List of compositions by Johann Sebastian Bach
There are over 1000 known compositions by Johann Sebastian Bach. Listed here are about half of these in the order of the Bach-Werke-Verzeichnis (BWV), including the spurious and doubtful works in the appendix (Anh. – Anhang) of that catalogue. The complementary pages listing the other compositions by Bach according to their BWV number are:
- List of Bach cantatas: Cantatas BWV 1–224
- List of chorale harmonisations by Johann Sebastian Bach: Chorale harmonisations BWV 250–438
- List of songs and arias of Johann Sebastian Bach: Songs and arias BWV 439–518
- List of solo keyboard compositions by Johann Sebastian Bach: Solo keyboard compositions BWV 772–994
Works for voice
Cantatas (1–224)
Motets (225–231)
- BWV 225 – Singet dem Herrn ein neues Lied
- BWV 226 – Der Geist hilft unser Schwachheit auf
- BWV 227 – Jesu, meine Freude
- BWV 228 – Fürchte dich nicht
- BWV 229 – Komm, Jesu, komm
- BWV 230 – Lobet den Herrn, alle Heiden (Psalm 117)
- BWV 231 – Sei Lob und Preis mit Ehren (2nd section from composite motet BWV Anh. 160; based on Cantata no. 28)[1]
- BWV Deest – Der Gerechte kömmt um, a recasting, attributed to Bach on stylistic grounds, of the motet Tristis est anima mea attributed to Johann Kuhnau.[2]
Liturgical works in Latin (232–243a)
- BWV 232 – Mass in B minor, with early versions for the first three sections of this mass composition:
- BWV 232 I – Mass for the Dresden court (1733)
- BWV 232 II – Credo in G major (1748–49?)
- BWV 232 III – Sanctus for six vocal parts (1724)
- BWV 233 – Missa in F major
- BWV 233a – Kyrie in F major (alternative version of Kyrie from BWV 233)
- BWV 234 – Missa in A major
- BWV 235 – Missa in G minor
- BWV 236 – Missa in G major
- BWV 237 – Sanctus in C major
- BWV 238 – Sanctus in D major
- BWV 239 – Sanctus in D minor (doubtful)
- BWV 240 – Sanctus in G major
- BWV 241 – Sanctus in D major (arrangement of Sanctus from Johann Caspar Kerll's Missa superba)
- BWV 242 – Christe eleison in G minor (composed by Bach for a mass by Francesco Durante, BWW Anh. 26)[3]
- BWV 243 – Magnificat in D major
- BWV 243a – Magnificat in E-flat major
Passions and oratorios (244–249)
- BWV 244 – St Matthew Passion (Matthäus-Passion)
- BWV 244a – Trauermusik Klagt, Kinder, klagt es aller Welt, BWV 244a (lost funeral cantata for Prince Leopold of Anhalt-Cöthen)
- BWV 244b – Matthäus-Passion (earlier version)
- BWV 245 – St John Passion (Johannes-Passion)
- BWV 245a – Himmel reiße, Welt erbebe (aria from the 2nd version of the St John Passion)
- BWV 245b – Zerschmettert mich, ihr Felsen und ihr Hügel (aria from the 2nd version of the St John Passion)
- BWV 245c – Ach, windet euch nicht so, geplagte Seelen (aria from the 2nd version of the St John Passion)
- BWV 246 – St Luke Passion (Lukas-Passion) (spurious, author unknown)
- BWV 247 – St Mark Passion (Markus-Passion) (libretto is extant; much of the music is lost, but has been reconstructed)
- BWV 248 – Christmas Oratorio (Weihnachts-Oratorium)
- BWV 249 – Easter Oratorio (Oster-Oratorium)
- BWV 249a – Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen
- BWV 249b – Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne
See also BWV 11 – Ascension Oratorio (Himmelfahrts-Oratorium)
Chorales (250–438)
Songs and arias (439–524)
Works for organ
- See also "Neumeister Chorales" (BWV 1090–1120) and "Various works" (BWV Anh. 42–46) under More recent BWV additions.
Trio sonatas for organ (525–530)
- BWV 525 – Trio sonata in E-flat major
- BWV 526 – Trio sonata in C minor
- BWV 527 – Trio sonata in D minor
- BWV 528 – Trio sonata in E minor
- BWV 528a – Andante in D minor (alternative version of movement 2: Andante in B minor from BWV 528)
- BWV 529 – Trio sonata in C major
- BWV 530 – Trio sonata in G major
Preludes and Fugues, Toccatas and Fugues, Fantasias and Fugues, and Passacaglia and Fugue for organ (531–582)
- BWV 531 – Prelude and Fugue in C major
- BWV 532 – Prelude and Fugue in D major
- BWV 532a – Fugue in D major (alternative version of the fugue of BWV 532)
- BWV 533 – Prelude and Fugue in E minor ("Cathedral")
- BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals)
- BWV 534 – Prelude and Fugue in F minor
- BWV 535 – Prelude and Fugue in G minor
- BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535)
- BWV 536 – Prelude and Fugue in A major
- BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript)[4]
- BWV 537 – Fantasia and Fugue in C minor
- BWV 538 – Toccata and Fugue in D minor ("Dorian")
- BWV 539 – Prelude and Fugue in D minor ("Fiddle")
- BWV 539a – Fugue in D minor (see BWV 1000 for the lute arrangement, movement 2 of BWV 1001 for the violin arrangement)
- BWV 540 – Toccata and Fugue in F major
- BWV 541 – Prelude and Fugue in G major
- BWV 542 – Fantasia and Fugue in G minor ("Great")
- BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542)
- BWV 543 – Prelude and Fugue in A minor
- BWV 544 – Prelude and Fugue in B minor
- BWV 545 – Prelude and Fugue in C major
- BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545)
- BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs)
- BWV 546 – Prelude and Fugue in C minor
- BWV 547 – Prelude and Fugue in C major ("9/8")
- BWV 548 – Prelude and Fugue in E minor ("Wedge")
- BWV 549 – Prelude and Fugue in C minor
- BWV 550 – Prelude and Fugue in G major
- BWV 551 – Prelude and Fugue in A minor
- BWV 552 – Prelude and Fugue in E-flat major ("St. Anne") (published in Clavier-Übung III)
- BWV 553 – Eight Short Preludes and Fugues – Prelude and Fugue in C major (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs)[5]
- BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by Johann Christian Kittel)[6]
- BWV 562 – Fantasia and Fugue in C minor (fugue unfinished)
- BWV 563 – Fantasia in B minor (Fantasia and Imitatio) (spurious)
- BWV 564 – Toccata, Adagio and Fugue in C major
- BWV 565 – Toccata and Fugue in D minor (disputed, original manuscript not found)
- BWV 566 – Toccata and Fugue in E major (also published in C major)
- BWV 566a – Toccata in E major (earlier version of BWV 566)
- BWV 567 – Prelude in C major (doubtful, possibly by Johann Ludwig Krebs)[7]
- BWV 568 – Prelude in G major (doubtful)[7]
