Jano Rosebiani
Jano Rosebiani (Kurdish: Cano Rojbeyanî) is a Kurdish/American film writer, director and editor.
Biography
A self-taught Kurdish/American scriptwriter, director, producer, and editor spearheading a Kurdish New Wave cinema. Starting as a portrait artist and graphic designer, Rosebiani acquired his knowledge of filmmaking during his college years at NOVA in the mid eighties while managing movie theaters and making experimental videos for a public access television in Northern Virginia.
He is the winner of numerous international awards and has been listed in the top 35 world filmmakers in the book “Cineaste Uit De Schaduw” (Filmmakers from the Shadow) by Belgian celebrity photographer Kris De Witte, published by Open Doek film festival in Belgium in 2002.
Rosebiani’s film debut, Dance of the Pendulum (1995) was set in Hollywood, however his true calling was to bring the stories of his oppressed people to the big screen at a time when Kurdish cinema was still to be born –the only Kurdish film that had captured the attention of the West was Yilmaz Guney’s Palme d’Or prize winner, “Yol” (1982). In 2001 he folded his Burbank-based production house and headed to the liberated Kurdish region of Iraq (South Kurdistan) where he made his first Kurdish film, JIYAN (life).
Jiyan is the first film made in South Kurdistan. It’s about the aftermath of the infamous chemical attack of 1987, thus often referred to as ‘the Halabja movie’. It was nominated for the Tiger award at Rotterdam International Film Festival, and became a festival favorite, garnering high critical acclaim including four-star ratings by the Guardian and BBC World.
Rosebiani's narrative features, "Chaplin of the Mountains" (2013) and "One Candle, Two Candles" (Êk Momik, Du Momik) (2014) are dubbed as groundbreakers, spearheading a new wave movement in Kurdish cinema for their controversial subject matter and experimental approach ("Chaplin"), and bold content and graphical depiction of the clash of the generations ("Candles"). Both films were released in the United States, opening in NYC to favorable reviews. "Chaplin" was chosen as NY Times critics pick, and "Candles" was selected as a candidate for the 2015 Golden Globes Award.
Rosebiani lives between California and Kurdistan along with his children Avesta and Janovan.
Filmography
- Dance of the Pendulum - 1995
- Jiyan (Life) - 2002
- Saddam’s Mass Graves (documentary) - 2003
- Chemical Ali’s Anfal (documentary) - 2004
- Radyo Qelat (Radio Citadel) (Sitcom) - 2007
- Chaplin of the Mountains - 2013
- One Candle, Two Candles - 2014
Awards
- Nominated - Tiger Award - Rotterdam International Film Festival - 2002
- Winner - Special Jury Award - New Director's Showcase, Seattle Int’l Film Festival - 2002
- Winner - Best film - Festroia International Film Festival, Setubal, Portugal - 2002
- Special Mention - In The Spirit of Freedom Award - 19th Jerusalem Int'l Film Festival - 2002
- Winner - Best film - Rights to Have Rights Film Festival, Modena, Italy - 2003
Reviewer Quotes
Chaplin of the Mountains:
- "Writer and director, Jano Rosebiani, brings a surprising lightness to his material, which is further buoyed by a melodic soundtrack and Jonas Sacks's lovely landscape photography." -Jeannette Catsoulis, New York Times, Feb. 20, 2014
- "There's a great deal of breathtaking scenery, and Rosebiani blends the travelogue vistas with a sense of what daily existence is like in these villages. “There’s a simplicity and directness in "Chaplin of the Mountains" that keeps it aloft." -Farran Smith Nehme, New York Post, Feb. 20, 2014
- "To this viewer, what makes it most memorable is the portrait of ordinary Kurdish people shot on location in a remote but beautiful region. They are the real stars. Most of all, you will be mesmerized by a series of performances by Kurdish folk musicians and dancers who are celebrating the continuation of an ancient civilization against all odds." -Louis Proyect, NY critic and blogger, Feb. 22, 2014
One Candle, Two Candles:
- "[Rosebiani] manages to depict the still horrendous conditions faced by the region's women while demonstrating the growing artistic freedom seeping into its milieu. One Candle, Two Candles sheds much needed light on the archaic, barbaric custom that is its subject." -Frank Scheck, The Hollywood Reporter, 2/19/2014
- "At times the film will remind you of magical realism. Viyan climbs a tree in a wedding dress to avoid Hemmo's all-too-persistent advances, a scene that will remind you of a Gabriel Garcia Marquez novel." -Louis Proyect, Rotten Tamatoes, Feb. 22, 2014
