List of works by Thomas Eakins

Photograph of Thomas Eakins circa 1882

This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins. As there is no catalogue raisonné of Eakins' works,^[1] this is an aggregation of existing published catalogs.

Background

During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan Macdowell Eakins, who kept them in their Philadelphia home. She dedicated the remaining years of her life to burnishing his legacy. In this, she was quite successful; in the period between Thomas Eakins' death and her own, she donated many of the strongest remaining pictures to museums around the world. The Philadelphia Museum of Art benefited particularly from these donations.

After Susan Macdowell Eakins' death in 1938, her executors emptied the house of anything which could be sold at auction. When former Eakins student Charles Bregler arrived at the house after it had been stripped he was horrified at what he found, describing it as the "most tragic and pitiful sight I ever saw. Every room was cluttered with debris as all the contents of the various drawers, closets etc were thrown upon the floor as they removed the furniture. All the life casts were smashed... I never want to see anything like this again."^[2] The number of works lost or destroyed at this time will never be known.

Bregler carefully collected what was left. Most of what remained were drawings and other preparatory studies. He was highly secretive about the contents of his collection and rarely allowed anyone to see it. After Bregler's death, ownership of the collection passed to his second wife, Mary Louise Picozzi Bregler, who was even more guarded as to its contents. In 1986, shortly before her death, Mary Bregler agreed to sell the works to the Pennsylvania Academy of Fine Arts.^[3]

Historiography

In the early 1930s, Susan Macdowell Eakins invited art historian Lloyd Goodrich into her home. Goodrich inventoried the collection in the house, interviewed Eakins' surviving associates, and studied Eakins' personal notes. In 1933, Goodrich published Thomas Eakins: His Life and Works. Though it was incomplete, un-illustrated, and did not include Eakins' photographs, Goodrich's book was the first definitive study of Eakins and the first attempt to catalog his artistic output.^[4]

In the 1970s, Gordon Hendricks published two Eakins catalogs. The Photographs of Thomas Eakins (1972; ISBN 0-670-55261-5) is a fully illustrated catalog of photographs by Thomas Eakins and his associates. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalog are educated guesses on Hendricks' part. It is difficult to know who took a particular photograph because Eakins often had his students use it. Hence, the attribution on many of these photographs is "Circle of Eakins" to indicate that a photograph was taken either by Eakins or one of his associates. The Life and Work of Thomas Eakins (1974; ISBN 0-670-42795-0) included a checklist of Eakins' works, a number of which had not been included in the 1933 Goodrich catalog.

In the 1980s, Lloyd Goodrich returned to the subject of Thomas Eakins. He began writing a three-volume book, Thomas Eakins. The first two volumes, published in 1982, were biographic in nature. Goodrich was unable to complete the third volume, a Thomas Eakins catalogue raisonné, before he died in 1987. He donated his papers to the Philadelphia Museum of Art, in the hopes that the curators there would finish the catalogue raisonné. This has not happened.

Until 1986, the Charles Bregler collection was effectively unknown to art historians. A few of the works in the Bregler collection were included in the 1933 Goodrich catalog, but after that they effectively disappeared from the scholarly community. A proper inventory became possible only after their 1986 sale to the Pennsylvania Academy of Fine Arts. In 1997, art historian Kathleen Foster published a definitive catalog of the Bregler collection, Thomas Eakins Rediscovered. (ISBN 0-300-06174-9)

List organization

Paintings, drawings, and sculptures are listed, where possible, by their Goodrich catalog number supplemented with modifications from Goodrich's notes for his never-completed Eakins catalogue raisonné.^[5] The Goodrich catalog can be subdivided into three parts:

• Juvenalia – Goodrich classified several early works by Thomas Eakins (works made prior to Eakins' arrival in Paris) as juvenalia, and prefaced with a "J". Though mentioned throughout the Eakins literature, the catalog itself was not published. However, the list is accessible in the Goodrich papers in the Philadelphia archives.
• 1933 catalog works – "G" followed by a number indicates it is from Goodrich's 1933 Eakins catalog.
• 1980s catalog works – "G" followed by a number and then a letter indicates a work that was not included in the 1933 Goodrich catalog, but was included in his two volume Thomas Eakins, or in notes for the third volume, the never-finished catalog.

Works in the Charles Bregler collection at the Pennsylvania Academy of Fine Arts are listed according to their number in Thomas Eakins Rediscovered.

