Jonas Staal

Jonas Staal (born in 1981, Zwolle) is a Dutch visual artist. His work deals with the relationship between art, politics, and ideology and has often generated public debate.

Works

New World Summit (2012-..)

In May 2012 Staal announced in his pamphlet “Art in Defense of Democracy”[1] the establishment of the artistic and political organization New World Summit. This organization aims to provide parliaments for stateless political organizations that are being placed “outside” of democracy,[2] for example by use of so-called international designated lists of terrorist organizations that block their bank accounts and result in an immediate travel ban, relegating them to the “edge” of the political system.[3] The first edition of the New World Summit, taking place on May 4 and 5, 2012, in the Sophiensale in Berlin, hosted four political and three juridical representatives of blacklisted organizations, such as the National Democratic Front of the Philippines (NDF), the Kurdish Women Movement, the Basque Independence Movement and the National Liberation Movement of Azawad (MNLA). According to Staal, his organization wants to explore at what level art can operate as an instrument to create an “alternative political space” as politics is unable to act upon the promise of what he calls a “fundamental democracy.”[4] The second edition of the New World Summit took place on December 29, 2012, in de Waag in Leiden, the Netherlands, and focused on Professor Jose Maria Sison, the founder of the Communist Party of the Philippines (CPP) and its armed wing, the New People's Army (NPA), both of which are internationally blacklisted.[5] Sison, who lives in exile in the Netherlands, debated several politicians, lawyers, public prosecutors and judges on his case. The 3rd New World Summit was announced to take place early 2013 in Kochi, India, in the context of the 1st Kochi-Muziris Biennale. For this occasion, an open air parliament was built in front of a former British colonial complex, but by order of the State Intelligence, flags in the parliament were painted over and three members of the summit were accused of material support to blacklisted organizations.[6][7] The fourth New World Summit is announced to take place from September 19-21 2014 in the Royal Flemish Theater in Brussels, bringing together twenty representatives of what the organization describes as "stateless states," such as representatives of organizations in Kurdistan, Somaliland, West Papua and Azawad.[8] The New World Summit in this context also speaks of their work as the "art of the stateless state."[9] Together with BAK, basis voor actuele kunst, Utrecht, in 2013 the New World Academy was founded, which invites stateless political groups to develop collaborative projects with artists and students.[10] In 2014, BAK also hosted the first New World Embassy of Azawad, a temporal embassy for the unacknowledged state of Azawad, developed by Staal and writer and National Liberation of Azawad (MNLA) representative Moussa Ag Assarid.[11][12]

Art, Property of Politics I-IV (2010-2012)

In 2010 Staal realized the exhibitions Art, Property of Politics[13] and Art, Property of Politics II: Freethinkers’ Space,[14] in 2011 Art, Property of Politics III: Closed Architecture [15] and in 2012 Art, Property of Politics IV: Freethinkers' Space in which he researched the role of contemporary art in the political process. The first part took place in exhibition space TENT. in Rotterdam, during the municipal elections of 2010,[16] in which he showed the artworks of all parties involved in the elections.[17] The second part took place in the Van Abbemuseum in Eindhoven, the Netherlands and existed of artworks that were selected by the liberal People's Party for Freedom and Democracy (Volkspartij voor Vrijheid en Democratie, VVD) and the far-right Party for Freedom (Partij voor de Vrijheid, PVV) in their so-called ‘Freethinkers’ Space’: and exhibition space that the parties opened in Dutch parliament for artists that had dealt with religious (Islamic) censorship.[18][19] The third part opened in Extra City in Antwerp,[20] and continued in the form of a theater piece in Frascati in Amsterdam.[21] Central in the project is a thesis entitled Closed Architecture (2004)[22] written by the far-right MP Fleur Agema, number two on the list of the Dutch Freedom Party (Partij voor de Vrijheid, PVV). The thesis comprises a sketch for a new prison model, which Agema has developed during her Masters degree in Interior Design. In the project Staal expanded Agema’s sketches into a fully developed model.[23] Moreover, it investigates the extent to which her earlier architectural work is the blueprint from which she now exerts an influence on current government policies, and hence the organization of our present society.[24][25] The fourth part took place in the Van Abbemuseum in Eindhoven and in art space De Appel in Amsterdam as a result of an open call made by Rogier Verkroost, politician for the social-liberal Democrats 66 party, and GreenLeft politician Jesse Klaver to immediately re-open the Freethinkers’ Space[26][27] that had been closed in 2011 by the liberal VVD and extreme-right PVV.[28] The creation of these new Freethinker’s spaces was supported by Staal and the museum.[29] Verkroost’s and Klaver’s Freethinkers‘ Spaces opened in September 2012,[30][31] followed in Amsterdam by a Freethinkers’ Space curated by Carolien Gehrels, alderman for arts and culture for the Labour Party in Amsterdam.[32]

