Neil Harbisson

Neil Harbisson
Born 27 July 1982[1]
United Kingdom
Nationality
Education
Known for
Notable work
  • Sound Portraits, Colour Concerts, Colour Scores, Capital Colours.
Movement Cyborgism
Awards
  • 2014  Bram Stoker Gold Medal[5]
    Trinity College, Dublin
  • 2013  Focus Forward Grand Jury Award[6]
    Sundance Film Festival, USA
  • 2010  Cre@tic Award 2010[7]
    Tecnocampus Mataro
  • 2009  Phonos Music Grant[8]
    IUA Phonos, Spain
  • 2005  Best Performing Story[9]
    ResearchTV, UK
  • 2004  Innovation Award 2004
    Submerge (Bristol, UK)
  • 2004  Europrix Multimedia Award[10]
    Vienna, Austria
  • 2001 & 2010  Stage Creation Award[11]
    IMAC Mataro, Spain

Neil Harbisson is a Catalan-raised, British-born[12] contemporary artist and cyborg activist based in New York.[13] He is best known for being the first person in the world with an antenna implanted in his skull[14] and for being officially recognized as a cyborg by a government.[15] The antenna allows him to perceive visible and invisible colours such as infrareds and ultraviolets via sound waves as well as receive images as sounds, videos as sounds, music or phone calls directly into his head via external devices such as mobile phones or satellites.[16]

Since 2004, international media has described him as the world's first cyborg[17] or the world's first cyborg artist,[18] for expressing himself artistically through a new sense created by the permanent union between cybernetics and his brain. In 2010, he co-founded the Cyborg Foundation, an international organisation that helps humans become cyborgs and promotes cyborgism as an art movement.[19]

Early life and career

Harbisson is the son of a Catalan mother and an Irish father. He was born with extreme colour blindness and has always seen in grayscale. He grew up in Mataró in Catalonia, Spain, where he studied music and art[20] at various schools.[21] He began to compose piano pieces at the age of 11[22] and, at 16, began studying fine art at the Institut Alexandre Satorras, where he was given special permission to use no colour in his work. His early works are all in black and white[23] and these were the only colours he used to wear.[24]

At the age of 18, Harbisson climbed a tree in Mataró to save three trees from being felled.[25] He lived in the tree for several days,[26] supported by over 3,000 people who signed a petition to maintain the trees.[27] After days of protest, the city hall announced the trees would not be cut.[28]

In 2001, Harbisson moved to Ireland to finish his piano studies at Dublin's Waltons New School of Music. In 2002, he moved to England to study music composition at Dartington College of Arts.[29]

Cyborg life

Cyborg Antenna

Harbisson's antenna, which has been permanently attached to his head since 2004, is osseointegrated inside his skull and sprouts from within his occipital bone. It allows him to hear the light frequencies of the spectrum including invisible colours such as infrareds and ultra violets. Internal internet connection also allows him to receive colours from satellites and other people's cameras, as well as receive phone calls directly into his skull. The antenna consists of 4 different implants: two antenna implants, one vibration/sound implant, and a Bluetooth implant that allows him to connect to the internet.[18] There are currently 5 people in the world, one in each continent, allowed to send him images, sounds or videos.[30] The first person to call his head was British American comedian Ruby Wax.[31] The first public demonstration of a skull transmitted image was broadcast live to thousands of viewers watching Al Jazeera's chat show The Stream. The image, a selfie sent from New York by US model Isaac Dean Weber, was received and identified by Harbisson as a face.[32]

The creation of the antenna began in October 2003 at Dartington College of Arts when Harbisson attended a talk related to cybernetics given by Adam Montandon, a Plymouth University student.[16][33] At the end of the talk, Neil suggested they start a project together.[34] This became a project to develop a sensor that tranposed colour frequencies into sound frequencies. [35] Neil memorised the sound of each colour and decided to permanently attach the sensor to his head. In 2004, the project won a Europrix Award (Vienna) and an Innovation Award (Submerge, Bristol). Peter Kese, a software developer from Kranj, upgraded Harbisson’s sensor to 360 different microtones and added different volume levels depending on colour saturation levels[36] and Matias Lizana, from Universitat Politècnica de Catalunya, developed the sensor's software into a smaller chip. [37] The antenna implant, which was rejected by a bioethical committee, was first implanted and then osseointegrated by anonymous doctors.[38]

