Paul Bley
Paul Bley | |
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Paul Bley recording solo piano in 2006 | |
Background information | |
Birth name | Hyman Paul Bley |
Born |
Montreal, Quebec, Canada | November 10, 1932
Genres | Free jazz, avant-garde jazz, post bop |
Occupation(s) | Musician, composer |
Instruments | Piano |
Associated acts | Charlie Parker, Lester Young, Charles Mingus, Sonny Rollins, Ornette Coleman, Jimmy Giuffre, Steve Swallow, Chet Baker, Gary Peacock, Paul Motian, Annette Peacock, Charlie Haden, John Scofield, Niels-Henning Ørsted Pedersen, Bill Frisell, John Abercrombie, Michael Urbaniak, Pat Metheny, Jaco Pastorius, Charlie Haden, Don Cherry |
Notable instruments | |
Moog synthesizer, ARP synthesizer, Fender Rhodes |
Paul Bley, CM (born November 10, 1932), is a pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. Bley has been a long-time resident of the United States. His music characteristically features strong senses both of melodic voicing and space.
Biography
Paul Bley was born in Montreal, Canada; his adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.[1][2]
In the 1950s he founded the Jazz Workshop in Montreal, performing on piano and recording with Be-Bop alto saxophone genius and composer Charlie Parker. He also performed with tenor saxophonists Lester Young and Ben Webster at that time. In 1953 he conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album. That same year Mingus produced the Introducing Paul Bley album with Mingus and drummer Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.
In 1958, he hired young avant garde musicians Don Cherry, alto saxophonist Ornette Coleman, the late bassist Charlie Haden and drummer Billy Higgins to play at the Hillcrest Club in California.
In the early 1960s he was part of the Jimmy Giuffre 3, with Giuffre on clarinet, and bassist Steve Swallow. The quiet understatement of this music made it possible to overlook its degree of innovation, as well as its repertoire introducing compositions by his ex-wife, pianist and organist Carla Bley. The group's music moved towards free improvisation based on close empathy.
During the same period Bley was touring and recording with tenor saxophonist Sonny Rollins, which culminated with the RCA Victor album Sonny Meets Hawk! with tenor saxophonist Coleman Hawkins.
In 1964 Bley was instrumental in the formation of the Jazz Composers Guild, a co-operative organization which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others. The guild organized weekly concerts and created a forum for the "jazz revolution" of 1964.[3]
Bley had long been interested in expanding the palette of his music using unconventional sounds (such as playing directly on the piano-strings). It was therefore consistent that he took an interest in new electronic possibilities appearing in the late 1960s. He pioneered the use of Moog synthesizers, performing with them before a live audience for the first time at Philharmonic Hall in New York City on December 26, 1969.[4] This "Bley-Peacock Synthesizer Show" performance, a group with Annette Peacock, who had written much of Bley's personal repertoire since 1964, was followed by her playing on the recordings Dual Unity (released under the name "Annette & Paul Bley") and Improvisie, a French release of two extended improvisiational tracks with the trio of Paul on melodic electric piano and modulated synthesizer supporting Annette Peacock's remarkable tonal experiments singing through what sounds to be a Maestro (Tom Oberheim designed) Ring Modulator, and percussion by Dutch free jazz drummer Han Bennink, who had also appeared on part of Dual Unity.
Subsequently Bley returned to a predominant focus on the piano itself.
During the 1970s, Bley, in partnership with videographer Carol Goss, was responsible for an important multi-media initiative, Improvising Artists, which issued LPs and videos documenting the solo piano recordings by Sun Ra and other works of free jazz with Jimmy Giuffre, Lee Konitz, Gary Peacock, Lester Bowie, John Gilmore, Jaco Pastorius, Pat Metheny, Steve Lacy and others. Bley and Goss are credited in a Billboard Magazine cover story with the first "music video" as a result of the recorded and live performance collaborations they produced with jazz musicians and video artists.
Bley was featured in the 1981 documentary film Imagine the Sound, in which he performs and discusses the history of his music.
In the 1990s, Bley joined the faculty of the New England Music Conservatory,[5] however he no longer teaches there.[6] Musicians of note Satoko Fujii and Yitzhak Yedid have studied with Bley at NEC.
