List of Cultural Properties of Japan - paintings (Nara)
This list is of the Cultural Properties of Japan designated in the category of paintings (絵画 kaiga) for the Prefecture of Nara.[1]
National Cultural Properties
As of 1 April 2012, one hundred and thirty-five Important Cultural Properties have been designated (including fourteen *National Treasures), being of national significance.[2][3][4]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| *Landscape, ink and light colour on paper, attributed to Shūbun 紙本墨画淡彩山水図〈伝周文筆／〉 shihon bokuga tansai sansui zu (den-Shūbun hitsu) | 1445 | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | dated to Bun'an 2 by the postscript to the third of the accompanying poems[5] |  | 108.0 centimetres (42.5 in) by 32.7 centimetres (12.9 in) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | |
| *Amida Triad with Boy Attendant, colour on silk 絹本著色阿弥陀三尊及童子像 kenpon chakushoku Amida sanzon oyobi dōji zō | Heian period | Nara | Hokke-ji | three scrolls |  | 34°41′32″N 135°48′15″E / 34.692359°N 135.804094°E | ||
| *Riding an Ox, colour on silk, by Li Di 絹本著色帰牧図〈李迪筆／（騎牛）〉 kenpon chakushoku kiboku zu (Li Di hitsu kigyū) | Southern Song | Nara | Kintetsu (kept at the Yamato Bunkakan) | .jpg) | 24.2 centimetres (9.5 in) by 23.8 centimetres (9.4 in) | 34°41′43″N 135°45′24″E / 34.695385°N 135.756662°E | ||
| *Kichijōten, colour on hemp cloth 麻布著色吉祥天像 mafu chakushoku Kichijōten zō | Nara period | Nara | Yakushi-ji |  | 53.0 centimetres (20.9 in) by 31.7 centimetres (12.5 in) | 34°40′06″N 135°47′04″E / 34.668379°N 135.784332°E | ||
| *Kusha Mandala, colour on silk 絹本著色倶舎曼荼羅図 kenpon chakushoku Kusha mandara zu | Heian period | Nara | Tōdai-ji |  | 34°41′20″N 135°50′24″E / 34.688945°N 135.839918°E | |||
| Former Jimon-in Partition Paintings, by Sakaki Hyakusen 旧慈門院障壁画〈彭城百川筆／宝暦元年四月の年記がある〉 kyū-Jimon-in shōhekiga | 1751 | Nara | private (kept at Nara National Museum) | 37 panels | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |||
| Wall Paintings from the Outer Sanctuary of the Kondō 金堂外陣旧壁画（土壁） kondō gejin kyū-hekiga | Nara period | Ikaruga | Hōryū-ji | 12 panels | .jpg) | 34°36′52″N 135°44′14″E / 34.614495°N 135.737103°E | ||
| Wall Paintings from the Inner Sanctuary of the Kondō 金堂内陣旧壁画（土壁） kondō naijin kyū-hekiga | Nara period | Ikaruga | Hōryū-ji | 20 panels |  | 34°36′52″N 135°44′14″E / 34.614495°N 135.737103°E | ||
| Dream Journey to the Peach Blossom Land, light colour on silk, by An Gyeon 絹本淡彩夢遊桃源図〈安堅筆／〉 kenpon tansai muyū tōgen zu (An Gyeon hitsu) | 1447 | Tenri | Tenri Central Library | pair of Joseon hand scrolls; the painting is accompanied by poetry and prose by twenty-one leading writers; the inscription by Prince Anpyeong (third son of Sejong the Great) reads "I am a person who dedicates his body to the palace day and night looking after affairs of state, so how is it that I went to the mountains and forests in my dreams?" Tao Yuanming's utopian Peach Blossom Spring provides the ideological underpinning to the dream[6] |  | 34°35′41″N 135°50′47″E / 34.594657°N 135.846258°E | ||
| Descent of Amida and his Retinue, colour on silk 絹本著色阿弥陀聖衆来迎図 kenpon chakushoku Amida shōjū raigō zu | Kamakura period | Yamatokōriyama | Matsuo-dera (松尾寺) | 34°38′03″N 135°43′41″E / 34.634055°N 135.728134°E | ||||
