Louis Gaulard Dumesny

Dumesnil (also known as Louis Gaulard Dumesny) (fl. 1677–1700, died 1702) was a French operatic tenor.^[1] His surname is sometimes found spelt Duménil, Dumény, du Mény, or Du Mesny.

Little is known about Dumesnil's early life, legend has it that he was working as a cook when Jean-Baptiste Lully heard him singing and was impressed by his natural and well focused voice, his vocal range was then known as haute-contre.

He made his stage debut in 1677,^[2] singing a small part in Isis, and then went on creating all roles within his range in a series of operas by Lully. After Lully's death he created several other roles in operas by different composers, notably Pascal Collasse, Marc-Antoine Charpentier, André Campra, and André Cardinal Destouches.

An excellent actor with a powerful voice, he seemed to have learned all his roles by memory as he did not know how to read music. Reputed as a libertine, and for his dispute with La Maupin.

Roles created

• 1682: The title role in Persée by Lully
• 1684: The title role in Amadis by Lully
• 1686: Renaud in Armide by Lully
• 1686; Acis in Acis et Galatée by Lully
• 1687: Achille in Achille et Polyxène by Lully and Collasse
• 1689: Pélée in Thétis et Pélée by Collasse
• 1690: Énée in Énée et Lavinie by Collasse
• 1693: Énée in Didon by Henri Desmarets
• 1693: Jason in Médée by Marc-Antoine Charpentier
• 1697: Octavio in L'Europe galante by André Campra
• 1697: Philémon in Issé by Destouches
• 1697: Adonis in Vénus et Adonis by Henri Desmarets
• 1699: in Amadis de Grèce by Destouches

References

• Weller, Philip (1992), 'Dumesnil' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
• Le guide de l'opéra, les indispensables de la musique, R.Mancini & J.J.Rouvereux, (Fayard, 1986), ISBN 2-213-01563-5