Kingdom Come (comics)

Kingdom Come

Cover to the Absolute Kingdom Come hardcover edition (2006). Art by Alex Ross.
Publication information
Publisher DC Comics
Schedule Monthly
Format Mini-series
Genre
    Publication date May – August 1996
    Number of issues 4
    Main character(s) Superman
    Batman
    Wonder Woman
    Captain Marvel
    The Spectre
    Norman McCay
    Creative team
    Writer(s) Mark Waid
    Alex Ross
    Artist(s) Alex Ross
    Letterer(s) Todd Klein
    Collected editions
    Absolute edition ISBN 1-4012-0768-5
    Hardcover ISBN 1563893177
    Softcover ISBN 1563893304

    Kingdom Come is a four-issue comic book mini-series published in 1996 by DC Comics under their Elseworlds imprint. It was written by Mark Waid and Alex Ross and painted in gouache by Ross, who also developed the concept from an original idea. This Elseworlds story is set in a future that deals with a growing conflict between "traditional" superheroes, such as Superman, Wonder Woman, and the Justice League, and a growing population of largely amoral and dangerously irresponsible new vigilantes, in many cases the offspring of the traditional heroes. Between these two groups is Batman and his assembled team, who attempt to contain the escalating disaster, foil the machinations of Lex Luthor, and prevent a world-ending superhuman war.

    Development

    When comic book artist Alex Ross was working on Marvels, published in 1994, he decided to create a similar "grand opus" about characters from DC Comics. Ross wrote a 40-page handwritten outline of what would become Kingdom Come and pitched the idea to James Robinson as a project similar in scope to Watchmen (1986–1987) and Alan Moore's infamous "lost work" Twilight of the Superheroes. Ultimately, Ross teamed with writer Mark Waid, who was recommended by DC editors due to his strong familiarity with the history of DC superheroes.[1]

    Plot

    Impending disaster

    In this Elseworlds story, for nearly a decade, members of the Justice League have abandoned their roles as superheroes after the rise and strong public support of a new superhero named Magog, who has no qualms about murdering in cold blood. In the ensuing decade, a newer generation of superpowered "metahumans" arise; these metahumans engage each other in destructive battles without true cause and with little distinction between "heroes" and "villains." The narrator, a minister named Norman McCay, receives apocalyptic visions of the future from a dying Wesley Dodds. The Spectre appears to McCay and recruits him to help pass judgment on the approaching superhuman apocalypse.


    An attack on the Parasite, led by Magog, goes awry and much of the midwest becomes irradiated, killing millions and taking out a large portion of America's food production.[2]

    Second coming of Superman

    Coaxed back into action by Wonder Woman, Superman decides to return to Metropolis and re-form the Justice League following the Kansas disaster to rein in the new breed of heroes.[2] He manages to collect reformed "new heroes", such as Avia (Mr. Miracle and Big Barda's daughter) and former heroes, including Green Lantern, the Flash, Hawkman, and Dick Grayson (now known as Red Robin) among others, except for the Batman, one of the most prominent of the old guard. Superman makes a personal visit to the Batcave in hopes to sign up the world's most dangerous man, but the Batman refuses to join Superman's intervention, as Batman resents him for leaving the world ten years ago, abandoning the superheroes at the crucial point that the superhero population needed a role model the most. Batman also warns Superman that his idealist notions are outdated and that his interference will only exacerbate the world's problems, insisting that strategy and delicacy is required, not force. He interprets Superman's plan as an example of the strong exerting their will upon the weak, something which he will not be part of. In response to Superman's Justice League being a new piece on the chess board, Batman activates his network of agents that have been long in the making and is the equivalent to a large personal army, made up largely of the younger breed consisting of second and third generation heroes like Jade, daughter of the first Green Lantern, and Zatara, son of Zatanna and grandson of the first generation hero whose name he shares, while trusted veterans, such as Green Arrow and Blue Beetle, are chosen by Batman to be chief in command. Both Superman's army and Batman's army consist of non-powered and super-powered members.