| Descent of Amida with Twenty-Five Bosatsu, colour on silk 絹本著色阿弥陀二十五菩薩来迎図 kenpon chakushoku Amida nijūgo bosatsu raigō zu | Kamakura period | Nara | Kōfuku-in (興福院) | 34°41′42″N 135°49′21″E / 34.694997°N 135.822483°E | ||||
| Descent of Amida, colour on silk 絹本著色阿弥陀来迎図 kenpon chakushoku Amida raigō zu | Heian period | Sakurai | Hase-dera | 34°32′09″N 135°54′25″E / 34.535834°N 135.906823°E | ||||
| Aizen Myōō, colour on silk 絹本著色愛染明王像 kenpon chakushoku Aizen Myōō zō | Kamakura period | Ikoma | Hōzan-ji | .jpg) | 142.1 centimetres (55.9 in) by 87.5 centimetres (34.4 in) | 34°41′04″N 135°41′12″E / 34.684314°N 135.686699°E | ||
| Andō En'e, colour on silk 絹本著色安東円恵像 kenpon chakushoku Andō Enne zō | 1330 | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | warlord depicted as a Zen priest[7] | .jpg) | 119.5 centimetres (47.0 in) by 57.9 centimetres (22.8 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Mandala of the One-Syllable Golden Wheel, colour on silk 絹本著色一字金輪曼荼羅図 kenpon chakushoku ichiji kenrin mandara zu | Kamakura period | private | ||||||
| Mandala of the One-Syllable Golden Wheel, colour on silk 絹本著色一字金輪曼荼羅図 kenpon chakushoku ichiji kenrin mandara zu | Kamakura period | Takatori | Minami Hokke-ji (南法華寺) | 34°25′35″N 135°48′35″E / 34.426417°N 135.809861°E | ||||
| Mandala of the One-Syllable Golden Wheel, colour on silk 絹本著色一字金輪曼荼羅図 kenpon chakushoku ichiji kenrin mandara zu | Heian period (C12) | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | Dainichi Kinrin seated on a lion pedestal with a treasure wheel and the seven treasures of a universal ruler[8][9] | .jpg) | 79.0 centimetres (31.1 in) by 49.5 centimetres (19.5 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Kashō Daishi, colour on silk 絹本著色嘉祥大師像 kenpon chakushoku Kashō Daishi zō Jōei Daishi, colour on silk 絹本著色浄影大師像 kenpon chakushoku Jōei Daishi zō | Kamakura period | Nara | Tōdai-ji | .jpg) .jpg) | 34°41′20″N 135°50′24″E / 34.688963°N 135.839928°E | |||
| Spiritual Teachers of the Kegon Ocean Assembly, colour on silk 絹本著色華厳海会善知識曼荼羅図 kenpon chakushoku Kegon kai-e zenchishiki mandara zu | 1294 | Nara | Tōdai-ji | .jpg) | 34°41′20″N 135°50′24″E / 34.688963°N 135.839928°E | |||
| Kasagi Mandala, colour on silk 絹本著色笠置曼荼羅図 kenpoin chakushoku Kasagi mandara zu | Kamakura period | Nara | Kintetsu (kept at the Yamato Bunkakan) | .jpg) | 34°41′43″N 135°45′24″E / 34.695385°N 135.756662°E | |||
| Daylilies and Dogs at Play, colour on silk, attributed to Mao Yi 絹本著色萱草遊狗図〈（伝毛益筆）／〉 kenpon chakushoku kanzō yūku zu | Southern Song | Nara | Kintetsu (kept at the Yamato Bunkakan) | .jpg) | 25.3 centimetres (10.0 in) by 25.8 centimetres (10.2 in) | 34°41′43″N 135°45′24″E / 34.695385°N 135.756662°E | ||
| Kankyō Jūroku Kansō, colour on silk 絹本著色観経十六観相図 kenpon chakushoku kankyō jūroku kansō zu | Kamakura period | Nara | Amida-ji (阿弥陀寺) | 34°40′40″N 135°49′36″E / 34.677833°N 135.826727°E | ||||
| Yoshino Mandala, colour on silk 絹本著色吉野曼荼羅図 kenpon chakushoku Yoshino mandara zu | Kamakura period | Nara | Saidai-ji | 34°41′37″N 135°46′46″E / 34.693559°N 135.779504°E | ||||
