Philco Radio Time attained an audience share of 15.7 for the season. It reached nineteenth position in the Hooper ratings. The top evening program was the Lux Radio Theater with 28.6. The last episode of the program aired on June 1, 1949.

Sponsors

The series went through several different sponsors throughout its three year run. Below is the list of all the sponsors of the radio program:

Ratings

Season Rank on ABC Rating References
1946-1947 12 16.1 [13]
1947-1948 10 16.8
1948-1949 13 15.7

References

  1. "The Definitive Philco Radio Time Radio Log". Retrieved March 12, 2015.
  2. "PHILCO RADIO TIME". www.bingmagazine.co.uk. Retrieved March 12, 2015.
  3. "AFRS Basic Music Library Plus Philco Radio Time (Sounds of Yesteryear, 2013)". Retrieved March 12, 2015.
  4. "Bing Crosby". www.xminusone.com. Retrieved March 12, 2015.
  5. "A Bing Crosby Discography - part 2c Radio - Philco Radio Time. 16 October 1946 to 1 June 1949". www.jazzdiscography.com. Retrieved March 12, 2015.
  6. Pairpoint, Lionel (2000). "And Here's Bing". Retrieved March 21, 2015.
  7. Pairpoint, Lionel (2000). "And Here's Bing". Retrieved March 21, 2015.
  8. Grudens, Richard (2003). Bing Crosby: Crooner of the Century. Celebrity Profiles Publishing. p. 66. ISBN 1575792486. Retrieved March 12, 2015.
  9. "Philco Radio Time 1946-47". www.stevenlewis.info. Retrieved March 12, 2015.
  10. Sterling, Christopher; O'Dell, Cary (February 9, 2011). The Concise Encyclopedia of American Radio. Routledge. p. 561. ISBN 1135176841. Retrieved March 12, 2015.
  11. "Philco Radio Time 1947-48". www.stevenlewis.info. Retrieved March 12, 2015.
  12. "Philco Radio Time 1948-49". www.stevenlewis.info. Retrieved March 12, 2015.
  13. "The 25 Highest Rated Programs During Radio's Golden Age Blue Network/American Broadcasting Company". www.old-time.com. Retrieved March 12, 2015.