Jim Button and Luke the Engine Driver

Jim Button and Luke the Engine Driver

German stamp showing marionettes of Jim Button (left) and Luke the Engine Driver by the Augsburger Puppenkiste
Author Michael Ende
Original title Jim Knopf und Lukas der Lokomotivführer
Illustrator Franz Josef Tripp
Country Germany
Language German
Series Jim Button
Genre fantasy
Publisher Thienemann, Stuttgart
Publication date
 1960
Published in English
 1963
Followed by Jim Button and the Wild 13

Jim Button and Luke the Engine Driver (original title: Jim Knopf und Lukas der Lokomotivführer) is a German children's novel written by Michael Ende. Published in 1960, it became one of the most successful German children's books in the postwar era[1] after having first been rejected by a dozen publishers.[2] It received the German Young Literature Prize in 1961 and has been translated into 33 languages.[2] Its huge success later spawned the sequel Jim Button and the Wild 13 (original title: Jim Knopf und die Wilde 13).

Michael Ende grew up in Nazi Germany. His father, Edgar Ende, a painter, was banned as "degenerate" in 1936.[3] Ende began writing the story in 1956 to provide a contrast to the Nazis' racist ideology and their misuse of the theory of evolution.[4] In a 1991 radio interview, he stated, "The idea of racism and racial discrimination came from further consideration of Darwin's theories." Quoting Nazi euphemisms, he added, "The 'extermination of lives unworthy of life' and 'concentration camps'."[4]

Ende did not see his book as a children's book,[5] but just wrote it for himself.[6] He based the title character on Jemmy Button, a native Fuegian who, as a teenager in the 19th century, was sold for a mother-of-pearl button and taken to England. He later returned to his homeland on the HMS Beagle, by way of the Galapagos Islands, along with fellow passenger Charles Darwin, who later wrote about the episode.

That Ende's book was full of Nazi symbols and imagery turned on their head, and that its English references stemmed from his interest in Darwin was unknown until late 2008, when Julia Voss, a German journalist, published an article in the Frankfurter Allgemeine Zeitung revealing the story's background. Voss cites aspects of Ende's book and of English colonialism, showing their similarity. Her examples of Nazi education and indoctrination, as well as information about Ende's own experiences with it, reveal the sources that inspired him.

Plot

Jim Button and Luke the Engine Driver

The story begins on a tiny island called Morrowland (original German: Lummerland), which has just enough space for a small palace, a train station and rails all around the island, a grocery store, a small house, a king, two subjects, a locomotive named Emma, and a locomotive engineer by the name of Luke (Lukas) (who, as railway civil servant, is not a subject). One day, the postman – who has to come by ship – drops off a package with a nearly illegible address for a Mrs. Krintuuth at Zorroulend. On the back was a large 13. After a futile search for the addressee among Morrowland's few inhabitants, they open the package. To their immense surprise, there's a black baby inside. After the commotion has died down, the baby is adopted by the islanders and is named Jim Button.

As Jim grows up, the King begins to worry that the island is too small and there won't be enough space for Jim to live on once he's an adult. He announces to Luke that Emma has to be removed. Luke, upset about this decision, decides to leave the island with Emma, and Jim (who had accidentally overheard Luke relating his woes to Emma) decides to come along. They convert Emma into a makeshift ship and sail off the island in the night, eventually arriving at the coast of Mandala, a country somewhat resembling China.

When they arrive in Ping, the capital, they win the friendship of a tiny great-grandchild named Ping Pong, who tells them the Emperor is in mourning. His daughter, Li Si, has been kidnapped and is being held in the Dragon City.[5] Luke and Jim offer their help, and while investigating the circumstances of Li Si's disappearance, they stumble upon several names which are directly connected to Jim's mysterious arrival on Morrowland: Mrs. Grindtooth (Frau Mahlzahn), the Wild 13, and Sorrowland (Kummerland). Now Jim and Luke have another reason to go to the Dragon City, located in Sorrowland, and confront Mrs. Grindtooth.

After a long and hazardous journey, they arrive in the Dragon City. Along the way, they make two new friends, the giant Mr. Tur Tur (who is actually a "Scheinriese" – he only appears to be a giant), and Nepomuk, the half-dragon. Jim and Luke free Princess Li Si[6] and a large number of children, who had all been kidnapped and sold to Mrs. Grindtooth by a gang of pirates (the Wild 13). Mrs. Grindtooth had chained the children to desks at her school, where she had barked lessons to them like a kommandant.[5] Jim and Luke take Mrs. Grindtooth with them as they make their way back on the Yellow River, which begins right at the Dragon City. Arriving back in Mandala, they receive a triumphal welcome and are surprised by some startling news. Mrs. Grindtooth is about to turn into the Golden Dragon of Wisdom, and the other inhabitants of Morrowland want them back on the island!

