Nazrul Geeti

Kazi Nazrul Islam playing flute in 1926, Chittagong
Music of Bangladesh

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Religious music
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Nationalistic and patriotic songs
National anthem Amar Sonar Bangla
Other Chol Chol Chol
Amar Bhaier Rokte Rangano
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Nazrul Geeti (Bengali: নজরুল গীতি) or Nazrul Sangeet (Bengali: নজরুল সঙ্গীত), literally "music of Nazrul", refer to the songs written and composed by Kazi Nazrul Islam, a Bengali poet and national poet of Bangladesh and active revolutionary during the Indian Independence Movement. Nazrul Sangeet/Geeti incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes.[1] Nazrul wrote and composed nearly 4,000 songs (including gramophone records),[2] which are widely popular in India and Bangladesh.

Background

Nazrul showed the symptoms of keen poetic and musical talent at his tender age and started writing songs when he was a member of a Leto group (Folk Musical Group). Following Kazi Bazle Karim, his uncle and a leader of a Leto group, he became expert in composing songs and setting them to tunes. Joining Leto group enhanced his musical career and put a significant impact on shaping his future musical life. At very young age he was excelled in composing songs in different languages, apart from Bengali language. He met Satish Kanjilal, a teacher of Searsol School who had interest in classical music and some mastery over it. Observing Nazrul's irresistible inclination to music, Mr. Kanjilal imparted him some lessons on classical music. Later Nazrul widened his knowledge on music when he was serving as a Havilder in Karachi Barrack under Bengal Regiment. He learned a great deal of Persian language, literature and music with the help of a religious teacher from Punjab attached with the regiment.

Nazrul Islam's musical style

Revolutionary Mass music

The Mass music and poems of Kazi Nazrul Islam have been widely used during the Indian Independence Movement and Bangladesh Libaration War. The music is highly motivational and revolutionary in nature with strong and powerful words and captivating tunes. It talks about the extremities of everything. The lyrics of those songs are provoking, as they talk against conservatism and about life on a broader parameter of philosophy and spirituality. The beauty of Nazrul's mass music lies in the freedom of its expression, which also drew immense criticism. However, those who understood its philosophy praised the courage and straightforwardness.

Shyama Sangeet

Nazrul made valuable and rich contribution to Shyama Sangeet. He was thoroughly familiar with both Islamic and Hindu tradition and culture, and also he deeply cared about the harmony between Muslims and Hindus.

Ghazal

Nazrul's acquaintance with the tradition of Persian Ghazals, a form of love songs, was very significant in the sense that it paved the base of his successful efforts in composing Bengali Ghazals which he undertook by 1927-28. Bengali Ghazal is, it can be mentioned outright, an innovation by Kazi Nazrul Islam alone. It served as the first mass-level introduction of Islam into the mainstream tradition of Bengali music.

Historical influence

Nazrul used his music as a major way of disseminating his revolutionary notions, mainly by the use of strong words and powerful, but catchy, tunes. Among the revolutionary songs, Karar Oi Louho Kopat (Prison-doors of Steel) is best known and has been used several movies, especially those made during the pre-independence period of Bangladesh.

Notable songs

Notable singers of Nazrul Geeti

Some of the well-known singers of Nazrul Geeti are:[3]

References

  1. ↑ "Nazrul: The ever-shining beacon". The Daily Star. 31 August 2013. Retrieved 26 December 2013.
  2. ↑ Hossain, Quazi Motahar (2000). "Nazrul Islam, the Singer and Writer of Songs". In Mohammad Nurul Huda. Nazrul: An Evaluation. Dhaka: Nazrul Institute. p. 55. ISBN 984-555-167-X.
  3. ↑ Nazrul Artists, retrieved 26 December 2013