Jive Talkin'

"Jive Talkin'"
Single by Bee Gees
from the album Main Course
B-side	"Wind of Change"
Released	31 May 1975
Format	Vinyl record (7" 45 RPM)
Recorded	Criteria Studios, Miami, Florida, 30 January – 19 February 1975
Genre	Funk[1] disco[2]
Length	3:44 (album version) 3:33 (single version)
Label	RSO
Writer(s)	Barry, Robin & Maurice Gibb
Producer(s)	Arif Mardin
Bee Gees singles chronology
"Charade" (1974) "Jive Talkin'" (1975) "Nights on Broadway" (1975)
Saturday Night Fever track listing 17 tracks Side one "Stayin' Alive" "How Deep Is Your Love" "Night Fever" "More Than a Woman" "If I Can't Have You" Side two "A Fifth of Beethoven" "More Than a Woman" "Manhattan Skyline" "Calypso Breakdown" Side three "Night on Disco Mountain" "Open Sesame" "Jive Talkin'" "You Should Be Dancing" "Boogie Shoes" Side four "Salsation" "K-Jee" "Disco Inferno"

"Jive Talkin‍ '​" is a song by the Bee Gees, released as a single on 31 May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100 and reached the top-five on the UK Singles Chart in the summer of 1975. Largely recognised as the group's "comeback" song, it was their first US top-ten hit since "How Can You Mend a Broken Heart" in 1971. The original recording is also notable for its prominent bass-line, which was played on an ARP electronic synthesiser, rather than the usual electric bass.

Origins and recording

The song was originally called "Drive Talking". The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami.^[3]

Recording for "Jive Talkin'" took place on 30 January and 2 February 1975. The scratchy guitar intro was done by Barry and the funky bass line provided by Maurice Gibb. The finished recording featured a pulsing synthesiser bass line, which was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording. It was overdubbed by keyboardist Blue Weaver. using a then state-of-the-art ARP 2600, which producer Arif Mardin had brought in for the recording of the Main Course album.^[4] Weaver continues, "Usually Maurice would play bass guitar, but he was away from the studio that night. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". "I really liked the synth bass lines", Maurice said. "I overdubbed certain sections to add bass extra emphasis". "Jive Talkin'" was also influenced by "You're the One" (written by Sly Stone) by Little Sister.^[5]

According to Maurice, while hearing this rhythmic sound, "Barry didn't notice that he's going 'Ji-Ji Jive Talkin' ', thinking of the dance, 'You dance with your eyes'...that's all he had...exactly 35 mph...that's what we got." He goes on to say, "We played it to Arif [producer Arif Mardin], and he went 'Do you know what "Jive Talkin' " means?' And we said 'Well yeah, it's, ya know, you're dancing.' He says 'NO...it's a black expression for bullshitting.' And we went 'OH, REALLY?!? Jive talkin', you're telling me lies...' and changed it". Maurice goes on to describe how Arif gave them "the groove, the tempo, everything." Robin Gibb then goes on to mention that, because they were English, they were less self-conscious about going into the "no-go areas", referring to musical styles that were more black in styles, etc. He then said, "We didn't think that there was any 'no go' areas, it's music!" Barry's guitar strumming has a smoother version of Kool and the Gang's signature chicka-chicka and funky Nassau version of KC and the Sunshine Band's Caribbean strumming. The song's rhythm riff perhaps from "Shirley & Company's "Shame, Shame, Shame", with a prominent use of the Bo Diddley beat.^[6]

"Jive Talkin'" is a stutter song along with The Who's "My Generation", David Bowie's "Changes", Elton John's "Benny and the Jets" and Bob Seger's "Katmandu"^[5]

After hearing "Jive Talkin'", Lindsey Buckingham of Fleetwood Mac, and co-producer Dashut built up the song "Second Hand News" (released on the band's Rumours in 1977) with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock.^[7]

Release

Upon its release to radio stations, the single was delivered in a plain white cover, with no immediate indication of what the song's name was or who sang it. The DJs would only find out what the song was and who played it when it was placed on the turntable; RSO did provide the song with a label on the record itself. It was the second time in the band's career that this strategy had been employed to get airplay for their music, after a similar tactic had popularized their debut US single "New York Mining Disaster 1941" in 1967. The song approximates the synthesized propulsion of Stevie Wonder's "Superstition".^[5]

The original studio version was included on the Saturday Night Fever soundtrack, as it was used in a scene that was cut from the final film. Later pressings of the album used the live version of "Jive Talkin' " from the Bee Gees 1977 album, Here at Last... Bee Gees... Live, due to contractual distribution changes. The CD version restores the use of the studio version.

Cover versions

• In 1975, the funk band Rufus covered "Jive Talkin'" on their album Rufus featuring Chaka Khan.
• In 1987 this song was covered by the Boogie Box High. Boogie Box High was a musical project by Andros Georgiou in the late 1980s, that featured a range of vocal collaborations such as his relative George Michael (of Wham!) and Nick Heyward (of Haircut One Hundred). The cover was their biggest hit in 1987.
• On Iron Maiden's song "More Tea Vicar", towards the end, Bruce Dickinson sings a bit of the song in a voice imitating The Bee Gees as a joke, then follows it up with, "No, no, no! You got the wrong track, you have to go in the studio next door." Then sings, "Okay" in a Bee Gees voice.
• Dread Zeppelin covered "Jive Talkin'" on their 1992 album It's Not Unusual.
• The Judybats covered "Jive Talkin'" on their 1994 album Full-Empty.

Chart performance

See also

• List of Billboard Hot 100 number-one singles of 1975

References

External links

• Full lyrics of this song at MetroLyrics