Michael Dorris

Michael Dorris
Born Michael Anthony Dorris
January 30, 1945
Louisville, Kentucky, USA
Died April 10, 1997 (aged 52)
Concord, New Hampshire, USA
Pen name Milou North
Occupation Academic, fiction writer
Nationality American
Genre Children's fiction, memoir
Subject Native American Studies
Notable works
Spouse Louise Erdrich (m. 1981)

Michael Anthony Dorris (January 30, 1945[1] – April 10, 1997) was an American novelist and scholar who was the first Chair of the Native American Studies program at Dartmouth.[2][3] His works include the memoir, The Broken Cord (1989) and the novel, A Yellow Raft in Blue Water (1987). He was married to author Louise Erdrich and the two frequently collaborated in their writing. He committed suicide in 1997 while police were investigating allegations that he had abused his daughters.

The Broken Cord, which won the 1989 National Book Critics Circle Award for General Nonfiction, helped provoke Congress to approve legislation to warn of the dangers of drinking alcohol during pregnancy.[4]

Biography

Michael Dorris was born in Louisville, Kentucky[1][5] to Jim and Mary Besy (Burkhardt) Dorris. His father died before Dorris was born (reportedly by suicide during WWII), and Dorris was raised as an only child by his mother, who became a secretary for the Democratic Party.[6] It has been reported that two maternal relatives also help raise him, either two aunts,[6] or an aunt and his maternal grandmother.[1] In his youth he spent summers with his father's relatives on reservations in Washington and Montana.[1] In an article published in New York magazine two months after Dorris's death, a reporter quoted the Modoc tribal historian as saying, "Dorris was probably the descendant of a white man named Dorris whom records show befriended the Modocs on the West Coast just before and after the Modoc War of 1873. Even so, there is no record of a Dorris having been enrolled as an Indian citizen on the Klamath rolls."[6] The Washington Post provides a contrary report of Dorris's descent: "Dorris' father's mother, who was white, became pregnant by her Indian boyfriend, but, the times being what they were, she could not marry him. She later married a white man named Dorris."[7]

He received his BA (cum laude) in English and Classics from Georgetown University in 1967 and a Masters degree from Yale University in 1971 in anthropology, after beginning studies for a theater degree.[1] He did his field work in Alaska studying the effects of off shore drilling on the Native Alaskan communities.[5] In 1972, Dorris helped form Dartmouth College's Native American Studies department,[8] and was its first Chair.[4]

In 1971, he became one of the first unmarried men in the United States to adopt a child.[8][9] His adopted son, a three-year-old Lakota boy named Reynold Abel, was eventually diagnosed with fetal alcohol syndrome. Dorris' struggle to understand and care for his son became the subject of his work The Broken Cord (in which he uses the pseudonym "Adam" for his son). Dorris adopted two more Native American children, Jeffrey Sava in 1974 and Madeline Hannah in 1976, both of whom also likely suffered from fetal alcohol syndrome.[10] In 1975, he wrote the text to accompany the photographs of Joseph C. Farber in the book Native Americans: Five Hundred Years After.[11] He was named a Guggenheim Fellow in 1977 for his work in Anthropology & Cultural Studies.[12] In 1980, he and his 3 adopted children left their home in Cornish, New Hampshire to spend a year's sabbatical in New Zealand.[5]

After returning to the United States, in 1981 he married Louise Erdrich,[4] a writer of German-American, Métis and Anishinaabe descent, whom he had initially met ten years earlier while he was teaching at Dartmouth and she was a student.[6] During his sabbatical in New Zealand, Dorris and Erdrich had begun corresponding regularly by mail.[5] After their marriage, she adopted his three children and eventually gave birth to their three daughters: Persia Andromeda, Pallas Antigone, and Aza Marion.[4] Erdrich and Dorris contributed to each other's writing[4] and together wrote romance fiction under the pseudonym Milou North to supplement their income, with many of their works being published in the British magazine Woman[13] Erdrich dedicated her novels The Beet Queen (1986)[6] and Tracks[14] (1988) to Dorris. The family lived in Cornish, New Hampshire.[15]