Saddam’s Mass Graves and Chaemical Ali’s Anfal:
- "Rosebiani's emotionally moving sequence presents without comment a portrait of his fellow Kurdish victims. Footage of Ali Hassan al-Majeed, aka "Chemical Ali," detailing on camera his genocidal plans is truly chilling, as are eyewitness accounts of mass executions at Mahaweel camp, of prison torture in Kirkuk and of chemical bombings in Halabja." -Robert Koehler, Variety, 2004
Jiyan:
- “Jiyan gives a human face to the massacre, which despite its magnitude drew only subdued attention from the international community... Rosebiani's drama nonetheless provides moving, often poetic testimony to the tragedy and to the will of the devastated people to heal and rebuild." -David Rooney, Variety
- "Jiyan is a somber and haunting, yet affectionate, charming, and celebratory portrait of human courage, community, dignity, and resilience." -Senses of Cinema - Strictly Cinema School (SFS)
- "An accomplished and moving feature from writer-director Jano Rosebiani." -Channel Four, London
- "Jiyan is a beautiful film, as cherish-able as a late spring bloom." -The Daily Telegraph
- "Lyrical and poetic, enchanting and life-enhancing, a subtle interweaving of elements, a tapestry." -Adrian Bailly, Pertier Media, Liverpool, UK
- "An authentic, compassionate and valuable expression of witness, memory and shared humanity." -Gareth Evans, 46th London Film Festival
- "The film takes us to the center of the volcano, so to speak, with a film whose heart and soul are as big and beautiful as the eyes of its brightest star, Pisheng Berzinji, as the orphan Jiyan, 10... not to mention the whole assortment of delightful characters who populate this drama, some who'll make you smile, some who'll make you cry, and all who will make you care." -John Dolen, South Florida Sun-Sentinel
- "Filmed with a patient, lyrical humanism plainly inspired by such Iranian masters as Kiarostami and Panahi, Jiyan manages to unflinchingly address the horrors man can inflict upon his fellows without surrendering to cynicism or despair." -28th Seattle International Film Festival
- "Rosebiani... manages to keep his storytelling spry, humorous and as uplifting as it is heartbreaking, while taking us through a litany of the town’s ills." -Eric Moore, Philadelphia Festival of World Cinema
- "Jiyan is a symbol for Kurdish survival - for the vulnerability of the nation but especially, for its optimism regarding life; the flowers of the protagonist contrast with her scarred face. Jano Rosebiani does not seek revenge, even if one senses his bitterness. He is equally interested in the insecurity the future holds as he is in the poetry and the vitality of the orphans. This dualism is the source of the film's poetic lyricism, of its opening and closing images." -19th Jerusalem Film Festival
- "Seeing a film like Jiyan reminds you why you want to be in film making in the first place. It has all the ingredients that make a memorable and fantastic film. [Cinematographer] Koutaiba’s genuine eye for the beauty and hardship on the faces of the Kurdish people is very impressive indeed...Truly inspiring films like Jiyan should be cherished and talented filmmakers like Jano Rosebiani should be embraced." -Jaab Mees, Talking Pictures, London
- "This moving deeply compassionate story is a plea for us to take the Kurdish question, in all its aspects, seriously" -14th Galway Film Fleadh, Ireland
Links
- Foreign Language Films compete for Golden Clobe
- The Year in Film by LOUIS PROYECT
- Kurdish Travels With the Tramp by By JEANNETTE CATSOULISFEB. 20, 2014
- ‘Chaplin of the Mountains’ a refreshing journey, By Farran Smith NehmeFebruary 20, 2014'
- [ http://louisproyect.org/2014/02/22/kurdish-and-turkish-films-of-note/ Kurdish and Turkish films of note, Louis Proyect]
- One Candle, Two Candles...: Film Review, by Frank Scheck, 2/19/2014
- Kurdish-American Filmmaker Brings Kurdistan to Hollywood, By Joshua Thaisen
- Chaplin of the Mountains (2013) Movie Review by Amir Sharifi and Ali Ashouri
- One Candle, Two Candles (2014) Movie Review by Amir Sharifi and Ali Ashouri
- The Walking Wounded, David Lipfert, June 13, 2003
- Jiyan Review
- Philip French, Sunday, February 16, 2003 - www.film.guardian.co.uk/News_Story/Critic_Review/
- Land and Freedom, Wendy Ide, Friday January 31, 2003 - http://www.guardian.co.uk/culture/2003/
- Jamie Russel, February 5, 2003 - http://www.bbc.co.uk/lincolnshire/film/jiyan.shtml
- Jaap Mees, Talking Pictures, London - http://www.talkingpix.co.uk/ReviewsLifeJiyan.html
- Review by David Rooney, Variety. feb 15, 2002