The Geert Wilders Works (2005-2008)

From 2005 until 2008 Staal was prosecuted by the Public Prosecutors' Office for threatening Party for Freedom politician Geert Wilders.[33] This was the result of a project that Staal realized anonymously in April that year entitled The Geert Wilders Works,[34] which consisted of twenty-one so-called ‘memorial works’ comprising a photo collage and framed portrait by Wilders, white roses, tealight candles and a cuddly bear in the public space of Rotterdam and The Hague. Even though police spokesmen stated not to know whether the installations were meant as a threat or sign of public support, Wilders decided to report the events to the police as being a personal life threat.[35] Once Staal announced the work to be his and voluntarily reported himself to the police in Rotterdam, he was arrested and prosecuted for threatening a politician with death. Staal considered the trials to be part of his work and had invitations designed and printed to announce the court case as a ‘public debate’ in which key figures in the trial were presented as actors in a play entitled The Geert Wilders Works – A Trial I-II. The trials took place in 2007 in the Cantonal Court in Rotterdam and in 2008 in the Court of Justice in The Hague. Staal wrote his plea as a manifesto, which was published in the cultural section of the Dutch newspaper NRC Handelsblad.[36]

Other projects

Staal often works in multidisciplinary projects, together with, among others, writer Vincent W.J. van Gerven Oei.[37] In collaboration with him and theater group Wunderbaum,[38] he realized the project The Plays of Cho Seung-Hui: Richard McBeef,[39] a performance of the script with the same title writer by the American-Korean ‘high school shooter’ Cho Seung-Hui. Cho was part of a movement of young people that murdered their classmates, teachers, and finally themselves, and left a series of documents such as manifests and videos providing context to their actions.[40] By having the piece performed as exactly as possible, Staal and Van Gerven Oei intended to broaden the framework in which the meaning of the high school shooters and that of contemporary forms of resistance were discussed. Another collaboration took shape with visual artist Hans van Houwelingen and the Amsterdam Labour Party (PvdA) elderman of art and culture Carolien Gehrels he realized the project Allegories of Good and Bad Government in artspace W139 in Amsterdam.[41] The project consisted of a four day debate, related to an exhibition and lecture series, in which four politicians and four artists lived and worked together during four days and three nights. In this continuous conversation, they collaboratively searched for what could be a shared agenda between both their disciplines, departing from the conviction that art and politics are intrinsically connected through their roles as co-designers of society.[42][43] In 2012 Staal and design collective Metahaven[44] announced to work in collaboration with former Green Party MP Mariko Peters and the Icelandic Modern Media Initiative on a software application entitled 0. [pronounce: Nulpunt, or “Zero Point”], a crossover between Wikileaks and social media.[45] The program has been designed to work as an instrument to mobilize an active civil force for daily government control, for example by implementing existing Freedom of Information Laws as consistently as possible.[46]