    Lex Luthor is still alive and well, and has organized the "Mankind Liberation Front". The MLF is primarily a group of Silver Age Justice League villains, including Batman foes Catwoman and the Riddler; Vandal Savage; King, leader of the Royal Flush Gang, as well as third generation villains, like Ra's al Ghul's successor, Ibn al Xu'ffasch, who is Bruce Wayne and Talia al Ghul's son. The MLF works to wrestle control of the world away from the heroes.[3]

    Pact

    Superman's Justice League gathers more captives than converts, and his prison (nicknamed "The Gulag") is filled to capacity almost as soon as it is built. Superman designates Scott Free, the former Mr. Miracle, as warden, aided by other heroes, including Big Barda and Captain Comet, and works to persuade the inmates that their methods are wrong-headed and dangerous, but his entreaties fall upon deaf ears. With hostile hero-villains like 666, Kabuki Kommando, and Von Bach locked up together, pressure builds. Meanwhile, Superman, urged on by Wonder Woman, reacts with increasing inflexibility towards the inappropriate behavior of the metahuman community. He learns that Wonder Woman's ardent militant stance may be influenced by her recent exile from Paradise Island: in the eyes of the Amazons, her mission to bring peace to the outside world has failed.

    At first, Batman and his cadre of heroes seem to enter into an alliance with the MLF as a united front against the Justice League. Now aligned with the Batman, Luthor plans to exacerbate the conflict between the League and the inmates of the Gulag, where the ensuing chaos will afford Luthor an opportunity to seize power. As a master of espionage and deception, the Batman utilizes the Martian Manhunter to discover that an adult Billy Batson is under the villains' control after retiring from superheroics due to his inability to cope with the world's increasing brutality and being brainwashed by Luthor, who plays on Batson's fear that he may be as 'evil' as the other metahumans. Batson, who becomes Captain Marvel when he utters the word "Shazam!", is the one being capable of matching Superman's power.

    When the Gulag's inmates riot, killing Captain Comet, Luthor unwittingly reveals to Batman how he intends to use the brain-washed Batson to break open the Gulag against the Justice League. Now having his answer, Batman's forces ambush Luthor and his conspirators. Although Luthor and the MLF are captured, Batman is unable to restrain the brain-washed Batson, who transforms into Marvel and flies to Kansas, carrying out the last order in his head: Open the Gulag and unleash chaos.

    Superman and Captain Marvel face off in the final page of Kingdom Come #3. Art by Alex Ross.

    With the super-powered prisoners rioting out of control inside the Gulag and Wonder Woman leading the Justice League army to engage them and kill, Superman is confounded by how this escalation of events was brought on by himself. Thus he rushes at superspeed to the one man he knows has the answer and crashes through the ceiling into the Batcave. Superman debates heatedly with Batman, trying to make him recognize they may be facing the end of the world. Batman at first justifies inaction by saying the world would be better off if all the metahumans destroy each other. Superman rejects this notion, pointing out that if all human life is sacred, then logically, that includes superhuman life. Superman knows that Batman will act, because his entire crimefighting life is based upon the desire to prevent the loss of human life.[4] Being slightly moved by Superman's sentiments, Batman tips Superman off with the information that Captain Marvel is under Luthor's control and is on the way to the Gulag.

    Armageddon

    Superman races to the Gulag, but upon arrival he is struck down by Captain Marvel who also causes a breach in the Gulag, freeing the population, thus inciting war between Wonder Woman's Justice League and the metahuman prisoners. The Spectre and Norman look on as Wonder Woman's League wages war with the prisoners and Superman is kept at bay by Captain Marvel.

    Batman's army arrives on site as an intervening third party, with Bruce Wayne leading them into battle wearing a flying warsuit of his own invention. Although Batman's forces aid the Justice League in quelling the riot, he also works to restrain the League from killing any metahuman. However he fails in this, as Wonder Woman kills Von Bach in the act of attempting to crush Zatara, one of Batman's force. This brings Batman into direct conflict with Wonder Woman.

