Merle Hodge

Merle Hodge (born 1944) is a Trinidadian novelist and critic. Her 1970 novel Crick Crack, Monkey is a classic of West Indian literature.[1]

Biography

Merle Hodge was born in 1944, in Curepe, Trinidad, the daughter of an immigration officer. She received both her elementary and high-school education in Trinidad, and as a student of Bishop Anstey High School, she won the Trinidad and Tobago Girls' Island Scholarship in 1962. The scholarship allowed her to attend University College, London, where she pursued studies in French. In 1965 she completed her B.A. Hons. and received a Master of Philosophy degree in 1967, the focus of which concerned the poetry of the French Guyanese writer Léon Damas.

Hodge did quite a bit of traveling after obtaining her degree, working as a typist and baby-sitter to make ends meet. She spent much time in France and Denmark but visited many other countries in both Eastern and Western Europe. After returning to Trinidad in the early 1970s, she taught French for a short time at the junior secondary level. She then received a lecturing position in the French Department at the University of the West Indies (UWI), Jamaica. At UWI she also began the pursuit of a Ph.D. in French Caribbean Literature. In 1979 Maurice Bishop became prime minister of Grenada, and Hodge went there to work with the Bishop regime. She was appointed director of the development of curriculum, and it was her job to develop and install a socialist education program. Hodge had to leave Grenada in 1983 because of the execution of Bishop and the resulting U.S. invasion. Hodge is currently working in Women and Development Studies at the University of the West Indies in Trinidad.[2]

Writings and themes

To date, Merle Hodge has written two novels: Crick Crack, Monkey (1970) and The Life of Laetitia, which was published more than two decades later, in 1993.

Hodge's first novel, Crick Crack, Monkey, concerns the conflicts and changes a young girl, Tee, faces as she switches from a rural Trinidadian existence with her Aunt Tantie to an urban, anglicized existence with her Aunt Beatrice. With Tee as narrator, Hodge guides the reader through an intensely personal study of the effects of the colonial imposition of various social and cultural values on the Trinidadian female. Tee recounts the various dilemmas in her life in such a way that it is often difficult to separate the voice of the child, experiencing, from the voice of the woman, reminiscing; in this manner, Hodge broadens the scope of the text considerably. Cultural appropriation, when those who are colonized appropriate the culture of the colonizers, is exemplifed in the story of Crick Crack Monkey.

The Life of Laetitia (1993), the story of a young Caribbean girl's first year at school away from home, was well received, one review calling it "a touching, beautifully written coming-of-age story set in Trinidad".[3]

Hodge has also published various essays concerning life in the Caribbean and the life and works of Léon Damas, including a translation of Damas's collection of poetry, Pigments.[4]

Published works

Novels

Selected criticism

Further reading

References

  1. Martin Japtok, "Two Postcolonial Childhoods: Merle Hodge's Crick Crack, Monkey and Simi Bedford's Yoruba Girl Dancing", Jouvert: Journal of Post-Colonial Studies, Volume 6, Special issue: Growing Up Elsewhere, Issues 1 - 2 (Fall 2001).
  2. "Merle Hodge, Trinidad, 1944", Writers of the Caribbean.
  3. Phillis Gershator, review of Merle Hodge, For the Life of Laetitia, The Caribbean Writer.
  4. Merle Hodge biography, English Department, Emory University.

External links