Bibliography

External links

References

  1. ↑ Staal, Jonas (12-04-2012) ‘Art in Defence of Democracy’, NRC Handelsblad / Cultural Supplement
  2. ↑ 7th Berlin Biennale video archive Interview with Jonas Staal on the New World Summit
  3. ↑ Website New World Summit See ‘About'
  4. ↑ Former West video archive (29-09-2012) ‘Art, Democratism and Fundamental Democracy’, lecture on the New World Summit
  5. ↑ New World Summit video archive (29-12-2012) Keynote speech by Professor Jose Maria Sison at the New World Summit in Leiden
  6. ↑ Van de Boogaard, Raymond (03-01-2013) ‘Politie India censureert project Staal’ / NRC Handelsblad
  7. ↑ Van de Boogaard, Raymond (11-02-2013) ‘Jonas Staal in India aangeklaagd’ / NRC Handelsblad
  8. ↑ Website Royal Flemish Theater (KVS) Full program 4th New World Summit
  9. ↑ Staal, Jonas (09-2014) ‘To Make a World, Part I: Ultranationalism and the Art of the Stateless State / e-flux journal #57
  10. ↑ Website BAK, basis voor actuele kunst, Utrecht Announcement of the first sessions of the New World Academy
  11. ↑ Website BAK, basis voor actuele kunst, Utrecht Announcement of the inauguration of the New World Embassy of Azawad
  12. ↑ BBC Africa (10-09-2014) "Embassy of Azawad in the Netherlands"
  13. ↑ Art, Property of Politics publication
  14. ↑ Art, Property of Politics II: Freethinkers’ Space publication
  15. ↑ Art, Property of Politics III: Closed Architecture
  16. ↑ Redactie Metropolis M (19-02-2010) 'Kunstenaars onderzoeken politieke propaganda', Metropolis M'
  17. ↑ Schröder, Rob; Staal, Jonas Art, Property of Politics documentary
  18. ↑ Redactie NRC Handelsblad (31-07-2008) "'Vrijdenkersruimte' VVD en PVV is open"
  19. ↑ 4Art, AVRO (2011) Ann Demeester in conversation with Jonas Staal on the Freethinkers' Space
  20. ↑ Website Extra City 1:1, Hans van Houwelingen and Jonas Staal, Extra City Kunsthal Antwerpen
  21. ↑ Theater Encyclopedia Art, Property of Politics III: Closed Architecture - Society as Prison
  22. ↑ Website Freedom Party Curriculum Vitae Fleur Agema
  23. ↑ Website Jonas Staal Documentation of the publication, film and maquette 'Art, Property of Politics III: Closed Architecture
  24. ↑ Wensink, Herien (07-11-2011) “Opsluiten, uitsluiten”, NRC Handelsblad
  25. ↑ Staal, Jonas (08-12-2011) “De samenleving als gevangenis”, Groene Amsterdammer
  26. ↑ D66 Eindhoven (30-08-2011) ‘D66 wil Vrijdenkersruimte naar Eindhoven halen’
  27. ↑ Groenlinks.nl (12-11-2011) Klaver neemt Vrijdenkersruimte over’
  28. ↑ Redactie Volkskrant (26-08-2011) ‘Vrijdenkersruimte VVD en PVV alweer opgeheven’
  29. ↑ Staal, Jonas (15-09-2012) ‘Vrijdenkersruimte Vervolgd’, Joop.nl
  30. ↑ Verkroost, Rogier (30-10-2012) ‘Zonder vrije rafelrand geen populaire cultuur’, Freethinker's Lecture on website D66 Eindhoven
  31. ↑ Klaver, Jesse (17-11-3012) ‘Nederland als Vrijdenkersruimte’, Freethinkers' Lecture on website Joop.nl
  32. ↑ Gehrels, Carolien (06-10-2012) ‘De Stad is de Vrijdenkersruimte’, Freethinkers' Lecture on website Jonas Staal
  33. ↑ Vinckx, Yaël (03-08-2007) "Kunstenaar: Wilders mijn muze", NRC Handelsblad
  34. ↑ Website Jonas Staal ‘The Geert Wilders Works 2005-2008’
  35. ↑ Redactie Rotterdams Dagblad (21-05-2005), "Foto's Wilders opgehangen in straten op Zuid"
  36. ↑ Staal, Jonas (16-05-2010) "Rather a threat, than a marginalized pawn", NRC Handelsblad / Cultural Supplement
  37. ↑ Website of writer Vincent W.J. van Gerven Oei http://www.vangervenoei.com
  38. ↑ Website Wunderbaum http://www.wunderbaum.nl/
  39. ↑ Website Jonas Staal The Plays of Cho Seung-Hui: Richard McBeef
  40. ↑ Van den Boogaard, Raymond (08-01-2010) ‘Script by shooter Seung-Hui performed’, NRC Handelsblad International
  41. ↑ Website W139 Allegories of Good and Bad Government in W139 Amsterdam
  42. ↑ Van Houwelingen, Hans; Staal. Jonas (21-04-2011) "Macht van ware woorden", Groene Amsterdammer
  43. ↑ Lütticken, Sven (01-2012) "General Performance", e-Flux Journal #31"
  44. ↑ Website design collective Metahaven http://www.metahaven.net
  45. ↑ Website 0. http://www.nulpunt.org
  46. ↑ Van der Velden, Daniel; Kruk, Vinca; Staal, Jonas (04-2012) ‘Pleidooi voor een lekkende overheid’, 609 Magazine