Minstrel in the Gallery

Minstrel in the Gallery
Studio album by Jethro Tull
Released	5 September 1975 (UK) 8 September 1975 (US)
Recorded	April 1975 in the Masion Rouge Mobile (Europe)
Genre	Progressive rock,[1][2] hard rock[3]
Length	44:50
Label	Chrysalis
Producer	Ian Anderson
Jethro Tull chronology
War Child (1974) Minstrel in the Gallery (1975) M.U. - The Best of Jethro Tull (1976)
Singles from Minstrel in the Gallery
"Minstrel in the Gallery" Released: 1975 "Summerday Sands" Released: 1975 "Requiem" Released: 1975

Minstrel in the Gallery is the eighth studio album by British band Jethro Tull, recored in April and released in September 1975. The album go on a different direction from their previous work War Child (1974), with the orchestration being replaced by a string quartet conducted by David Palmer. The band also return to the blend of electric and acoustic pieces, in a manner more closely to Aqualung (1971) and Thick as a Brick (1972).^[4][5]

It would be the last album to featured bassist Jeffrey Hammond, who was replaced by former Carmen bass player John Glascock.

Production

The band recorded in a studio in Monte Carlo. Anderson thought that the band was unfocused. Minstrel in the Gallery's lyrics and subject matter show an introspective and cynical air, possibly the byproduct of Anderson's recent divorce from first wife Jennie Franks and the pressures of touring, coupled with the frustrations of writing for and recording the album in Monaco.^[6]

Musical styles and themes

The album' title refers to the use of a minstrel's gallery in the great hall of castles or manor houses. This analogy was used thematically in the opening spoken words of the title track, "Cold Wind to Valhalla" and "Baker St. Muse" and also in the songs lyrics.

Stylistically the album is varied, exemplary of Jethro Tull's best hard rock performances, with long instrumental passages, invested with elements of British folk and archaic, pre-Elizabethan sounds.^[3]

Releases

Minstrel in the Gallery was remastered with five additional bonus tracks in November 2002, including incomplete live-in-the-studio renditions of "Minstrel in the Gallery" and "Cold Wind to Valhalla", some tracks that appeared only on maxi-singles ("Pan Dance", "March the Mad Scientist") and "Summerday Sands" which was the B-side of the "Minstrel in the Gallery" single.

In 2015, commemorating the 40th anniversary of Minstrel in the Gallery, it was released a box set with two CDs and two DVDs, named La Grande Edition. The box contains rare and previously unreleased tracks (such as alternate takes from "Requiem", "Grace" and "One White Duck") including new stereo mixes by Steven Wilson and a live presentation, from 1975 in Palais des Sports, remixed by Jakko Jakszyk. Also, a 80-page booklet featuring track-by-track annotations by Ian Anderson, a history of the group and recollections of life on tour by road crew member Kenny Wylie, maintenance engineer Pete Smith and string section musician Liz Edwards.^[7] Heavyweight vinyl and standard CD editions of the album were also annouced.^[8]

Critical reception

Professional ratings
Review scores
Source	Rating
Allmusic	[3]
Rolling Stone	(unfavourable)[9]
Sounds	(favourable)
Sputnik Music	4.5/5 [10]

Rolling Stone contemporary review has a negative approach towards Minstrel in the Gallery, stating that "The fact that Ian Anderson and the lads have once again plundered the British secular music tradition signifies little and delivers less." The review recalls the music in terms as "a wash of lugubrious string passages", the "anachronisms of Jeffrey Hammond-Hammond's mechanical bass lines" and "Martin Barre's hysterical electric guitar montages". The lyrics are considered "contrary to the LP's basic concept [...] instantly forgettable".^[11]

AllMusic gave a favourable review, stating that the album is the "most artistically successful and elaborately produced album since Thick as a Brick". Analysing the music, it said: "Martin Barre's attack on the guitar is as ferocious as anything in the band's history, and John Evan's organ matches him amp for amp, while Barriemore Barlow and Jeffrey Hammond-Hammond hold things together in a furious performance. Anderson's flair for drama and melody come to the fore in "Cold Wind to Valhalla," and "Requiem" is the loveliest acoustic number in Tull's repertory, featuring nothing but Anderson's singing and acoustic guitar, Hammond-Hammond's bass, and a small string orchestra backing them".^[1]

Charts

Minstrel in the Gallery received Gold Certification in both the United States and the UK and is the eighth best selling Jethro Tull album.^[12] The album peaked at No. 7 on the Billboard album chart, and at No. 20 in the UK Albums Chart - Songs from the Wood would sell better two years later in the UK.^[13] It also charted in Norway, reaching No. 13, and Austria, where it reached also No. 7, and in Sweden where it reached the No. 50 spot.

Track listing

All songs written and composed by Ian Anderson, except as noted. Arrangements for orchestra were written by David Palmer. All credits derived from the original record pressing. 

• All five bonus tracks originally appeared on the 20 Years of Jethro Tull box-set.

Personnel

Credits are adapted from Minstrel in the Gallery liner notes.^[14]

Jethro Tull

• Ian Anderson – flute, acoustic guitar, vocals
• Martin Barre – electric guitars
• John Evan – piano and organ
• Jeffrey Hammond – bass guitar and string bass
• Barriemore Barlow – drums, percussion

Additional personnel

• David Palmer – orchestral arrangements and conduction
  • Rita Eddowes, Elizabeth Edwards, Patrick Halling and Bridget Procter - violins
  • Katharine Tullborn - cello
• Brian Ward - photographs
• Ron Kriss and J.E. Garnett - front cover, based on a print by Joseph Nash
• Robin Black - sound engineering

References

External links

• Minstrel in the Gallery (1975) at AllMusic
• Minstrel in the Gallery (2002) at AllMusic (bonus tracks)
• Minstrel In The Gallery at Progressive World