While teaching at Dartmouth, Dorris frequently mentored other students and was part of the successful effort to get rid of the college's Indian mascot.[5] In 1985, after the couple had received major grants, the family moved for a year to Northfield, Minnesota.[5]

Beginning in 1986, his son Sava was sent to boarding school and military school.[6] Madaline began going to boarding school when she was 12.[5] After the success of The Broken Cord in 1989, and an advance of $1.5 million for the outline of Crown of Columbus, Dorris quit teaching at Dartmouth to become a full-time writer.[5] In 1992, his oldest son Reynold Abel was hit by a car and killed.[16] Dorris, Erdrich and their three daughters moved to Kalispell, Montana, allegedly because of death threats that Sava had made towards them.[5] They later moved back to New Hampshire in 1993,[5] and then to the Piper Mansion in Minneapolis.[6]

Sava sent a letter to the couple in 1994 threatening to "destroy their lives" and demanding money. Dorris and Erdrich took Sava to court for attempted felony theft. The first jury deadlocked, and the next year Sava was acquitted of the charges.[5]

The couple separated, and Dorris went for treatment of alcohol abuse at Hazelden.[6] Dorris and Erdrich divorced in 1996,[17] Dorris considered himself "addicted to" Erdrich and fell into a depression.[17]

Madeline[5] and two of his biological daughters made allegations of abuse against him.[4] Dorris made a failed suicide attempt in March 1997.[17] On April 10, 1997, Dorris used a combination of suffocation, drugs, and alcohol to commit suicide in the Brick Tower Motor Inn in Concord, New Hampshire. In conversations with friends, Dorris maintained his innocence and his lack of faith that the legal system would exonerate him without him "demolishing" his wife and children in a "vicious" court trial.[17] With his death, the criminal investigations into the sexual abuse allegations were closed.[18]

Reception

Dorris is the author, co-author, or editor of a dozen books in the areas of fiction, memoir and essays and non-fiction.

His Yellow Raft in Blue Water (1987) has been named among the "finest literary debuts of the late 20th century."[8] It tells the story of three generations of women in a non-linear fashion from multiple perspectives, a technique that Dorris would frequently use in his later writings as well.[17]

His memoir The Broken Cord is credited with bringing "international attention to the problem of fetal alcohol syndrome".[9] The book won a number of awards including the Christopher Award and the National Book Critics Circle Award for General non-fiction.[19] The book is credited with inspiring Congressional legislation on FAS,[17] and was the basis for a made-for TV film,[17] with Jimmy Smits playing Dorris.[6] In an essay originally published in the Wicazo Sa Review, Elizabeth Cook-Lynn criticizes Dorris and Erdrich (who had written the Foreword), claiming that they are calling for the jailing alcoholic Native mothers during their pregnancies to forestall fetal alcohol syndrome.[20]

When he and Erdrich co-wrote The Crown of Columbus (the only fiction that they officially share credit, although they frequently stated that they collaborated on many of each other's works), each would individually produce a preliminary draft of each section.[21] Within the novel, various characters are writing collaborators, and the work has been identified as an autobiographical representation of creative "pleasure and problems" Dorris and Erdrich shared.[22]

His 1997 Cloud Chamber continued the story of the families introduced in Yellow Raft in Blue Water; telling "the hard story of hard people living difficult lives with much courage" (LA Times Book Review) and is written with "evocative prose" (Publishers Weekly).[23]

Dorris published three works for young adults during his life, and The Window was published after his death. Like his other work, the novels explored issues of identity, as well as sibling rivalry.[17]

