Jim Norman (musician)

Jim Norman

Jim Norman by Michael Chamber
Background information
Born October 29, 1948
Origin Canada
Occupation(s) percussionist, composer, music producer
Instruments drums, percussion, drum machines
Years active 1960s–present
Website

Jim Norman (born David Philip James Norman IV, October 29, 1948) is a Canadian percussionist, drummer, producer and composer based in Toronto, who is best known for his work in the fields of jazz, new age trance and improvisation.

Early life

Born in Montreal, Quebec, Jim is the son of a doctor and a historian/political activist. His interest in drumming came from his grandmother, who was also an academic, played drums in Greenwich Village in the 1940s and studied with the legendary jazz drummer Cozy Cole. Living in Jamaica and the West Indies as a boy, he studied classical guitar at the Foster Davis School of Music. He returned to North America in the 1960s, studying briefly at Alfred State University in upper N.Y. State, then Sir George Williams University in Montreal. He began his career in the arts in 1967.

Career

During the 1980s and 1990s, Jim worked with the likes of Paul Schaffer, Carole Pope, Domenic Troiano, Jimmy Smith, Oliver Lake, Salome Bey, Oliver Schroer, and Tiger Okoshi. In addition to performing at New York's infamous Knitting Factory, a recent concert produced by Thrum Records was aired on Bravo.

Mr. Norman is a very passionate student of T'ai chi, Yoga, Reiki, Tao, meditation and breathing exercises and incorporates their philosophies into his musical compositions and singular drumming technique, which he refers to as "thrumming". -"Jazz for me represents an "edge" to an activity, a leading edge in its approach to the current thought, with a definite “off the cuff “ in the execution. Thrumming is an approach to the drum machine AND the trap (contraption) set of drums, that calls for “playing” the machine in real time, repeating mistakes and all, while sitting and playing the kit."[1]

Equipment

Jim Norman's kit - Light Painting by Ivan Otis.

Mr. Norman's instrument is composed of approximately 35 drums, fifteen cymbals, gongs, rain-sticks, chimes, and over 50 other percussion sounds, some acoustic and some electronic. It has been referred to as a monstrous kit.[2][3]

More recently, Mr. Norman has used his "celebrity" status to become involved in putting together an investment group that he personally promised enormous returns on their money for investing in supposedly freeing his money that was being illegally held via patriot act restrictions. People have invested literally millions in his scheme and as a result of his investment fraud he has recently been indicted by the state of South Carolina. It is currently assumed that Mr. Norman has fled to somewhere in the Caribbean from Canada to avoid extradition with respect to these charges.[4]

Reviews

"All 18 compositions were recorded with no overdubbing and 13 of them in single takes. That's quite remarkable considering their complexity. And, Time Changes, Times Change is quite a remarkable album."[5]

"The album (Time Changes, Times Change) seems like an extension of Miles Davis' early electric works, early Weather Report and '70s Euro-fusion from Jan Akkerman and Joachim Kuhn. There are powerful, driving qualities throughout."[6]

Releases

External links

The Canadian Encyclopedia

References

  1. -"Thrumming As It Relates To Jazz" - Jazz Friends Review - May, 1997 by Jim Norman
  2. Billboard Magazine, October 26, 1996
  3. Guitar Magazine- February 1997
  4. RPM Magazine, January 8, 1996
  5. Josef Woodard, Jazziz - January 1997