Goodrich catalogue of Eakins' paintings and sculptures

Title	Catalog #	Format	Year	Dimensions (inches)	Note	Collection	Picture
Map of Switzerland	J1	Pen, ink, and watercolor on paper	circa 1856–1857			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[6][7]
Map of France, Spain, Portugal, and Italy	J2	Pen, ink, and watercolor on paper	circa 1856–1857	16 × 20		Collection of Mr. and Mrs. Francis Walters[8]
Spanish Scene: Peasant Crossing a Stream	J3	Pencil and chalk on paper	March 1858	10 1/16 × 14 7/16		Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][10]
Spanish Scene: Peasants and Travellers Among Ruins	J4	Pencil and ink on paper	1858	11½ × 16 15/16		Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][11]
Camel and Rider	J5	Pencil and ink on paper	1858			Collection of Mr. and Mrs. Daniel Dietrich II[12]
Perspective of a Lathe	J6	Pencil and ink on paper	1860	16 5/16 × 22		Hirshhorn Museum and Sculpture Garden, Washington, D.C.[13][14]
Drawing of Gears	J7	Pen, ink, and pencil on paper	Circa 1860	11 7/16 × 16⅞		Hirshhorn Museum and Sculpture Garden, Washington, D.C.[15][16]
Visiting Card with Landscape	J8		circa late 1850s			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[17]
Machinery	J9		Circa 1860
The Icosahedron	J10		Circa 1860			Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[18]
"Freedom"	J11		Circa 1860		An drawing after the Statue of Freedom by Thomas Crawford	Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[19]
Nude woman, seated, wearing a mask	1	Charcoal on paper	circa 1863–1866	24¼ × 18⅝ inches		Philadelphia Museum of Art, Philadelphia, Pennsylvania[20]
Nude woman, back turned	2	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[21]
Nude boy	3	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[22]
Nude man, seated	4	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[23]
Nude woman reclining, back turned	5	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[24]
Nude woman, reclining, seen from the front	6	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[25]
Head, bust and arm of a child	7	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[26]
Arm resting on the back of a chair	8	Charcoal on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[27]
Nude man with a beard, seated on the floor	9	Charcoal on paper	1869		On the reverse is the middle section of a nude man.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[28]
Nude man standing	10	Charcoal on paper
Legs of a seated model	11	Charcoal on paper				Newark Museum, Newark, New Jersey[29]
Legs of a standing model	12	Charcoal on paper
Head and bust of an Arab man with a turban	13	Charcoal on paper	1866–1867			Fine Arts Museums of San Francisco, San Francisco[30]
Torso and arm of a nude man	14	Charcoal on paper
Nude woman reclining on a couch	15	Charcoal on paper	1863–1866			Fogg Art Museum, Cambridge, Massachusetts[31]
Nude woman reclining, wearing a mask	16	Charcoal on paper
Nude woman standing	17	Charcoal on paper	1876
Nude man seated	18	Charcoal on paper	Circa 1869		Double sided with "Head of a warrior". Sold at auction, December 8, 2008, for $50,000[32]
Illustrated letter to his Mother, Nov. 8–9, 1866	18A					Hirshhorn Museum and Sculpture Garden, Washington, D.C.[33][34]
Antique study, female head	19	Oil on heavy paper	circa 1867–1869		Lost[35]
Antique study, male roman head	20	Oil on canvas	circa 1867–1869		Lost[35]
Study of a leg	21	Oil on heavy paper	circa 1867–1869			Joslyn Art Museum, Omaha, Nebraska
Study of a ram's head	22	Oil on canvas	circa 1867–1869		Lost[35]
Study of a girl's head	23	Oil on canvas	circa 1868–1869			Private collection[35]
Study of a girl's head	24	Oil on canvas	circa 1867–1874			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[36][37]
Study of a girl's head	25	Oil on canvas	circa 1867–1869			Philadelphia Museum of Art, Philadelphia, Pennsylvania[38]
The Strong Man	26	Oil on canvas	circa 1867–1869		Study	Philadelphia Museum of Art, Philadelphia, Pennsylvania[39]
Bust of a Man (Study of a Nude Man)	27	Oil on canvas	circa 1867–1869			Philadelphia Museum of Art, Philadelphia, Pennsylvania[40]
Study of a student's head	28	Oil on canvas mounted on cardboard	circa 1867–1878		Thought to have been lost.[35] Sold at auction in May 2001 for $46,750[41]
Study of a student's head	29	Oil on canvas mounted on cardboard	circa 1867–1879			Collection of William E. Stokes[42]
A Negress	30	Oil on canvas				M. H. de Young Memorial Museum, San Francisco, California[43]
Scene in a Cathedral	31	Oil on canvas			Deaccessioned from the Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Auctioned at Christie's NY, December 1, 2010; sold for $18,750.[44]
Carmelita Requena	32	Oil on canvas	1869			Metropolitan Museum of Art, New York City, New York[45]
A Street Scene in Seville	33	Oil on canvas	1870			Collection of Erving and Joyce Wolf[46]
A Spanish Woman (Also known as "Dolores")	34	Oil on canvas
Francis Eakins	35	Oil on canvas	Late 1870/Early 1871			Nelson-Atkins Museum of Art, Kansas City, Missouri[47]
At the Piano	36	Oil on canvas	Late 1870/Early 1871			Blanton Museum of Art, Austin, Texas[48]
Home Scene	37	Oil on canvas	Late 1870/Early 1871			Brooklyn Museum of Art, New York City, New York[49]
Benjamin Eakins	38	Watercolor on paper	Circa 1870			Private collection
Margaret in Skating Costume	39	Oil on canvas	1871			Philadelphia Museum of Art, Philadelphia, Pennsylvania[50]
Margaret (study)	40	Oil on canvas	Circa 1871		Deaccessioned from Hirshhorn Museum and Sculpture Garden. For auction at Sotheby's NYC, May 19, 2010, Lot 109.[51][52]
Margaret (sketch)	41	Oil on canvas	Circa 1871			Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[53]
Hiawatha	42	Watercolor on paper			No longer exists.[54]
Hiawatha	43	Oil on canvas			Study for Hiawatha watercolor. Described erroneously as unfinished.[54]	Hirshhorn Museum and Sculpture Garden, Washington, D.C.[54][55]
Max Schmitt in a Single Scull	44	Oil on canvas	1871			Metropolitan Museum of Art, New York City, New York[56]
Drawing of the Girard Avenue Bridge	44A	Drawing			Double sided: reverse side depicts the sketch for an oar.	Hirshhorn Museum and Sculpture Garden, Washington, D.C.[57][58]
Portrait of M.H. Messchert	44B	Painting
Kathrin (Girl with a cat)	45	Oil on canvas	1872			Yale University Art Gallery, New Haven, Connecticut[59]
Study for Kathrin	45A	Drawing
Elizabeth Crowell and her Dog	46	Oil on canvas	Early 1870s			San Diego Museum of Art, San Diego, California[60]
Mrs. James W. Crowell	47	Oil on canvas	Early 1870s
Grouse	48	Oil on canvas	1872			Mint Museum of Art, Charlotte, North Carolina[61]
The Pair-Oared Shell	49	Oil on canvas	1872			Philadelphia Museum of Art, Philadelphia, Pennsylvania[62]
Perspective Drawing for The Pair-Oared Shell	50	Pencil and ink on paper mounted on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[63][64]
Perspective Drawing for The Pair-Oared Shell	51	Pencil, ink, and watercolor on paper mounted on cardboard	1872			Philadelphia Museum of Art, Philadelphia, Pennsylvania[65]
The Biglin Brothers Turning the Stake	52	Oil on canvas	1873			Cleveland Museum of Art, Cleveland, Ohio[66]
Perspective Drawing for the Biglin Brothers Turning the Stake	52A	Drawing				Cleveland Museum of Art, Cleveland, Ohio[67][68]
Perspective Drawing for the Biglin Brothers Turning the Stake	53	Pencil and ink on paper mounted on cardboard	1873			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[69][70]
The Pair-Oared Race – John and Barney Biglin Turning the Stake	54	Watercolor	1874		Lost[71]
A Rower	55	Watercolor			Given to Jean-Léon Gérôme by Thomas Eakins. "Present location unknown"[5]
John Biglin (also known as "The Sculler")	56	Watercolor	1874	16⅞ × 23 15/16		Yale University Art Gallery, New Haven, Connecticut[72][73]
John Biglin in a Single Scull	57	Watercolor on paper	1873 or early 1874	19 5/16 × 24⅞		Metropolitan Museum of Art, New York City, New York[74][75]
Perspective Drawing for John Biglin in a Single Scull	58	Pencil and ink on paper mounted on cardboard	Circa 1874	27⅜ × 45¼		Museum of Fine Arts, Boston, Boston, Massachusetts[76][77]
John Biglin in a Single Scull	59	Oil on canvas	1873–1874	24⅜ × 16		Yale University Art Gallery, New Haven, Connecticut[78]
John Biglin in a Single Scull	60	Watercolor	1873–1874		Given to Jean-Léon Gérôme by Thomas Eakins.
The Biglin Brothers Racing	61	Oil on canvas	Probably 1873			National Gallery of Art, Washington, D.C.[79]
Perspective Drawing for the Biglin Brothers Racing	62	Pencil and ink on paper mounted on cardboard				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[80][81][82]
Oarsmen on the Schuylkill	63	Oil on canvas	Circa 1873		Formerly at Brooklyn Museum of Art, New York City, New York	Private Collection.
Oarsman in a Single Scull (also known as "Sketch of Max Schmitt in a Single Scull")	64	Oil on canvas				Philadelphia Museum of Art, Philadelphia, Pennsylvania[83]
Oarsmen	65	Oil on canvas	Probably circa 1873			Portland Art Museum, Portland, Oregon[84]
The Schreiber Brothers	66	Oil on canvas	1874			Yale University Art Gallery, New Haven, Connecticut[85][86]
Perspective Drawing	67	Pencil and ink on paper mounted on cardboard				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[87]
The Artist and His Father Hunting Reed Birds	68	Oil on canvas	Circa 1874			Virginia Museum of Fine Arts, Richmond, Virginia[88]
Perspective Drawing for the Artist and His Father Hunting Reed Birds	69	Pencil and ink on paper mounted on cardboard
Pushing for the Rail	70	Oil on canvas	1874			Metropolitan Museum of Art, New York City, New York[89]
Whistling for Plover	71	Watercolor on paper	1874			Brooklyn Museum of Art, New York City, New York[90]
Whistling for Plover	72	Oil
Sketch for Hunting	73	Oil on canvas mounted on cardboard	Circa 1874			Collection of Jamie Wyeth
Studies of Game-Birds (Also known as "Plover")	74	Oil on canvas mounted on cardboard				Virginia Museum of Fine Arts, Richmond, Virginia
