Johan Creten

Johan Creten (born 1963) is a Flemish sculptor, born in Sint-Truiden, Belgium. He lives and works in Paris, France. In 2009 he was nominated for the Flemish Culture Prize.[1]

Life and career

Johan Creten started to practice drawing and sculpture at an early age. Fascinated by art, literature and music, he met a couple of passionate antiquarians in his hometown that supported him during the first years of his life. In 1985, he graduated at the Royal Academy of Fine Arts of Ghent where he discovered a clay studio, left behind by the students. Training as a painter, Johan Creten found a real potential in this technique : he started to include ceramics elements in his paintings and familiarized with mud – that he has chosen to be his new medium. He graduated at the School of Fine Arts in Paris. In the 80’s, art was surrounded by conceptual and minimalist artists. By choosing clay, Johan Creten made a bold move, trying to open the possibility of this rare technique in the contemporary art field.

He has been firstly represented by Galerie Meyer in Paris, specialized in tribal art from Oceania that organized two of his exhibitions : « Johan Creten: Peintures et Sculptures » in 1987 et « Kunstkamer. Installation et performance » in 1988. He has also been represented by the galerist Robert Miller in New York who dedicated him an exhibition in 1988 (« Odore di Femmina ») and in 2001(« Johan Creten : 3 Torsos »).

Johan Creten is currently represented by Galerie Perrotin in New York, Paris and Hong Kong, Almine Rech Gallery in Brussels and Galerie Transit in Mechlin.

In the past twenty years, Johan Creten has been offered prestigious residencies such as the Manufacture Nationale de Sèvres and the Villa Medici. By travelling widely around the world and experiencing different studios, each residency was an opportunity to enrich his œuvre.

Artistic practice

Johan Creten is considered one of the precursors – with Thomas Schütte and Lucio Fontana - in introducing ceramics in contemporary art. Fascinated by its beauty, its symbolic impact and the richness of its history, the artist explores the medium through multiple techniques and scales. His painting training brings another dimension to his sculpture work, giving the glaze and its colors a main role in the artworks.

Deeply influenced by the environment and its effects on the impressions of his works, Johan Creten’s work ranges widely, from delicate clay sculptures to large-scale bronzes, a medium he introduced in his work more recently.

Inventing phantasmagoric and organic creatures and forms and creating his own fantasy world through them, Johan Creten’s œuvre reveals the artist own engagements and raises existential questions such as the ambiguity of sexuality in the human race and the unpredictable strength of nature among others.

Solo exhibitions

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2004

2003

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1988

1987

Group exhibitions

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1997

1995

1991

Public collections

References

  1. ↑ "Brijs, Creten, Verfaillie en Verdonck genomineerd voor CultuurPrijzen". Het Belang Van Limburg. 6 January 2009. Retrieved 8 February 2009.
  2. ↑ "Johan Creten, Plinny's Sorrow at Almine Rech Gallery". 20 Mai 2011 - 23 July 2011. Retrieved 8 May 2011. Check date values in: |date= (help)
  3. ↑ "Ambitieus programma Frysk Festival". Leeuwarder Courant. 23 April 2008. Retrieved 8 February 2009.
  4. ↑ "La flamme de l'art". Evene. July 2008. Retrieved 8 February 2009.
  5. ↑ "Emmanuel Perrotin Wrap Up". The New York Times. 2 March 2008. Retrieved 8 February 2009.
  6. ↑ "Dubbelzinnige beelden van Johan Creten in Lakenhal". Sleutelstad. 1 February 2007. Retrieved 8 February 2009.
  7. ↑ "FLOWERED FEMMES FLIRT WITH EXCESS". Miami Herald. 17 July 2003. Retrieved 8 February 2009.
  8. ↑ "Johan Creten at Robert Miller". Art in America. 1 October 1998. Retrieved 8 February 2009.
  9. ↑ "Musei Capitolini Così le porcellane di Sèvres hanno conquistato la modernità". Il Giornale. 12 December 2008. Retrieved 8 February 2009.
  10. ↑ "Se prolonga la exposición de Lacroix". FashionUnited España. 17 November 2008. Retrieved 8 February 2009.
  11. ↑ "Processie als opmaat naar tiende 'Sonsbeek'". de Gelderlander. 9 June 2008. Retrieved 8 February 2009.
  12. ↑ "Dynamic ceramic". Evening Standard. 14 June 2006. Retrieved 8 February 2009.
  13. ↑ "Elemental 'Dirt' a spectacular celebration of the elastic world of ceramics". Denver Post. 20 February 2004. Retrieved 8 February 2009.
  14. ↑ Adelson, Fred B. (10 December 2000). "Putting Forth A New Face On Reality". The New York Times. Retrieved 8 February 2009.
  15. ↑ "Bienal, katiliminizi bekliyor". Milliyet. 4 October 1997. Retrieved 8 February 2009.
  16. ↑ "Marque déposée ou œuvre d'art?". Chronicart.com. 1 February 1998. Retrieved 8 February 2009.

External links