Lina Wertmüller

Lina Wertmüller
Born	Arcangela Felice Assunta Wertmüller von Elgg Español von Braueich (1928-08-14) August 14, 1928 Rome, Italy
Spouse(s)	Enrico Job

Lina Wertmüller (born 14 August 1928) is an Italian screenwriter and film director best known for her films The Seduction of Mimi, Swept Away, and Seven Beauties. She was the first woman ever nominated for an Academy Award for Directing for her 1976 film, Seven Beauties.

Biography

Wertmüller was born Arcangela Felice Assunta Wertmüller von Elgg Spañol von Braueich in Rome to a devoutly Roman Catholic Swiss family, of aristocratic descent. She was a rebellious child, and was expelled from more than a dozen Catholic schools. Though her father wanted her to become a lawyer she enrolled in theatre school.

After graduating from school, her first job was touring Europe in a puppet show. For the next ten years she worked as an actress, director and playwright in legitimate theatre. During this period she met Giancarlo Giannini, who later starred in many of her films.

Through her acquaintance with Marcello Mastroianni, she met Federico Fellini and, in 1962, Fellini offered her the assistant director position on 8½. The following year, Wertmüller made her directorial debut with The Lizards (I Basilischi). The film's subject matter—the lives of impoverished people in southern Italy—became a recurring motif in her later work.

Several moderately successful films followed, but not until 1972 did Wertmüller achieve lasting international acclaim with a series of four movies starring Giancarlo Giannini. The last, and best-received of these, was 1975's Seven Beauties (Pasqualino Sette Bellezze), which earned four Academy Award nominations^[1] and was an international hit. Wertmüller was the first woman nominated for an Academy Award for Best Director. Jane Campion, Sofia Coppola, and Kathryn Bigelow are the only other female directors nominated (with Bigelow the first to win).^[2]

Her 1978 film, A Night Full of Rain, was entered into the 28th Berlin International Film Festival.^[3] Eight years later, her film Camorra (A Story of Streets, Women and Crime) was entered into the 36th Berlin International Film Festival.^[4]

In 1985, she received the Women in Film Crystal Award for outstanding women who, through endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry.^[5]

She is known for her whimsically prolix movie titles. For instance, the full title of Swept Away is Swept away by an unusual destiny in the blue sea of August. These titles were invariably shortened for international release. She is entered in the Guinness Book of Records for the longest film title: Un fatto di sangue nel comune di Siculiana fra due uomini per causa di una vedova. Si sospettano moventi politici. Amore-Morte-Shimmy. Lugano belle. Tarantelle. Tarallucci e vino. That 1979 movie with 179 characters is better known under the international titles Blood Feud or Revenge.

Her 1983 film A Joke of Destiny was entered into the 14th Moscow International Film Festival.^[6]

Although Wertmüller has had a prolific career since, and still actively directs, none of her later films have had the same impact as her mid-1970s collaborations with Giannini. Wertmüller was married to Enrico Job (died 4 March 2008), an art designer who worked on several of her pictures.

Media

Laraine Newman impersonated Wertmüller twice on Saturday Night Live (see ).

Politics

In general, Wertmüller's films highly reflect her own political commitments, with main characters who are either dedicated anarchists, communists, feminists, or all those—and main action that centeres on political or socioeconomic conflicts. Despite this, Wertmüller's films are rarely didactic, and often reflect her own iconoclastic sensibility.

For example, Swept Away tells the story of a rich, liberated industrialist's wife who finds erotic fulfillment only after being sado-masochistically "tamed" by a macho, communist private yacht deck-hand. The film earned the ire of orthodox feminists, one of whom asked in a review whether Wertmüller had now become "one of the boys." Wertmüller has also been criticized for the sexual dichotomy within her films, which reflects a comical men-as-dogs/women-as-whores perspective.

Filmography

Bibliography

• Peter Biskind. "Lina Wertmuller: The Politics of Private Life" in Film Quarterly 28, pp. 10–16 (1974–75)

• Bullaro, Grace Russo. Man in Disorder - The Cinema of Lina Wertmüller in the 1970s. ISBN 978-1-905886-39-5

• Déléas, Josette. Lina Wertmüller - Un rire noir chaussé de lunettes blanches - a critical biography filled with delightful anecdotes and Lina's irresistible humour. ISBN 978-1-4251-2755-8

• William R. Magretta and Joan Magretta. "Lina Wertmuller and the Tradition of Italian Carnivalesque Comedy" in Genre 12, pp. 25–43. (1979)

• Tiziana Masucci, "I chiari di Lina" -her new and sparkling biography- (Edizioni Sabinae,Roma 2009)ISBN 978-88-96105-22-1

References

External links

• Lina Wertmüller at the Internet Movie Database