- BWV 569 – Prelude in A minor
- BWV 570 – Fantasia in C major
- BWV 571 – Fantasia (Concerto) in G major (spurious)
- BWV 572 – Fantasia in G major (Pièce d'Orgue)
- BWV 573 – Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
- BWV 574 – Fugue in C minor (on a theme of Legrenzi)
- BWV 574a – Fugue in C minor (alternative version of BWV 574)
- BWV 574b – Fugue in C minor (alternative version of BWV 574)
- BWV 575 – Fugue in C minor
- BWV 576 – Fugue in G major (doubtful)[8]
- BWV 577 – Fugue in G major à la Gigue (doubtful)[9]
- BWV 578 – Fugue in G minor ("Little")
- BWV 579 – Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4)
- BWV 580 – Fugue in D major (doubtful)[10]
- BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius)
- BWV 582 – Passacaglia and Fugue in C minor
Trios and miscellaneous pieces for organ (583–591)
- BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer)[11]
- BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria)
- BWV 585 – Trio in C minor (spurious, after Johann Friedrich Fasch)
- BWV 586 – Trio in G major (spurious, possibly after Georg Philipp Telemann)
- BWV 587 – Aria in F major (spurious, after François Couperin)
- BWV 588 – Canzona in D minor
- BWV 589 – Allabreve in D major
- BWV 590 – Pastorella in F major (first movement probably incomplete)
- BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by Johann David Heinichen)
Concerti for organ (592–598)
Transcription of Vivaldi Concerto Op. 3, No. 11, BWV 596 – 2. Largo
Performed by Ulrich Metzner | |
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- BWV 592 – Concerto in G major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
- BWV 592a – Concerto in G major (an arrangement of BWV 592 for harpsichord)
- BWV 593 – Concerto in A minor (after Antonio Vivaldi's Concerto Op. 3/8, RV 522 for two violins)
- BWV 594 – Concerto in C major (after Antonio Vivaldi, Concerto Op. 7ii/5, RV 208 'il grosso mogul' for violin)
- BWV 595 – Concerto in C major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
- BWV 596 – Concerto in D minor (after Antonio Vivaldi, Concerto grosso, Op. 3/11, RV 565)
- BWV 597 – Concerto in E-flat major (spurious, source unknown)
- BWV 598 – Pedalexercitium ("Pedal Exercise") in G minor (improvisations recorded by C. P. E. Bach)
Chorale Preludes I: Orgelbüchlein (Little Organ Book) (599–644)
- BWV 599 – Advent – Nun komm, der Heiden Heiland
- BWV 600 – Advent – Gott, durch deine Güte (oder: Gottes Sohn ist kommen)
- BWV 601 – Advent – Herr Christ, der einge Gottessohn (oder: Herr Gott, nun sei gepreiset) (also in the Neumeister Collection)
- BWV 602 – Advent – Lob sei dem allmächtigen Gott
- BWV 603 – Christmas – Puer natus in Bethlehem
- BWV 604 – Christmas – Gelobet seist du, Jesu Christ
- BWV 605 – Christmas – Der Tag, der ist so freudenreich
- BWV 606 – Christmas – Vom Himmel hoch, da komm ich her
- BWV 607 – Christmas – Vom Himmel kam der Engel Schar
- BWV 608 – Christmas – In dulci jubilo
- BWV 609 – Christmas – Lobt Gott, ihr Christen, allzugleich
- BWV 610 – Christmas – Jesu, meine Freude
- BWV 611 – Christmas – Christum wir sollen loben schon
- BWV 612 – Christmas – Wir Christenleut'
- BWV 613 – New Year – Helft mir Gottes Güte preisen
- BWV 614 – New Year – Das alte Jahr vergangen ist
- BWV 615 – New Year – In dir ist Freude
- BWV 616 – Epiphany – Mit Fried und Freud ich fahr dahin
- BWV 617 – Epiphany – Herr Gott, nun schleuß den Himmel auf
- BWV 618 – Lent – O Lamm Gottes, unschuldig
- BWV 619 – Lent – Christe, du Lamm Gottes
- BWV 620 – Lent – Christus, der uns selig macht
- BWV 620a – Lent – Christus, der uns selig macht (older version)
- BWV 621 – Lent – Da Jesus an dem Kreuze stund
- BWV 622 – Lent – O Mensch, bewein dein Sünde groß
- BWV 623 – Lent – Wir danken dir, Herr Jesu Christ
- BWV 624 – Lent – Hilf Gott, daß mir's gelinge
- BWV 625 – Easter – Christ lag in Todesbanden
- BWV 626 – Easter – Jesus Christus, unser Heiland
- BWV 627 – Easter – Christ ist erstanden
- BWV 628 – Easter – Erstanden ist der heil'ge Christ
- BWV 629 – Easter – Erschienen ist der herrliche Tag
- BWV 630 – Easter – Heut triumphieret Gottes Sohn
- BWV 631 – Pentecost – Komm, Gott Schöpfer, heiliger Geist
- BWV 631a – Pentecost – Komm, Gott Schöpfer, heiliger Geist (older version)
- BWV 632 – Herr Jesu Christ, dich zu uns wend'
- BWV 633 – Liebster Jesu, wir sind hier
- BWV 634 – Liebster Jesu, wir sind hier (alternative version of BWV 633)
- BWV 635 – Dies sind die heil'gen zehn Gebot'
- BWV 636 – Vater unser im Himmelreich
- BWV 637 – Durch Adams Fall ist ganz verderbt
- BWV 638 – Es ist das Heil uns kommen her
- BWV 639 – Ich ruf zu dir, Herr Jesu Christ (also in the Neumeister Collection)
- BWV 640 – In dich hab ich gehoffet, Herr
- BWV 641 – Wenn wir in höchsten Nöten sein
- BWV 642 – Wer nur den lieben Gott läßt walten
- BWV 643 – Alle Menschen müssen sterben
- BWV 644 – Ach wie nichtig, ach wie flüchtig
Chorale Preludes II: Schübler Chorales (645–650)
- BWV 645 – Wachet auf, ruft uns die Stimme
- BWV 646 – Wo soll ich fliehen hin (oder: Auf meinen lieben Gott)
- BWV 647 – Wer nur den lieben Gott läßt walten
- BWV 648 – Meine Seele erhebt den Herren
- BWV 649 – Ach, bleib bei uns, Herr Jesu Christ
- BWV 650 – Kommst du nun, Jesu, vom Himmel herunter
Chorale Preludes III: "Leipzig" Chorale Preludes ("The Great Eighteen" chorales) (651–668)
- BWV 651 – Fantasia super: Komm, Heiliger Geist, Herre Gott
- BWV 651a – Fantasia (Präludium) super: Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung)
- BWV 652 – Komm, Heiliger Geist, Herre Gott
- BWV 652a – Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung)
- BWV 653 – An Wasserflüssen Babylon
- BWV 653a – An Wasserflüssen Babylon alio modo a 4 (ältere, Weimarer Fassung)
- BWV 653b – An Wasserflüssen Babylon (Weimarer Urfassung)
- BWV 654 – Schmücke dich, o liebe Seele
- BWV 654a – Schmücke dich, o liebe Seele (ältere, Weimarer Fassung)
- BWV 655 – Trio super: Herr Jesu Christ, dich zu uns wend'
- BWV 655a – Trio super: Herr Jesu Christ, dich zu uns wend' (ältere, Weimarer Fassung)
- BWV 655b – Herr Jesu Christ, dich zu uns wend'
- BWV 655c – Herr Jesu Christ, dich zu uns wend'