In May 2011 the antenna was damaged by police who believed that Harbisson had been filming them during a demonstration in Plaça de Catalunya, Barcelona.[39][40] Harbisson filed a complaint as physical aggression, as he considers the antenna to be a body part.[41]

Cyborg passport

In 2004, Harbisson was not allowed to renew his UK passport because his passport photo was rejected. The UK Passport Office would not allow Harbisson to appear with electronic equipment on his head. Harbisson wrote back insisting that the antena should be considered part of his body as he had become a cyborg. Letters from his doctor, friends and his college were sent to the passport office to give him support. After weeks of correspondence Harbisson's antenna was included.[42] Harbisson states that he became a cyborg when the union between his organism and his antenna created a new sense.[43]

Public awareness

Harbisson has contributed significantly to the public awareness of colour and cyborgs by giving regular public lectures at universities, conferences and LAN parties sometimes to an audience of thousands.[44] He has taken part in science, music, fashion and art festivals such as the British Science Festival,[45] TEDGlobal,[46] London Fashion Week,[47] Sónar,[48] and NeoTokyo Festival[49] among others[50]

On 21 July 2011, he became a trending topic on Twitter[51] after giving a lecture to an estimated audience of 7,000 people at Campus Party Mexico.[52]

He has appeared in various television documentary programmes on posthumanism, cyborgs and colour, such as Daily Planet by Discovery Channel,[53] Explorations, Repor, Documentos TV,[54] Redes; in specific documentaries about his life such as Sentir Colors, Cyborg Foundation, La importància dels colors, El Ciborg dels Colors and has guested on a number of chat shows including NBC's Last Call with Carson Daly,[55] Richard & Judy, Buenafuente,[56] Els Matins and Fantástico.[57]

Harbisson has also taken part in radio programmes such as New York's Public Radio International's Studio 360,[58] Outlook by the BBC World Service,[59] La Ventana by Cadena SER,[60] Earth Beat by Radio Netherlands Worldwide,[61] and has appeared in newspapers and magazines such as The New York Times,[62] The New Scientist,[63] Wired,[64] The Scientist,[65]The Red Bulletin,[66] Modern Painters,[36] ¡Hola!,[67] and Muy Interesante.[68]

In 2012, Spanish film director Rafel Duran Torrent, created a short film about Neil Harbisson and the Cyborg Foundation. In 2013, the film won the Grand Jury Prize at the Sundance Film Festival's Focus Forward Filmmakers Competition and was awarded with US$100,000.[69]

Since 2014, The Sound of Colours, a short film about Harbisson's life, directed by Albert Capo with Marius Praniauskas in the lead role, is being planned.[70]

Works

Neil Harbisson conducting a colour concert at Palau de la Musica Catalana, Barcelona (2014).[71]

In 2013, Harbisson's performance artwork was ranked together with the works of Yoko Ono and Marina Abramovic as one of the 10 most shocking performances ever.[72] Harbisson's work is focused on the relationship between colour and sound, and on the relationship between humans and colour.[73] Harbisson's main works have been exhibited during the 54th Venice Biennale[74] at Venice's Giudecca 795 Contemporary Art Gallery,[75] at the Museumsquartier (Vienna), at the Bankside Gallery (London), at the Royal College of Art Gallery (London), at Centre d'Art Santa Mònica (Barcelona),[76] at Can Manyé (Alella),[77] and at Galeria Tramart (Barcelona).[78]

Color Concerts

Harbisson's first performance as a cyborg was Piano Concerto No. 1, in which he painted a Steinway & Sons grand piano with different color paints and used his artificial eye to play the frequencies of the colours. With his next composition, the Pianoborg Concerto, the piano was 'prepared', by attaching a computer to the underside, the sensor of the eyeborg being positioned above the keys. When a colour was shown to the sensor, the computer picked up the frequency and relayed this to the piano, which then played the corresponding note. Neil said 'The piano is playing the pianist, which is what I wanted to achieve'.[79]

Neil Harbisson creating a sound portrait of Philip Glass (New York, 2014).