    As conditions worsen, United Nations Secretary General Wyrmwood authorizes the deployment of three tactical nuclear warheads, hardened against certain metahuman powers. While this action will destroy hero and villain alike, the U.N. feels it has no choice in the matter: if humanity is to survive, metahumanity must be destroyed.

    An armored Batman and Wonder Woman clash in the middle of the warzone, taking to the skies where they see the incoming stealth bombers (piloted by the Blackhawk Squadron) delivering the nuclear bombs. Dropping their own conflict, they manage to stop two of the missiles but the third slips past.

    Captain Marvel continues to batter Superman by screaming "Shazam!" repeatedly, calling down his magic lightning bolt but dodging before it hits, thus leaving Superman to bear its brunt. However, as Marvel says the name again, Superman grabs him and the lightning finds its mark; Marvel turns back into Billy Batson. Holding Batson's mouth shut, Superman tells Batson that he is going to stop the remaining bomb, and Batson must make an important choice: either stop Superman and allow the warhead to kill all the metahumans, or let Superman stop the bomb and allow the metahumans' war to engulf the world. Superman tells Batson he must be the one to make this decision, as he is the only one who lives in both worlds, that of normal humans (as Batson) and the metahuman community (as Marvel).

    Superman releases him and flies off to stop the incoming bomb. Batson, his mind now clear of Luthor's influence, says the name, and turns into Captain Marvel. Flying up, he grabs Superman, flinging him back to the ground. He continues up and intercepts the missile, having found a third option. Captain Marvel shouts "Shazam!" three more times in rapid succession, and the lightning sets off the bomb prematurely, killing Batson in the process.

    Despite Marvel's sacrifice, most of the metahumans are obliterated in the explosion, although some survive beneath a force field generated by Green Lantern and his daughter Jade, and others are teleported away at the last second by Fate. Superman, though outside the force field, is virtually unscathed, though he does not at this time realize there were any other survivors.

    Giving in to his rage at the tremendous loss of life, Superman flies to the U.N. Building and threatens to bring it down atop the delegates as punishment for the massacre, and for reacting in such a fearful and cowardly way to the metahuman war. The surviving metahumans arrive, but Norman McCay is the one who talks him down, pointing out how his appearance and behavior are exactly the sort of reasons that normal humans fear the superpowered. Chastised and ashamed, Superman immediately ceases his rampage. He is handed Captain Marvel's cape, the only remnant of the hero, and tells the U.N. representatives that he will use his wisdom to guide, rather than lead, humankind. Superman ties Captain Marvel's cape to a flagpole and raises it among the flags of the member nations of the U.N., suggesting that this role of guidance will be more political and global in nature than the classic crime-busting vigilantism of the past.[5]

    Epilogue

    In the aftermath of the metahuman civil war, the heroes actively strive to become fully integrated members of the communities they had previously tried to distance themselves from. Masks are abandoned. Wonder Woman's exile from Paradise Island ends, and she becomes an ambassador for super-humanity, taking the survivors of the Gulag to Paradise Island for rehabilitation.

    Batman abandons his crusade and becomes a healer, rebuilding his mansion as a hospital to care for those wounded by the destruction of Kansas and the ensuing violence. He also reconciles with both Dick Grayson/Red Robin, and his son Ibn al Xu'ffasch. Superman lashes himself to a giant plow and begins the arduous task of restoring the Midwestern farmlands, devastated in the Justice Battalion's attempt to capture the Parasite. He even comes to terms with his past as Clark Kent by accepting a pair of glasses from Wonder Woman, and shares a kiss with her before she returns to Paradise Island. It is a fitting parallel to the end of the generational conflict that started the war, as both men have come full circle in their lives and adopted the vocations of their fathers; Thomas Wayne, the doctor, and Jonathan Kent, the farmer.

