Krallice (album)
| Krallice | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Krallice | ||||
| Released |
July 11, 2008 (CD) March, 2009 (vinyl) | |||
| Genre |
Post-black metal Progressive black metal | |||
| Length | 61:45 | |||
| Label |
Profound Lore Records (CD) Gilead Media (vinyl) | |||
| Krallice chronology | ||||
| ||||
| Vinyl cover | ||||
 |
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| The Apparatus | (9.1/10)[1] |
| Pitchfork | (7.8/10)[2] |
Krallice is the eponymous debut album by the New York–based black metal band Krallice.[3] It was released on compact disc in 2008 on Canadian-based Profound Lore Records, and on vinyl in 2009 by American-based Gilead Media.[4]
The album was recorded before Nick McMaster had joined the band, therefore, he only appears as an additional vocalist on the recording and the bass was performed by both Marston and Barr.[5]
Track listing
- No music or lyrics credits are given.
| No. | Title | Length | |
|---|---|---|---|
| 1. | "Wretched Wisdom" | 10:15 | |
| 2. | "Cnestorial" | 10:43 | |
| 3. | "Molec Codices" | 9:35 | |
| 4. | "Timehusk" | 6:06 | |
| 5. | "Energy Chasms" | 9:46 | |
| 6. | "Forgiveness in Rot" | 15:22 |
Credits
- Krallice
- Mick Barr - vocals, guitar, bass
- Colin Marston - guitar, bass
- Lev Weinstein - drums
- Additional musicians
- Nick McMaster - additional vocals
- Other
- Colin Marston - recording, mixing, mastering
- Scott Lenhardt - cover artwork
- Karlynn Holland - band logo
Recording
Colin Marston recorded, mixed and mastered the album in his studio Menegroth, the Thousand Caves in Woodhaven, Queens. Though the band initially intended to use a lo-fi approach, the music was too dense to come out successfully. The album was recorded on 2" tape with multiple microphones and guitar layers. Marston describes it as "pure and ambient" as a contrast to the buzzy trebley guitar and fake reverb found on some older black metal. The guitars were doubled with different tones and recorded in the same room as the amps so that feedback proliferates the recording. The bass was run through two amplifiers, one slightly dirtier than the other. The drums were tuned as low as possible and recorded from a distance to give a loud sound with no reverb or triggers.[6]
References
- ↑ The Apparatus review
- ↑ Pitchfork review
- ↑ Bruni, Chris (2008). "KRALLICE - Complete Debut Album". Profound Lore. Retrieved 2009-09-01.
- ↑ Bartlett, Adam (2008). "Gilead Media - Tragedy and Bile (Discography)". Profound Lore. Retrieved 2009-09-01.
- ↑ Krallice liner notes.
- ↑ Stosuy, Brandon (2008-08-06). "Show No Mercy: Interview with Mick Barr and Colin Marston". Pitchfork. Retrieved 2009-09-01.
| ||||||||||