Landscape with a Dog	75	Oil on canvas				Philadelphia Museum of Art, Philadelphia, Pennsylvania[91]
Sailboats Racing on the Delaware	76	Oil on canvas	1874			Philadelphia Museum of Art, Philadelphia, Pennsylvania[92]
Sailing	77	Oil on canvas	Circa 1874			Philadelphia Museum of Art, Philadelphia, Pennsylvania[93]
Starting Out After Rail	78	Oil on canvas	1874			Museum of Fine Arts, Boston, Boston, Massachusetts[94]
Starting Out After Rail	79	Watercolor	1874			Wichita Art Museum, Wichita, Kansas[95]
Ships and Sailboats on the Delaware (also known as "Becalmed")	80	Oil on canvas	1874			Wadsworth Atheneum, Hartford, Connecticut[60]
Study for Ships and Sailboats on the Delaware	81	Oil on canvas mounted on cardboard				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[96]
Ships and Sailboats on the Delaware	82	Oil on canvas	1874			Philadelphia Museum of Art, Philadelphia, Pennsylvania[97]
Drifting	83	Watercolor	Circa 1874			National Gallery of Art, Washington, D.C.[98]
Mrs. Benjamin Eakins	84	Oil on canvas	Circa 1874			Collection of Mr. and Mrs. Daniel Dietrich II[99][100]
Portrait of Professor Benjamin H. Rand	85	Oil on canvas	1874		Ex Collection: Thomas Jefferson University, Philadelphia, PA; deaccessioned April 2007 (after 130 years in the collection).[101]	Crystal Bridges Museum of American Art, Bentonville, Arkansas
Baseball Players Practicing	86	Watercolor on paper	1875			Rhode Island School of Design Museum, Providence, Rhode Island[102]
Perspective drawing for Baseball Players practicing	86A	Drawing				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[103][104][105]
Elizabeth at the Piano	87	Oil on canvas	1875			Addison Gallery of American Art, Andover, Massachusetts[60]
The Gross Clinic	88	Oil on canvas	1875			Philadelphia Museum of Art[106] and the Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[107]
Sketch for the Gross Clinic	89	Oil on canvas	1875			Philadelphia Museum of Art, Philadelphia, Pennsylvania[108]
Dr. Gross (Study for "The Gross Clinic)	90	Oil on canvas	1875			Worcester Art Museum, Worcester, Massachusetts[109]
Black and White version	91	India ink on cardboard	1875		Drawn after the painting. Was photographed and reproduced as a collotype	Metropolitan Museum of Art, New York City, New York[110]
Drawing of Two Heads	92	"India ink on paper, with pen and brush"	1876			Philadelphia Museum of Art, Philadelphia, Pennsylvania[111]
Robert C.V. Meyers	93	Oil on brown paper	1875			Collection of Mr. and Mrs. Daniel Dietrich II[112][113]
The Zither Player	94	Watercolor on paper	1876			Art Institute of Chicago, Chicago, Illinois[114]
J. Harry Lewis	95	Oil on canvas	1876			Philadelphia Museum of Art, Philadelphia, Pennsylvania[115]
The Chess Players	96	Wood	1876			Metropolitan Museum of Art, New York City, New York[116]
Perspective Drawing for the Chess Players	97	Pencil and ink on paper	1875–1876			Metropolitan Museum of Art, New York City, New York[117]
M. Gardel	98	Oil on paper mounted on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[118]
Baby at Play	99	Oil on canvas	1876			National Gallery of Art, Washington, DC.[119]
Studies of a Baby	100	Oil on canvas			Double sided.	Duke-Semans Fine Arts Foundation (in the care of the Nasher Museum of Art, Durham, North Carolina)
Dr. John H. Brinton	101	Oil on canvas	1876			The National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Washington, D.C. On long-term loan to the National Gallery of Art[120]
Mrs. Samuel Hall Williams (Portrait of Abbie Williams)	102	Wood	Circa 1876		Previously in the collection of the Art Institute of Chicago. Sold at auction on September 27, 2011 for $134,500.[121]
Columbus in Prison	103	Oil on canvas	Circa 1876			Kennedy Galleries, New York City, New York
Sketch for the Surrender of General Lee to General Grant at Appomattox	103A	Oil on canvas			Deaccessioned from the Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's NY, September 27, 2011; sold for $32,500.[122]
Sketch for the Surrender of General Lee to General Grant at Appomattox	103B	Oil on canvas				Museum of Fine Arts, Boston, Boston, Massachusetts[123]
Will Schuster and Blackman Going Shooting	104	Oil on canvas	1876			Yale University Art Gallery, New Haven, Connecticut[124]
Perspective Drawing for Will Schuster and Blackman Going Shooting	104A	Drawing				Collection of Mr. and Mrs. Daniel Dietrich II[125]
Rail Shooting	105	Oil on canvas			"Present whereabouts or existence unknown"[5]
In Grandmother's Time	106	Oil on canvas	1876			Smith College Museum of Art, Northampton, Massachusetts[126]
In Grandmother's Time	106A	Oil on wood			Originally double sided with G106B until the two images were split[5]
Landscape	106B	Oil on wood			Originally double sided with G106A until the two images were split[5]
Archbishop James Frederick Wood	107	Oil on canvas	1877			St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127]
Study for the portrait of James Frederick Wood	108	Oil on canvas	1876			Yale University Art Gallery, New Haven, Connecticut[128]
Scenes in a Cathedral	108A, 108B, 108C, 108D, 108E, 108F, 108G, 108H, 108I	Drawings				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[129][130]
William Rush and His Model	109	Oil on canvas	1876–1877			Philadelphia Museum of Art, Philadelphia, Pennsylvania[131]
Studies for "William Rush"	109A, 109B, 109C, 109D, 109E, 109F, 109G, 109H,	Drawings				Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Study for William Rush and His Model	110	Oil on cardboard,	circa 1877	8¼ × 10½		Farnsworth Art Museum, Rockland, Maine[132]
Study for William Rush and His Model	111	Oil on canvas	1876			Yale University Art Gallery, New Haven, Connecticut[133][134]
Interior of Rush's Shop	112	Oil on canvas	1876–1877			Philadelphia Museum of Art, Philadelphia, Pennsylvania[135]
The Model (Nude: Study for William Rush)	113	Oil on canvas	1876			Art Institute of Chicago, Chicago, Illinois[136]
Seventy Years Ago	114	Watercolor on paper	1877			Princeton University Art Museum, Princeton, New Jersey[137]
Sketch for Seventy Years Ago	115	Oil on canvas				Seattle Art Museum, Seattle, Washington[138]
Young Girl Meditating	116	Watercolor on paper	1877			Metropolitan Museum of Art, New York City, New York[139]
Sketch for Young Girl Meditating	117	Oil on canvas				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[140]
Study for Young Girl Meditating	117A	Oil on canvas	1877			Collection of Martin Perez.[141]
In Washington (Lafayette Park, Washington, D.C.)	118	Wood	1877			Philadelphia Museum of Art, Philadelphia, Pennsylvania[142]
The Courtship	119	Oil on canvas	Circa 1878			M. H. de Young Memorial Museum, San Francisco, California[143]
Study for The Courtship	120	Oil on canvas	1877-1878	14 × 17	Sold at auction in 1983 for $80,000[144] Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).[145] Auctioned at Christie's New York, 25 September 2013, Lot 204, realized $32,500 + buyer's premium.[146]
The Spinner (sketch for The Courtship)	121	Oil on canvas	Circa 1878			Worcester Art Museum, Worcester, Massachusetts[60]
The Spinner (sketch for The Courtship)	122	Wood			Has a sketch of Dr. Andrews on the reverse side.	Private collection.[5]
The Young Man (sketch for The Courtship)	123	Oil on canvas
Anna Williams	123A
Study for Anna Williams	123B
Negro Boy Dancing (also known as "The Dancing Lesson")	124	Watercolor on paper	1878			Metropolitan Museum of Art, New York City, New York[147]
Drawing for the Negro Boy dancing	124A	Drawing	1878			Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[148][149]
Study for Negro Boy Dancing	125	Oil on canvas				National Gallery of Art, Washington, D.C.[150]
Study for Negro Boy Dancing	125A					National Gallery of Art, Washington, D.C.[151]
Mrs. John H. Brinton	126	Oil on canvas	1878		Depicts Sarah (Ward) Brinton, wife of John H. Brinton.[152]	Collection of Mrs. Rodolphe Meyer de Schauensee[153]
The Spelling Bee at Angel's	127		1878		Published in Scribner's Magazine, November 1878	N/A
Thar's a New Game Down in Frisco	127A	Oil on canvas			Study for the central standing figure in the Spelling Bee at Angel's. Study for The Spelling Bee at Angel's.	Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[154]
The Spelling Bee at Angel's	128		1878		Published in Scribner's Magazine, November 1878	N/A
Mr. Neelus Peeler's Conditions	129	Black ink and Chinese white on paper	1879		Published in Scribner's Magazine, June 1879	Brooklyn Museum of Art, New York City, New York[155]
Perspective drawing for Mr. Neelus Peeler's Conditions	129A	Drawing				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[156]
Sketch for Mr. Neelus Peeler's Conditions	130	Wood			Double sided. Often incorrectly referred to as "The Timer"[157]	New Britain Museum of American Art, New Britain, Connecticut[158][159]
Four anatomical drawings	130A, 130B, 130C, 130D	Drawings				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[160][161]
A Quiet Moment	131	Oil on canvas	1879		Lost[162]
Sewing	132	Oil on wood	circa 1879		Reverse side contains the sketch of an interior.	New Britain Museum of American Art, New Britain, Connecticut[163]
Study of a Woman Knitting	132A	Oil				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[164]
The Fairman Rogers Four-in-Hand	133	Oil on canvas	1879–1880			Philadelphia Museum of Art, Philadelphia, Pennsylvania[165]
Sketches for the Fairman Rogers Four-in-Hand	134	Oil on wood	1879		Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[166][167]
Landscape sketch for the Fairman Rogers Four-in-Hand	135	Oil on wood			Originally composed of five or six sketches, which were later split.[168]		Reverse of G135 as it appeared in 1933.
Study of the Delaware River	135A	Oil			Originally part of G135 until they were split.[168]
Study of a Man's Head for Mending the Net	135B	Oil			Originally part of G135 until they were split.[168]	Private Collection.