| Kokūzō Bosatsu, colour on silk 絹本著色虚空蔵菩薩像 kenpon chakushoku ichiji kenrin mandara zu | Kamakura period (C14) | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | the cloud arising from the bodhisattva's head and the landscape below are unusual features[10] | _(Nara_National_Museum).jpg) | 77.0 centimetres (30.3 in) by 38.5 centimetres (15.2 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Five Great Myōō, colour on silk 絹本著色五大明王像 kenpon chakushoku go dai Myōō zō | Kamakura period | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | Fudō in the centre, with Gōzanze to the bottom right (East) and, clockwise, Gundari, Daiitoku, and Kongōyasha[11] | _(Nara_National_Museum).jpg) | 125.5 centimetres (49.4 in) by 86.7 centimetres (34.1 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Four Saintly Persons, colour on silk 絹本著色四聖御影 kenpon chakushoku shi shō no miei | 1256/1377 | Nara | Tōdai-ji | key figures in the history of Tōdai-ji: Emperor Shōmu (rear left), Rōben (front left), Bodhisena (rear right), and Gyōki (front right); by Hokkyō Kanjō (法橋観盛) from Mino Province; 1377 copy of the 1256 version pictured | _Todaiji.jpg) | 34°41′20″N 135°50′24″E / 34.688963°N 135.839928°E | ||
| Shaka with Eight Great Bodhisattvas, colour on silk 絹本著色釈迦八大菩薩像 kenpon chakushoku Shaka hachi dai bosatsu zō | 1320 | Yamatokōriyama | Matsuo-dera (松尾寺) | Goryeo Buddhist painting | .jpg) | 177.3 centimetres (69.8 in) by 91.2 centimetres (35.9 in) | 34°38′03″N 135°43′41″E / 34.634055°N 135.728134°E | |
| Jizō Bosatsu, colour on silk 絹本著色地蔵菩薩像 kenpon chakushoku Jizō Bosatsu zō | Kamakura period (C13) | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | with a shakujō in his right hand and hōju or sacred gem in his left, standing upon a lotus pedestal atop a flying cloud[12] | _(Nara_National_Museum).jpg) | 101.0 centimetres (39.8 in) by 36.3 centimetres (14.3 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Jizō Bosatsu, colour on silk 絹本著色地蔵菩薩像 kenpon chakushoku Jizō Bosatsu zō | Kamakura period (C14) | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | with a landscape background; from Chuzō-in (中蔵院) in Tamano, Okayama[13] | .jpg) | 92.1 centimetres (36.3 in) by 38.1 centimetres (15.0 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Fugen Bosatsu, colour on silk 絹本著色普賢菩薩像 kenpon chakushoku Fugen Bosatsu zō | Heian period (C12) | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | the episode where Fugen appears on a white elephant to protect the followers of the Lotus Sutra is from its Fugen Bosatsu kanhotsu hon (普賢菩薩勧発品)[14] | .jpg) | 62.0 centimetres (24.4 in) by 30.7 centimetres (12.1 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Nyoirin Kannon, colour on silk 絹本著色如意輪観音像 kenpon chakushoku Nyoirin Kannon zō | late Kamakura period | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | with six arms and a gold body, as described in the Kanjizai Nyoi Bosatsu Yuga Hōyō (観自在菩薩如意輪瑜伽法要)[15] | .jpg) | 101.7 centimetres (40.0 in) by 41.6 centimetres (16.4 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| White-Robed Kannon, colour on silk 絹本著色白衣観音図 kenpon chakushoku Byakue Kannon zu | 1377 | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | white-robed and seated on a grass-covered rock; according to the fifth chapter of the Mahavairocana Sutra, the white is the "whiteness of the pure aspiration of enlightenment"; ink inscription in the upper right corner: 稽首淨聖甘露除焔 | 眞大依怙普施福縁 | 丁巳仲夏 | 壽峯海燁謹題; stylistic considerations date 丁巳 (Yin Fire Snake according to the Sexagenary cycle) to 1377; of Goryeo, Yuan or Ming origin[16][17][18] | .jpg) | 99.1 centimetres (39.0 in) by 40.3 centimetres (15.9 in) | 34°41′01″N 135°50′12″E / 34.683564°N 135.836678°E | |