- BWV 656 – O Lamm Gottes, unschuldig
- BWV 656a – O Lamm Gottes, unschuldig (ältere, Weimarer Fassung)
- BWV 657 – Nun danket alle Gott (Leuthen Chorale) (ältere Weimarer und Leipziger Fassung)
- BWV 658 – Von Gott will ich nicht lassen
- BWV 658a – Fantasia super: Von Gott will ich nicht lassen (ältere, Weimarer Fassung)
- BWV 659 – Nun komm, der Heiden Heiland
- BWV 659a – Fantasia super: Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
- BWV 660 – Trio super: Nun komm, der Heiden Heiland
- BWV 660a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
- BWV 660b – Nun komm, der Heiden Heiland
- BWV 661 – Nun komm, der Heiden Heiland
- BWV 661a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
- BWV 662 – Allein Gott in der Höh' sei Ehr'
- BWV 662a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung)
- BWV 663 – Allein Gott in der Höh' sei Ehr'
- BWV 663a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung)
- BWV 664 – Trio super: Allein Gott in der Höh' sei Ehr'
- BWV 664a/b – Trio super: Allein Gott in der Höh' sei Ehr' (ältere Weimarer Fassung/Entwurf)
- BWV 665 – Jesus Christus, unser Heiland
- BWV 665a – Jesus Christus, unser Heiland (in organo pleno) (ältere, Weimarer Fassung)
- BWV 666 – Jesus Christus, unser Heiland (alio modo)
- BWV 666a – Jesus Christus, unser Heiland (ältere, Weimarer Fassung)
- BWV 667 – Komm, Gott Schöpfer, heiliger Geist
- BWV 667a/b – Komm, Gott Schöpfer, heiliger Geist (ältere, Weimarer Fassungen)
- BWV 668 – Vor deinen Thron tret' ich (Fragment)
- BWV 668a – Wenn wir in höchsten Nöten sein (Diktatschrift: Fragment)
Chorale Preludes IV: "German Organ Mass", part of Clavier-Übung III (669–689)
- BWV 669 – Kyrie (large versions) – Kyrie, Gott Vater in Ewigkeit
- BWV 670 – Kyrie (large versions) – Christe, aller Welt Trost
- BWV 671 – Kyrie (large versions) – Kyrie, Gott heiliger Geist
- BWV 672 – Kyrie (small versions) – Kyrie, Gott Vater in Ewigkeit
- BWV 673 – Kyrie (small versions) – Christe, aller Welt Trost
- BWV 674 – Kyrie (small versions) – Kyrie, Gott heiliger Geist
- BWV 675 – Gloria – Allein Gott in der Höh' sei Ehr' (small version)
- BWV 676 – Gloria – Allein Gott in der Höh' sei Ehr' (large version)
- BWV 677 – Gloria – Fughetta super: Allein Gott in der Höh' sei Ehr' (small version)
- BWV 678 – The Ten Commandments – Dies sind die heil'gen zehn Gebot' (large version)
- BWV 679 – The Ten Commandments – Fughetta super: Dies sind die heil'gen zehn Gebot' (small version)
- BWV 680 – Credo – "Wir glauben all an einen Gott " (large version)
- BWV 681 – Credo – Fughetta super: Wir glauben all an einen Gott (small version)
- BWV 682 – The Lord's Prayer – Vater unser im Himmelreich (large version)
- BWV 683 – The Lord's Prayer – Vater unser im Himmelreich (small version)
- BWV 683a – The Lord's Prayer – Vater unser im Himmelreich (small version, variant of BWV 683)
- BWV 684 – The Baptism – Christ, unser Herr, zum Jordan kam (large version)
- BWV 685 – The Baptism – Christ, unser Herr, zum Jordan kam (small version) Alio modo
- BWV 686 – The Penitence – Aus tiefer Not schrei ich zu dir (large version)
- BWV 687 – The Penitence – Aus tiefer Not schrei ich zu dir (small version)
- BWV 688 – Communion – Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (large version)
- BWV 689 – Communion – Fuga super: Jesus Christus, unser Heiland (small version)
Chorale Preludes V: Kirnberger chorale preludes (690–713)
- BWV 690 – Wer nur den lieben Gott läßt walten
- BWV 691 – Wer nur den lieben Gott läßt walten
- BWV 691a – Wer nur den lieben Gott läßt walten (spurious)
- BWV 692 – Ach, Gott und Herr (spurious, composed by Johann Gottfried Walther)[12]
- BWV 692a – Ach, Gott und Herr (spurious, composed by Johann Gottfried Walther)[12]
- BWV 693 – Ach, Gott und Herr (spurious, composed by Johann Gottfried Walther)[12]
- BWV 694 – Wo soll ich fliehen hin
- BWV 695 – Fantasia super: Christ lag in Todesbanden
- BWV 695a – Fantasia super: Christ lag in Todesbanden
- BWV 696 – Fughetta: Christum wir sollen loben schon
- BWV 697 – Fughetta: Gelobet seist du, Jesu Christ
- BWV 698 – Fughetta: Herr Christ, der ein'ge Gottes-Sohn
- BWV 699 – Fughetta: Nun komm, der Heiden Heiland
- BWV 700 – Vom Himmel hoch, da komm' ich her
- BWV 701 – Fughetta: Vom Himmel hoch, da komm' ich her
- BWV 702 – [Fughetta:] Das Jesulein soll doch mein Trost (doubtful, possibly by Johann Ludwig Krebs)[13]
- BWV 703 – Fughetta: Gottes-Sohn ist kommen
- BWV 704 – Fughetta: Lob sei dem allmächtigen Gott
- BWV 705 – Durch Adams Fall ist ganz verderbt
- BWV 706 – Liebster Jesu, wir sind hier
- BWV 707 – Ich hab' mein' Sach' Gott heimgestellt (doubtful)[14]
- BWV 708 – Ich hab' mein' Sach' Gott heimgestellt (doubtful)[15]
- BWV 708a – Ich hab' mein' Sach' Gott heimgestellt (doubtful)[15]
- BWV 709 – Herr Jesu Christ, dich zu uns wend'
- BWV 710 – Wir Christenleut'
- BWV 711 – Allein Gott in der Höh' sei Ehr'
- BWV 712 – In dich hab' ich gehoffet, Herr
- BWV 713 – Fantasia: Jesu, meine Freude
- BWV 713a – Fantasia super: Jesu, meine Freude
Miscellaneous chorale preludes (714–764)
"Meine Seele erhebt den Herren" BWV 733
Chorale prelude (organ): Fugue on the traditional theme of the German Magnificat | |
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- BWV 714 – Ach Gott und Herr (also in the Neumeister Collection)
- BWV 715 – Allein Gott in der Höh sei Ehr
- BWV 716 – Fuga super Allein Gott in der Höh sei Ehr
- BWV 717 – Allein Gott in der Höh sei Ehr'
- BWV 718 – Christ lag in Todesbanden
- BWV 719 – Der Tag, der ist so freudenreich (also in the Neumeister Collection)
- BWV 720 – Ein feste Burg ist unser Gott
- BWV 721 – Erbarm dich mein, o Herre Gott
- BWV 722 – Gelobet seist du, Jesu Christ
- BWV 723 – Gelobet seist du, Jesu Christ
- BWV 724 – Gott, durch deine Güte (Gottes Sohn ist kommen)
- BWV 725 – Herr Gott, dich loben wir
- BWV 726 – Herr Jesu Christ, dich zu uns wend
- BWV 727 – Herzlich tut mich verlangen
- BWV 728 – Jesus, meine Zuversicht (from the 1722 Notebook for Anna Magdalena Bach)
- BWV 729 – In dulci jubilo
- BWV 730 – Liebster Jesu, wir sind hier
- BWV 731 – Liebster Jesu, wir sind hier
- BWV 732 – Lobt Gott, ihr Christen, allzugleich
