Noel Black

Noel Black
Born June 30, 1937
Chicago, Illinois, United States
Died July 5, 2014 (aged 77)
Santa Barbara, California, United States
Occupation Film director
Film producer
Screenwriter

Noel Black (June 30, 1937 – July 5, 2014) was an American film and television director, screenwriter, and producer.[1]

Black was born in Chicago, Illinois. He won awards at the 1966 Cannes Film Festival for an 18-minute short subject filmed in 1965 called Skaterdater.[2] It had no dialogue, but used music and sound effects to advance the plot. It was nominated for an Academy Award for best short film in 1966.[3]

He directed the 1968 cult film Pretty Poison,[3] and subsequently concentrated on directing for television, occasionally directing films such as Private School.[4]

Black died of bacterial pneumonia in Santa Barbara, California on July 5, 2014.[3] He was 77.[3]

Early life and education

Black was born in Chicago on June 30, 1937.[3][5][6] He received bachelor’s and master’s degrees in film from the University of California, Los Angeles.[3][5][6]

Career

Black was under the influence of the French New Wave. "I longed to be the American Godard and Truffaut," he said. "I had the best intentions, but the reality of the American film business kicked in. After I left UCLA, I was determined to storm the Bastille by making my way into the industry with a short film."[7]

Skaterdater

Black wrote and directed the 17-18 minute film, Skaterdater (1965), which had no dialogue and was set in California. The short film was about a group of teenage boy skateboarders as well as the romance between one of them and a girl on a bicycle.[3][5][6][7] Black raised $17,000 to make Skaterdater, which was shot with car and tricycle-mounted cameras. United Artists bought the short film for $50,000.[7]

The short film garnered the Palme d'Or for Best Short Film at the 1966 Cannes Film Festival as well as a nomination for the Academy Award for Best Live Action Short Film at the 38th Oscar Ceremony. Skaterdater drew the attention of executives at 20th Century Fox, who hired Black to direct Pretty Poison.[3][5][6][7][8][9] "I didn’t begrudge UA the thousands they made from the short," Black commented. "It led to 20th Century-Fox giving me the chance to make Pretty Poison, on which I was given fairly free rein."[7]

Pretty Poison

Black's directorial debut was Pretty Poison (1968), a black comedy film which starred Anthony Perkins and Tuesday Weld. The screenplay was written by Lorenzo Semple, Jr., and was based on the novel, She Let Him Continue (which was also the working title at the time), by Stephen Geller. Perkins plays a paroled arsonist who pretends to be a secret agent to win over a stunning blonde honors student, played by Weld. But despite a well-scrubbed facade, Weld’s character is in fact a psychopath, and soon the pair are committing a string of crimes, including homicide.[3][5][6][9][10]

It was Black who decided to cast Perkins in the film: "I saw Tony (Perkins) in Neil Simon’s The Star-Spangled Girl on Broadway and thought he’d be ideal. I sent him the script, and he wanted to do it. I then met him for the first time at Joe Allen’s after a performance of the play. He had enormous charm and intelligence, the very qualities I wanted to come through in the role he would be playing. I was looking for the young Tony of Friendly Persuasion and Fear Strikes Out, not Psycho, although commentators naturally made the comparison between Norman Bates and the character in Pretty Poison."[7]

Black took 30 days to shoot at lush locations around Great Barrington, Massachusetts, in the autumn of 1967, with exactly one day in a studio for the scenes in the prison and an office. "While I was looking for the location in four states, I came across a lot of factories expelling worse things into rivers than shown in the film," Black recalled.[7]

During production, Black and Weld reportedly did not get along with each other. She often refused to do what Black demanded of her and would break down and cry.[7] "Don’t talk to me about (Pretty Poison)," she said, "I couldn’t bear Noel Black (the director) even speaking to me. When he said 'good morning,' it destroyed my day."[10]

Some reviewers panned the film, and when it did poorly at the box office, 20th Century Fox pulled it from theatres. But after other critics rose to the film’s defense, the studio soon rereleased it, and it found a cult following.[3][5] "I don’t mind, especially as Pretty Poison is what people like to call 'a cult classic'," said Black. "Most of my few other features were done for money. I had two wives and two children to support."[7][8] Pretty Poison was awarded the New York Film Critics Circle Award for Best Screenplay in 1968.[10]

In 1969, Black spoke about his film to students at Boston University. "Essentially, we saw it as a story with many comedic elements in a serious framework — a kind of black comedy or existential humor of which Dr. Strangelove is a prototype," he said. "We hoped people would take it on more than one level."[3][8]

The film was released on DVD in 2006 by 20th Century Fox Home Entertainment.[5][10] "Lorenzo Semple Jr.’s screenplay is beautifully worked out, and the director, Noel Black, does a superb job of modulating the film’s conflicting elements: the coming-of-age story and the thriller," Charles Taylor said in a New York Times review on the occasion of the film’s DVD release, in 2006.[3]

Cover Me Babe and Jennifer on My Mind

Black's next film, Cover Me Babe (1970), was about a film student who embraces the avant-garde. The film starred Sam Waterston, Sondra Locke and Robert Forster.[3][5][6][8] Like Pretty Poison, Cover Me Babe was also released by 20th Century Fox.[7]

The subsequent film Black directed afterwards was Jennifer on My Mind (1971), and its screenplay was written by Erich Segal, who was known for his novel, Love Story.[3][5][6][8]

