Nikosthenic amphora

Amazonomachy on a Nikosthenic amphora by Nikosthenes and Painter N, circa520 BC, Louvre.

A Nikosthenic amphora is a type^[1] of Attic vase invented in the late 6th century BC by the potter Nikosthenes, aimed specifically for export to Etruria. Inspired by Etruscan Bucchero types, it is the characteristic product of the Nikosthenes-Pamphaios workshop.

Characteristic features are the angular body of the amphora and the broad flat handles. The Etruscan predecessors were black-painted, whereas the Attic vases were decorated in the black-figure style. Nearly all know examples were found in Caere, while the majority of Nikosthenes products in other shapes were discovered in Vulci. This suggests that the type was specifically made for sale in or to Caere, which indicates that Nikosthenes must have been a gifted salesman and that an efficient system of intermediate traders must have existed. Niksothenes created or introduced several vase shapes, but the Nikosthenic amphora is his most famous innovation.

The clay of the Nikosthenic amphorae is bright orange-red, and thus provides a perfect base for black-figure vase painting. Their decoration follows quite varied patterns. Sometimes, they are subdivided in two or three separate friezes, mostly of plant and animal motifs. In other cases, images cover the whole vase body.

Apparently most, perhaps even all, Nikosthenic amphorae were painted by Painter N, which has been suggested to be identical with Nikosthenes. Production began around 530m to 520 BC and continued under Nikosthenes' successor Pamphaios – at that stage in the red-figure style – to cease between 500 and 490 BC.^[2]

Nikosthenic amphora, probably painted by the BMN Painter, circa 530 BC, Louvre.

Bibliography

John Boardman: Schwarzfigurige Vasen aus Athen. Ein Handbuch, Mainz 1977, p. 72 (Kulturgeschichte der Antiken Welt, Vol. 1) ISBN 3-8053-0233-9
Thomas Mannack: Griechische Vasenmalerei. Eine Einführung. Theiss, Stuttgart 2002, p. 123 ISBN 3-8062-1743-2.
Wolfgang Schiering: Die griechischen Tongefässe. Gestalt, Bestimmung und Formenwandel. 2. Auflage. Mann, Berlin 1983, p. 37f., 46-48, 152 (Gebr.-Mann-Studio-Reihe) ISBN 3-7861-1325-4.

References

↑ Schiering uses the term „Typus“ (type) and avoids the term “Variant“.
↑ Production periods of different amphora shapes on Gießen University website – here wrongly classified as belly amphorae.

External links

Media related to Nikosthenic amphoras at Wikimedia Commons

Pottery of ancient Greece

Wine vessel shapes	Dinos Kotyle Krater Kyathos Psykter Rhyton Skyphos

Tableware	Eye-cup Kantharos Kylix Oenochoe Olpe Patera Pinakion

Perfume, oil, and wedding shapes	Alabastron Aryballos Askos Lebes Gamikos Lekythos Loutrophoros Lydion Pyxis Stirrup jar

Funerary shapes and cultic shapes	Kernos Lekythos Loutrophoros Phiale

Storage shapes	Amphora Hydria Kalathos Kalpis Lebes Pelike Pithos Stamnos

Utilitarian ceramics	Chuta Epinetron Luchnos Situla

Techniques	Bilingual pottery Black-figure Bucchero Red-figure Six's technique Three-phase firing White-ground

Styles	Ancient Greek vase-painting styles

Potters and painters	List of Greek potters List of Greek vase painters List of Little Masters Name vase

Museums noted for pottery	Athens Basel und Ludwig Berlin Bodrum British Edinburgh Getty Heraklion Louvre Thera Ure Vatican Walters

Writers and books	Adolf Furtwängler Corpus Vasorum Antiquorum Dietrich von Bothmer Edmond Pottier John Beazley John Boardman Lexicon Iconographicum Mythologiae Classicae

Special topics in Greek pottery	Frying pans Kalos inscription Nikosthenic amphora Panathenaic amphora Symposium Typology