Josephine Wiggs

Josephine Wiggs
Birth name Miranda Cordelia Susan Josephine Wiggs
Born 26 February 1963[1]
Origin Letchworth, Hertfordshire, England, UK
Genres Alternative rock
Occupation(s) Musician
Instruments Bass guitar, guitar, drums, cello, piano, vocals
Labels 4AD, Fire, Grand Royal, Atlantic
Associated acts The Perfect Disaster, The Breeders, Honey Tongue, The Josephine Wiggs Experience, Dusty Trails

Miranda Cordelia Susan Josephine Wiggs (born 26 February 1963, Letchworth, Hertfordshire[2]) is an English indie/alternative rock musician, noted for her work with the bands The Perfect Disaster, The Breeders, and Dusty Trails.

Early career

Wiggs is the daughter of Richard Wiggs, founder of the Anti-Concorde Project. Wiggs studied Philosophy at the University of London, earning a BA degree, going on to get a MA in Continental Philosophy from the University of Sussex.[3] She studied cello for ten years.[3] She joined The Perfect Disaster in 1988 as bass guitarist, playing on the albums Asylum Road, (1988) Up (1989) and Heaven Scent (1990) before leaving to form The Breeders with Kim Deal and Tanya Donelly.[4] Wiggs played cello on the Spacemen 3 album Playing With Fire.

Career with The Breeders

In 1988, Wiggs met Kim Deal when Perfect Disaster supported the Pixies in London. In 1989, Deal asked Wiggs to join her and Throwing Muses Tanya Donelly in making the first Breeders' album Pod. Deal, Wiggs and Slint drummer Britt Walford rehearsed for a week at Wiggs's house in Bedfordshire, and for further week with Donelly in London, before driving to Edinburgh to record the album with engineer Steve Albini. The album was released in 1990 on record label 4AD. In 1992, Deal visited Wiggs in Brighton during time off from the Pixies, and they worked on the song Safari, recording it in London with Wiggs's friend Spacemen 3/Spiritualized drummer Jon Mattock. This recording became the title track of The Breeders' second release, the Safari EP.

From 1992, alongside Deal and Wiggs, The Breeders' second incarnation had Kelley Deal on guitar and Jim Macpherson on drums. This line-up recorded the album Last Splash in 1993, which featured the hit song Cannonball with its iconic opening bass riff. The video for Cannonball, much-played on MTV, was directed by Kim Gordon and Spike Jonze. The Breeders supported Nirvana on their In Utero tour, and Last Splash achieved platinum sales.

Their last record was a vinyl-only EP, Head to Toe whose title track was written by Wiggs. After playing the 1994 Lollapolooza Tour, The Breeders went on indefinite hiatus following the well-publicized drug problems of guitarist Kelley Deal. Kim Deal released a solo album, the Amps, Pacer in 1995, and she resurrected the Breeders' name in the late 1990s, but neither Wiggs nor Macpherson were members of this line-up. In November 2005, Wiggs played two shows with The Breeders in London, at an event commemorating the 25th anniversary of record label 4AD.

On 21 August 2009, with one day's notice and no rehearsal, Wiggs played three shows with The Breeders after bassist Mando Lopez had to fly home because his girlfriend had gone into labour. These shows were at the Black Cat in Washington, DC,[5] Diesel in Pittsburgh, and at Newport Music Hall in Columbus, Ohio. In 2013, Wiggs rejoined The Breeders for a sixty-date 20th Anniversary World Tour, to coincide with 4AD's release of LSXX, a limited-edition seven-disc vinyl box set, and three-CD package.

Other work

In 1992, Wiggs had collaborated with Jon Mattock and released an album, Nude Nudes, under the name Honey Tongue. In 1995 Wiggs and Luscious Jackson (and original Beastie Boys) drummer Kate Schellenbach formed Ladies Who Lunch, releasing the 7 inch vinyl "Kims We Love" (an homage to Kim Deal and Sonic Youth's Kim Gordon, played entirely on Casio keyboards) on the Beastie Boys' label, Grand Royal. This was followed by the 7 inch vinyl cover of the Buzzcocks song Everybody's Happy Nowadays.

In 1995, Wiggs recorded and co-produced the album Klassics with a K for the Kostars, Luscious Jackson's Jill Cunniff and Vivian Trimble, and toured with them playing drums. In 1996 Wiggs collaborated again with Jon Mattock releasing the Bon Bon Lifestyle album on Grand Royal as The Josephine Wiggs Experience. Wiggs played all instruments, recorded and mixed the album.

In 1997, Wiggs started a writing and recording collaboration with Luscious Jackson keyboardist Vivian Trimble under the name Dusty Trails. Their eponymous 2000 album on Atlantic Records included a track written for, and sung by, Emmylou Harris. They also wrote music for Happy Accidents, a movie by Brad Anderson (writer/director of Next Stop Wonderland) starring Marisa Tomei and Vincent D'Onofrio. In addition, they collaborated with internationally-acclaimed New York-based Brazilian choreographers chameckilerner, writing and recording full-length scores for Poor Reality, 2001, and Exit 2007. They also provided the soundtrack for chameckilerner's short film Flying Lesson, (which premiered at Lincoln Center, 2008) and for their short film The Collection (2011).

In 2009, Wiggs recorded the soundtrack for chameckilerner's Conversation With Boxing Gloves, one of eleven short films that make up Vita Futurista Redux, a re-imagining of the lost 1916 film Vita Futurista, commissioned by Performa 09 and which premiered at SFMOMA. In 2012, she wrote and recorded a piano-based score for the documentary Built on Narrow Land, a film about Bauhaus-inspired modern houses in Wellfleet, Cape Cod, which premiered at Provincetown International Film Festival and was included in the Architecture and Design Film Festival, New York City, 2013. In 2013, she wrote and recorded the score for the first feature film by writer-director Desiree Akhavan, Appropriate Behavior, which will premiere at Sundance Film Festival, in 2014.

Discography

References

  1. ↑ Miranda Wiggs birth registration (1963), findmypast.co.uk; accessed 3 April 2015.
  2. ↑ Larkin, Colin (1998) The Virgin Encyclopedia of Indie & New Wave, Virgin Books; ISBN 0-7535-0231-3, p. 318
  3. ↑ 3.0 3.1 The International Who's Who in Popular Music 2002, Routledge, 2002, ISBN 978-1-85743-161-2, p. 542
  4. ↑ Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 452
  5. ↑ Paschall, Valerie (24 August 2009). "The Breeders @ Black Cat". DCist. Retrieved 21 February 2012.

External links