With parting advice given by the now-reformed Mrs. Grindtooth and generous assistance from the Emperor, Luke and Jim come into possession of a floating island, which is named New-Morrowland, to serve as Jim's future residence. After a cordial welcome back on Morrowland, Jim and Li Si become engaged, and Jim gets a small locomotive for his own, which he names Molly.

Jim Button and the Wild 13

Jim Button and the Wild 13 (original German title: Jim Knopf und die Wilden 13) is the sequel and concludes the story.

Following the events in Jim Button and Luke the Engine Driver, life in Morrowland continues as usual for a year until the postman rams New-Morrowland with his mail boat in the dark of night. It is decided that the island needs a lighthouse, but it is too small to support one. Jim remembers Mr. Tur Tur and his ability to appear as a giant when seen from afar, and Jim and Luke decide to invite him to Morrowland to use his unique ability as a living lighthouse.

While sailing the oceans with Emma and Molly (Jim's locomotive) to get to the desert where Mr. Tur Tur lives, Jim and Luke stop to help out a mermaid named Sursulapitschi and her father, Lormoral, the king of the seas. This leads to a precarious encounter with the Magnetic Cliffs. The magnetic pull can be turned off and on. When on, they activate a phenomenon called the Sea Glow, which illuminates the bottom of the sea, but also activates the magnetic pull, endangering passing ships. Someone must be found to ensure that no ships are endangered while the Sea Glow is switched on. In addition, Sursulapitschi is distressed because her fiancee, a "Schildnöck" (turtle man) named Ushaurishuum, has been assigned by her father to refashion the Crystal of Eternity, a task only possible with the aid of a creature of fire, with whom the merpeople are at war.

Using the special properties of the cliffs' material, Jim and Luke convert Emma into a flying vehicle which they dub the "Perpetumobile" due to its unlimited means of locomotion. With it, they cross the Crown of the World to get Mr. Tur Tur. To their surprise, in the desert, they also encounter their half-dragon friend Nepomuk, who had had to flee the Dragon City following the events in the first book, for his help in capturing Mrs. Grindtooth. Jim and Luke persuade Nepomuk to accompany them and take up the post at the Magnetic Cliffs. Unexpectedly, the four meet Sursulapitschi and Ushaurishuum at the cliffs, and the Schildnöck and Nepomuk quickly become friends, enabling the recreation of the Crystal of Eternity.

Meanwhile, Jim's locomotive Molly, whom Jim and Luke had left at the cliffs when getting Mr. Tur Tur and Nepomuk, has been abducted by the band of pirates called the Wild 13. Luckily for Jim and Luke, the former Mrs. Grindtooth awakes as a Golden Dragon of Wisdom in China and can help them out with information and tells Jim how to find out about his origin. With the help of the Mandalanese emperor, Jim and Luke – and Princess Li Si as a stowaway – start their journey to meet the Wild 13 and rescue Molly. They encounter the pirates, who prove to be too much for them in battle. Molly is lost at sea, and all but Jim are captured and brought to the pirates' base, Castle Stormeye, a pinnacle of rock within the eye of a perpetual hurricane.

Unseen, Jim manages to sneak into the pirates' fortress, overpower them with a trick and some luck, and become their leader. As it turns out, Jim is the last descendant of Caspar, the third of the Three Kings, whose heirs were doomed to be homeless after Mrs. Grindtooth had sunk their kingdom beneath the ocean millennia ago. Only the sinking of Castle Stormeye will raise it up again. In the end, the Wild 13 sacrifice their fortress, Jim's old kingdom reappears – and to everyone's surprise, Morrowland is located at the top of the realm's highest mountain.

All the families whose children Jim and Luke had rescued from the Dragon City come to live in the new country. Jim marries Li Si and receives Molly from the merpeople, her iron frame transformed into the Crystal of Eternity. The Wild 13, reformed by their sacrifice, remain in Jim's kingdom as its protectors and royal guards. Mr Tur Tur, meanwhile, goes to live on Morrowland- now the world's largest lighthouse.

Settings

"Morrowland", where the story begins, is a microcosm of early modern society, with a king, a burgher, a merchant, and a worker.[4] [7] The novel and its sequel take place roughly in the 20th century, but have anachronistic elements. China is still an empire, Native American Indians and Eskimos still live in traditional ways, yet there are ocean liners, telephones, a postal service, chewing gum and other modern conveniences. There are many fictional locations, like the "Crown of the World", a vast mountain range coloured in red and white stripes, and the "Magnetic Cliffs". Some locations are based on real places, such as the Himalayas, and legendary ones, such as the magnetic cliffs in the Voyages of Sinbad the Sailor and a beautiful abandoned city under the sea, patterned after Atlantis. China is depicted in a phantasmic way; in later German editions, the country name was changed to Mandala.