- BWV 733 – Fuga sopra il Magnificat (Meine Seele erhebt den Herren, a.k.a. German Magnificat – possibly composed by Bach's pupil Johann Ludwig Krebs)[16][17]
- BWV 734 – Nun freut euch, lieben Christen/Es ist gewisslich an der Zeit
- BWV 735 – Valet will ich dir geben
- BWV 736 – Valet will ich dir geben
- BWV 737 – Vater unser im Himmelreich (also in the Neumeister Collection)
- BWV 738 – Von Himmel hoch, da komm' ich her
- BWV 738a – Von Himmel hoch, da komm' ich her
- BWV 739 – Wie schön leuchtet der Morgenstern
- BWV 740 – Wir glauben all' an einen Gott, Vater (spurious)
- BWV 741 – Ach Gott, von Himmel sieh' darein
- BWV 742 – Ach Herr, mich armen Sünder (also in the Neumeister Collection)
- BWV 743 – Ach, was ist doch unser Leben
- BWV 744 – Auf meinen lieben Gott (not by Bach, possibly by Johann Tobias Krebs)
- BWV 745 – Aus der Tiefe rufe ich (not by Bach, composed by Carl Philipp Emanuel Bach)
- BWV 746 – Christ ist erstanden (not by Bach, composed by Johann Caspar Ferdinand Fischer)
- BWV 747 – Christus, der uns selig macht
- BWV 748 – Gott der Vater wohn' uns bei (not by Bach, composed by Johann Gottfried Walther)
- BWV 748a – Gott der Vater wohn' uns bei
- BWV 749 – Herr Jesu Christ, dich zu uns wend'
- BWV 750 – Herr Jesu Christ, mein's Lebens Licht
- BWV 751 – In dulci jubilo (not by Bach, composed by Johann Michael Bach)
- BWV 752 – Jesu, der du meine Seele
- BWV 753 – Jesu, meine Freude
- BWV 754 – Liebster Jesu, wir sind hier
- BWV 755 – Nun freut euch, lieben Christen
- BWV 756 – Nun ruhen alle Wälder
- BWV 757 – O Herre Gott, dein göttlich's Wort
- BWV 758 – O Vater, allmächtiger Gott
- BWV 759 – Schmücke dich, o liebe Seele (not by Bach, composed by Gottfried August Homilius)
- BWV 760 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)
- BWV 761 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)
- BWV 762 – Vater unser im Himmelreich
- BWV 763 – Wie schön leuchtet der Morgenstern
- BWV 764 – Wie schön leuchtet der Morgenstern
Partitas and chorale variations (765–771)
- BWV 765 – Chorale partita "Wir glauben all' an einen Gott" (spurious)
- BWV 766 – Chorale partita "Christ, der du bist der helle Tag"
- BWV 767 – Chorale partita "O Gott, du frommer Gott"
- BWV 768 – Chorale partita "Sei gegrüsset, Jesu gütig"
- BWV 769 – Canonic Variations on "Vom Himmel hoch da komm' ich her"
- BWV 769a – Canonic Variations on "Vom Himmel hoch da komm' ich her" (alternative version of BWV 769)
- BWV 770 – Chorale variations "Ach, was soll ich Sünder machen" (spurious)
- BWV 771 – Chorale variations "Allein Gott in der Höh' sei Ehr'" (not by Bach, possibly by Andreas Nicolaus Vetter)
Works for keyboard (BWV 772–994)
Other solo instruments
Works for solo lute (995–1000)
- BWV 995 – Suite in G minor (transcription of Cello Suite No. 5, BWV 1011)
- BWV 996 – Suite in E minor (most probably intended for lute-harpsichord[18])
- BWV 997 – Suite in C minor
- BWV 998 – Prelude, Fugue and Allegro in E-flat major
- BWV 999 – Prelude in C minor
- BWV 1000 – Fugue in G minor (transcription of Fuga (Allegro) from Violin Sonata No. 1 in G minor, BWV 1001)
BWV 997 – Lute Suite No. 2 in C minor – I Prelude
Performed by Martha Goldstein BWV 997 – Lute Suite No. 2 in C minor – II Fuge
Performed by Martha Goldstein BWV 997 – Lute Suite No. 2 in C minor – III Sarabande
Performed by Martha Goldstein BWV 997 – Lute Suite No. 2 in C minor – IV Gigue – Double
Performed by Martha Goldstein Lute Suite No. 2 Transcribed for Flute and Harpsichord, BWV 997 – 1. Prelude
Performed by Alex Murray (flute) and Martha Goldstein (harpsichord) Lute Suite No. 2 Transcribed for Flute and Harpsichord, BWV 997 – 2. Fuga
Performed by Alex Murray (flute) and Martha Goldstein (harpsichord) Lute Suite No. 2 Transcribed for Flute and Harpsichord, BWV 997 – 3. Sarabande
Performed by Alex Murray (flute) and Martha Goldstein (harpsichord) Lute Suite No. 2 Transcribed for Flute and Harpsichord, BWV 997 – 4. Gigue – Double
Performed by Alex Murray (flute) and Martha Goldstein (harpsichord) | |
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Sonatas and partitas for solo violin (1001–1006)
- BWV 1001 – Sonata No. 1 in G minor
- BWV 1002 – Partita No. 1 in B minor
- BWV 1003 – Sonata No. 2 in A minor
- BWV 1004 – Partita No. 2 in D minor
- BWV 1005 – Sonata No. 3 in C major
- BWV 1006 – Partita No. 3 in E major
Suite for solo lute (1006a)
- BWV 1006a – Suite in E major (transcription of Partita No. 3 for solo violin, BWV 1006)
Suites for solo cello (1007–1012)
- BWV 1007 – Cello Suite No. 1 in G major
- BWV 1008 – Cello Suite No. 2 in D minor
- BWV 1009 – Cello Suite No. 3 in C major
- BWV 1010 – Cello Suite No. 4 in E-flat major
- BWV 1011 – Cello Suite No. 5 in C minor
- BWV 1012 – Cello Suite No. 6 in D major
Partita for solo flute (1013)
- BWV 1013 – Partita in A minor for solo flute
Chamber music (multiple players)
Works for violin and keyboard instrument (1014–1026)
- BWV 1014 – Sonata in B minor for violin and harpsichord
- BWV 1015 – Sonata in A major for violin and harpsichord
- BWV 1016 – Sonata in E major for violin and harpsichord
- BWV 1017 – Sonata in C minor for violin and harpsichord
- BWV 1018 – Sonata in F minor for violin and harpsichord
- BWV 1018a – Adagio in F minor for violin and harpsichord (early version of movement 3 from BWV 1018)
- BWV 1019 – Sonata in G major for violin and harpsichord
- BWV 1019a – Sonata in G major for violin and harpsichord (earlier version of BWV 1019)
- BWV 1020 – Sonata in G minor for violin (or flute/recorder) and harpsichord (now attributed to Carl Philipp Emanuel Bach – H 542.5)[19]
- BWV 1021 – Sonata in G major for violin and basso continuo
- BWV 1022 – Sonata in F major for violin and harpsichord (doubtful, possibly by C. P. E. Bach)[19]
- BWV 1023 – Sonata in E minor for violin and basso continuo
- BWV 1024 – Sonata in C minor for violin and basso continuo (doubtful)
- BWV 1025 – Suite in A major for violin and harpsichord (after a sonata by Sylvius Leopold Weiss) (doubtful, possibly by C. P. E. Bach)[19]
- BWV 1026 – Fugue in G minor for violin and harpsichord (doubtful)
Sonatas for viola da gamba and keyboard instrument (1027–1029)
Sonata No. 1 in G major for viola da gamba and harpsichord (BWV 1027) – 1st movement
