Jean Tinguely

Jean Tinguely

Jean Tinguely portrait by Lothar Wolleh
Born 22 May 1925
Fribourg, Switzerland
Died 30 August 1991 (aged 66)
Bern, Switzerland
Nationality Swiss
Known for Painting, Sculpture
The Tinguely Fountain in front of the Tinguely Museum in Basel
Tinguely's Heureka in Zürich-Seefeld (Zürichhorn)

Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss painter and sculptor. He is best known for his sculptural machines or kinetic art, in the Dada tradition; known officially as metamechanics. Tinguely's art satirized the mindless overproduction of material goods in advanced industrial society.

Life

Born in Fribourg, Tinguely grew up in Basel, but moved to France in 1952 with his first wife Swiss artist Eva Aeppli,[1] to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau réalisme) in 1960.

His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art, New York City,[2] although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas.

Tinguely married fellow Swiss artist Eva Aeppli in 1951. In 1971, Tinguely married his second wife, Niki de Saint Phalle.

Public works

Noise music recordings

Influence on others

In Arthur Penn's Mickey One (1965) the mime-like Artist (Kamatari Fujiwara) with his self-destructive machine is an obvious Tinguely tribute.

See also

Further reading

References

  1. Leu, Aia. The Art of the Leu Family, SeedPress, 2012, ISBN 978-0-9551109-2-4. (p. 13).
  2. "The Garden Party", report about Homage to New York (1960) by Billy Klüver, reprinted in: Pontus Hultén (ed.): The Machine as seen at the End of the Mechanical Age. Exhibition catalogue. Museum of Modern Art, New York, 1968, p. 168-171.

External links

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