Olea Crøger

Olea Crøger (July 17, 1801 – November 21, 1855), the daughter of a pastor from Heddal in Telemark, Norway, is considered a pioneer in the collection of folk music and folklore in her native country. By one account, she responded to the call for citizens to collect disappearing vestiges of Norwgian balladry, in Jørgen Moe and folklore collection published 1840, which was accompanied by melodies edited by Ludvig Mathias Lindeman.^[1] However, Moe's 1840 anthology was not a bona fide ballad collection with the exception of two or three pieces,^[1] and by the time Moe met Crøger in 1842, she had already compiled a substantial collection of genuine ballads.^[1] The Norwegian ballad texts and tunes she collected in the 1840s onward were eventually published through Magnus Brostrup Landstad's Norske folkeviser (1853), which re-edited the raw ballad texts in composite form and normalized spelling. Her collected ballads also comprised a good part of Lindeman's later melody collections.

The contribution by Olea Crøger as pioneer collector of folk ballad and melody had been underappreciated until the 20th century,^[2] Modern folk ballad archivist Øystein Gaukstad has analyzed this in his survey of the history of ballad collecting.^[3] The first 57 melodies in L. M. Lindeman's transcription of 1851 were essentially the melodies she collected,^[4][5] as were 33 of the 114 melodies appended to Landstad's Norske folkeviser (1853).^[6] When Crøger engaged in the ballad collecting, she intended her own name to appear as co-contributor to the work, but Landstad merely acknowledged her in the preface.^[3] Lindeman also stinted crediting Crøger with all but three ballads in his fifty ballad supplement of 1862, but the 1851 manuscript belies this, and Lindeman's debt to her for many more pieces is revealed.^[3] An early commentator A. P. Berggreen suspected that though Lindeman was responsible for the "editing", Crøger had done much of the "collecting".^[3]

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