In Morrowland, people lead an old-fashioned, idyllic life, albeit with modern conveniences. The rest of the world, however, is full of fantasy. As the Frankfurter Allgemeine Zeitung wrote, children read Jim Button at a time in their lives when "the existence of dragons is as real as dinosaurs and kings [are] closer than the chancellor".[1] The contrast between reality and fantasy is reflected in several places. In Morrowland, Jim is a normal child. He plays outside and doesn't like to wash; his mother sometimes worries about him. Outside Morrowland, however, he goes on adventures, experiences exotic cultures, fights a dragon and finally, saves a princess.

List of Jim Button characters

Literary references

Voss' 2008 article explained that Ende's book was not the "escapist literature" of pure fantasy, as had always been assumed, in part from Ende's own frequent warnings about hiding messages in books. Voss identified numerous literary references in the book, some which reverse the Nazi indoctrination of Ende's youth and others, which stem from his interest in Darwin and draw on English culture and history.[4]

Darwin's first book, The Voyage of the Beagle, contains passages about Jemmy Button,[4] a teenaged native Fuegian who was sold for a mother-of-pearl button and brought to England,[8][9] an island nation. Darwin describes Button's character and demeanor[4] and relates details about his capture and sale, explaining his unusual name, and about his return to his homeland, two years later.[note 2]

British references

Like the real-life Jemmy Button, Ende's Jim Button is brought to an island nation[4] and is seen by the inhabitants as racially exotic, but is quickly accepted and becomes well liked. Shipping, which during England's colonial era, began bringing goods from around the globe, also plays an important role in Morrowland. Mrs. Whaat's grocery store is supplied from all corners of world once a week by Ende's own version of the Royal Mail Steam Packet Company and Morrowland's mail arrives by ship.[4]

English culture also appears in the character of Mr. Sleeve, who, like the stereotypical Englishman, wears a bowler and carries an umbrella, is polite and well educated. His unusual name in the original German, Herr Ärmel, is a reference to the Ärmelkanal, the German name for the British Channel.[4]

Nazi symbols revisited

Ende's Jim refuses to learn to read or write, harking back to Ende's own experience with Nazi education and indoctrination, which he regarded with horror. Said Ende, "I didn't want to learn, at least not what they endeavored to teach us there."[4] Voss explains that subjects like German, history and geography took a back seat to biology, where the need for racial purity was drummed into pupils on official order. Quoting from Nazi literature, Voss writes, "no boy or girl should leave school without having been led to the ultimate cognition of the imperative need [for] and essence of racial purity." Ende's school in Sorrowland is run by a dragon who has a skull on her door, reminding of Heinrich Himmler's Totenkopfverbände,[3] and she terrorizes the children with a baton and teaches them lessons on eugenics and racial purity.[4] The dragon's pupils have all been kidnapped, brought there against their will.

Recalling the anti-semitic signs seen on entrances during Nazi Germany, the Dragon City announces its racial policy at the city's entrance with a sign that reads, "Attention! Entry by racially impure dragons forbidden on pain of death."[3][5][note 3] Ende spent the summer of 1943 visiting his grandparents in Hamburg, when the allies' serial bombing raids,[3] caused firestorms and damage so catastrophic, the Nazis furloughed 2,000 prisoners for two months.[10] Ende paints the Dragon City as a smoldering "land of a thousand volcanos", a hellish place. The entrance to the city looks like a smoking oven,[4] which the protagonists enter on a train. Nepomuk, who is only half dragon, is not allowed by the racially pure dragons to enter the Dragon City. At one point, he is upset and embarrassed that he is unable to rekindle his volcano. In the original German, he calls this a schande,[4] a word with Nazi overtones from the word rassenschande, miscegenation.[3]

The myth of Atlantis had a special meaning to the Nazis, who held that Atlantis was the ancient homeland of the Aryan race. Children's books were imbued with Nazi racial policies and Atlantis was mentioned in many.[4] Sun Koh, the hero of a science fiction series, complains in a story from 1935 that the races were not kept pure, except in Germany, where a methodical racial policy was breeding the Nordic roots again.[4] Koh says, "If our Atlantis once again rises out of the sea, then we will get from there the blond, steel-hard men with the pure blood and will create with them the master race, which will finally rule the earth."[4] Ende brings this scenario about, only with the decidedly non-blond Jim Button as king and Ende creates a multi-ethnic and -cultural paradise, a utopia where people from every corner of the earth, and even birds, flock to it because there is no fear there.[4]

While the world associates the word Führer with Hitler, in German, the word is in everyday parlance as "driver", "conductor" or "leader". Early in his first book, Ende writes, "Lokomotiven haben zwar keinen großen Verstand – deshalb brauchen sie ja auch immer einen Führer".[11] In English, the sentence has only its superficial meaning, "Locomotives actually have no great understanding – which is why they always need a conductor". Not so in German, where it has a double entendre.