Study of a Woman's Head for Mending the Net	135C	Oil			Originally part of G135 until they were split.[168]
Landscape sketch for the Fairman Rogers Four-in-Hand	136	Oil on wood			Double sided: one side is a study in Fairmount park. The other is a color note.	Philadelphia Museum of Art, Philadelphia, Pennsylvania
Study of Horse for The Fairman Rogers Four-in-Hand	137	Oil on wood	1879		Originally double sided with 137A until the two images were split[5] Ex collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[169]
Study of Horses for The Fairman Rogers Four-in-Hand	137A	Oil on canvas	1879		Originally double sided with 137 until the two images were split[5] Ex collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[169]
Fan	137B				Sold at auction, January 24, 1994, for $160,000.
General George Cadwalader	138	Oil on canvas	1880			Butler Institute of American Art, Youngstown, Ohio[170]
General George Cadwalader	139	Oil on canvas	1880			Collection of the Mutual Assurance Company of Philadelphia.[171]
Retrospection	140	Oil on wood	1880			Yale University Art Gallery, New Haven, Connecticut[172]
Retrospection (Watercolor)	141	Watercolor on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[173]
Walter MacDowell	141A	Oil				Private collection[5]
The Crucifixion	142	Oil on canvas	1880			Philadelphia Museum of Art, Philadelphia, Pennsylvania[174]
Sketch for the Crucifixion	143	Oil on canvas	1880			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[175][176]
J. Laurie Wallace posing	143A	Oil			Sold at auction in 1987 for $160,000[177]	Private collection[178]
Spinning	144	Watercolor on paper	1881			Collection of Mrs. John Randolph Garrett Sr.[179]
Drawing for Spinning	144A	Drawing
Sketch for Spinning	145	Oil on wood				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[180]
Spinning (also called "Homespun")	146	Watercolor on paper	1881			Metropolitan Museum of Art, New York City, New York[181]
Sketch for Spinning	147	Oil on wood			Double sided – the reverse side also contains a sketch for Spinning	Yale University Art Gallery, New Haven, Connecticut[182]
The Pathetic Song	148	Oil on canvas	1881			Corcoran Museum of Art, Washington, DC.[60]
Sketch for the Pathetic Song	149	Oil on wood	1881			Hirshhorn Museum and Sculpture Garden, Washington, DC.[183]
The Pathetic Song	149A	Watercolor				Metropolitan Museum of Art, New York City, New York[184]
Rail Shooting	150	Drawing	1881		Published in Scribner's Magazine, July 1881	Yale University Art Gallery, New Haven, Connecticut[185]
A Pusher (also known as "Poleman in the Ma'sh)	151	Drawing	1881	11 × 5⅞		National Gallery of Art, Washington, D.C.[186]
Drawing for William Rush Carving The Allegorical Figure Of The Schuylkill	151A	Drawing				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[187]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net")	152	Oil on canvas	1881			Philadelphia Museum of Art, Philadelphia, Pennsylvania[188]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net")	153	Watercolor on paper	1881			Metropolitan Museum of Art, New York City, New York[189]
Shad-Fishing at Gloucester on the Delaware River	154	Oil	1881			Ball State University Art Museum, Muncie, Indiana[190]
Mending the Net	155	Oil on canvas	1881			Philadelphia Museum of Art, Philadelphia, Pennsylvania[191]
Drawing for Mending the Net	155A	Drawing
A Fisherman	156	Oil on cardboard				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[192]
The Tree	157	Oil on wood			Originally double sided with G157A until the two images were split.[5]
Mending the Net: Study of the Tree	157A	Oil on wood			Originally double sided with G157 until the two images were split.[5]
Mending the Net	158	Watercolor on paper	1882		Sold at auction in 1997 for $1,400,000[193]
Drawing the Seine	159	Watercolor on paper	1882			Philadelphia Museum of Art, Philadelphia, Pennsylvania[194]
Hauling the Seine	160	Oil on canvas	1882			Princeton University Art Museum, Princeton, New Jersey[195]
"The Meadows, Gloucester, New Jersey"	161	Oil on canvas	Circa 1882			Philadelphia Museum of Art, Philadelphia, Pennsylvania[196]
"Sketch for The Meadows, Gloucester, New Jersey"	162	Oil on wood			Originally double sided with G162A until the two images were split.[5]
Study	162A	Oil			Originally double sided with G162 until the two images were split.[5]
In the Country	163	Oil on canvas	circa 1882	10¼ × 14	Sold at auction, November 29, 1990.[197]	Private collection[5]
Near the Sea (Also known as "Landscape study")	164	Oil on canvas				Collection of Mr. and Mrs. Daniel Dietrich II[5]
Untitled landscape sketch	165	Oil on wood			Originally double sided with G165A until the two images were split.[5]
Study of a horse	165A	Oil			Originally double sided with G165 until the two images were split.[5]
Untitled landscape sketch	166	Oil on canvas				Philadelphia Museum of Art, Philadelphia, Pennsylvania[198]
Delaware River Scene	167	Oil on canvas				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[199]
Untitled landscape sketch	168	Oil on canvas
Untitled landscape sketch	169	Oil on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[200]
Untitled landscape sketch	170	Oil on paper				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[201]
Untitled landscape sketch	171	Oil on paper
Untitled landscape sketch	172	Oil on canvas				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[202]
Untitled landscape sketch	173	Oil on canvas				Collection of Mr. and Mrs. Daniel Dietrich II[203]
Untitled landscape sketch	174	Oil on canvas				University at Buffalo, The State University of New York art gallery, Buffalo, New York[5]
Untitled landscape sketch	175	Oil on cardboard				Collection of Mr. and Mrs. Daniel Dietrich II[204]
Untitled landscape sketch	176	Oil on canvas
Untitled landscape sketch	177	Oil on cardboard
The Brinton House	177A	Oil	1878		Subject is the William Brinton 1704 House in Birmingham Township, Chester County, Pennsylvania, painted for his friend Dr. John Hill Brinton.[205]
Study for Old Man in Taking The Count	178	Oil on canvas	circa 1898	13¼ × 10	Sold at auction in 2007 for $78,000[206]	David Dufour, New York City
Untitled sketch	179	Oil on canvas mounted on cardboard
Untitled sketch ("Girl in Shade")	180	Oil on cardboard				Joslyn Art Museum, Omaha, Nebraska
Untitled sketch	181	Oil on wood
Boatman	182	Oil on wood	Circa 1879		Double sided: one side is a study for the left leader horse in The Fairman Rogers Four-In-Hand. The reverse side is the Study of a Groom.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[207][208]
Untitled sketch	183	Oil on cardboard				Collection of Mr. and Mrs. Daniel Dietrich II[209]
Untitled sketch	184	Oil on heavy paper mounted on cardboard				La Salle University art gallery, Philadelphia, Pennsylvania
Study of Three Balls of Wool and a Rosebush	185	Oil on canvas				Joslyn Art Museum, Omaha, Nebraska
Two Cylinders and a Ball	185A	Oil				Joslyn Art Museum, Omaha, Nebraska
Untitled sketch	186	Oil on heavy paper
Study of a woman seated	187	Oil on canvas mounted on cardboard			Put up for auction in 2007 but not sold.[210]
Street Scene	187A	Oil				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[211]
The Writing Master	188	Canvas	1882			Metropolitan Museum of Art, New York City, New York[212]
Sketch for the Writing Master	189	Oil on wood			Double sided – one side is a sketch for The Writing Master. The other side is Sketch of a Man and Study of Drapery	Philadelphia Museum of Art, Philadelphia, Pennsylvania[213][214]
The Swimming Hole	190	Oil on canvas	1884–1885			Amon Carter Museum, Fort Worth, Texas[215]
Sketch for the Swimming Hole	191	Oil on wood	1884		Study for the Swimming Hole	Hirshhorn Museum and Sculpture Garden, Washington, DC.[216]
Sketch of the landscape for the Swimming Hole	192	Oil on wood			Study for the Swimming Hole	Collection of Mr. I David Orr[217]
Sketches for the Swimming Hole	193	Oil on cardboard			"Double-sided, both sides are studies for The Swimming Hole"	Collection of Mr. and Mrs. Daniel Dietrich II[218][219]
Sketches for the Swimming Hole	194	Oil on cardboard			"Double-sided, both sides are studies for The Swimming Hole"	Amon Carter Museum, Fort Worth, Texas[220]
Sketch for the Swimming Hole	195	Oil on cardboard			"Double-sided, obverse side contains study of the fisherman's hand from Mending the Net"	Collection of Mr. and Mrs. Daniel Dietrich II[221][222]
Arcadia	196	Oil on canvas	1883			Metropolitan Museum of Art, New York City, New York[223]
Sketch for Arcadia	197	Oil on wood				Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[224][225]
Youth Playing Pipes	198	Oil on wood				Carnegie Museum of Art, Pittsburgh, Pennsylvania[226]
Boy Reclining	199	Oil on wood			Originally double sided with G199A until the two images were split.[5]	Hirshhorn Museum and Sculpture Garden, Washington, DC.[227]
Study of a Horse	199A	Drawing			Originally double sided with G199 until the two images were split.[5] Ex Collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[228]
An Arcadian	200	Oil on canvas	Circa 1883
Study for An Arcadian	201	Oil on wood			Originally double sided with G201A until the two images were split.[5]	Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60]
Studies of a horse	201A	Drawing			Originally double sided with G201 until the two images were split.[5] Ex Collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[229]
Weda Cook and Statue	201B	Oil			See G-267A for a related study.
A Woman's Back: Study	202	Oil on wood	1879			Collection of Mr. and Mrs. Daniel Dietrich II[230][231]
Female Nude	203	Oil on canvas	Probably early 1880s			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[232][233]
Female Nude	204	Oil on canvas	Probably early 1880s			Nelson-Atkins Museum of Art, Kansas City, Missouri[234]
Female Nude	205	Watercolor on paper				Philadelphia Museum of Art, Philadelphia, Pennsylvania[5]
