Lillian Glinn
| Lillian Glinn | |
|---|---|
| Born |
May 10, 1902 Hillsboro, Texas, United States |
| Died |
July 22, 1978 Richmond, California, United States |
| Genres | Classic female blues, country blues, gospel blues[1] |
| Occupation(s) | Singer, songwriter |
| Instruments | Vocals |
| Years active | 1920s only |
| Labels | Columbia |
Lillian Glinn (May 10, 1902 – July 22, 1978)[2] was an American classic female blues and country blues singer and songwriter. She spent most of her career in black vaudeville.[1] Her most popular recordings were "Black Man Blues," "Doggin' Me Blues" and "Atlanta Blues."[3] The blues historian, Paul Oliver, commented that there are a number of women blues singers who "deserve far greater recognition than they have had" and that one such was Lillian Glinn.[4]
Biography
Glinn was born in Hillsboro, Texas, United States, and later moved to Dallas.[3]
She was first noticed singing spirituals in church by her future fellow performer Hattie Burleson. Under Burleson's guidance, Glinn became successful in vaudeville, and by 1927 was signed to a recording contract by Columbia. Glinn took part in six separate recording sessions in a two-year period up to 1929.[1] She recorded a total of twenty-two tracks.[3] Her speciality was singing slow blues ballads utilising her rich and heavy contralto voice.[1] Her songs concentrated on the harsher side of life and sometimes included sexual innuendo.[3] Her recordings gained her national recognition, and included her April 1928 recording of "Shake It Down".[4] Her sessions took place variously in New Orleans and Atlanta, as well as her home base of Dallas.[3]
The author and researcher, David Evans, noted that "it is quite likely that many of Lillian Glinn's blues without any listed composer were her own material. If so, she would be the exception among Columbia's female blues singers", he concluded.[5]
Following this period of activity, Glinn retreated back to church based life, and moved to California where she married the Rev. O.P. Smith. Her future became distant from her previous professional career.[3]
Her entire recorded work was made available in 1994 by Document Records.[6]
She was interviewed and photographed by Paul Oliver in 1971.[1][7]
Compilation discography
| Year | Title | Record label |
|---|---|---|
| 1987 | Lillian Glinn & Mae Glover | Story of the Blues |
| 1994 | Complete Recorded Works (1927 1929) | Document |
See also
References
- ↑ 1.0 1.1 1.2 1.3 1.4 Steve Huey. "Lillian Glinn". Allmusic. Retrieved September 20, 2011.
- ↑ Blues: A Regional Experience by Bob L. Eagle and Eric S. LeBlanc, p. 524.
- ↑ 3.0 3.1 3.2 3.3 3.4 3.5 James Head. "Lillian Glinn". Handbook of Texas Online. Texas State Historical Association. Retrieved September 20, 2011.
- ↑ 4.0 4.1 Oliphant, Dave (1996). Texan Jazz (1st ed.). Austin, Texas: University of Texas Press. p. 71. ISBN 0-292-76044-2.
- ↑ Evans, David (1982). Big Road Blues (1st ed.). Los Angeles, California: University of California Press. p. 67. ISBN 0-520-03484-8.
- ↑ "Complete Recorded Works (1927-1929) - Lillian Glinn | Credits". AllMusic. 1994-06-02. Retrieved 2014-01-27.
- ↑ Oliver, Paul (2009). Barrelhouse blues: location recording and the early traditions of the blues (1st ed.). New York: BasicCivitas Books. p. 77. ISBN 978-0-465-00881-0.
- ↑ "Lillian Glinn | Discography". AllMusic. 1994-06-02. Retrieved 2014-01-27.