Bley has continued to tour internationally and record prodigiously, with well over a hundred CDs released. In 1999 his autobiography, Stopping Time: Paul Bley and the Transformation of Jazz, was published. In 2003 Time Will Tell: Conversations with Paul Bley was published. In 2004 Paul Bley: la logica del caso (Paul Bley: The Logic of Chance) was published in Italian. In 2008, he was made a Member of the Order of Canada.[7]
Discography
As leader/co-leader
Year recorded | Title | Label | Personnel/Notes |
---|---|---|---|
1953 | Introducing Paul Bley | Debut | Charles Mingus, Art Blakey |
1954 | Paul Bley | EmArcy | Percy Heath/Peter Ind, Al Levitt |
1958 | Solemn Meditation | GNP | Dave Pike, Charlie Haden, Lennie McBrowne |
1958 released 1976 |
Live at the Hilcrest Club 1958 | Inner City | Ornette Coleman, Don Cherry, Charlie Haden, Billy Higgins |
1958 released 1977 |
Coleman Classics Volume 1 | Improvising Artists | Ornette Coleman, Don Cherry, Charlie Haden, Billy Higgins |
1962–63 | Footloose! | Savoy | Steve Swallow, Pete LaRoca Re-released with additional tracks as Floater and Syndrome |
1964 | Barrage | ESP-Disk | Dewey Johnson, Marshall Allen, Eddie Gómez, Milford Graves |
1965 | Touching | Fontana | Kent Carter, Barry Altschul |
1965 | Closer | ESP-Disk | Steve Swallow, Barry Altschul |
1966 | Ramblin' | BYG Actuel | Mark Levinson, Barry Altschul |
1966 | Blood | Fontana | Mark Levinson, Barry Altschul |
1966 | In Haarlem - Blood | Polydor | Mark Levinson, Barry Altschul |
1967 released 1971 |
Ballads | ECM | Mark Levinson/Gary Peacock, Barry Altschul |
1967 released 1976 |
Virtuosi | Improvising Artists | Gary Peacock, Barry Altschul |
1963–68 released 1970 |
Paul Bley with Gary Peacock | ECM | Gary Peacock, Paul Motian/Billy Elgart |
1964–68 released 1975 |
Turning Point | Improvising Artists | John Gilmore, Gary Peacock, Paul Motian/Billy Elgart |
1968 | Mr. Joy | Limelight Records | Gary Peacock, Billy Elgart |
1969 | Revenge: The Bigger the Love the Greater the Hate | Polydor | Annette Peacock and various others |
1970 | The Paul Bley Synthesizer Show | Milestone | Dick Youngstein/Glen Moore/Frank Tusa, Steve Hass/Bobby Moses |
1971 | Improvisie | America | Annette Peacock, Han Bennink |
1971 | Dual Unity | Freedom | Annette Peacock, Mario Pavone, Lawrence Cook/Han Bennink |
1972 | Open, to Love | ECM | Solo piano |
1972 | Paul Bley & Scorpio | Milestone | Dave Holland, Barry Altschul |
1973 | Paul Bley/NHØP | SteepleChase | Niels-Henning Ørsted Pedersen |
1974 | Jaco | Improvising Artists | Pat Metheny, Jaco Pastorius, Bruce Ditmas |
1974 | Alone, Again | Improvising Artists | Solo piano |
1974 | Quiet Song | Improvising Artists | Jimmy Giuffre, Bill Connors |
1976 | Japan Suite | Improvising Artists | Gary Peacock, Barry Altschul |
1977 | Pyramid | Improvising Artists | Lee Konitz, Bill Connors |
1977 | Axis | Improvising Artists | Solo piano |
1983 | Tears | Owl | Solo piano |
1983 | Tango Palace | Soul Note | Solo piano |
1983 | Sonor | Soul Note | George Cross McDonald |
1985 | Questions | SteepleChase | Jesper Lundgaard, Aage Tanggaard |
1985 | Hot | Soul Note | John Scofield, Steve Swallow, Barry Altschul |
1985 | My Standard | SteepleChase | Jesper Lundgaard, Aage Tanggaard |
1986 | Fragments | ECM | John Surman, Bill Frisell, Paul Motian |
1986 | Paul Bley & Jesper Lundgaard Live | SteepleChase | Jesper Lundgaard |
1986 | Paul Bley & Jesper Lundgaard Live Again | SteepleChase | Jesper Lundgaard |
1987 | Indian Summer | SteepleChase | Ron McClure, Barry Altschul |
1987 | Notes | Soul Note | Paul Motian |
1987 | The Paul Bley Quartet | ECM | John Surman, Bill Frisell, Paul Motian |
1987 | Solo | Justin Time | Solo piano |
1988 | Live at Sweet Basil | Soul Note | John Abercrombie, Red Mitchell, Barry Altschul |
1988 | Solo Piano | SteepleChase | Solo piano |
1988 | The Nearness of You | SteepleChase | Ron McClure, Billy Hart |