BWV 1027 – 2nd movement
BWV 1027 – 3rd movement
BWV 1027 – 4th movement
Sonata No. 3 in G minor for viola da gamba and harpsichord (BWV 1029) – 1st movement
BWV 1029 – 2nd movement
BWV 1029 – 3rd movement
All performed by John Michel | |
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- BWV 1027 – Sonata No. 1 in G major for viola da gamba and harpsichord (arrangement of BWV 1039)
- BWV 1027a – Trio in G major for organ (arrangement of movement 4 from BWV 1027)
- BWV 1028 – Sonata No. 2 in D major for viola da gamba and harpsichord
- BWV 1029 – Sonata No. 3 in G minor for viola da gamba and harpsichord
Sonatas for flute and keyboard instrument (1030–1035)
- BWV 1030 – Sonata in B minor for flute or recorder and harpsichord
- BWV 1030b – Sonata in G minor for harpsichord and unknown instrument (oboe or viola da gamba conjectured) – earlier version of BWV 1030 of which only harpsichord part survives
- BWV 1031 – Sonata in E-flat major for flute or recorder and harpsichord (possibly by Carl Philipp Emanuel Bach as H 545)[19]
- BWV 1032 – Sonata in A major for flute or recorder and harpsichord
- BWV 1033 – Sonata in C major for flute or recorder and basso continuo (possibly by C. P. E. Bach)[19]
- BWV 1034 – Sonata in E minor for flute or recorder and basso continuo
- BWV 1035 – Sonata in E major for flute or recorder and basso continuo
Trio sonatas (1036–1040)
- BWV 1036 – Sonata in D minor for 2 violins and keyboard (now attributed to Carl Philipp Emanuel Bach)[19]
- BWV 1037 – Sonata in C major for 2 violins and keyboard (now attributed to Johann Gottlieb Goldberg)[19]
- BWV 1038 – Sonata in G major for flute, violin and keyboard (doubtful, possibly by C. P. E. Bach)[19]
- BWV 1039 – Sonata in G major for 2 flutes and basso continuo
- BWV 1040 – Canonic sonata in F major for oboe, violin and basso continuo
Orchestral works
Violin concertos (1041–1045)
- BWV 1041 – Violin Concerto in A minor
- BWV 1042 – Violin Concerto in E major
- BWV 1043 – Concerto for 2 violins in D minor ("Double Concerto")
- BWV 1044 – Concerto for flute, violin and harpsichord in A minor (also known as "Triple Concerto") – adaptation of harpsichord prelude and fugue in A minor BWV 894 (movts. 1 and 3) and middle movement of organ sonata in D minor BWV 527 (movt. 2).
- BWV 1045 – Violin Concerto movement in D major
- BWV 1052 – Concerto for violin in D minor (BWV 1052 is the concerto for harpsichord in D minor; it has been reconstructed for violin as the possible original instrument)
- BWV 1056 – Concerto for violin in G minor (BWV 1056 is the concerto for harpsichord in F minor; it has been reconstructed for violin as the possible original instrument; it could also have been an oboe concerto)
- BWV 1060 – Concerto for 2 violins, or violin and oboe and strings in C minor (BWV 1060 is the concerto for 2 harpsichords in C minor; it has been reconstructed for 2 violins or violin and oboe as the possible original instruments; some violin-oboe editions have been transposed to D minor)
- BWV 1064 – Concerto for 3 violins and strings in D major (BWV 1064 is the concerto for 3 harpsichords in C major; it has been reconstructed for 3 violins as the possible original instruments)
Brandenburg concertos (1046–1051)
- BWV 1046 – Brandenburg Concerto No. 1 in F major for violino piccolo, three oboes, bassoon, two corni da caccia, strings and continuo
- BWV 1046a – Sinfonia in F major (earlier version of BWV 1046)
- BWV 1047 – Brandenburg Concerto No. 2 in F major for trumpet, oboe, recorder, violin, strings and continuo
- BWV 1048 – Brandenburg Concerto No. 3 in G major for three violins, three violas, three cellos and continuo
- BWV 1049 – Brandenburg Concerto No. 4 in G major for violin, two fiauti d'echo (recorders), strings and continuo
- BWV 1050 – Brandenburg Concerto No. 5 in D major for harpsichord, violin, flute and strings
- BWV 1050a – Concerto in D major for harpsichord, violin, flute and strings (earlier version of BWV 1050)
- BWV 1051 – Brandenburg Concerto No. 6 in B-flat major for two violas, two violas da gamba, cello and continuo
Keyboard concertos (1052–1065)
- BWV 1052 – Concerto for harpsichord and strings in D minor (after a lost violin concerto)
- BWV 1053 – Concerto for harpsichord and strings in E major (probably after a lost oboe concerto, also performed as "Concerto in F major for oboe, strings, and continuo")
- BWV 1054 – Concerto for harpsichord and strings in D major (after BWV 1042, Violin Concerto in E major)
- BWV 1055 – Concerto for harpsichord and strings in A major (after a lost oboe d'amore concerto)
- BWV 1056 – Concerto for harpsichord and strings in F minor (probably after a lost violin concerto – this is sometimes recorded as Concerto for violin in G minor)
- BWV 1057 – Concerto for harpsichord, 2 recorders and strings in F major (after BWV 1049, Brandenburg concerto No. 4 in G major)
- BWV 1058 – Concerto for harpsichord and strings in G minor (after BWV 1041, Violin Concerto in A minor)
- BWV 1059 – Concerto for harpsichord in D minor (an incomplete fragment of only 9 bars; various reconstructions have been made of harpsichord, organ and oboe concertos based on this by using cantata movements but they are almost entirely speculative)
- BWV 1060 – Concerto for 2 harpsichords and strings in C minor (after a lost violin and oboe concerto)
- BWV 1061 – Concerto for 2 harpsichords and strings in C major (original version for 2 harpsichords unaccompanied known as BWV 1061a)
- BWV 1062 – Concerto for 2 harpsichords and strings in C minor (after BWV 1043, Double Violin Concerto in D minor)
- BWV 1063 – Concerto for 3 harpsichords and strings in D minor
- BWV 1064 – Concerto for 3 harpsichords and strings in C major (after a lost triple violin concerto)
- BWV 1065 – Concerto for 4 harpsichords and strings in A minor (after Antonio Vivaldi's concerto for 4 violins in B minor, L'estro Armonico, Op. 3/10, RV 580)
Orchestral suites (1066–1071)
- BWV 1066 – Orchestral Suite No. 1 in C major (for woodwinds, strings and continuo)
- [Ouverture] (no description, two sections), Courante, Gavotte I & II, Forlane, Menuet I & II, Bourrée I & II, Passepied I & II.