Study for female nude	205A	Oil			Deaccessioned from the Hirshhorn Museum and Sculpture Garden. Auctioned at Sotheby's NY, September 29, 2010; sold for $50,000.[235]
J. Laurie Wallace	206	Oil on canvas	Circa 1883			Joslyn Art Museum, Omaha, Nebraska[236]
Drawing for J. Laurie Wallace	206A	Drawing				Joslyn Art Museum, Omaha, Nebraska[5]
Professionals at Rehearsal	207	Oil on canvas	Circa 1883			Philadelphia Museum of Art, Philadelphia, Pennsylvania[237]
Perspective Study Of Boy Viewing an Object	207A					Hirshhorn Museum and Sculpture Garden, Washington, D.C.[238]
Perspective drawing of a table	207B					Hirshhorn Museum and Sculpture Garden, Washington, D.C.[239]
Perspective drawing of two tables	207C
In the Studio	208	Oil on canvas	1884			The Hyde Collection, Glens Falls, New York[240]
In the Studio	209	Watercolor on paper			Unfinished	Philadelphia Museum of Art, Philadelphia, Pennsylvania[241]
A.B. Frost	210	Oil on canvas	Circa 1884			Philadelphia Museum of Art, Philadelphia, Pennsylvania[242]
Study for A.B. Frost	210A	Oil on cardboard				Detroit Institute of Arts, Detroit, Michigan[5]
The Veteran	211	Oil on canvas	Circa 1886			Yale University Art Gallery, New Haven, Connecticut[243]
Mrs. William Shaw Ward	212	Oil on canvas			Sold at auction at Sothebys, December 2, 2010, for $242,500[244]
The Artist's Wife and His Setter Dog	213	Oil on canvas	1885			Metropolitan Museum of Art, New York City, New York[245]
Professor George F. Barker[246]	214	Oil on canvas	1886		Originally 3/4-length and 60×40 inches, cut down to head-and-bust and 24×20 inches.	Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[247]	Barker's portrait as it appeared originally.
Sketch for Professor George F. Barker	215	Oil on cardboard	1886		Doubled sided – one side is a sketch for Professor George F. Barker. The other side depicts seated figures.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[248][249]
Professor William D. Marks	216	Oil on canvas	1886			Washington University Gallery of Art, St. Louis, Missouri[250]
Professor William D. Marks (unfinished)	217	Oil on canvas	circa 1886	76 × 54		Iris & B. Gerald Cantor Center for Visual Arts, Stanford, California
Miss Sophie Brooks	217A	Oil
Frank McDowell	218	Oil on canvas	Circa 1886		Sold at auction in 1983 for $80,000[251]
Frank MacDowell (unfinished)	219	Oil on canvas				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[252]
Portrait of Walt Whitman	220	Oil on canvas	1887–1888			Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[253]
Sketch for Walt Whitman	221	Oil on wood	Probably 1887			Museum of Fine Arts, Boston, Boston, Massachusetts[254]
Mrs. Letitia Wilson Jordan	222	Oil on canvas	1888			Brooklyn Museum of Art, New York City, New York[255]
Sketch for Mrs. Letitia Wilson Jordan Bacon	223	Oil on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[256]
Cowboys in the Badlands	224	Oil on canvas	1888		Sold for US$5,383,500 at a May 22, 2003 auction at Christie's New York, setting a record for an Eakins painting.	Anschutz collection, Denver, Colorado
Sketches for Cowboys in the Badlands	225	Oil on cardboard			Originally part of the same work with G-225A and G-225B.[257]	Albright-Knox Art Gallery, Buffalo, New York[258]
Sketch of a saddle	225A	Oil on canvas on cardboard	1887		Originally part of the same work with G-225 and G-225B.[257]	Philadelphia Museum of Art, Philadelphia, Pennsylvania[259]
Study of a stirrup	225B				Originally part of the same work with G-225 and G-225A.[257]
Sketch for Cowboys in the Badlands	226	Oil on canvas			Ex Collection: Philadelphia Museum of Art; deaccessioned April 2008, to fund the 2007 purchase of The Gross Clinic.	Denver Art Museum, Denver, Colorado[260][261]
The Bad Lands	227	Oil on canvas mounted on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[262]
Study for Cowboys in the Badlands	227A	Oil on canvas		10⅜ × 13½	Sold by Sothebys, October 17, 1980[257]
Landscape sketch for Cowboys in the Badlands	228	Oil on canvas mounted on cardboard			Originally double sided with G-228A.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[263]
Landscape sketch for Cowboys in the Badlands	228A	Oil on canvas mounted on cardboard			Originally double sided with G-228.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[264]
Cowboy Riding	229	Oil on canvas mounted on cardboard			Ex Collection: Philadelphia Museum of Art; deaccessioned April 2008, to fund the 2007 purchase of The Gross Clinic.	Denver Art Museum, Denver, Colorado[260][261]
Cowboy (sketches)	230	Oil on canvas mounted on cardboard
Cowboy Riding	230A	Oil on canvas		10¼ × 14¼	Sold at auction on June 22, 2003 for $12,000[265]
Cowboy (sketch)	231	Oil on canvas mounted on cardboard
Edward W. Boulton	232		Circa 1888		Damaged in an accident – "The portrait of Boulton (Edward W.) by Eakins was lent to the University Club for an exhibit, and a waiter ran amuck and slashed it up."[266]
Douglass M. Hall	233	Oil on canvas	Circa 1888		Used as cover image for the album "Kapitulation" by the German indie rock band Tocotronic.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[267]
Girl in a Big Hat (Portrait of Lillian Hammit)	234	Oil on canvas	Circa 1888			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[268]
The Agnew Clinic	235	Oil on canvas	1889			University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania[269]
Drawing of David Hayes Agnew	235A
Sketch for the Agnew Clinic	236	Oil on canvas mounted on cardboard				Private collection[5]
Dr. D. Hayes Agnew: Study	237	Oil on canvas	1889			Yale University Art Gallery, New Haven, Connecticut[270]
Samuel Murray	238	Oil on canvas	1889			Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[271]
Dr. Horatio C. Wood	239	Oil on canvas	Circa 1889			Detroit Institute of Arts, Detroit, Michigan[60]
Professor George W. Fetter	240	Oil on canvas	1890		Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school.[272] Currently in an undisclosed location.	Collection of the School District of Philadelphia, Philadelphia, Pennsylvania
Drawing for Professor George W. Fetter	241	Black ink on white tile
Portrait of Talcott Williams	242	Oil on canvas	Circa 1890			National Portrait Gallery, Washington, D.C.[273]
The Bohemian: Portrait of Franklin Louis Schenk	243	Oil on canvas	Circa 1890			Philadelphia Museum of Art, Philadelphia, Pennsylvania[274]
F.L. Schenk	244	Oil on canvas	Circa 1890			Delaware Art Museum, Wilmington, Delaware
F.L. Schenk	245	Oil on cardboard	Circa 1890			Private collection[5]
The Father of F.L. Schenk	246	Oil on canvas	Circa 1890			Collection of Nelson C. White[275]
Head of a Cowboy	247	Oil on canvas	Circa 1890			Mead Art Museum, Amherst, Massachusetts[276]
Home Ranch	248	Oil on canvas	Circa 1890			Philadelphia Museum of Art, Philadelphia, Pennsylvania[277]
Cowboy Singing	249	Watercolor on paper	Circa 1890			Metropolitan Museum of Art, New York City, New York[278]
Cowboy Singing	250	Oil on canvas	Circa 1890		Ex Collection: Philadelphia Museum of Art; deaccessioned April 2008, to fund the 2007 purchase of The Gross Clinic.	Jointly owned by Anschutz collection and Denver Art Museum, Denver, Colorado[260][261]
Thomas B. Harned	251	Oil on canvas	Circa 1890	24 x 20		Collection of Dr. and Mrs. Herbert S. Harned, Jr. On long-term loan to the Ackland Art Museum, Chapel Hill, North Carolina[279]
Dr. Joseph Leidy II (also known as "Portrait of Man with Red Necktie")	252	Oil on canvas	1890			Newark Museum, Newark, New Jersey[280]
Dr. Joseph Leidy II (unfinished)	253	Oil on canvas
William H. Macdowell	254	Oil on canvas	Circa 1890			Yale University Art Gallery, New Haven, Connecticut[281]
Phidias Studying for the Frieze of the Parthenon	255	Oil on wood	Circa 1890		Originally double sided with G255A until the two images were split.[5]	Collection of the Eakins Press Foundation[282]
Two Nude Youths on Prancing Horses	255A	Oil on wood	Circa 1890		Originally double sided with G255 until the two images were split.[5]
The Red Shawl	256	Oil on canvas	Circa 1890			Philadelphia Museum of Art, Philadelphia, Pennsylvania[283]
Francis J. Ziegler (also known as "The Critic")	257	Oil on canvas	Circa 1890			Fogg Art Museum, Cambridge, Massachusetts[284]
The Art Student: Portrait of James Wright	258	Oil on canvas	Circa 1890		Ex collection: Maloogian Collection, Detroit Institute of Arts, Detroit, Michigan	Crystal Bridges Museum of American Art, Bentonville, Arkansas
The Black Fan	259	Oil on canvas	Circa 1891			Philadelphia Museum of Art, Philadelphia, Pennsylvania[285]
William H. Macdowell	260	Oil on canvas	Circa 1891			Taubman Museum of Art, Roanoke, Virginia
William H. Macdowell (study)	261	Oil on canvas	Circa 1891			Randolph-Macon Woman's College Art Gallery, Lynchburg, Virginia[60]
Portrait of William H. MacDowell	262	Paper on a stretcher			Unfinished	Baltimore Museum of Art, Baltimore, Maryland
Study for William H. MacDowell	262A	Oil on canvas				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[286]
Miss Amelia Van Buren	263	Oil on canvas	Circa 1891			The Phillips Collection, Washington, D.C.[60]
Professor Henry A. Rowland	264	Oil on canvas	1897			Addison Gallery of American Art, Andover, Massachusetts[60]
Sketch for Professor Henry A. Rowland	265	Oil on canvas				Addison Gallery of American Art, Andover, Massachusetts[287]
The Concert Singer	266	Oil on canvas	1890–1892			Philadelphia Museum of Art, Philadelphia, Pennsylvania[288]
Sketch for the Concert Singer	267	Oil on canvas mounted on wood				Philadelphia Museum of Art, Philadelphia, Pennsylvania[289]
Study for Weda Cook and Statue	267A	Oil on canvas			Also known as "The Opera Singer." On the reverse is "Woman on balcony waving white handkerchief."	Blanton Museum of Art, Austin, Texas
Joshua Ballinger Lippincott	268	Oil on canvas	1892			Philadelphia Museum of Art, Philadelphia, Pennsylvania[290]
Study for Joshua Ballinger Lippincott	268A	Oil	1892			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[291]