1989 | Blues for Red | Red | Solo piano |
1989 | Rejoicing | SteepleChase | Michal Urbaniak, Ron McClure, Barry Altschul |
1989 | The Life of a Trio: Saturday | Owl | Jimmy Guiffre, Steve Swallow |
1989 | The Life of a Trio: Sunday | Owl | Jimmy Guiffre, Steve Swallow |
1989 | Partners | Owl | Gary Peacock |
1989 | BeBopBeBopBeBopBeBop | SteepleChase | Bob Cranshaw, Keith Copeland |
1990 | Memoirs | Soul Note | Charlie Haden, Paul Motian |
1990 released 1995 |
12 (+6) In a Row | Hat Hut | Hans Koch, Franz Koglmann |
1991 | Changing Hands | Justin Time | Solo piano |
1991 | Lyrics | Splasc(H) | Tiziana Ghiglioni |
1991 | In the Evenings Out There | ECM | John Surman, Gary Peacock, Tony Oxley |
1991 | Paul Plays Carla | SteepleChase | Marc Johnson, Jeff Williams |
1992 | Mindset | Soul Note | Gary Peacock |
1992 | Annette | Hat Hut | Franz Koglmann, Gary Peacock |
1992 | Caravan Suite | SteepleChase | Solo piano |
1992 | Homage to Carla | Owl | Solo piano |
1992 | Paul Bley at Copenhagen Jazz House | SteepleChase | Solo piano |
1993 | Zen Palace | Transheart | Steve Swallow, Paul Motian |
1993 | Hands On | Transheart | Solo piano |
1993 | If We May | SteepleChase | Jay Anderson, Adam Nussbaum |
1993 | Sweet Time | Justin Time | Solo piano |
1993 | Double Time | Justin Time | Jane Bunnett |
1993 | Know Time | Justin Time | Herbie Spanier, Geordie McDonald |
1993 | Synth Thesis | Postcards | Solo piano and synthesizer |
1994 | Time Will Tell | ECM | Evan Parker, Barre Phillips |
1994 released 1998 |
Chaos | Soul Note | Furio Di Castri, Tony Oxley |
1994 | Modern Chant | Venus | David Eyges, Bruce Ditmas |
1994 | Outside In | Justin Time | Sonny Greenwich |
1994 | Emerald Blue | Venus | David Eyges, Bruce Ditmas |
1994 | Speachless | SteepleChase | Rich Perry, Jay Anderson, Victor Lewis |
1994 | Reality Check | SteepleChase | Rich Perry, Jay Anderson, Victor Lewis |
1996 released 2000 |
Sankt Gerold | ECM | Evan Parker, Barre Phillips |
1997 | Notes on Ornette | SteepleChase | Jay Anderson, Jeff Hirshfield |
1998 | Not Two, Not One | ECM | Gary Peacock, Paul Motian |
2000 | Basics | Justin Time | Solo piano |
2001 released 2007 |
Solo in Mondsee | ECM | Solo piano |
2003 | Nothing to Declare | Justin Time | Solo piano |
2007 | About Time | Justin Time | Solo piano |
2008 released 2014 |
Play Blue: Oslo Concert | ECM | Solo piano |
As sideman
With Don Ellis
- 1961: Out of Nowhere (Candid, 1988)
- 1962: Essence (Pacific Jazz)
With Jimmy Giuffre and Steve Swallow
- 1961: The Jimmy Giuffre 3 – Fusion (Verve)
- 1961: The Jimmy Giuffre 3 – Thesis (Verve; remixed re-release by ECM together with Fusion, 1992)
- 1961: Jimmy Giuffre Trio Live in Europe 1961 (Raretone, 1984)
- 1961: Emphasis, Stuttgart 1961 (hatART, 1993)
- 1961: Flight, Bremen 1961 (hatART, 1993)
- 1962: Free Fall (Columbia)
- 1989: The Life of a Trio (2 volumes, Owl)
- 1992: Fly Away Little Bird (Owl)
- 1993: Conversations with a Goose (Soul Note, 1996)
With Sonny Rollins
- 1963: Sonny Meets Hawk! (RCA Victor)
- 1963: Tokyo 1963 (Rare Live Recordings)
With Marion Brown
- 1974: Sweet Earth Flying (Impulse!)
With Charlie Haden
With Lee Konitz
- 1997: Out of Nowhere (SteepleChase)
With John Surman
- 1991: Adventure Playground (ECM)
With Andreas Willers
- 2001: In the North (Between the Lines)
References
- ↑ Paul Bley with David Lee (January 1999). Stopping Time: Paul Bley and the Transformation of Jazz. Véhicule Press. p. 10. ISBN 1-55065-111-0.
- ↑ Bley Paul biography www.jazz.com
- ↑ Paul Bley with David Lee: Stopping Time. Paul Bley and the Transformation of Jazz, Vehicule Press, 1999.
- ↑ Stopping Time
- ↑ "ENCYCLOPEDIA OF JAZZ MUSICIANS".
- ↑ "List of faculty at New England Conservatory of Music".
- ↑ "Governor General Announces New Appointments to the Order of Canada".
External links
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