Karen Eliot

Karen Eliot is a multiple identity, a shared nom de plume that anyone is welcome to use for activist and artistic endeavours. It is a manifestation of the "open pop star" idea within the Neoist movement.[1] The name was developed in order to counter the male domination of that movement, the most predominant multiple-use names previously being Monty Cantsin and Luther Blissett.

Examples of use

The experimental composers and artists David Chokroun, Aydem Azmikara, Marc Couroux, Engram Knots, and Vanessa Grey have used "Karen Eliot" to collectively and anonymously write musical compositions. According to writer eldritch Priest, as a composer "Karen Eliot belongs to nobody and is no one…the collective nature and schematic indirection of 'Karen Eliot' circulates her contradictions and inconsistencies in a way that keeps doubt and the status of her reality in play." [2][3]

History of multiple-use names

These multiple names were developed and popularized in artistic subcultures of the 1970s to 1990s like Mail Art, Neoism and post-Situationist discourse, with the pseudonym Rrose Sélavy–jointly used by Dada artist Marcel Duchamp and the surrealist poet Robert Desnos–forming a historical pretext. The political references go back much further, e.g. Ned Ludd, while in poetry there are precedents such as Taliesin.

In the 1960s underground culture the multiple name Emmett Grogan was adopted by San Francisco Diggers. In the 1970s the multiple name Wally was adopted by a group of squatters in and around Stonehenge.

References

  1. ↑ N O Cantsin (April 2010). A Neoist Research Project. N.O. Cantsin. pp. 161–. ISBN 978-1-906496-46-3.
  2. ↑ eldritch Priest (11 April 2013). Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure. Bloomsbury Publishing. pp. 137–. ISBN 978-1-4411-4616-8.
  3. ↑ "16 Minds – Karen Eliot and Second Life". InEnArt. Retrieved 24 October 2013.

External links