La fiamma

La fiamma (The Flame) is an opera in three acts by Ottorino Respighi to a libretto by Claudio Guastalla based on Hans Wiers-Jenssen's 1908 play Anne Pedersdotter, The Witch. The plot is loosely based on the story of Anne Pedersdotter, a Norwegian woman who was accused of witchcraft and burnt at the stake in 1590. However, Respighi and Guastalla changed the setting of the opera to 7th century Ravenna. The melodramatic tale involves the illicit love of Silvana, the daughter of a witch, for her stepson Donello. When her husband Basilio dies of a heart attack, Silvana is accused of causing his death by witchcraft and is condemned to death. La fiamma premiered to considerable success on 23 January 1934 at the Teatro Reale dell'Opera in Rome in a performance conducted by Respighi himself. The production was directed by Alessandro Sanine with sets designed by Nicola Benois.

Roles

Role Voice type Premiere Cast, January 23, 1934
(Conductor: Ottorino Respighi)[1]
Silvana soprano Giuseppina Cobelli
Donello tenor Angelo Minghetti
Basilio baritone Carlo Tagliabue
Eudossia mezzo-soprano Aurora Buades d'Alessio
Monica soprano Laura Pasini
Agata soprano Matilde Arbuffo
Lucilla mezzo-soprano Giuseppina Sani
Sabina mezzo-soprano Giorgina Tremari
Zoe mezzo-soprano Anna Maria Mariani
Agnese di Cervia mezzo-soprano Angelica Cravcenco
Exorcist bass Augusto Romani
A bishop bass Pierantonio Prodi
A mother soprano Anna Maria Martucci
A cleric tenor Adelio Zagonara
A workman tenor Augusto Prot
Chorus (s,a,t,b)

Instrumentation

La fiamma is scored for the following instruments:[2]

piccolo, 2 flutes , 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, bass tuba, timpani, bass drum, tam-tam, harp, strings.

Synopsis

Place: Ravenna
Time: Seventh century

Act 1

The young Silvana is the daughter of a witch and she herself is said to have magical powers. It is unhappily married to the exarch Basilio, and the marriage is disliked by the mother of Basilio, Eudoassia, who makes life impossible for Silvana.

Act 2

Donello, son of the first marriage of Basilio, returns from Byzantium after a long journey. Between Donello and Silvana blooms an overpowering love.

Act 3

Eudossia discovers the affair between Donello and Silvana. Basilio faces Silvana and she reacts vehemently, defending her feelings for Donello and accusing Basilio of stealing her youth. During the violent quarrel Basilio dies and Silvana is accused of murder and witchcraft.

The trial takes place in the basilica of San Vitale. Silvana denies being a witch and says she acted only for love. Donello tries to take the blame for everything and Silvana is about to be acquitted, but Eudossia intervenes and confirms the accusations. The rage of Eudossia prevails and the same Donello is persuaded that Silvana is a witch. Silvana has no more strength to defend herself and remains alone and dejected, while the bishop curses her and the audience flees horrified.

Recordings

1955: Francesco Molinari-Pradelli, Orchestra e Coro della RAI di Milano, G. O. P.[3]

King/Silvana: Mara Coleva
Donello: Giacinto Prandelli
Basilio: Carlo Tagliabue

Eudossia: Lucia Danieli
Agnese: Maria Teresa Mandalari

1985: Lamberto Gardelli, Choir of the Hungarian Radio and Television and Hungarian State Orchestra, Hungaroton[3][4]

King/Silvana: Ilona Tokody
Donello: Péter Kelen
Basilio: Sándor Sólyom-Nagy

Eudossia: Klára Takács
Agnese: Tamara Takács

1997: Gianluigi Gelmetti, Teatro dell'Opera di Roma Orchestra and Chorus, CD Agorà (Live recording)[3]

King/Silvana: Nelly Miricioiu
Donello: Gabriel Sadè
Basilio: David Pittman-Jennings

Eudossia: Mariana Pentcheva
Agnese: Cinzia de Mola

References

Notes

  1. Premiere cast from Casaglia (2005)
  2. "Ottorino RESPIGHI. Catalogo delle composizioni suddiviso per generi musicali: Opere liriche". l'Orchestra Virtuale del Flaminio (in Italian). Retrieved 2 January 2015.
  3. 3.0 3.1 3.2 "Ottorino Respighi - La Fiamma - Discography". operaclass. Retrieved 9 January 2015.
  4. MusicWeb International

Sources