Sound Portraits

Portraits of people that Harbisson creates by listening to the colours of faces. Each face creates a different micro tone chord depending on its colours. To create a sound portrait he needs to stand in front of the person and point his antenna at the different parts of the face, he then writes down the different notes on a special 360 lined manuscript paper. He explains that photographs can not be used to create these portraits as colours are not the same in pictures as live. Since 2005, he has created sound portraits of, among others, Prince Charles, Woody Allen,[80] Antoni Tàpies, Leonardo DiCaprio, Dame Judi Dench, Moby, James Cameron, Peter Brook, Al Gore, Sir Tim Berners-Lee, Macy Gray, Gael García Bernal,[81] Alfonso Cuarón, Ryoji Ikeda, Gabriel Byrne,[82] Steve Reich,[83] Nicole Kidman, Dame Evelyn Glennie,[84] Steve Wozniak,[85] Tracey Emin and Giorgio Moroder.[86]

The Human Colour Wheel

A color wheel based on the hue and light that Harbisson detected on human skins from 2004 to 2009.[43] Harbisson states that humans are not black or white; human skins range from very light to very dark shades of orange-red to orange-yellow.[87]

City Colours

In 2007, Harbisson started hitch-hiking around Europe to find the main colours of capital cities,[88] visiting more than 50 countries as well as travelling around Britain.[89] He scanned each capital until he was able represent each city with two main hues.[90] In Monaco, it was azure and salmon pink; in Bratislava it was yellow and turquoise; and in Andorra it was dark green and fuchsia.[91] Under the title Capital Colors of Europe Harbisson has exhibited the colours of each capital in several European galleries[92] including Spain, Andorra, UK, and Croatia.[93]

Colour Scores

Hearing colour also means that everyday sounds, such as ring tones or music, become associated with colours too.[94] Colour Scores are a series of paintings where Harbisson transposes the notes of well-known musical pieces into colour.[95]

Collaborations

Harbisson has collaborated extensively with Catalan choreographer Moon Ribas in a series of devised theatre and dance performances. Works such as Opus No.1, premiered at London's BAC Theatre in 2007, and The Sound of the Orange Tree, premiered at Barcelona's Antic Teatre in 2011, combine the use of body electronics, colour and movement on stage and explore the relationship between colour and humans.[96] In 2010, Moon Ribas and Neil Harbisson's The Sound of the Orange Tree won the Stage Creation Award, awarded annually by IMAC Mataró[97] In 2011 they created a sonochromatic video-dance called Walking Colours which was first shown on TV in April 2012.[98]

Harbisson's first colour-to-voice performances were in collaboration with Icelandic singer and Amiina violinist María Huld Markan Sigfúsdóttir. In their performances, María used a computer and a microphone to sing the microtonal colour frequencies that Harbisson used while creating live paintings on stage.[99] Their first performances took place in 2004 at the Ariel Centre (Totnes, UK) and Plymouth Guildhall (Plymouth, UK) in 2005.

Since 2008, Harbisson has been collaborating and performing with Catalan artist and musician Pau Riba with whom he shares the same interest in cyborgs.[100] They first performed in 2008 at Sala Luz de Gas (Barcelona), followed by other performances in Barcelona,[101] Girona and Mataró.[102] One of their recent projects is Avigram (Latin: Avi- (bird); Greek: -gram (written, drawn, recorded)), a structure of 12 strings, one string for each semitone in an octave, installed on a roof of a farm. The installation is being recorded 24 hours a day and a melody is being created depending on which strings birds decide to rest on.[103]

See also

Wikiquote has quotations related to: Neil Harbisson

References

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External links

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