| Vimalakirti, colour on silk, by Bunsei 紙本墨画維摩居士像〈文清筆／長禄元年祖黙賛〉 kenpon chakushoku Yuima Kōji zō (Bunsei hitsu) | C15 | Nara | Kintetsu (kept at the Yamato Bunkakan) | .jpg) | 34°41′43″N 135°45′24″E / 34.695385°N 135.756662°E | |||
| Flowers and Birds, ink on paper, six-fold byōbu, by Sesson 紙本墨画花鳥図〈雪村筆／六曲屏風〉 shihon bokuga kachō zu (Sesson hitsu rokkyoku byōbu) | C16 | Nara | Kintetsu (kept at the Yamato Bunkakan) | pair of screens | 1.jpg) 2.jpg) | 34°41′43″N 135°45′24″E / 34.695385°N 135.756662°E | ||
| Bamboo with a Sparrow, ink on paper 紙本墨画竹雀図 shihon bokuga chikujaku zu | Nanboku-chō period | Nara | Kintetsu (kept at the Yamato Bunkakan) | .jpg) | 34°41′43″N 135°45′24″E / 34.695385°N 135.756662°E | |||
| Senju Kannon, colour on silk 絹本著色千手観音像（像内納入品） kenpon chakushoku Senju Kannon zō | Heian period (C12) | Nara | National Institutes for Cultural Heritage (kept at Nara National Museum) | found inside a 53 cm high wooden statue of Kannon[19] | .jpg) | 93.8 centimetres (36.9 in) by 39.5 centimetres (15.6 in) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | |
Prefectural Cultural Properties
As of early 2014, forty properties have been designated at a prefectural level.[4][20][21]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| Nigatsu-dō Mandala 二月堂曼荼羅図 Nigatsudō mandara zu | Muromachi period | Nara | Tōdai-ji | 34°41′21″N 135°50′39″E / 34.689263°N 135.844252°E | ||||
| Mandala of the Two Realms, gold paint on indigo paper 紺紙金泥両界曼荼羅図 konshi kindei ryōkai mandara zu | Kamakura period | Nara | Saidai-ji (kept at Nara National Museum) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | ||||
| Shaka Triad with Sixteen Benevolent Deities, colour on silk 絹本著色釈迦三尊十六善神図 kenpon chakushoku Shaka sanzon jūroku zenjin zu | Kamakura period | Nara | Saidai-ji (kept at Nara National Museum) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | ||||
| Kōgyō Daishi, colour on silk 絹本著色興教大師像 kenpon chakushoku Kōgyō Daishi zō | Kamakura period | Sakurai | Hase-dera | 34°32′09″N 135°54′25″E / 34.535834°N 135.906823°E | ||||
| Jūichimen Kannon, colour on silk 紙本著色本尊十一面観音御影 kenpon chakushoku honzon Jūichimen Kannon mikage | Muromachi period | Sakurai | Hase-dera | 34°32′09″N 135°54′25″E / 34.535834°N 135.906823°E | ||||
| Kasuga Mandala, colour on silk 絹本著色春日曼荼羅図 kenpon chakushoku Kasuga Mandala zu | Muromachi period | Sakurai | Hase-dera | 34°32′09″N 135°54′25″E / 34.535834°N 135.906823°E | ||||
| Zennyo Ryūō, colour on silk 絹本著色善女龍王図 kenpon chakushoku Zennyo Ryūō zu | Muromachi period | Tawaramoto | Rakuden-ji (楽田寺) | 34°33′10″N 135°47′39″E / 34.552651°N 135.794266°E | ||||
| Mandala of the Two Realms, colour on wooden boards 板絵著色両界曼荼羅図 ita-e chakushoku ryōkai mandara zu | 1424 | Kōryō | Daifuku-ji (大福寺) | 34°33′59″N 135°45′08″E / 34.566523°N 135.752301°E | ||||
| Yoshino Mandala, colour on silk 紙本著色吉野曼荼羅 kenpon chakushoku Yoshino mandara | Muromachi period | Yoshino | Nyoirin-ji (如意輪寺) | .jpg) | 34°21′52″N 135°52′04″E / 34.364552°N 135.867866°E | |||
| Nirvana painting, colour on silk 絹本着色仏涅槃図 kenpon chakushoku butsu nehan zu | 1380 | Asuka | Tachibana-dera (橘寺) | 280.5 centimetres (110.4 in) by 206.4 centimetres (81.3 in) | 34°28′12″N 135°49′03″E / 34.470043°N 135.817430°E | |||
Municipal Cultural Properties