    Norman McCay resumes pastorship of his congregation, preaching a message of hope for humanity. Among the congregation is Jim Corrigan, the Spectre's human host.[5] In the novelization, Clark Kent attends a sermon as well.

    Collected edition additional scenes

    The first additional scene takes place at the end of the second part of the series, when Superman visits Orion on Apokolips wanting his advice for what to do with the captive rogue metahumans. Orion tells Superman to look for Scott Free and Big Barda.

    The second additional scene is an epilogue. At Planet Krypton, a theme restaurant owned by Michael Jon Carter, Clark Kent and Diana Prince intend to inform Bruce Wayne they are expecting a child, but Bruce deduces the news before they can tell him. Diana asks Bruce to serve as godfather and mentor to the child. He accepts after Clark states that he believes that Bruce will provide a balancing influence to the child, adding that in spite of their differences over the years he has always trusted Batman. Bruce then notices Norman and Jim Corrigan, discussing the restaurant's "Spectre Platter" (a mild concoction of spinach and cottage cheese), much to Corrigan's irritation that this is how he was to be remembered.

    Characters

    Protagonists

    Superman's Justice League

    Many of the members of the re-formed Justice League are either old characters in new forms or brand new adoptions of old names. Partial list:

    The Batman's "Outsiders"

    Bruce Wayne has formed a group of human and metahuman heroes, many of which are second-generation heroes, to combat the Justice League and the Mankind Liberation Front. Playing upon the generational differences between the heroes. Partial list:

    Luthor's Mankind Liberation Front

    Since Superman's departure ten years ago, Luthor and the MLF have been conducting events behind the scenes in an attempt to destroy metahumans and rule the world at last.

    Magog's Justice Battalion

    Magog and his followers are violent vigilantes prone to deal out "justice" in the form of death to anyone who commits a crime.

    Characters with heroic legacies

    Some of the metahumans and human warriors involved are inheritors in one way or another from passed heroes. Not everybody amongst this new generation is willing to uphold the legacy resting on their shoulders.

    Rogue characters

    Several future warriors had virtually no regard for human life. Many of them were killed in the Gulag battle, but most have already made their mark in the world as monsters. Listed below are the major, supporting, or otherwise notable characters.

    Other characters

    Cameo appearances

    Appearances in mainstream continuity

    The Kingdom

    Main article: The Kingdom (comics)

    Due to the popularity of the series, Mark Waid and Alex Ross began to plot a sequel/prequel titled The Kingdom. Alex Ross' original intent was for Gog to be an alien, twice the size of a human, from the planet Urgrund that split into two and created Apokolips and New Genesis, and that Magog would be the grown son of Superman and Wonder Woman who would be mentored by Gog. Waid and Ross disagreed on several concepts and Ross decided to leave the project.[7]

    Without Ross' involvement, Waid continued the story in the New Year's Evil: Gog one-shot. The Kingdom mini-series soon followed, featuring a two-part series and several one-shots focusing on specific characters. The series was used to present Grant Morrison's Hypertime concept.

    Thy Kingdom Come

    The Kingdom Come Superman on the cover of Justice Society of America #10. Art by Alex Ross.

    The final issue of 52 reveals that Earth-22 is the designation of the Kingdom Come alternate universe.

    In Justice Society of America (vol. 3), a new Starman appears wearing a costume identical to that of the Starman from the Kingdom Come series. It is soon revealed that this individual is indeed the Starman from Kingdom Come, and that he is also Thom Kallor, a native of the planet Xanthu and member of the Legion of Super-Heroes in the 30th and 31st centuries. Due to a time travel error, Starman traveled to Earth-22 before arriving in 21st century New Earth.

    The "Thy Kingdom Come" story arc of the Justice Society of America title features the involvement of Alex Ross, as well as the appearance of the Kingdom Come Superman. Seeing the connection between Gog of New Earth and Magog of Earth-22, Superman-22 and the JSA seek to prevent New Earth from going the way of his own world by stopping Gog in his crusade to rid the world of false gods, and before he can choose a successor one day in Magog. The JSA is split in their opinions on Gog; some believe he is truly a benevolent god, while others are suspicious of his true intentions. To prove himself, Gog heals certain JSA members such as Starman, Doctor Mid-Nite, and Damage, and he resurrects Lance from the dead to make him his successor, Magog.