- BWV 1067 – Orchestral Suite No. 2 in B minor (for flute, strings and continuo)
- [Ouverture] (no description, two sections), Rondeau, Sarabande, Bourrée I & II, Polonaise & Double, Menuet, Badinerie.
- BWV 1068 – Orchestral Suite No. 3 in D major (for oboes, trumpets, timpani, strings and continuo)
- [Ouverture] (no description, two sections), Air, Gavotte I & II, Bourrée, Gigue.
- BWV 1069 – Orchestral Suite No. 4 in D major (for oboes, bassoon, trumpets, timpani, strings and continuo)
- [Ouverture] (no description, two sections), Bourrée I & II, Gavotte, Menuet I & II, Rejouissance.
- BWV 1070 – Orchestral Suite in G minor (spurious – W. F. Bach)]]
- BWV 1071 – Sinfonia in F major (originally grouped with orchestral suites, now known as BWV 1046a)
Contrapuntal works (1072–1080)
Canons (1072–1078)
- BWV 1072 – Canon trias harmonica a 8
- BWV 1073 – Canon a 4 perpetuus
- BWV 1074 – Canon a 4
- BWV 1075 – Canon a 2 perpetuus
- BWV 1076 – Canon triplex a 6
- BWV 1077 – Canone doppio sopr'il soggetto
- BWV 1078 – Canon super fa mi a 7 post tempus misicum
Late contrapuntal works (1079–1080)
- BWV 1079 – The Musical Offering (Musikalisches Opfer)
- BWV 1080 – The Art of Fugue (Die Kunst der Fuge)
More recent BWV additions
Miscellaneous (BWV 1081–1089)
- BWV 1081 – Credo in unum Deum in F-dur (for choir)
- BWV 1082 – Suscepit Israel puerum suum (for choir)
- BWV 1083 – Tilge, Höchster, meine Sünden (Motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater)
- BWV 1084 – O hilf, Christe, Gottes Sohn (chorale)
- BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude)
- BWV 1086 – Canon concordia discors (organ)
- BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground – organ (discovered 1974)
- BWV 1088 – So heb ich denn mein Auge sehnlich auf (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio)[20]
- BWV 1089 – Da Jesus an dem Kreutze stund (chorale)
Neumeister Chorales (BWV 1090–1120)
31 chorale preludes for organ, discovered 1985 in the archives of the Yale University library.
- BWV 1090 – Wir Christenleut
- BWV 1091 – Das alte Jahr vergangen ist
- BWV 1092 – Herr Gott, nun schleuß den Himmel auf
- BWV 1093 – Herzliebster Jesu, was hast du verbrochen
- BWV 1094 – O Jesu, wie ist dein Gestalt
- BWV 1095 – O Lamm Gottes unschuldig
- BWV 1096 – Christe, der du bist Tag und Licht (also known as "Wir danken dir, Herr Jesu Christ"; doubtful, possibly by Johann Pachelbel[21][22])
- BWV 1097 – Ehre sei dir, Christe, der du leidest Not
- BWV 1098 – Erhalt uns, Herr, bei deinem Wort
- BWV 1099 – Aus tiefer Not schrei ich zu dir
- BWV 1100 – Allein zu dir, Herr Jesu Christ
- BWV 1101 – Durch Adams Fall ist ganz verderbt
- BWV 1102 – Du Friedefürst, Herr Jesu Christ
- BWV 1103 – Erhalt uns, Herr, bei deinem Wort
- BWV 1104 – Wenn dich Unglück tut greifen an
- BWV 1105 – Jesu, meine Freude
- BWV 1106 – Gott ist mein Heil, mein Hilf und Trost
- BWV 1107 – Jesu, meines Lebens Leben
- BWV 1108 – Als Jesus Christus in der Nacht
- BWV 1109 – Ach Gott, tu dich erbarmen
- BWV 1110 – O Herre Gott, dein göttlich Wort
- BWV 1111 – Nun lasset uns den Leib begrab'n
- BWV 1112 – Christus, der ist mein Leben
- BWV 1113 – Ich hab mein Sach Gott heimgestellt
- BWV 1114 – Herr Jesu Christ, du höchstes Gut
- BWV 1115 – Herzlich lieb hab ich dich, o Herr
- BWV 1116 – Was Gott tut, das ist wohlgetan
- BWV 1117 – Alle Menschen müssen sterben
- BWV 1118 – Werde munter, mein Gemüte
- BWV 1119 – Wie nach einer Wasserquelle
- BWV 1120 – Christ, der du bist der helle Tag
Miscellaneous (BWV 1121–1126)
- BWV 1121 – Fantasie in C minor (organ)
- BWV 1122 – Denket doch, Ihr Menschenkinder (chorale)
- BWV 1123 – Wo Gott zum Haus nicht gibt sein Gut (chorale)
- BWV 1124 – Ich ruf zu Dir, Herr Jesu Christ (chorale)
- BWV 1125 – O Gott, du frommer Gott (chorale)
- BWV 1126 – Lobet Gott, unsern Herrn (chorale)[23]
Strophic aria (BWV 1127)
- BWV 1127 – Alles mit Gott und nichts ohn' ihn (discovered June 2005)
Organ chorale fantasia (BWV 1128)
- BWV 1128 – Wo Gott der Herr nicht bei uns hält (discovered March 2008)[24]
BWV Anh.
Anh. is an abbreviation of German: Anhang (appendix).
Lost and spurious cantatas, BWV Anh. 1 to 21
- BWV Anh. 1–20 – see List of Bach cantatas (music lost)
- BWV Anh. 21 – cantata Meine Seel erhebt den Herren by Melchior Hoffmann
Miscellaneous works and fragments, BWV Anh. 22 to 31
- BWV Anh. 22 – Concerto for Oboe and Violin in B-flat major: Scores at the International Music Score Library Project (only theme survives)
- BWV Anh. 23 – Concerto a cinque for strings in E Minor (Tomaso Albinoni Op. 2, No. 2)
- BWV Anh. 24 – Kyrie in A minor (from "Missa Sancti Lamberti" by Johann Christoph Pez)
- BWV Anh. 25 – Mass in C major (by Johann Ludwig Bach, copied & performed by J. S. Bach c.1740-1742)
- BWV Anh. 26 – Mass in C minor: Scores at the International Music Score Library Project (by Francesco Durante; see also BWV 242)
- BWV Anh. 27 – Sanctus in F major by Johann Ludwig Krebs
- BWV Anh. 28 – Sanctus in B major (composer unknown)
- BWV Anh. 29 – continuo part for a Mass in C minor
- BWV Anh. 30 – Magnificat in C major by Antonio Lotti (?)
