John Ezell

John Ezell (born 1933) is a prominent American scenic designer and theatre educator.^[1] He currently serves as the Hall Family Foundation Professor of Design at the University of Missouri-Kansas City, where he leads the UMKC Theatre Scenic Design program.^[2][3]

Early life

Ezell was born and raised in St. Louis, Missouri, where his fascination with scenic design and visual artistry began as a young man. He earned his Bachelor of Fine Arts in Painting from Washington University's School of Fine Arts (known today as the Sam Fox School) in 1954.^[4] Following a period of service in the armed forces, Ezell was accepted to study theatrical design at the prestigious Yale School of Drama under the tutelage of landmark American scenic designer Donald Oenslager, where he graduated with his Master of Fine Arts in Drama in 1960.^[5] Ezell served as Head of Scenic Design at the University of Wisconsin-Madison Department of Theatre from between 1964 to 1986. He began teaching at the University of Missouri-Kansas City in 1986, and currently serves as Head of its M.F.A. degree program in Scenic Design.^[6]

Career

Ezell's design career spans over five decades of work in the professional theatre and includes over 350 productions.^[7] His credits include works produced on Broadway, at the New York Shakespeare Festival, the Crossroads Theatre, the Roundabout Theatre Company, the Shakespeare Theatre in Washington, D.C., the Hong Kong Repertory Theater, the Royal Danish Ballet in Copenhagen, the Swedish Riksteatern, and the Cullberg Ballet in Stockholm. Ezell's designs have also been featured in countless Regional Theatre productions, including performances at the Repertory Theatre of St. Louis, the Kansas City Repertory Theatre (formerly the Missouri Repertory Theatre), the Arizona Repertory Theatre, Chicago's Second City, the Great Lakes Theatre Festival, the Milwaukee Repertory Theater, and the Cincinnati Playhouse.^[8] The retrospective exhibition Bold Strokes and Finesse; the Stage Designs of John Ezell, based upon his work, has been on show in museums and galleries across North America.^[9]

In 1994, Ezell adapted the charrette process, a system of artistic study utilized by the École des Beaux-Arts in Paris during the 19th-century, into a training process for theatrical design, inspiring numerous other design programs across the country to follow suit.^[10] He serves as a consultant to Yale University's Beinecke Rare Book and Manuscript Library,^[11] and was invested in the College of Fellows of the American Theatre in 2004.^[12]

Ezell has been the recipient of numerous awards and commendations for his impact over the world of contemporary American scenic design. His professional merits include eleven Critics' Circle Awards, an Award for Experimental Television Art at the International Non-Commercial Television Festival in Milan, and a Corporation for Public Broadcasting Award for Excellence. Ezell was recognized for his contributions to American Theatre on the 75th Anniversary of the founding of the Yale School of Drama, and was the recipient of Washington University's Distinguished Alumni Award in 2001.^[13]

References