Both of Black's films were flops.[3][5] "The gold-plated nail in my career coffin was pounded when, after the box-office failure of Pretty Poison, I accepted a dreadful project, Cover Me Babe, that never should have been made," Black remarked. "I reckoned that it was better to stay active than to wait for a project I believed in. That was a mistake. It was followed by another mistake, Jennifer on My Mind, one of the dozens of unsuccessful drug pictures at the time."[7]

1970s television work

"For five years after the two flops, I devoted myself to writing scripts," Black continued. "Finally in 1976, I decided to get back into directing through episodic television. The idea of it scared me because I had started in the film business at the top with my own feature."[7]

Black went on to write scripts and direct television shows like Kojak and Quincy, M.E. in the mid-1970s. He also directed Ron Howard in an adaptation of Sherwood Anderson's I'm a Fool, which served as a 1977 episode for the PBS series, The American Short Story.[3][5][7][8]

He also directed episodes of such other TV series as McCloud, The Hardy Boys/Nancy Drew Mysteries and Hawaii Five-O.[6][7][9]

Marianne/Mirrors, A Man, a Woman, and a Bank and Private School

Black attempted a return to the big screen in 1978 with a voodoo horror film initially titled Marianne. Having suffered editorial meddling and script changes, it remained unreleased for six years, until it reappeared on video six years later under the title Mirrors.[6][7][8]

Black officially returned to the big screen with A Man, a Woman, and a Bank (1979), a caper comedy film starring Donald Sutherland, Brooke Adams and Paul Mazursky. Roger Ebert on A Man, a Woman and a Bank: "Since he made the legendary Pretty Poison in 1968, Black’s career has drifted from TV assignments to obscure features and back again. He’s never really been able to duplicate the freshness of that first success."[3][5][7]

Black also directed the comedy film, Private School (1983), starring Phoebe Cates and Mathew Modine.[6][8] The New York Times film critic Janet Maslin, on Private School, mentioned that Pretty Poison earned Black a footnote in American film history. "Private School won’t warrant another one."[7]

1980s and 90s television work

Black continued his television work by directing television films including: The Golden Honeymoon (1980) and The Hollow Boy (1991) for PBS; The Electric Grandmother (1982) for NBC; The Other Victim (1981), with William Devane, and Promises to Keep (1985), starring Robert Mitchum, for CBS.[6][8]

He also directed episodes of the 1980s version of The Twilight Zone.[6][9]

Unrealized projects

The Adventures of Augie March

Immediately after Pretty Poison, Black co-wrote, with Fred Segal, a screen adaptation of Saul Bellow’s The Adventures of Augie March, one of many projects that failed to come to fruition.[7]

Killer

In 1974, there was a vain possibility of making a film called Killer, written by Richard Maltby, for New Line Cinema.[7]

A Change of Seasons

Black had been removed from A Change of Seasons (1980) after shooting the first half of the film.[8]

Psycho IV

Towards the end of Perkins' life, he fought long and hard to get Black to direct Psycho IV (1990), but that too was in vain.[7]

Personal life and death

Black was married twice to Sandra MacPhail and Catherine Cownie. Both of his marriages ended in divorce.[3][5] Black had two children, a daughter Nicole and a son Marco, from his marriage to MacPhail.[3][5] Marco Black was "inspired to join the family business" by his father, and he has worked as a unit production manager on CBS's Extant and an assistant director on such films as Old School (2003).[6]

On July 5, 2014, Black died in Santa Barbara Cottage Hospital, located in Santa Barbara, California, of bacterial pneumonia at the age of 77. He is survived by his two children, as well as his son-in-law Renaud Gonthier, and his five grandchildren: Morgan, Cameron, Sidney, Hayden and John.[3][5][6]

Partial filmography

References

  1. ↑ "Noel Black". The New York Times.
  2. ↑ "Festival de Cannes: Skaterdater". festival-cannes.com. Retrieved March 8, 2009.
  3. ↑ 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 3.10 3.11 3.12 3.13 3.14 3.15 3.16 3.17 3.18 3.19 Daniel E. Slotnik (August 1, 2014). "Noel Black, 77, Dies; Directed Dark Comedy Cult Hit". The New York Times.
  4. ↑ Maslin, Janet (July 30, 1983). "Private School (1983) 'PRIVATE SCHOOL'". The New York Times.
  5. ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 5.10 5.11 5.12 5.13 5.14 "Noel Black, Director of Cult Hit ‘Pretty Poison,’ Dies at 77". Variety. 1 August 2014. Retrieved 28 February 2015.
  6. ↑ 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 6.8 6.9 6.10 6.11 6.12 6.13 Barnes, Mike (28 July 2014). "Noel Black, Director of 'Pretty Poison,' Dies at 77". The Hollywood Reporter. Retrieved 28 February 2015.
  7. ↑ 7.0 7.1 7.2 7.3 7.4 7.5 7.6 7.7 7.8 7.9 7.10 7.11 7.12 7.13 7.14 7.15 7.16 7.17 7.18 7.19 Bergan, Ronald (4 August 2014). "Rep Diary: Noel Black on Pretty Poison". Film Comment. Retrieved 28 February 2015.
  8. ↑ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 Hudson, David (25 July 2014). "Noel Black, 1937 – 2014". Fandor. Retrieved 28 February 2015.
  9. ↑ 9.0 9.1 9.2 9.3 "Filmmaker Noel Black dies at 77". Hollywood.com. 28 July 2014. Retrieved 28 February 2015.
  10. ↑ 10.0 10.1 10.2 10.3 Levy, Emanuel (3 August 2014). "Pretty Poison (1968): Tribute to the Late Director Noel Black". Emanuel Levy. Retrieved 28 February 2015.

External links