    Soon, the JSA learns that Gog is forming a parasitic relationship with the planet Earth where, if he remains long enough, the planet will not be able to survive without him. All of the heroes turn on Gog, and he takes back the gifts he had given them, but he is still defeated. They remove his head, and Superman-22 and Starman take it to the Source Wall. Starman, whose costume has the power to transport people throughout the Multiverse, sends Superman back to Earth-22. He arrives in time to see the carnage caused by Captain Marvel detonating the bomb. The events of Kingdom Come continue from there and conclude in its entirety, except that it ends with several scenes depicting Superman and Wonder Woman's life as a couple and the legacy Superman leaves to his Earth.

    Alex Ross states that this story is not intended as a sequel to Kingdom Come as that would negate the purpose of the original story.[8]

    Justice League: Generation Lost

    A major subplot of Judd Winick and Keith Giffen's 2010 maxi-series, Justice League: Generation Lost concerns the events of Kingdom Come. The story sees Maxwell Lord being tasked by the Entity with killing Magog before he can inadvertently trigger an apocalyptic war between Earth's superhumans, which ultimately brings Magog and Lord into conflict with Justice League International. To drive the point home, the Entity shows Lord a series of visions taken directly from Kingdom Come, including Magog and the Justice Battalion attacking Parasite. Lord eventually succeeds in arranging Magog's demise, and his life is returned by the Entity.

    Superman/Batman

    During the first arc of the Superman/Batman series written by Jeph Loeb, the Kingdom Come Superman appears via a Boom Tube in the Batcave with the intent to kill Clark Kent, because according to him, Clark is responsible for the destruction of the Earth before Kingdom Come Superman suddenly vanishes while being distracted by Batman calling him "Clark". It is eventually revealed that this Superman came from a future in which a kryptonite meteorite crashed to the Earth.
    Later, due to a burst of energy quantum Captain Atom arrives in this future. He appears in a devastated Kansas (an homage to the Kingdom Come series) although Superman states the entire planet is in the same condition. Captain Atom returns to the present and uses a robot made by Toyman to destroy the giant meteorite of kryptonite, preventing this future to come true.
    In a follow-up to this story, Captain Atom: Armageddon, the titular Captain Atom finds himself in the WildStorm universe and in another homage to Kingdom Come, his appearance mysteriously changes to that of his Earth-22 counterpart.

    Collected editions

    A boxed-set of the four individual issues was packaged in a die-cut cardboard sleeve with a Skybox trading card, part of a short-lived experimental program to package comics for resale at Toys R Us and other mass market retailers.

    The original trade paperback collected the entire series along with twelve additional pages by Ross, including the epilogue. Promotional artwork and sketches of the major characters were also included. The trade was also printed as a hardback (without dustjacket) by Graphitti Designs.

    A separate deluxe, slip-cased two-volume hardback edition, also co-published by DC and Graphitti Designs added a second volume (entitled Revelations) to the text, containing further sketches and developmental artwork from Ross, showing the development of the character designs and the storyline.

    Elliot S. Maggin wrote the novelization which was published by Warner Aspect as a hardback, and (in limited numbers) a slip-cased, signed edition. It fleshes out characters such as Magog, the world leaders, and the Batman/Ib'n connection. The book contains four new color pages by Ross, as well as four black and white sketches of the major players.

    A 1998 special from Wizard magazine contained the original proposal for the series by Ross, providing notes on what was changed and why. Ross' comments on The Kingdom were also included.

    DC released an Absolute Kingdom Come hardcover edition in 2006. It collected the entire series in a significantly larger page format, along with interviews with Waid and Ross, character artwork, sketches and a complete annotation for the series.