Miss Blanche Hurlburt	269	Oil on canvas	Circa 1892			Philadelphia Museum of Art, Philadelphia, Pennsylvania[292]
Dr. Jacob M. Da Costa	270	Oil on canvas	1893			Pennsylvania Hospital[127][293]
Jacob M. Da Costa	270A	Oil on canvas			Destroyed by Thomas Eakins after DaCosta rejected it.[294]
Sketch for Dr. Jacob M. Da Costa	271	Oil on canvas mounted on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[295]
Girl with Puff Sleeves	272	Oil on canvas			Previously in the collection of the Hirshhorn Museum and Sculpture Garden. Sold at auction on September 29, 2010 for $18,750[296]
Frank Hamilton Cushing	273	Oil on canvas	Late 1894 or 1895			Gilcrease Museum, Tulsa, Oklahoma[297]
Sketch for Frank Hamilton Cushing	274	Oil on canvas				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[298]
Mrs. Frank Hamilton Cushing	275	Oil on canvas	Circa 1894 or 1895			Philadelphia Museum of Art, Philadelphia, Pennsylvania[299]
James MacAlister (also known as "Man in the Ned Necktie")	276	Oil on canvas mounted on cardboard	ca. 1895		Sketch. Originally double sided with G276A until the two images were split.[5]	Metropolitan Museum of Art, New York City, New York[300]
Study for William L. MacLean	276A	Oil on canvas mounted on cardboard	ca. 1895		Originally double sided with G276 until the two images were split.[5]
Weda Cook	277	Oil on canvas	Circa 1895			Columbus Museum of Art, Columbus, Ohio[301]
The Pianist (Stanley Addicks)	278	Oil on canvas	Circa 1895			Indianapolis Museum of Art, Indianapolis, Indiana[302]
Katherine Maud Cook	279	Oil on canvas	1895			Yale University Art Gallery, New Haven, Connecticut[303]
Riter Fitzgerald	280	Oil on canvas	1895			Art Institute of Chicago, Chicago, Illinois[304]
Sketch for Riter Fitzgerald	281	Oil on canvas mounted on cardboard				The Huntington Library, San Marino, California[305]
Sketch for Riter Fitzgerald	282	Oil on canvas
Study for Mrs. Hubbard	283	Oil on canvas mounted on cardboard	Circa 1895		Study for now-destroyed Mrs. Hubbard. Sold at auction in 1999 for $34,500.[306]	Sewell C. Biggs Museum of American Art, Dover, Delaware[307]
John McLure Hamilton	284	Oil on canvas	1895			Wadsworth Atheneum, Hartford, Connecticut[60]
Sketch for John McLure Hamilton	285	Oil on canvas mounted on cardboard		14⅝ × 10⅝		Georgia Museum of Art, Athens, Georgia
Mrs. Charles L. Leonard	286	Oil on cardboard	1895		Deaccessioned from Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Auctioned at Christie's NY, March 3, 2011; sold for $25,000.[308]	Thomas Colville Fine Art [309]
Miss Gertrude Murray	287	Oil on canvas	1895			Dallas Museum of Art, Dallas, Texas[60]
Charles Linford	288	Oil on canvas	Circa 1895		Previously in the IBM collection. Sold at auction in 1995 for $80,000[310]
Captain Joseph Lapsley Wilson	289	Oil on canvas	Circa 1895	30 × 22		Collection of the First Troop Philadelphia City Cavalry
Sketch for Captain Joseph Lapsley Wilson	290	Oil on canvas mounted on cardboard	Circa 1895	7¾ × 5¼	Sold at auction in 1983 for $9000.[311] Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013). Auctioned at Christie's New York, 25 September 2013, Lot 196, Unsold.[312]
The Cello Player	291	Oil on canvas	1896		Ex collection: Pennsylvania Academy of the Fine Arts, Philadelphia, PA; deaccessioned 2007, to fund 2007 purchase of The Gross Clinic.
Sketch for the Cello Player	292	Oil on canvas	1896			Heckscher Museum of Art, Huntington, New York[313]
Mrs. James Mapes Dodge	293	Oil on canvas	1896			Philadelphia Museum of Art, Philadelphia, Pennsylvania[314]
Harrison S. Morris	294	Oil on canvas	1896			Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[315]
Sketch for Harrison S. Morris	295	Oil on canvas mounted on cardboard				Newark Museum, Newark, New Jersey[316]
Professor William Woosley Johnson	295A	Oil on canvas	Circa 1896			M. H. de Young Memorial Museum, San Francisco, California[317]
Dr. Charles Lester Leonard	296	Oil on canvas	1897			Collection of the University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania
Jennie Dean Kershaw (Mrs. Samuel Murray)	297	Oil on canvas	Circa 1897			Sheldon Museum of Art, Lincoln, Nebraska[318]
Mrs. Samuel Murray (unfinished)	298	Oil on canvas				Baltimore Museum of Art, Baltimore, Maryland
Miss Lucy Lewis	299	Oil on canvas	circa 1897			Philadelphia Museum of Art, Philadelphia, Pennsylvania[319]
Miss Anna Lewis	300	Oil on canvas	Circa 1898			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[320]
William H. MacDowell with a Hat	301	Oil on canvas	Circa 1898			Taubman Museum of Art, Roanoke, Virginia
General E. Burd Grubb	302	Oil on canvas	Probably 1898			Yale University Art Gallery, New Haven, Connecticut[321]
Taking the Count	303	Oil on canvas	1898			Yale University Art Gallery, New Haven, Connecticut[322]
Sketch for Taking the Count	304	Oil on canvas mounted on cardboard	1898			Yale University Art Gallery, New Haven, Connecticut[323]
Sketch for Taking the Count	305	Oil on canvas				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[324]
The Referee, H. Walter Schlichter	306	Oil on canvas	1898			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[325]
Maybelle	307	Oil on canvas	1898			Frye Art Museum, Seattle, Washington[326]
Sketch for Maybelle	308	Oil on canvas mounted on cardboard
John N. Fort	309	Oil on canvas	1898			Williams College Museum of Art, Williamstown, Massachusetts[327]
Salutat	310	Oil on canvas	1898			Addison Gallery of American Art, Phillips Academy[60]
Study for Salutat	311	Oil on canvas	1898			Carnegie Museum of Art, Pittsburgh, Pennsylvania[328]
Between Rounds	312	Oil on canvas	1898–1899			Philadelphia Museum of Art, Philadelphia, Pennsylvania[329]
Sketch for Between Rounds	313	Oil on cardboard			Double sided – one side is a study for Between Rounds. The other side is a landscape sketch.	Hirshhorn Museum and Sculpture Garden, Washington, D.C.[330]
Billy Smith (sketch)	314	Oil on canvas	circa 1898			Philadelphia Museum of Art, Philadelphia, Pennsylvania[331]
Billy Smith (study)	315	Oil on canvas	1898			Wichita Art Museum, Wichita, Kansas[332]
The Timer	316	Oil on canvas	1898			New Britain Museum of American Art, New Britain, Connecticut[60]
Wrestlers	317	Oil on canvas	1899			Los Angeles County Museum of Art, Los Angeles County, California[333]
Study for Wrestlers	318	Oil on canvas				Los Angeles County Museum of Art, Los Angeles County, California[334]
Wrestlers (unfinished)	319	Oil on canvas	1899			Philadelphia Museum of Art, Philadelphia, Pennsylvania[335]
The Fairman Rogers Four-in-Hand (black & white)	320	Oil on canvas	1899		Black & white version of 1879–80 original. Painted as an illustration for Fairman Rogers, A Manual of Coaching (Philadelphia, 1900).	St. Louis Art Museum, St. Louis, Missouri[336]
T. Ellwood Potts	321	1890–1900
Mrs. T Ellwood Potts	322		Circa 1890–1900
Addie: A Woman in Black (Portrait of Miss Mary Adeline Williams)	323	Oil on canvas	Circa 1899		In his book Eakins Revealed pp. 369–371, Henry Adams claims Eakins' friend Mary Adeline Williams was the nude model for #451 William Rush and his Model in the collection of the Honolulu Museum of Art, Honolulu, Hawaii, and related studies #'s 445,446, 447,452,453 and 454.	Art Institute of Chicago, Chicago, Illinois[337]
Benjamin Eakins	324	Oil on canvas	Circa 1899			Philadelphia Museum of Art, Philadelphia, Pennsylvania[338]
Mrs. Thomas Eakins	325	Oil on canvas	Circa 1899			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[339]
Mrs. William H. Green	326	Oil on canvas	1899		Previously in the collection of the Hirshhorn Museum and Sculpture Garden. Sold at auction on September 29, 2010 for $31,250.[340]	Driscoll Babcock Galleries [341]
The Dean's Roll Call	327	Oil on canvas	1899			Museum of Fine Arts, Boston, Boston, Massachusetts[342]
Louis Husson	328	Oil on canvas	1899			National Gallery of Art, Washington, D.C.[343]
David Wilson Jordan	329	Oil on canvas	1899			The Huntington Library, San Marino, California[344]
Study for David Wilson Jordan	329A	Oil
William Merritt Chase	330	Oil on canvas	Circa 1899			Hirshhorn Museum and Sculpture Garden, Washington, DC.[345][346]
The Thinker: Portrait of Louis N. Kenton	331	Oil on canvas	1900			Metropolitan Museum of Art, New York City, New York[347]
Sketch for The Thinker	332	Oil on cardboard mounted on wood			Originally double sided with 365A until the two images were split.[5]	Farnsworth Art Museum, Rockland, Maine[348]
Addie (also known as "Portrait of Mary Adeline Williams")	333	Oil on canvas	1900			Philadelphia Museum of Art, Philadelphia, Pennsylvania[349]
Mrs. Mary Arthur	334	Oil on canvas	1900			Metropolitan Museum of Art, New York City, New York[350]
Robert M. Lindsay	335	Oil on canvas	1900			Detroit Institute of Arts, Detroit, Michigan[351]
Sketch for Robert M. Lindsay	336	Oil on wood				Detroit Institute of Arts, Detroit, Michigan[352]
Frank Jay St. John	337	Oil on canvas	1900			M. H. de Young Memorial Museum, San Francisco, California[353]
Antiquated Music: Portrait of Sarah Sagehorn Frishmuth	338	Oil on canvas	1900			Philadelphia Museum of Art, Philadelphia, Pennsylvania[354]
Mrs. Joseph H. Drexel	339	Oil on canvas unstretched	1900		Deaccessioned from the Hirshhorn Museum and Sculpture Garden. Auctioned at Chrsitie's NY, May 18, 2011; sold for $68,500.[355]
Sketch for Mrs. Joseph H. Drexel	340	Oil on cardboard	Circa 1900
Dr. Daniel Garrison Brinton	340A	Oil				Collection of the American Philosophical Society.[356]
Clara J. Mather	341	Oil on canvas	Circa 1900			Musée d'Orsay, Paris, France[357]
A Woman in Black (Portrait of Clara J. Mather)	342	Oil on wood
Elizabeth R. Coffin	343	Oil on canvas	Circa 1900			Coffin School collection, Egan Institute of Maritime Studies, Nantucket, Massachusetts[358]
Dr. Edward J. Nolan	344	Oil on canvas	Circa 1900			Philadelphia Museum of Art, Philadelphia, Pennsylvania[359]