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| Kasuga Deities Departing from Kashima Shrine, colour on silk 絹本著色鹿島立神影図 kenpon chakushoku Kashima dachi shin-ei zu | 1383 | Nara | Kasuga Taisha | designation includes the wooden rod or jikugi around which the bottom of the hanging scroll was wound, until its removal during restoration work in 1891, and which bears an ink inscription naming the artist - Nijō Eiin - and dating the work to the 30th day of the 9th month of Eitoku 3: 永徳三年九月三十日 八月十三日春日ハシラタテノ日筆ハシメナリ 二條英印筆 | .jpg){kind=spacer} | 107.1 centimetres (42.2 in) by 36.2 centimetres (14.3 in) | 34°40′53″N 135°50′54″E / 34.681455°N 135.848458°E | |
| Kasuga Deities Departing from Kashima Shrine, colour on silk 絹本著色鹿島立神影図 kenpon chakushoku Kashima dachi shin-ei zu | Nanboku-chō/Muromachi period | Nara | Kasuga Taisha | 2.jpg){kind=spacer} | 107.6 centimetres (42.4 in) by 39.0 centimetres (15.4 in) | 34°40′53″N 135°50′54″E / 34.681455°N 135.848458°E | ||
| Taima Mandala, colour on silk 絹本著色当麻曼荼羅図 kenpon chakushoku Taima mandara zu | Kamakura period | Nara | Raikō-ji (来迎寺) | .jpg) | 166.3 centimetres (65.5 in) by 152.9 centimetres (60.2 in) | 34°35′36″N 135°56′48″E / 34.593394°N 135.946594°E | ||
| Tosō Tenjin, colour on silk 絹本著色渡宋天神像 kenpon chakushoku Tosō Tenjin zō | early/mid-C15 | Nara | Sugawara Tenmangū (菅原天満宮) (kept at Nara National Museum) | holding a branch of plum blossoms; with gasan or accompanying text by Gukyoku Reisai (愚極礼才) (1370-1452)[22] | .jpg) | 88.6 centimetres (34.9 in) by 33.0 centimetres (13.0 in) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | |
| Eison (Kōshō Bosatsu), colour on silk 絹本著色興正菩薩像 kenpon chakushoku Kōshō Bosatsu zō | Kamakura period | Nara | Saidai-ji (kept at Nara National Museum) | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | ||||
| Eison (Kōshō Bosatsu), colour on silk 絹本著色興正菩薩像 kenpon chakushoku Kōshō Bosatsu zō | Kamakura period | Nara | Tōshōdai-ji | 34°40′32″N 135°47′05″E / 34.675553°N 135.784836°E | ||||
| Shinkū, colour on silk 絹本著色慈真和尚像 kenpon chakushoku Jishin oshō zō | Kamakura period | Nara | Hokke-ji | 34°41′33″N 135°48′15″E / 34.692403°N 135.804201°E | ||||
| Legends of Yata Jizō, colour on paper 紙本著色矢田地蔵縁起 shihon chakushoku Yata Jizō engi | Muromachi period | Nara | private | one scroll | 34°42′17″N 135°44′03″E / 34.704726°N 135.734239°E | |||
| Kasuga Gongen Genkidai 春日権現験記台 Kasuga Gongen genkidai | Kamakura period | Nara | Kasuga Taisha | six panels | 34°40′53″N 135°50′48″E / 34.681482°N 135.846548°E | |||
| Tsutsui Junkei, colour on silk 絹本著色筒井順慶像 kenpon chakushoku Tsutsui Junkei zō | Momoyama period | Nara | Denkō-ji (伝香寺) |  | 110.4 centimetres (43.5 in) by 41.1 centimetres (16.2 in) | 34°40′50″N 135°49′33″E / 34.680622°N 135.825772°E | ||
| Town and Country, emaki 絹本著色都鄙図巻 kenpon chakushoku tohizu maki | Edo period | Nara | Konbu-in (興福院) (kept at Nara National Museum) | 1 scroll | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | |||
| Congratulating Empress Meishō on her 70th Birthday, colour on paper with gold ground, byōbu 紙本金地著色明正院七十賀月次絵屏風 shihon kinji chakushoku Meishō-in nanajū ga getsuji e byōbu | Edo period | Nara | Enshō-ji | pair of six-panel screens | 34°38′37″N 135°50′44″E / 34.643730°N 135.845593°E | |||
| Grazing in Springtime and Autumn Fields, colour on paper, byōbu 紙本著色春郊放牧・田園秋色図屏風 shihon chakushoku shunkō hōboku denen shūshoku zu byōbu | Edo period | Nara | Enshō-ji | pair of six-panel screens | 34°38′37″N 135°50′44″E / 34.643730°N 135.845593°E | |||
