Os justi (Bruckner)

Os justi
by Anton Bruckner

Interior of St. Florian Abbey, where the dedicatee was choir master
Key Lydian mode
Catalogue WAB 30
Form Motet
Language Latin
Composed 18 July 1879  Vienna
Dedication Ignaz Traumihler
Vocal SSAATTBB choir
Instrumental Organ (Versus-Choral)

Os Justi ("The mouth of the righteous"), WAB 30, is a sacred motet composed by Anton Bruckner in 1879. Os justi is a Gregorian chant used as gradual of the Commune Doctorum[1] and as introit of the Commune Confessoris non Pontificis.[2]

History

Bruckner composed this gradual on 18 July 1879. Bruckner dedicated it to Ignaz Traumihler, choirmaster of St. Florian Abbey.[3]

When Traumihler saw the manuscript, he asked: "Ist's der ganze Text?" (Is this the whole text?) Therefore, Bruckner added to it an extra Versus-Choral (verse in Gregorian mode) Inveni David on 28 July 1879. The first performance occurred not as foreseen on Traumihler's name-day (31 July 1879), but four weeks later, on 28 August 1879 on the feast of Saint Augustinus.[3][4]

The work was first edited by Theodor Rättig in 1886, together with three other graduals: Locus iste, Christus factus est and Virga Jesse. In this first edition the extra verse was not included. The extra verse was classified by Grasberger as a separate work (Inveni David, WAB 20).[3] The full original setting is put in Band XXI/28 of the Gesamtausgabe.[5]

Music

The text of the motet is two verses of Psalm 37, which is Psalm 36 in the Vulgata (Psalms 37:30–31). The text of the added verse is taken from Psalm 89 (Psalms 89:20).

Os justi meditabitur sapientiam:
et lingua ejus loquetur judicium.
Lex Dei ejus in corde ipsius:
et non supplantabuntur gressus ejus.
Alleluia.
Inveni David servum meum, oleo sancto meo unxi eum.
Alleluia.

The mouth of the righteous utters wisdom,
and his tongue speaks what is just.
The law of his God is in his heart:
and his feet do not falter.
Alleluia.[1]
I have found David, my servant; I have anointed him with my holy oil.
Alleluia.[2]

  1. ^ Os justi meditabitur on ChoralWiki
  2. ^ Inveni David on ChoralWiki

The work, a 71-bar gradual, is scored in Lydian mode for choir a cappella, and is ending with a 2-bar, unison Alleluja in Gregorian mode. According to Elisabeth Maier the melody of the Alleluja is a quote of the Alleluja of the introit In medio ecclesiae of the Missa de Doctoribus.[6] The extra verse Inveni David, which is scored for unison male voices with organ accompaniment, is Bruckner's own composition.[3] Thereafter the two-bar unison Alleluja is repeated a cappella.

On two occasions (bars 9-13 and 51-56) the choir is divided into eight voices. The second part on "Et lingua ejus" (bars 16-42) is a fugato without any alteration.[7] The sentence before the Alleluja, on "et non supplantabuntur" (bars 65-69), is sung pianissimo by the soprano, on a sustained tonic chord by the five other voices (ATTBB).[7]

Traumihler was a fervent supporter of the Cecilian Movement; the reason why Bruckner composed this motet in Lydian mode, without any alteration in the key and in the whole score, and with large use of unaltered chords.[4]

Selected discography

The first recording of O justi occurred in 1931:

A selection among the about 120 recordings:

There are only few recordings with the full motet, i.e., with Versus-Choral Inveni David:

References

  1. Text of Commune Doctorum
  2. Text of Commune Confessoris non Pontificis
  3. 3.0 3.1 3.2 3.3 van Zwol, pp. 706-707
  4. 4.0 4.1 van Zwol, pp. 237-238
  5. Gesamtausgabe - Kleine Kirchenmusikwerke
  6. Elisabeth Maier, Der Choral in den Kirchenwerken Bruckners, Bruckner-Symposion, 1985, cited in: U. Harten, p. 327
  7. 7.0 7.1 M. Auer, pp. 72-73

Sources

External links