Henry O. Tanner	345	Oil on canvas	Circa 1900			The Hyde Collection, Glens Falls, New York[60]
Honorable John A. Thorton	346	Oil on canvas				Schwarz Gallery, Philadelphia, Pennsylvania
Monsignor James P. Turner	347	Oil on canvas	circa 1900			St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127][360]
Portrait of Leslie W. Miller	348	Oil on canvas	1901			Philadelphia Museum of Art, Philadelphia, Pennsylvania[361]
Sketch for Professor Leslie W. Miller	349	Oil on cardboard	circa 1892–1894		Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[362][363]
Signature for 'Leslie W. Miller'	349A	Drawing				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[364]
Mrs. Leslie W. Miller	350	Oil on canvas	1901
Mrs. Elizabeth Duane Gillespie	351	Oil on canvas	1901			Collection of the Women's Committee of the Philadelphia Museum of Art[365]
Sketch for Mrs. Elizabeth Duane Gillespie	352	Oil on canvas				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[366]
George Morris	353	Oil on canvas	1901
Reverend Philip R. McDevitt	354	Oil on canvas	1901			Snite Museum of Art, Notre Dame, Indiana[367]
Charles F. Haseltine	355	Oil on canvas	Circa 1901			Montclair Art Museum, Montclair, New Jersey[60]
Elbridge Ayer Burbank	356		Circa 1901
Alfred F. Watch	357		Circa 1901
Self-Portrait	358	Oil on canvas	1902			National Academy of Design, New York City, New York[60]
Self-portrait	358A	Oil on canvas	Circa 1902			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60][368]
Colonel Alfred Reynolds	359	Oil on canvas	1902			Taubman Museum of Art, Roanoke, Virginia[369]
Signora Gomez D'Arza	360	Oil on canvas	1902			Metropolitan Museum of Art, New York City, New York[370]
His Eminence Sebastiano Cardinal Martinelli	361	Oil on canvas	1901–02			Hammer Museum, Los Angeles[60]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli	361A	Drawing				Joslyn Art Museum, Omaha, Nebraska[5]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli	361B	Drawing				Joslyn Art Museum, Omaha, Nebraska[5]
Very Reverend John J. Fedigan	362	Oil on canvas	1902			In the collection of the Augstinian Province of St. Thomas of Villanova.[371] On permanent loan to Villanova University, Villanova, Pennsylvania[372]
Sketch for the Very Reverend John J. Fedigan	363	Oil on canvas			Deaccessioned from the Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's NY, September 27, 2011; sold for $10,625.[373]
The Translator	364	Oil on canvas	1902			St. Charles Borromeo Seminary, Wynnewood, Pennsylvania
Monsignor James F. Loughlin	365	Oil on canvas	1902			St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127][374]
Study for Monsignor James F. Loughlin	365A	Oil on cardboard mounted on wood			Originally double sided with 332 until the two images were split.[5][5] Sold at auction for $15,000 in 2005.[375]
John Seely Hart	366	Oil on canvas	1902		Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school.[272] Currently in an undisclosed location.	Collection of the School District of Philadelphia, Philadelphia, Pennsylvania
Charles E. Dana	367	Oil on canvas	Circa 1902			Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[376]
The Young Man (Kern Dodge)	368	Oil on canvas	Circa 1902			Philadelphia Museum of Art, Philadelphia, Pennsylvania[377]
Miss Mary Perkins (unfinished)	369	Oil on canvas	Circa 1902
Girl with a Fan	370	Oil on canvas	Circa 1902			Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[378]
Adam S. Bare	371	Oil on canvas	1903
Walter Copeland Bryant	372	Oil on canvas	1903			Collection of the Brockton public library, Brockton, Massachusetts
Dr. Matthew H. Cryer	373	Oil on canvas	1903			Private collection
Archbishop William Henry Elder	374	Oil on canvas	1903	66 3/16 × 45 3/16		Cincinnati Art Museum, Cincinnati, Ohio[379]
Mother Patricia Waldron	375	Sketch. Oil on canvas mounted on cardboard	1903		Completed portrait, G-487: Lost, probably destroyed. See below.	Philadelphia Museum of Art, Philadelphia, Pennsylvania[380]
Bishop Edmond F. Prendergast	376	Oil on canvas			Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."[381]
James A. Flaherty	377	Oil on canvas	1903			St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127][382]
William B. Kurtz	378	Oil on canvas	1903			Collection of Mr. and Mrs. Daniel W. Dietrich II[383][384]
Miss Alice Kurtz	379	Oil on canvas	1903			Fogg Art Museum, Cambridge, Massachusetts[385]
Mrs. Mary Hallock Greenewalt	380	Oil on canvas	1903			Wichita Art Museum, Wichita, Kansas[386]
Dr. Frank Lindsay Greenewalt	381	Oil on canvas	1903			Private collection, Delaware
Dr. Frank Lindsay Greenewalt	381A	Oil
Mrs. Anna A. Kershaw	382	Oil on canvas	1903			Sheldon Museum of Art, Lincoln, Nebraska
Ruth (Portrait of Ruth Harding)	383	Oil on canvas	1903			White House Art Collection, Washington, D.C.
An Actress: Portrait of Suzanne Santje	384	Oil on canvas	1903			Philadelphia Museum of Art, Philadelphia, Pennsylvania[387]
Sketch for an Actress	385	Oil on canvas mounted on cardboard			Deaccessioned from the Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Auctioned at Christie's NY, December 1, 2010; sold for $100,900.[388]
Miss Betty Reynolds	386	Oil on canvas	Circa 1903		Deaccessioned from the Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Auctioned at Christie's New York, March 1, 2012; sold for $22,500.[389]
The Oboe Player	387	Oil on canvas	1903			Philadelphia Museum of Art, Philadelphia, Pennsylvania[390]
Rear-Admiral Charles D. Sigsbee	388	Oil on canvas	1903		Sold at auction in 2008 for $1,945,000[391]
Mrs. M.S. Stokes	389	Oil on canvas	1903			Arkell Museum, Canajoharie, New York[392]
Mrs. Richard Day	390	Oil on canvas	Circa 1903			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[393]
Mother (Portrait of Annie Williams Gandy)	391	Oil on canvas	Circa 1903		Donated to the Smithsonian by Annie Gandy's daughters, Lucy Rodman and Helen Gandy.	Smithsonian American Art Museum[394]
Mrs. Helen MacKnight (also known as "The Lady in Grey" and "Portrait of a Mother")	392	Oil on canvas	Circa 1903			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[395]
Francesco Romano	393		Circa 1903		Sold at auction in 1994 for $80,000[396] Auctioned at Sotheby's NY, November 29, 2012; sold for $146,500.[397]
Robert C. Ogden	394	Oil on canvas	1904		Deaccessioned from Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's New York, May 20, 2009, Sale #2171, Lot 128, sold for $338,500.[398][399]
Study for Robert C. Ogden	394A	Oil			Deaccessioned from Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's New York, March 3, 2011, Sale #2419, Lot 107, sold for $32,500.[400]
J. Carroll Beckwith	395	Oil on canvas	1904			San Diego Museum of Art, San Diego, California[60]
Charles Percival Buck	396	Oil on canvas	1904			Princeton University Art Museum, Princeton, New Jersey[401]
Mrs. James G. Carville (Portrait of Harriet Husson Carville)	397	Oil on canvas	1904			National Gallery of Art, Washington, D.C.[402]
Mrs. Kern Dodge	398	Oil on canvas	1904			Private Collection. Los Angeles
Mrs. Kern Dodge	399	Oil on canvas
Miss Beatrice Fenton (also known as "The Coral Necklace")	400	Oil on canvas	1904			Butler Institute of American Art, Youngstown, Ohio[170]
William R. Hallowell	401	Oil on canvas	1904
Music	402	Oil on canvas	1904			Albright-Knox Art Gallery, Buffalo, New York[403]
Sketch for Music	403	Oil on canvas mounted on cardboard				Philadelphia Museum of Art, Philadelphia, Pennsylvania[404]
The Violinist	404	Oil on canvas	1904			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[405]
Samuel Myers	405	Oil on canvas	1904			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[406]
Frank B.A. Linton	406	Oil on canvas	1904			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[407]
Mrs. Edith Mahon	407	Oil on canvas	1904			Smith College Museum of Art, Northampton, Massachusetts[408]
Rear-Admiral George W. Melville	408	Oil on canvas	1904			Philadelphia Museum of Art, Philadelphia, Pennsylvania[409]
William Murray	409	Oil on canvas	Circa 1904
Mrs. Matilda Searight	410	Oil on canvas	1904			La Salle University art gallery, Philadelphia, Pennsylvania
Edward Taylor Snow	411	Oil on canvas	1904			Philadelphia Museum of Art, Philadelphia, Pennsylvania[410]
B.J. Blommers	412		1904			Toledo Museum of Art, Toledo, Ohio[60]
Mrs. B.J. Blommers	413		1904
Charles P. Gruppe	414	Oil on canvas	1904	22" × 18"		Private Collection. New York
A. Bryan Wall	414A	Oil				Bowdoin College Museum of Art, Brunswick, Maine[411]
Joseph R. Woodwell	415	Oil on canvas	1904			Carnegie Museum of Art, Pittsburgh, Pennsylvania[412]
William H. MacDowell	416	Oil on canvas	Circa 1904			Memorial Art Gallery, University of Rochester, New York[413]
Walter MacDowell	417	Oil on canvas	Circa 1904			Taubman Museum of Art, Roanoke, Virginia[369]
William H. Lippincott	418		Late 1904 or early 1905
Edward W. Redfield	419	Oil on canvas	1905			National Academy of Design, New York City, New York
Rear-Admiral George W. Melville	420	Oil on canvas	1905			National Gallery of Art, Washington, D.C.[414]
Mrs. George Morris	421	Oil on canvas	1905
Professor William Smith Forbes	422	Oil on canvas	1905		Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania in 2007.	Private collection
Charles L. Fussell	423	Oil on canvas	Circa 1905			Montclair Art Museum, Montclair, New Jersey[415]
Study for Charles L. Fussell	423A	Oil on board	Circa 1905		Deaccessioned from the Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Auctioned at Christie's New York, March 1, 2012; sold for $27,500.[416]
Miss Florence Einstein	424	Oil on canvas	1905			Currier Museum of Art, Manchester, New Hampshire[417]
Monsignor Diomede Falconio	425	Oil on canvas	1905			National Gallery of Art, Washington, D.C.[418]
John B. Gest	426	Oil on canvas	1905			Museum of Fine Arts, Houston, Houston, Texas[419]
Asbury.W. Lee	427	Oil on canvas	1905			Reynolda House Museum of American Art, Winston-Salem, North Carolina[420]