    Spin-offs

    Audio play

    Hachette Audio released an audio dramatization of the story, adapted from the novelization, featuring the voice talent of Mike Mearian, Don Peoples, Garet Scott, John Cunningham, Kent Broadhurst, Jeff David, Chuck Cooper, Harry Goz, Barbara Rosenblat, Craig Zakarian, Mike Arkin, Bob Lydiard, Peter Newman, Birgit Darby, Mark Finley, Igot Goldin, Macintyre Dixon, and Chloe Patellis, along with the guest voices of Dennis O'Neil, Mark Waid, Mike Carlin, Dan Raspler, Charles Kochman, Peter Tomasi, Greg Ross, Janet Harney, Elisabeth Vincentelli. The music for the audio version was composed by John Bauers.

    The Comicology Kingdom Come Companion

    In January 1999, Harbor Press published the first (special) issue of their comics magazine Comicology. The 272-page Comicology: Kingdom Come Companion, edited by Brian Lamken, focused heavily on Kingdom Come, featuring an A-Z of almost everything with extensive illustrations by Ross and various other commentary on the mini-series. It was the subject of a swift cease-and-desist notice from DC, objecting that the volume "constitute[d] an unauthorized derivative work that infringe[d] upon [DC's] copyrights, violates [their] trademark rights, and misappropriates [their] good will."[9] Lamken acquiesced to the recall, despite protesting that DC had prior knowledge of the project. It is likely that the similarities between the material contained in the Revelations volume (available only with the purchase of the considerably-more-expensive Graphitti/DC two-volume set) contributed to the recall of the Comicology volume. The recall made the Companion arguably the most difficult Kingdom Come item to find.

    Trading cards

    In 1996, Fleer/Skybox released a set of trading cards based on Kingdom Come, entitled Kingdom Come eXtra. Alongside the 50 basic cards, featuring art by Ross and text by Waid, there are 15 "sketchboard" cards, 3 "Kingdom Classics" (featuring Superman, Batman and Wonder Woman in iconic poses), 6 "Alex Ross Original" cards, and some rarer autograph cards.

    Action figures

    DC Direct (The exclusive collectibles division of DC Comics) has produced 3 waves of action figures based on Kingdom Come's artwork. The first wave of figures included Superman, Wonder Woman, Green Lantern and Hawkman. The second wave included Batman, Red Robin, Captain Marvel and Kid Flash. The last wave included Magog, Flash, Armored Wonder Woman and Deadman. An exclusive figure of Red Arrow was released through ToyFare magazine. DC Direct also released several other characters through their Elseworlds toylines. These figures included The Spectre, Norman McCay, Jade, Nightstar, Aquaman and Blue Beetle. An updated version of Kingdom Come Superman was released in JSA series2 which was based on the covers that Alex Ross worked on.

    In other media

    Although Kingdom Come has not been directly adapted to other media, certain elements or material depicted in its issues have been taken as inspiration for scenes created for adaptations of other DC Comics properties existing in the mainstream continuity, such as the following:

    References

    1. Ross, Alex (May 10, 2006). "Alex Ross: Inside the Artist's Gallery". Wizard Entertainment. Archived from the original on September 30, 2007. Retrieved August 3, 2007.
    2. 2.0 2.1 Kingdom Come #1 (May 1996)
    3. Kingdom Come #2 (June 1996)
    4. Kingdom Come #3 (July 1996)
    5. 5.0 5.1 Kingdom Come #4 (August 1996)
    6. Dundy, Elaine (2004). Elvis and Gladys. University Press of Mississippi. p. 69-70
    7. Ross, Alex (November 2005). Mythology: The DC Comics Art of Alex Ross. Pantheon. ISBN 978-0-375-71462-7.
    8. Justice Society of America: Kingdom Come Special - Superman (January 2009). p. 25.
    9. "Harbor Press calls an end to Comicology’s coverage of Kingdom Come". Sequential Tart. Retrieved January 12, 2008.
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