One Small Hitch

One Small Hitch
Directed by John Burgess
Produced by
  • John Burgess
  • Brett Henenberg
Written by Dode B. Levenson
Starring
Cinematography Tari Segal
Edited by Ryan Koscielniak
Distributed by Freestyle Releasing
Release dates
  • November 8, 2012 (CIFF)
  • February 6, 2015
Running time
105 minutes
Country United States
Language English

One Small Hitch is a 2012 romantic comedy film directed by John Burgess and written by Dode B. Levenson. Shane McRae stars as Josh Shiffman, who learns that his father is dying and his only regret is that he will not get to meet the woman who will one day become his son's wife. Desperate to fulfill his dad's final wish, Josh claims that he already met that woman, Molly Mahoney, who is played by Aubrey Dollar.

Plot

Molly Mahoney flies home to Chicago for her mother's wedding and brings a "mystery man" with her, but when she discovers this Mystery Man has a wife, she dumps him at the curbside check-in. She ends up crying on the shoulder of childhood friend Josh Shiffman, who is flying home for the same wedding. Emotionally drained, Molly passes out in Josh's arms just as he gets a phone call from his parents. Josh learns that his father is dying and his only regret is that he will not get to meet the woman who will one day become his son's wife.

Desperate to fulfill his dad's final wish, Josh claims he has already met that woman, close family friend Molly Mahoney. When Josh sheepishly confesses his ruse in mid-flight, Molly is furious and makes him promise to right the wrong the moment they land. Only when they arrive, it's too late. Word has leaked out, and they are swarmed at the airport by both families with well wishes and congratulatory banners. Molly's family is delighted that her "mystery man" turns out to be Josh, and Josh's dad is thrilled that his playboy son is finally settling down with a nice girl they've known all their lives.

Josh convinces Molly to play fiancée, but as they plan their phony wedding, the two of them start to fall in love for real. This turns their dating lives, and family's interactions upside down.

Cast

Production

Filming took place in Chicago, Illinois, and Los Angeles, California. As a Chicago native, director John Burgess, having attended film school at USC, wanted to go back to his hometown to make his first feature film. To put together the cast, he called upon two veteran casting directors: Monika Mikkelsen in Los Angeles, and Claire Simon in Chicago. To keep costs down, the production cast locally in both cities except for the lead roles of Josh and Molly. Mikkelsen had cast Shane McRae in previous projects and pitched him to play Josh Shiffman. Reels had been sent from various talent agencies and John Burgess came across Aubrey Dollar for Molly Mahoney. Both actors lived in New York and were flown to Chicago and Los Angeles for filming.

The production wanted an established actor with a familiar face to anchor the story and play the dying father. Daniel J. Travanti, a local Chicagoan who had received Emmy and Golden Globes awards, was offered and accepted the role. Janet Ulrich Brooks was then cast as Josh's mom, Frida Shiffman, and Mary Jo Faraci as Molly's mom, Doreen Mahoney, who with their matching red hair could easily be mistaken for the real life mother of Aubrey. Ron Dean, a staple in the Chicago acting community from such films as The Breakfast Club, The Fugitive, and The Dark Knight, accepted the role of Art Burke, Molly's step dad to be, and the parents were all cast. Robert Belushi, well known in Chicago's theater and sketch comedy scene at Second City and Improv Olympic, was cast to play the best friend and over-protective brother, Sean Mahoney, while Rebecca Spence, another staple in the Chicago acting community was subsequently cast as his wife, Molly’s sister-in-law, Carla Mahoney. Lastly, to round out the main cast a femme fatale was needed to throw a monkey wrench into Josh and Molly getting together too quickly. A local actress, Heidi Johanningmeier, who actually first came in to read for the role of Molly, was instead offered the role of Giselle Brousard.

The department heads were filled with local stars from Chicago’s independent filmmaking scene. Tari Segal was hired to shoot the film. She had just wrapped shooting Phedon Popamichael's feature film, Lost Angeles, whom she had interned for a few years earlier on the film he was shooting, Sideways, while she was still attending Columbia College Chicago. Adri Siriwatt was hired as the production designer. Adri came in for the interview covered in paint from a production that she was working on and the producers could tell she wasn't afraid to do whatever it took to get the job done, even if it meant getting her hands dirty. Aly Barohn was hired as the costume designer. The producers' first meeting with Aly was very similar: she had a quirky style and impressive knowledge of current fashion trends that were going on in Venice Beach and Hollywood out on the West Coast, all the way to the Midwest styles that were dominating every age group in the city of Chicago.

Principal photography began in Chicago the last week in October, and many of the crew dressed up in costume on Halloween while filming overnight at O'Hare International Airport. The Windy City portion of the shoot was wrapped up just before Thanksgiving, and then the production was off to Los Angeles for scenes in Hollywood, Venice Beach, and Burbank. When shooting was wrapped in California, John Burgess headed back to Chicago to begin post-production. Ryan Koscielniak, the editor of John's USC graduate thesis film, The Powder Puff Principle, had set up shop in Evanston, IL. The production couldn't afford to hire Ryan full time, so they started meeting on nights and weekends. The process took longer, but it enabled the production to keep costs down to save what money was left for color timing, sound mixing, and music licensing. The production utilized Illinois' 30% film tax credit for finishing funds and completed all post-production activities locally at the famed Chicago Recording Company and Filmworker's Club.

Release

One Small Hitch premiered at the California Independent Film Festival on November 8, 2012.

It will be released theatrically in the United States on February 6, 2015.[1]

Reception

The Radio Times rated it 2/5 stars and called it a "by-the-numbers romantic comedy".[2]

Awards

Soundtrack

  1. "White Dress" – Ben Rector
  2. "Cold Shoulders" – Gold Motel
  3. "Spirit Of Waste" – Goodbye Satellite
  4. "Little Horn" – Suns
  5. "The Joker" – Ives The Band
  6. "Hearts Don't Beat Right" – New Cassettes
  7. "Take It Easy" – Francis
  8. "Hymn 101" – Joe Pug
  9. "421" – The Wildbirds
  10. "Hiding – This Is Me Smiling
  11. "Falling Apart" – The Sleeptalkers
  12. "Beam Me Up" – Go Back To The Zoo
  13. "Puppet" – Brian Lee
  14. "Stay" – Dot Dot Dot
  15. "Chupacabra" – Flatbed Orange
  16. "Now The Rabbit Has The Gun" – Now The Rabbit Has The Gun
  17. "For Your Love" – Marching Band
  18. "Dope Fiend" – Jaime Wyatt
  19. "Right Or Reason" – The Blissters
  20. "Closer" – Sabrosa Purr
  21. "Both Young & Wild" – Aktar Aktar
  22. "Safe & Sound" – Capital Cities
  23. "Poison & Wine" – The Civil Wars
  24. "One Day" – Erin Martin
  25. "Terrified" – Kevin Andrew Prchal
  26. "Stockholm" – Brian McSweeney
  27. "Jag Alskar Dig" – Volcanoes Make Islands
  28. "Under Your Wings I'll Hide" – Immanu El
  29. "This Is For You" – David Dunn

References

External links