- BWV Anh. 31 – Chorale Herr Gott, dich loben alle wir: Scores at the International Music Score Library Project
From Deutsche Übersetzungen und Gedichte (Christian Hofmann von Hofmannswaldau), BWV Anh. 32 to 39
- BWV Anh. 32 – Sacred Song "Getrost mein Geist, wenn Wind und Wetter krachen" (doubtful)
- BWV Anh. 33 – Sacred song "Mein Jesus, spare nicht" (doubtful)
- BWV Anh. 34 – Sacred Song "Kann ich mit einem Tone" (doubtful)
- BWV Anh. 35 – Sacred Song "Meine Seele lass die Flügel" (doubtful)
- BWV Anh. 36 – Sacred song "Ich stimm' itzund ein Straff-Lied an" (doubtful)
- BWV Anh. 37 – Sacred song "Der schwarze Flügel trüber Nacht" (doubtful)
- BWV Anh. 38 – Sacred song "Das Finsterniß tritt ein" (doubtful)
- BWV Anh. 39 – Song "Ach was wollt ihr trüben Sinnen" (doubtful)
From Singende Muse an der Pleiße (Sperontes), BWV Anh. 40 to 41
- BWV Anh. 40 – Song "Ich bin nun wie ich bin": Scores at the International Music Score Library Project (Text lost; doubtful)
- BWV Anh. 41 – Song "Dir zu Liebe, wertes Herze": Scores at the International Music Score Library Project (doubtful)
Miscellaneous works and arrangements, BWV Anh. 42 to 112
- BWV Anh. 42 – Fugue in F major – organ works
- BWV Anh. 43 – Fugue in B minor – organ works
- BWV Anh. 44 – Fugue in G major – organ works
- BWV Anh. 45 – Fugue in B-flat major on B-A-C-H – organ works
- BWV Anh. 46 – Trio in C minor – organ works
- BWV Anh. 47 – Ach Herr, mich armen Sünder – doubtful works
- BWV Anh. 48 – Allein Gott in der Höh sei Ehr – doubtful works
- BWV Anh. 49 – Ein feste Burg ist unser Gott – doubtful works
- BWV Anh. 50 – Erhalt uns, Herr, bei deinem Wort – doubtful works
- BWV Anh. 51 – Erstanden ist der heilige Christ – doubtful works
- BWV Anh. 52 – Freu dich sehr, o meine Seele – doubtful works
- BWV Anh. 53 – Freu dich sehr, o meine Seele – doubtful works
- BWV Anh. 54 – Helft mir Gottes Güte preisen – doubtful works
- BWV Anh. 55 – Herr Christ, der einig Gott's Sohn – doubtful works
- BWV Anh. 56 – Herr Jesu Christ, dich zu uns wend' – doubtful works
- BWV Anh. 57 – Jesu Leiden, Pein und Tod (by Johann Caspar Vogler)
- BWV Anh. 58 – Jesu, meine Freude – doubtful works
- BWV Anh. 59 – Jesu, meine Freude – doubtful works
- BWV Anh. 60 – Nun lob, mein Seel, den Herren – doubtful works
- BWV Anh. 61 – O Mensch, bewein dein Sünde groß – doubtful works
- BWV Anh. 62a – Sei Lob und Ehr mit hohem Preis – doubtful works
- BWV Anh. 62b – Sei Lob und Ehr mit hohem Preis – doubtful works
- BWV Anh. 63 – Von Himmel hoch, da komm ich her – doubtful works
- BWV Anh. 64 – Von Himmel hoch, da komm ich her – doubtful works
- BWV Anh. 65 – Von Himmel hoch, da komm ich her – doubtful works
- BWV Anh. 66 – Wachet auf, ruft uns die Stimme – doubtful works
- BWV Anh. 67 – Was Gott tut, das ist wohlgetan – doubtful works
- BWV Anh. 68 – Wer nur den lieben Gott läßt walten – doubtful works
- BWV Anh. 69 – Wir glauben all an einen Gott – doubtful works
- BWV Anh. 70 – Wir glauben all an einen Gott – doubtful works
- BWV Anh. 71 – Wo Gott, der Herr, nicht bei uns hält – doubtful works
- BWV Anh. 72 – Canon – doubtful works
- BWV Anh. 73 – Ich Ruf du dir, Herr Jesu Christ (arrangement of BWV 639, possibly by C. P. E. Bach)
- BWV Anh. 74 – Schmücke dich, o liebe Seele (probably by G. A. Homilius)
- BWV Anh. 75 – Herr Christ, der einig Gott's Sohn – doubtful works
- BWV Anh. 76 – Jesu Meine Freude – doubtful works
- BWV Anh. 77 – Herr Christ, der einig Gott's Sohn – doubtful works
- BWV Anh. 78 – Wenn wir in höchsten Nöten sein – doubtful works
- BWV Anh. 79 – Befiehl du deine Wege – doubtful works
- BWV Anh. 107 – Fugue – doubtful works
- BWV Anh. 108 – Fugue – doubtful works
- BWV Anh. 109 – Fugue – doubtful works
- BWV Anh. 110 – Fugue – doubtful works
- BWV Anh. 111 – Largo and Allegro – doubtful works
- BWV Anh. 112 – Grave – doubtful works
From Anna Magdalena's Notebooks, BWV Anh. 113 to 132
- BWV Anh. 113 – Minuet – doubtful works
- BWV Anh. 114 – Minuet in G major – attributed to Christian Petzold
- BWV Anh. 115 – Minuet in G minor – attributed to Christian Petzold
- BWV Anh. 116 – Minuet in G major – doubtful works
- BWV Anh. 117a – Minuet – doubtful works
- BWV Anh. 117b – Minuet – doubtful works
- BWV Anh. 118 – Minuet – doubtful works
- BWV Anh. 119 – Polonaise in G minor – doubtful works
- BWV Anh. 120 – Minuet in A minor – doubtful works
- BWV Anh. 121 – Minuet in C minor – doubtful works
- BWV Anh. 122 – March in D major – Carl Philipp Emanuel Bach
- BWV Anh. 123 – Polonaise in G minor – C. P. E. Bach
- BWV Anh. 124 – March in G major – C. P. E. Bach
- BWV Anh. 125 – Polonaise in G minor – C. P. E. Bach
- BWV Anh. 126 – Musette in D major – doubtful works
- BWV Anh. 127 – March in E-flat major – doubtful works
- BWV Anh. 128 – Polonaise – doubtful works
- BWV Anh. 129 – Solo – C. P. E. Bach
- BWV Anh. 130 – Polonaise in G major – Johann Adolph Hasse
- BWV Anh. 131 – Movement – doubtful works
- BWV Anh. 132 – Minuet in D minor – doubtful works
Pieces for musical clock, BWV Anh. 133 to 150
Pieces for musical clock possibly by W. F. Bach:
- BWV Anh. 133 – Fantasia – doubtful works
- BWV Anh. 134 – Scherzo – doubtful works
- BWV Anh. 135 – Burlesca – doubtful works
- BWV Anh. 136 – Trio – doubtful works
- BWV Anh. 137 – L'Intrada della Caccia – doubtful works
- BWV Anh. 138 – Continuazione della Caccia – doubtful works
- BWV Anh. 139 – Il Fine delle Caccia – I – doubtful works
- BWV Anh. 140 – Il Fine delle Caccia – II – doubtful works
- BWV Anh. 141 – Song of Psalm: O Gott die Christenhalt – doubtful works
- BWV Anh. 142 – Psalm 110 – doubtful works
- BWV Anh. 143 – Polonaise – doubtful works
- BWV Anh. 144 – Polonaise Trio – doubtful works
- BWV Anh. 145 – March – doubtful works
- BWV Anh. 146 – March – doubtful works
- BWV Anh. 147 – La Combattuta – doubtful works
- BWV Anh. 148 – Scherzo – doubtful works
- BWV Anh. 149 – Minuet – doubtful works
- BWV Anh. 150 – Trio – doubtful works
Doubtful works, BWV Anh. 151 to 153
- BWV Anh. 151 – Concerto – doubtful works
- BWV Anh. 152 – Concerto – doubtful works
