Os justi (Bruckner)
Os justi | |
---|---|
by Anton Bruckner | |
Interior of St. Florian Abbey, where the dedicatee was choir master | |
Key | Lydian mode |
Catalogue | WAB 30 |
Form | Motet |
Language | Latin |
Composed | 18 July 1879 – Vienna |
Dedication | Ignaz Traumihler |
Vocal | SSAATTBB choir |
Instrumental | Organ (Versus-Choral) |
Os Justi ("The mouth of the righteous"), WAB 30, is a sacred motet composed by Anton Bruckner in 1879. Os justi is a Gregorian chant used as gradual of the Commune Doctorum[1] and as introit of the Commune Confessoris non Pontificis.[2]
History
Bruckner composed this gradual on 18 July 1879. Bruckner dedicated it to Ignaz Traumihler, choirmaster of St. Florian Abbey.[3]
When Traumihler saw the manuscript, he asked: "Ist's der ganze Text?" (Is this the whole text?) Therefore, Bruckner added to it an extra Versus-Choral (verse in Gregorian mode) Inveni David on 28 July 1879. The first performance occurred not as foreseen on Traumihler's name-day (31 July 1879), but four weeks later, on 28 August 1879 on the feast of Saint Augustinus.[3][4]
The work was first edited by Theodor Rättig in 1886, together with three other graduals: Locus iste, Christus factus est and Virga Jesse. In this first edition the extra verse was not included. The extra verse was classified by Grasberger as a separate work (Inveni David, WAB 20).[3] The full original setting is put in Band XXI/28 of the Gesamtausgabe.[5]
Music
The text of the motet is two verses of Psalm 37, which is Psalm 36 in the Vulgata (Psalms 37:30–31). The text of the added verse is taken from Psalm 89 (Psalms 89:20).
Os justi meditabitur sapientiam: |
The mouth of the righteous utters wisdom, |
The work, a 71-bar gradual, is scored in Lydian mode for choir a cappella, and is ending with a 2-bar, unison Alleluja in Gregorian mode. According to Elisabeth Maier the melody of the Alleluja is a quote of the Alleluja of the introit In medio ecclesiae of the Missa de Doctoribus.[6] The extra verse Inveni David, which is scored for unison male voices with organ accompaniment, is Bruckner's own composition.[3] Thereafter the two-bar unison Alleluja is repeated a cappella.
On two occasions (bars 9-13 and 51-56) the choir is divided into eight voices. The second part on "Et lingua ejus" (bars 16-42) is a fugato without any alteration.[7] The sentence before the Alleluja, on "et non supplantabuntur" (bars 65-69), is sung pianissimo by the soprano, on a sustained tonic chord by the five other voices (ATTBB).[7]
Traumihler was a fervent supporter of the Cecilian Movement; the reason why Bruckner composed this motet in Lydian mode, without any alteration in the key and in the whole score, and with large use of unaltered chords.[4]
Selected discography
The first recording of O justi occurred in 1931:
- Ludwig Berberich, Münchner Domchor – 78 rpm: Christschall 141
A selection among the about 120 recordings:
- George Guest, St. John's College Choir Cambridge, The World of St. John's 1958–1977 – LP: Argo ZRG 760, 1973
- Matthew Best, Corydon Singers, Bruckner: Motets – CD: Hyperion CDA66062, 1982
- Elmar Hausmann, Capella Vocale St. Aposteln Köln, Anton Bruckner, Missa solemnis in B, Motetten – LP: Aulos AUL 53 569, 1983
- Wolfgang Schäfer, Freiburg Vocal Ensemble, Anton Bruckner: Motetten – CD: Christophorus 74 501, 1984
- Philippe Herreweghe, la Chapelle Royale/Collegium Vocale, Ensemble Musique Oblique, Bruckner: Messe en mi mineur; Motets – CD: Harmonia Mundi France HMC 901322, 1989
- Joseph Pancik, Prager Kammerchor, Anton Bruckner: Motetten / Choral-Messe – CD: Orfeo C 327 951 A, 1993
- John Eliot Gardiner, Monteverdi Choir, Bruckner: Mass No. 1; Motets – CD: DG 459 674-2, 1998
- Hans-Christoph Rademann, NDR-Chor Hamburg, Anton Bruckner: Ave Maria – Carus 83.151, 2000
- Petr Fiala, Czech Philharmonic Choir, Anton Bruckner: Motets – CD: MDG 322 1422-2, 2006
- Marcus Creed, SWR Symphony Orchestra and Stuttgart-Radio Vocal Ensemble, Mass in E minor and Motets – CD: Hänssler Classic SACD 93.199, 2007
- Stephen Layton, Polyphony Choir, Bruckner: Mass in E minor & Motets – CD: Hyperion CDA 67629, 2007
- Erwin Ortner, Arnold Schoenberg Chor, Anton Bruckner: Tantum ergo – CD: Issue of the choir, 2008
There are only few recordings with the full motet, i.e., with Versus-Choral Inveni David:
- Robert Jones, Choir of St. Bride's Church, Bruckner: Motets – CD: Naxos 8.550956, 1994
- Rupert Huber, Südfunkchor Stuttgart, Romantische Chormusik – CD: Hänssler 91 106, 1996
- Duncan Ferguson, Choir of St. Mary's Cathedral of Edinburgh, Bruckner: Motets – CD: Delphian Records DCD34071, 2010
References
- ↑ Text of Commune Doctorum
- ↑ Text of Commune Confessoris non Pontificis
- ↑ 3.0 3.1 3.2 3.3 van Zwol, pp. 706-707
- ↑ 4.0 4.1 van Zwol, pp. 237-238
- ↑ Gesamtausgabe - Kleine Kirchenmusikwerke
- ↑ Elisabeth Maier, Der Choral in den Kirchenwerken Bruckners, Bruckner-Symposion, 1985, cited in: U. Harten, p. 327
- ↑ 7.0 7.1 M. Auer, pp. 72-73
Sources
- Max Auer, Anton Bruckner als Kirchenmusiker, G. Bosse, Regensburg, 1927
- Anton Bruckner – Sämtliche Werke, Band XXI: Kleine Kirchenmusikwerke, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Hans Bauernfeind and Leopold Nowak (Editor), Vienna, 1984/2001
- Uwe Harten, Anton Bruckner. Ein Handbuch, Residenz Verlag, Salzburg, 1996, ISBN 3-7017-1030-9
- Cornelis van Zwol, Anton Bruckner 1824–1896 – Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN 978-90-6868-590-9
External links
- Os justi: Scores at the International Music Score Library Project
- Free scores for Os justi (Bruckner) in the Choral Public Domain Library (ChoralWiki)
- Critical discography by Hans Roelofs (German)
- A live performance by the UniversitätsChor München (2013) can be heard on YouTube: Os justi - without the Versus-Choral