| Tamaya Partition Paintings 霊屋障壁画 Tamaya shōhekiga | mid-Edo period | Kyoto | Konbu-in (興福院) (kept at Kyoto National Museum) | 20 panels by Watanabe Shikō (渡辺始興) | .jpg) | 34°59′24″N 135°46′23″E / 34.989925°N 135.773163°E | ||
| Former Fukuju-in Partition Paintings, by Nagasawa Rosetsu 旧福寿院障壁画 長沢芦雪筆 kyū Fukuju-in shōhekiga Nagasawa Rosetsu hitsu | late-C18 | Nara | Yakushi-ji (kept at Nara National Museum) | 29 panels | 34°41′01″N 135°50′12″E / 34.683573°N 135.836645°E | |||
| Ema with Storage Box 絵馬板附収納箱 ema-ban tsuketari shūnōbako | Muromachi period | Nara | Kasuga Taisha | 5 ema | 34°40′50″N 135°50′37″E / 34.680423°N 135.843662°E | |||
| Toyotomi Hidenaga 豊臣秀長画像 Toyotomi Hidenaga gazō | Edo period | Yamatokōriyama | Shungakuin (春岳院) |  | 118 centimetres (46 in) by 55 centimetres (22 in) | 34°39′03″N 135°47′03″E / 34.650764°N 135.784171°E | ||
| Yanagisawa Yoshiyasu 柳澤吉保画像 Yanagisawa Yoshiyasu gazō | Edo period | Yamatokōriyama | private | |||||
| Rikugi-en, emaki 六義園絵巻 Rikugi-en, emaki | Edo period | Yamatokōriyama | Yanagisawa Bunko (柳沢文庫) | 3 scrolls | 34°39′04″N 135°46′49″E / 34.650985°N 135.780394°E | |||
| View of Kōriyama Castle 郡山城の図(享保9年) Kōriyama-jō no zu (Kyōhō 9-nen) | 1724 | Yamatokōriyama | Yanagisawa Bunko (柳沢文庫) | 34°39′04″N 135°46′49″E / 34.650985°N 135.780394°E | ||||
| View of Kōriyama Castle 郡山城の図(安政年間) Kōriyama-jō no zu (Ansei nenkan) | 1854-60 | Yamatokōriyama | Yanagisawa Bunko (柳沢文庫) | 34°39′04″N 135°46′49″E / 34.650985°N 135.780394°E | ||||
| Maps of the Town Divisions 町割図 machi wari zu | Edo period | Yamatokōriyama | Yanagisawa Bunko (柳沢文庫) | 29 items | 34°39′04″N 135°46′49″E / 34.650985°N 135.780394°E | |||
| Map of Residences with Roads and Names 御家中屋敷小路割名前図 Gokachū Nakayashiki kōji wari namae-zu | Edo period | Yamatokōriyama | Yanagisawa Bunko (柳沢文庫) | 34°39′04″N 135°46′49″E / 34.650985°N 135.780394°E | ||||
| Old View of Kōriyama Castle 郡山城古図 Kōriyama-jō kozu | Edo period | Yamatokōriyama | Hatsushi-in (発志院) | 34°38′50″N 135°45′39″E / 34.647238°N 135.760766°E | ||||
| Kasuga Akadōji, colour on silk 絹本著色春日赤童子画像 kenpon chakushoku Kasuga Akadōji gazō | 1488 | Yamatokōriyama | Uetsuki Jinja (植槻神社) | .jpg) | 73.9 centimetres (29.1 in) by 31.5 centimetres (12.4 in) | 34°39′14″N 135°46′54″E / 34.653977°N 135.781596°E | ||
| Occurrences of Kasuga Festival 春日御祭之次第(上下巻) Kasuga omatsuri no shidai (jōgekan) | Edo period | Yamatokōriyama | Yanagisawa Bunko (柳沢文庫) | two scrolls | 34°39′04″N 135°46′49″E / 34.650985°N 135.780394°E | |||
| Illustrated Legends of Uetsuki Dōjō, emaki 植槻道場縁起絵巻 Uetsuki dōjō engi emaki | Edo period | Yamatokōriyama | Uetsuki Jinja (植槻神社) | 1 scroll | 34°39′14″N 135°46′54″E / 34.653977°N 135.781596°E | |||
| Chinese Lions, fusuma 唐獅子図戸襖絵 karajishi zu to fusuma-e | 1761 | Yamatokōriyama | Yakuon Hachiman Jinja (薬園八幡神社) | 8 panels | .jpg) | 180 centimetres (71 in) by 97 centimetres (38 in) | 34°38′48″N 135°47′13″E / 34.646554°N 135.786992°E | |
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See also
- Cultural Properties of Japan
- List of National Treasures of Japan (paintings)
- Japanese painting
- List of Historic Sites of Japan (Nara)
References
- ↑ "Cultural Properties for Future Generations". Agency for Cultural Affairs. Retrieved 22 June 2014.