Miss Elizabeth L. Burton	428	Oil on canvas	Circa 1905			Minneapolis Institute of Arts, Minneapolis, Minnesota[60]
Dr. Thomas H. Fenton	429	Oil on canvas	Circa 1905			Delaware Art Museum, Wilmington, Delaware
Mrs. Louis Husson (Annie C. Lochrey)	430	Oil on canvas	Circa 1905			National Gallery of Art, Washington, D.C.[421]
Maurice Feeley	431	Oil on canvas	Circa 1905		Deaccessioned from the Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Auctioned at Christie's NY, March 3, 2011; sold for $27,500[422]
Genjiro Yeto	432		1906
A Singer: Portrait of Mrs. W.H. Bowden	433	Oil on canvas	1906			Princeton University Art Museum, Princeton, New Jersey[423]
A Singer: Portrait of Mrs. Leigo	434	Oil on canvas	Circa 1906			Berry-Hill Galleries, New York City, New York
Richard Wood	435	Oil on canvas	1906
Master Alfred Douty	436	Oil on canvas	1906			Santa Barbara Museum of Art, Santa Barbara, California[424]
A Little Girl	437	Oil on canvas	Circa 1906			Philadelphia Museum of Art, Philadelphia, Pennsylvania[425]
Monsignor James P. Turner	438	Oil on canvas	Circa 1906			Nelson-Atkins Museum of Art, Kansas City, Missouri[426]
Sketches	439	Oil on cardboard			Double sided: one side is a sketch for Monsignor James P. Turner. The reverse is a sketch for William Rush and His Model	Philadelphia Museum of Art, Philadelphia, Pennsylvania[427][428]
Thomas J. Eagan	440	Oil on canvas	1907			Terra Museum, Chicago, Illinois[429]
Dr. Albert C. Getchell	441	Oil on canvas	1907			North Carolina Museum of Art, Raleigh, North Carolina[60]
Dr. William Thomson	442	Oil on canvas	1907			Mütter Museum, College of Physicians of Philadelphia, Philadelphia, Pennsylvania
Dr. William Thomson (unfinished)	443	Oil on canvas				National Gallery of Art, Washington, D.C.[430][431]
Major Manuel Waldteufel	444	Oil on canvas	1907		Ex Collection: French Benevolent Society of Philadelphia, Philadelphia, Pennsylvania.[432] Deaccessioned 2003	Hirschl and Adler Galleries, New York
William Rush and His Model	445	Oil on canvas	1908			Brooklyn Museum of Art, New York City, New York[433]
Sketch for William Rush and His Model	446	Oil on wood	1908	8¾ × 10
Sketch for William Rush and His Model	447	Oil on wood				Hirshhorn Museum and Sculpture Garden, Washington, D.C.[434]
Studies of Rush	448	Oil on wood			Originally a collage with 448A and 448B until the images were split.[5]
Study of Rush	448A	Oil on wood			Originally a collage with 448 and 448B until the images were split.[5]
Study of Rush	448B	Oil on wood			Originally a collage with 448 and 448A until the images were split.[5]
Study of Rush	449	Oil on canvas			Sold at auction in November 2009[435]
Study of the Negress (The Chaperone)	450	Oil on canvas	Circa 1908			National Gallery of Art, Washington, DC[436]
William Rush and His Model	451	Oil on canvas	1907–1908		In his book Eakins Revealed pp. 369–371, Henry Adams claims Eakins' friend #323, Miss Mary Adeline Williams was the nude model for William Rush and his Model in the collection of the Honolulu Museum of Art, Honolulu, Hawaii, and related studies #'s 445,446, 447,452,453 and 454.	Honolulu Museum of Art, Honolulu, Hawaii[437]
The Model	452	Oil on canvas			Auctioned at Sotheby's New York, May 22, 2008, sold for US$1,273,000.[438]
William Rush and His Model	453	Oil on canvas	1908			Smithsonian American Art Museum, Washington, D.C.[439]
Study for "William Rush's Model"	454	Oil on canvas	Circa 1908		Deaccessioned from Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's New York, May 20, 2009, Sale #2171, Lot 72, sold for $122,500.[440]
Miss Eleanor S.F. Pue	455	Oil on canvas	1907			Virginia Museum of Fine Arts, Richmond, Virginia[60]
Miss Rebecca MacDowell	456	Oil on canvas	Circa 1908
The Old-Fashioned Dress: Portrait of Miss Helen Parker	457	Oil on canvas	Circa 1908			Philadelphia Museum of Art, Philadelphia, Pennsylvania[441]
Sketch for the Old-Fashioned Dress	458	Oil on cardboard				Collection of Mr. and Mrs. Daniel Dietrich II[442]
Study for the Old-Fashioned Dress	459	Oil on canvas	1908			Collection of Mr. and Mrs. Daniel Dietrich II[443][444]
Mrs. Lucy Langdon W. Wilson	460	Oil on canvas	1908		Sold at auction in 1998 for $65,000[445]
Mrs. Lucy Langdon W. Wilson	461	Oil on canvas	Early 1909
Dr. William P. Wilson	462	Oil on canvas	1909
Dr. Henry Beates Jr.	463	Oil on canvas	1909
Henry Beates	464	Oil on canvas	Circa 1909
Edward A. Schmidt	465	Oil on canvas	Circa 1909
Reverend Cornelius J. O'Neill	466	Oil on canvas	Circa 1909
John J. Borie	467	Oil on canvas				Hood Museum of Art, Hanover, New Hampshire[446]
Mrs. Nicholas Douty	468	Oil on canvas	1910			Cummer Gallery of Art, Jacksonville, Florida[60]
Dr. Gilbert Lafayette Parker	469	Oil on canvas	1910		Sold at auction in 1986 for $125,000[447]
Mrs. Gilbert Parker	470	Oil on canvas	1910			Museum of Fine Arts, Boston, Boston, Massachusetts[448]
Gilbert Sunderland Parker	471	Oil on canvas	1910
Ernest Lee Parker	472	Oil on canvas	1910		Ex-collection of the Westmoreland Museum of American Art. Sold in 2002 for $101,575[449]
President Rutherford B. Hayes	473	Oil on canvas	1912 or 1913			Philipse Manor Hall, Yonkers, New York
Dr. Edward Anthony Spitzka	474	Oil on canvas	Circa 1913		Eakins' last painting. This originally showed a full length Dr. Spitzka holding the cast of a brain. Sometime after it was cataloged in the 1933 Goodrich catalog (measuring 84×43½ inches), someone cut away the rest of the painting, leaving only the head and bust (30½×25? inches).[450]	Hirshhorn Museum and Sculpture Garden, Washington, D.C.[451]
President Rutherford B. Hayes	475		1877		"Probably no longer in existence"
James L. Wood	476		Circa 1890		"Probably no longer in existence"
William Rudolf O'Donovan	477		1891 or early 1892		"Probably no longer in existence"
Miss Emily Sartain	478		Sometime in the 1890s		Thought to have been lost ("Probably no longer in existence".) Later rediscovered. Passed on through the Sartain family to the Babcock Galleries, and was sold to Rita and Daniel Fraad in 1957. Sold at auction in 2004 for $198,400.[452]
Miss Emily Sartain	479		Sometime in the 1890s		"Probably no longer in existence"
Dr. Hugh A. Clarke	480		Circa 1893		"Probably no longer in existence"
James MacAlister	481		Circa 1893		"Probably no longer in existence"
Circus People	482		Before 1876		Sketch. "Probably no longer in existence"
Stewart Culin	483		Circa 1899		"Probably no longer in existence"
Dr. George B. Wood	484		Circa 1900		"Probably no longer in existence"
Dr. Patrick J. Garvey	485	Oil on canvas	1902		Thought to have been destroyed, rediscovered in 1959	St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127][453]
Right Reverend Denis J. Dougherty	486		1903			Private Collection[454]
Mother Patricia Waldron	487		1903		"Probably no longer in existence" – loaned by the Sisters of Mercy to William Antrim, who had been commissioned to paint a new portrait of Waldron. Antrim stored the portrait in the attic of his studio. The portrait was lost when the building was demolished.[455] For sketch, see above, G-375.
Mrs. Margaret Jane Gish	488		Circa 1903		"Probably no longer in existence"
Robert C. Ogden	489				"Probably no longer in existence"
Dr. J. William White	490		1904		"Probably no longer in existence"
Adolphie Borie	491		Circa 1910		"Probably no longer in existence"
Mrs. Charles Lester Leonard	492		1895		No longer in existence
Mrs. Hubbard	493		Circa 1895		No longer in existence
Mrs. McKeever	494		1898		No longer in existence
Bishop Edmond F. Prendergast	495	Oil on canvas	Circa 1903		No longer in existence
Frank W. Stokes	496		1903		No longer in existence
Edward S. Buckley	497		1906		No longer in existence. According to Buckley's daughter: "It was so unsatisfactory that we destroyed it, not wishing his descendants to think of their grandfather as resembling the portrait."[456]
Studies for William Rush and His Model	498	Sculpture, pigmented wax	1876–1877		Five studies	Philadelphia Museum of Art, Philadelphia, Pennsylvania[457]
The Mare 'Josephine'	499	Sculpture, bronze	1878			Philadelphia Museum of Art, Philadelphia, Pennsylvania
The Mare 'Josephine': Skeleton	500	Sculpture, bronze	1878			Butler Institute of American Art, Youngstown, Ohio[458]
Ecorche	501	Sculpture				National Gallery of Art, Washington, D.C.[459]
Ecorche	502	Sculpture	1882			Philadelphia Museum of Art, Philadelphia, Pennsylvania[458]
Studies for The Fairman Rogers Four-in-Hand	503	Sculpture, bronze with marble bases	1897			Philadelphia Museum of Art, Philadelphia, Pennsylvania
Spinning	504	Sculpture	Late 1882/early 1883			Philadelphia Museum of Art, Philadelphia, Pennsylvania
Knitting	505	Sculpture	1881			Philadelphia Museum of Art, Philadelphia, Pennsylvania[179]
Arcadia	506	Sculpture, bronze	1883			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[460]
An Arcadian	507	Sculpture
The Youth Playing the Pipes	508	Sculpture	1883
Abraham Lincoln's horse	509	Sculpture	1893–1894		Originally paired with G509A in the 1933 Goodrich catalog.[5]	Soldiers' and Sailors' Memorial Arch, Prospect Park, New York City, New York
General Grant's Horse	509A	Sculpture, bronze	1892		Originally listed as G509 in the 1933 Goodrich catalog.[5]	Soldiers' and Sailors' Memorial Arch, Prospect Park, New York City, New York	Clinker as it originally appeared.
Clinker	510	Sculpture	1892			Hirshhorn Museum and Sculpture Garden, Washington, D.C.[461]
Clinker	511	Sculpture, bronze	1892			Philadelphia Museum of Art, Philadelphia, Pennsylvania[458]
Billy	512	Sculpture, plaster	Circa 1892–1893
The American Army Crossing the Delaware	513	Sculpture, bronze relief	Circa 1893			New Jersey State Museum, Trenton, New Jersey[462]
The Opening of the Fight, The Battle of Trenton	514	Sculpture, bronze relief	Circa 1893			New Jersey State Museum, Trenton, New Jersey[463]
Man on Horseback: Relief	514A					Hirshhorn Museum and Sculpture Garden, Washington, D.C.[5]
Mrs. Mary Hallock Greenewalt	515	Sculpture	1905