Adaptations

Both Jim Button stories were adapted by the Augsburger Puppenkiste,[6] a marionette theater company that adapted children's stories for television in the 1960s and 70s. Their production of Jim Button, first filmed in the early 1960s in black and white, was so successful, it was remade in the 1970s in color.[2] A classic known for its creativity, such as the use of plastic wrap to simulate moving water, it celebrated its 50th anniversary in 2011 with much fanfare.[12] Its theme song is immediately recognized[5][13] and in the 1990s, was covered by a German dance music group and itself became a hit.[2][note 4] There are two sets of original marionettes for the Jim Button production. One is in the Puppenkiste's museum and the other tours the world.[12]

In 1974, the story was turned into a Japanese animation.[14] A dramatized audio book, Jim Knopf und Lukas der Lokomotivführer (Fontana/Deutsche Grammophon) was narrated and directed by Ende himself. In 1996, a 52-episode cartoon series was created[2] as a German-French co-production.[15] The storyline diverged from the original novels with the introduction of new characters and settings.

See also

Footnotes

  1. ↑ This stereotypical depiction of the Chinese is common in the story. The country called China in the first editions of the book was later changed to "Mandala". The 1990 English translation, reverts back to "China", however. (Athenea Bell, Overlook Press, Woodstock, NY)
  2. ↑ There were three other young Fuegians captured along with Jemmy Button, given unusual English names and brought to England. One died shortly after arriving in England. The other two were returned to their home along with Jemmy Button. (See "The Return of Fuegia Basket, Jemmy Button, and York Minster")
  3. ↑ This quote is translated from a German article, rather than the book's English translation, which may be slightly different.
  4. ↑ The group, Dolls United, made remixes from the songs of popular children's programs from earlier decades.

References

  1. ↑ 1.0 1.1 Julia Voss, "Lang lebe der König von Jimballa" Frankfurter Allgemeine Zeitung. Retrieved July 31, 2011 (German)
  2. ↑ 2.0 2.1 2.2 2.3 2.4 Verena Hütter, "All the Best, Jim Button! The “fine little chap” turns 50" Goethe Institut Translation: Jonathan Uhlaner. (November 2010). Retrieved August 4, 2011
  3. ↑ 3.0 3.1 3.2 3.3 3.4 Book review of Darwins Jim Knopf by Julia Voss Kultiversum.de "Im Zickzack durch Lummerland" (2009). Retrieved August 4, 2011 (German)
  4. ↑ 4.0 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 4.9 4.10 4.11 4.12 4.13 4.14 4.15 4.16 Julia Voss, "Jim Knopf rettet die Evolutionstheorie" Frankfurter Allgemeine Zeitung (December 16, 2008). Retrieved July 31, 2011 (German)
  5. ↑ 5.0 5.1 5.2 5.3 5.4 Martin Wittmann, "Nazis raus aus Lummerland" Fokus magazine (August 9, 2010). Retrieved July 31, 2011 (German)
  6. ↑ 6.0 6.1 6.2 "Auf der Insel mit zwei Bergen" Fokus magazine (August 4, 2010). Retrieved July 31, 2011 (German)
  7. ↑ - But not quite. Luke is not actually a worker: he is not even counted among the subjects of Morrowland - an obvious reference to the fact that he is actually that state's civil servant, as engine drivers used to be in pre-reunification Germany.
  8. ↑ "The Captain’s Experiment" patagonia-argentina.com Retrieved August 1, 2011
  9. ↑ "The Return of Fuegia Basket, Jemmy Button, and York Minster" BBC (June 22, 2004). Retrieved August 1, 2011
  10. ↑ Kathleen Marowsky, "Die Bästlein-Jacobs-Abshagen Gruppe — Ein Beispiel des kommunistischen Widerstands in Hamburg im 'Dritten Reich'" Historical website about Hamburg. Retrieved August 4, 2011 (German)
  11. ↑ Michael Ende, Jim Knopf und Lukas der Lokomotivführer. Thienemann Verlag GmbH (2004), p. 22. Special edition. ISBN 3-522-17650-2
  12. ↑ 12.0 12.1 Katia Rathsfeld, "Geburtstag in Lummerland: Jim Knopf wird 50" mittelbayerische.de (August 29, 2011). Retrieved August 4, 2011 (German)
  13. ↑ "Ein Ort der Geborgenheit" Neue Osnabrücker Zeitung (January 21, 2011). Retrieved August 3, 2011 (German)
  14. ↑ "Jim Button and Luke the Engine Driver" Retrieved August 3, 2011
  15. ↑ Cartoon series, episode descriptions Retrieved July 31, 2011 (German)

External links