- ↑ 国宝・重要文化財 [Number of National Treasures and Important Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 June 2014. Retrieved 22 June 2014.
- ↑ "Database of National Cultural Properties: 国宝・重要文化財（美術品）(絵画 奈良県)" (in Japanese). Agency for Cultural Affairs. Retrieved 22 June 2014.
- ↑ 4.0 4.1 文化財指定件数 [Number of Cultural Properties] (in Japanese). Nara Prefecture. 1 April 2012. Retrieved 22 June 2014.
- ↑ "Hue of the Water, Light on the Peaks". National Institutes for Cultural Heritage. Retrieved 23 June 2014.
- ↑ Ahn Hwi-Hoon. "Koreana: Joseon Prince’s Dream Journey to Peach Orchard Paradise". Korea Foundation. Retrieved 23 June 2014.
- ↑ "Portrait of Ando En'e". National Institutes for Cultural Heritage. Retrieved 28 June 2014.
- ↑ "Mandala of the One-Syllable Golden Wheel (Skt., Ekaksarosnisacakra), (J., Ichiji Kinrin Mandara)". National Institutes for Cultural Heritage. Retrieved 29 June 2014.
- ↑ "Ichijikinrin 一字金輪". Japanese Architecture and Art Net Users System. Retrieved 29 June 2013.
- ↑ "Kokuzo (Akasagarbha)". National Institutes for Cultural Heritage. Retrieved 30 June 2014.
- ↑ "Five Great Myoo (Vidyarajas)". National Institutes for Cultural Heritage. Retrieved 30 June 2014.
- ↑ "Jizo (Ksitigarbha)". National Institutes for Cultural Heritage. Retrieved 30 June 2014.
- ↑ "Jizo (Ksitigarbha)". National Institutes for Cultural Heritage. Retrieved 30 June 2014.
- ↑ "Fugen (Samantabhadra)". National Institutes for Cultural Heritage. Retrieved 28 June 2014.
- ↑ "Nyoirin Kannon (Cintamanicakra)". National Institutes for Cultural Heritage. Retrieved 28 June 2014.
- ↑ "Byakue Kannon". Japanese Architecture and Art Net Users System. Retrieved 23 June 2014.
- ↑ 白衣観音像 [Byakue Kannon] (in Japanese). Nara National Museum. Retrieved 23 June 2014.
- ↑ "White-Robed Kannon (Pandaravasini)". National Institutes for Cultural Heritage. Retrieved 23 June 2014.
- ↑ "Thousand-Armed Kannon (Sahasrabhuja); Kannon (Avalokitesvara)". National Institutes for Cultural Heritage. Retrieved 22 June 2014.
- ↑ 奈良県指定有形文化財 [Nara Prefectural Tangible Cultural Properties] (in Japanese). Nara Prefecture. 2014. Retrieved 28 June 2014.
- ↑ 都道府県別指定等文化財件数（都道府県分） [Number of Prefectural Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 May 2013. Retrieved 22 June 2014.
- ↑ "gasan". Japanese Architecture and Art Net Users System. Retrieved 28 June 2014.
External links
- (Japanese) Cultural Properties in Nara Prefecture