Luther (comic strip)

Luther
Author(s) Brumsic Brandon Jr.
Current status / schedule Concluded
Launch date 1969
End date 1986
Syndicate(s) Los Angeles Times Syndicate
Genre(s) comedy-drama

Luther is an American syndicated newspaper comic strip published from 1969 to 1986, created and produced by cartoonist Brumsic Brandon Jr. The series, about an African-American elementary-school child, was the second mainstream comic strip to star an African-American in the lead role, following Dateline: Danger! (1968-1974), the first to do so. Another predecessor, Wee Pals (1965- ), features an African-American among an ensemble cast of different races and ethnicities.

Publication history

A Luther strip (date unknown) with an example of cartoonist Brumsic Brandon's satirical, race-based humor

Brumsic Brandon Jr. (b. 1927), who published his first cartoon in 1945, did editorial cartoons before conceiving of a comic strip about inner-city African-American children and a gently satirical theme about the struggle for racial equality.[1][2] He named his title character, a third-grader, after Civil Rights activist the Rev. Dr. Martin Luther King Jr.[3]

The strip was first syndicated by the Reporters' News Syndicate[2] or by Newsday Specials[4] (sources differ), but was then picked up by the Los Angeles Times Syndicate.[2][4]

Brumsic's daughter, Barbara Brandon, who would grow up to become the first nationally syndicated female African-American cartoonist,[2] sometimes assisted her father with such tasks as applying Letratone, a transparent sheet with dots that read in print as African-American skin tone.[5]

Cast

Source:[2]

The children attended the Alabaster Avenue Elementary School.[6]

Critical analysis

Cartoon historian Maurice Horn wrote that, "Although his gags were often about racism, Brandon was also successful in using his nicely designed urban inner-city kids to get his message of racial equality across."[2]

The African-American artist and essayist Oliver W. Harrington wrote in 1976[6] that with Luther,

The cartoonist is actually violating what has always been an American taboo, and that is to create non-white characters or even poor white characters who are human, sympathetic and even lovable. Brandon employs his irresistible humor to level the walls of racism. And what better stage setting could he devise than the schools and the kids they're trying to educate.[7]

Luther collections

See also

References

  1. Brumsic Brandon Jr. at the Lambiek Comiclopedia. Archived from the original on May 1, 2014.
  2. 2.0 2.1 2.2 2.3 2.4 2.5 Horn, Maurice, ed. (1996). 100 Years of American Newspaper Comics. New York York: Gramercy Books. pp. 190–191. ISBN 0-517-12447-5.
  3. McGrath, Ben (April 19, 2004). "The Radical: Why do editors keep throwing 'The Boondocks' off the funnies page?". The New Yorker. Archived from the original on November 5, 2012. Retrieved 2014-05-01.
  4. 4.0 4.1 "'Coloring Outside the Lines: Black Cartoonists as Social Commentators' exhibit to open at Laney". Oakland Local. August 6, 2010. Archived from the original on August 23, 2010. Retrieved February 23, 2014.
  5. Jones, Lisa (2010). Bulletproof Diva. Anchor Books. p. 89. ISBN 978-0-307-77381-4.
  6. 6.0 6.1 Johnson, Charles Richard; Byrd, Rudolph P., ed. (1999). I Call Myself an Artist: Writings by and about Charles Johnson. Indiana University Press. p. 208. ISBN 978-0253335418.
  7. Harrington, Oliver W. (1993). Why I Left America, and Other Essays. University Press of Mississippi. p. 87. ISBN 978-0878056552.

External links