Works

See also

References

  1. 1.0 1.1 1.2 1.3 1.4 Sharp, Michael D. (2006-09-01). Popular Contemporary Writers: Index Volume. Marshall Cavendish. pp. 551–. ISBN 9780761476016. Retrieved 10 December 2012.
  2. "Michael Dorris". Dartmouth.edu. Retrieved 2013-10-24.
  3. "History". Dartmouth.edu. 1970-03-02. Retrieved 2013-10-24.
  4. 4.0 4.1 4.2 4.3 4.4 4.5 O'Reilly, Andrea (2010-04-06). Encyclopedia of Motherhood. SAGE Publications. pp. 5–. ISBN 9781412968461. Retrieved 6 December 2012.
  5. 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 5.10 5.11 COLIN COVERT (Aug 3, 1997). "The anguished life of Michael Dorris". StarTribune.com. Retrieved 16 December 2012.
  6. 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 6.8 New York Magazine. New York Media, LLC. 1997-06-16. Retrieved 8 December 2012.
  7. Streitfield 1997
  8. 8.0 8.1 8.2 JOSIE RAWSON (Apr 21, 1997). "A broken life - Salon.com". Salon. Retrieved 6 December 2012.
  9. 9.0 9.1 LA Times Staff and wire reports (April 15, 1997). "Michael Dorris; Chronicler of Fetal Alcohol Syndrome". Los Angeles Times. Retrieved 6 December 2012.
  10. Kate Falvey (2010). Andrea O'Reilly, ed. Encyclopedia of Motherhood, Volume 1. Sage. p. 355.
  11. Linda Ledford-Miller. Emmanuel Sampath Nelson, ed. The Greenwood Encyclopedia of Multiethnic American Literature A–C. Greenwood Press. p. 609.
  12. "Search Results 1977". John Simon Guggenheim Memorial Foundation. Retrieved 8 December 2012.
  13. Lorena Laura Stookey (1999). Louise Erdrich: A Critical Companion. Greenwood Press. p. 4.
  14. Quennet, Fabienne C. (2001). Where 'Indians' Fear to Tread?: A Postmoden Reading of Louise Erdrich's North Dakota Quartet. LIT Verlag Münster. pp. 223–. ISBN 9783825855987. Retrieved 8 December 2012.
  15. Coltelli, Laura (1992). Winged Words: American Indian Writers Speak. U of Nebraska Press. pp. 42–. ISBN 9780803263512. Retrieved 10 December 2012.
  16. Couser, G. Thomas (2004). Vulnerable Subjects: Ethics and Life Writing. Cornell University Press. pp. 209–. ISBN 9780801488634. Retrieved 6 December 2012.
  17. 17.0 17.1 17.2 17.3 17.4 17.5 17.6 17.7 Carnes, Mark C. (2005-05-12). American National Biography: Supplement 2: Supplement 2. Oxford University Press. pp. 149–. ISBN 9780195222029. Retrieved 6 December 2012.
  18. Rawson, Josie (1997). "a broken life". Salon.
  19. O'Connor, Maureen (2011-08-23). Life Stories: A Guide to Reading Interests in Memoirs, Autobiographies, and Diaries. ABC-CLIO. pp. 268–. ISBN 9781610691468. Retrieved 6 December 2012.
  20. Cook-Lynn, Elizabeth. 2001. Anti-Indianism in Modern America: A Voice from Tatekeya's Earth. University of Illinois Press. p81
  21. Laird, Holly A. (2000-05-11). Women Coauthors. University of Illinois Press. pp. 307–. ISBN 9780252025471. Retrieved 6 December 2012.
  22. Karell, Linda K. (2002). Writing Together, Writing Apart: Collaboration in Western American Literature. U of Nebraska Press. pp. 202–. ISBN 9780803227491. Retrieved 8 December 2012.
  23. Lesher, Linda Parent (2000-02-01). The Best Novels of the Nineties: A Reader's Guide. McFarland. pp. 203–. ISBN 9780786407422. Retrieved 6 December 2012.
Other sources

Further reading

External links