- BWV Anh. 153 – Sonata – doubtful works
Falsely attributed works, BWV Anh. 158 to 189
- BWV Anh. 158 – Aria: Andro dall' colle al prato – falsely attributed works
- BWV Anh. 159 – Motet: Ich lasse dich nicht, du segnest mich denn – probably by J. S. Bach (except final chorale), previously ascribed to J. C. Bach
- BWV Anh. 160 – Motet: Jauchzet dem Herrn, alle Welt – assembly of movements by Bach and Telemann
- BWV Anh. 161 – Motet: Kundlich gross ist das gottselige Geheimnis – falsely attributed works
- BWV Anh. 162 – Motet: Lob und Ehre und Weishelt und Dank – falsely attributed works
- BWV Anh. 163 – Motet: Merk aud, mein Herz, und sieh dorthin – falsely attributed works
- BWV Anh. 164 – Motet: Nun danket alle Gott – falsely attributed works
- BWV Anh. 165 – Motet: Unser Wandel ist im Himmel – falsely attributed works
- BWV Anh. 177 – Prelude and Fugue – falsely attributed works (composed by Johann Christoph Bach)
- BWV Anh. 178 – Toccata quasi Fantasia with Fugue – falsely attributed works
- BWV Anh. 179 – Fantasia – falsely attributed works
- BWV Anh. 180 – Fugue – falsely attributed works
- BWV Anh. 181 – Fugue – falsely attributed works
- BWV Anh. 182 – Passacaglia – by Christian Friedrich Witt
- BWV Anh. 183 – Rondeau – Les Bergeries by François Couperin, contained in the Notebook for Anna Magdalena Bach
- BWV Anh. 184 – Sonata – falsely attributed works
- BWV Anh. 185 – Sonata – falsely attributed works
- BWV Anh. 186 – Sonata – falsely attributed works
- BWV Anh. 187 – Trio – falsely attributed works
- BWV Anh. 188 – Sonata (Concerto) for 2 Claviers – falsely attributed works
- BWV Anh. 189 – Concerto in A minor – falsely attributed works
Further additions, BWV Anh. 190 and higher
- BWV Anh. 190–197 – see List of Bach cantatas (music lost)
- BWV Anh. 198
- BWV Anh. 199 – see List of Bach cantatas (music lost)
- BWV Anh. 200 – O Traurigkeit, o herzeleid – fragment from Orgelbüchlein
- BWV Anh. 201
- BWV Anh. 202
- BWV Anh. 203
- BWV Anh. 204
- BWV Anh. 205 – Fantasia in C minor – has become BWV 1121
- BWV Anh. 206
- BWV Anh. 207
- BWV Anh. 208
- BWV Anh. 209–212 – see List of Bach cantatas (music lost)
Reconstructed concerti
Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed').
- BWV 1052R – Violin Concerto in D minor (reconstructed from BWV 1052)
- BWV 1053R – Oboe d'amore Concerto in D major / Oboe Concerto in F major (reconstructed from BWV 1053)
- BWV 1055R – Oboe d'amore Concerto in A major (reconstructed from BWV 1055)
- BWV 1056R – Violin Concerto in G minor / Oboe Concerto in G minor (reconstructed from BWV 1056)
- BWV 1059R – Oboe Concerto in D minor (reconstructed from BWV 1059 and associated cantatas – the most spurious reconstruction, because there is no more than a 9-bar fragment of this piece surviving)
- BWV 1060R – Concerto for Violin and Oboe in C minor/D minor (reconstructed from BWV 1060)
- BWV 1064R – Concerto for Three Violins in D major (reconstructed from BWV 1064)
See also
- List of compositions by Johann Sebastian Bach printed during his lifetime
- List of fugal works by Johann Sebastian Bach
- List of transcriptions of compositions by Johann Sebastian Bach
References
Notes
- ↑ Boyd, Malcolm (1999). Oxford Composer Companions: J.S. Bach. Oxford, England: Oxford University Press. p. 245. ISBN 0-19-866208-4.
- ↑ Morton, Wyant (1992). Questions of authenticity in three motets attributed to Johann Sebastian Bach (Thesis) (PDF). University of Arizona. pp. 11–25.
- ↑ Boyd, Malcolm (1999). Oxford Composer Companions: J.S. Bach. Oxford, England: Oxford University Press. p. 299. ISBN 0-19-866208-4.
- ↑ Williams 2003, 59.
- ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 Williams 2003, 141–42.
- ↑ Williams 2003, 145.
- ↑ 7.0 7.1 Williams 2003, 163.
- ↑ Williams 2003, 176.
- ↑ Williams 2003, 177.
- ↑ Williams 2003, 181–82.
- ↑ Williams 2003, 190.
- ↑ 12.0 12.1 12.2 Christoph Wolff, "Bach, John Sebastian: Works", Grove Music Online, Oxford Music Online, accessed 29 December 2011 (subscription required)
- ↑ Williams 2003, 442.
- ↑ Williams 2003, 445–46.
- ↑ 15.0 15.1 Williams 2003, 446.
- ↑ Choralbearbeitung Meine Seele erhebt den Herren (Fuge) BWV 733 at bach-digital
.de - ↑ Meine Seele erhebet den Herren, BWV 733: Scores at the International Music Score Library Project
- ↑ Ripin, Edwin M., and Wraight, Denzil. "Lute-harpsichord". In Macy, Laura. Grove Music Online. Oxford Music Online. Oxford University Press. (subscription required)
- ↑ 19.0 19.1 19.2 19.3 19.4 19.5 19.6 19.7 Basso 1979, p. 702.
- ↑ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project
- ↑ Williams 2003, 549.
- ↑ Perreault 2004, 56.
- ↑ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.
- ↑ "Bach: Choralfantasie BWV 1128/Org". Bach: Choralfantasie BWV 1128/Org. Echo Musikproduction. Retrieved 2009-01-26.
Sources
- Basso, Alberto . 1979. Frau Musika: la vita e le opere di J.S. Bach, EDT. ISBN 978-88-7063-011-4
- Perreault, Jean M. 2004. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Scarecrow Press, Lanham, Md. ISBN 0-8108-4970-4
- Williams, Peter. 2003. The Organ Music of J.S. Bach, Cambridge University Press. ISBN 0-521-89115-9, ISBN 978-0-521-89115-8
External links
- List of works by Johann Sebastian Bach at the International Music Score Library Project
- List of works by Johann Sebastian Bach with certification rating at the Classical Music DB
- Dave's J.S. Bach Works Catalog – A version of the BWV catalogue
- The BWV catalogue online – Another version of the BWV catalogue, in French
- The J.S. Bach Home Page – A comprehensive database of Bach's compositions with details and reviews of recordings of each work
- Bach Cantatas Website – Extensive resource of information on Bach's Cantatas and other vocal works. Includes full texts translated into many languages
- Canons & Fugues of J.S. Bach – Extensive resource, contains music and colourful analyses
- Mutopia – The Mutopia project provides more than 200 scores available for download in PDF, PostScript and MIDI format
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