Jan Frans van Bredael
Jan Frans van Bredael I or Jan Frans van Bredael the Elder (Antwerp, 1 April 1686, - Antwerp, 19 February 1750) was a Flemish painter known for his landscapes, battle scenes and equestrian paintings.[1]
Life
![](../I/m/Jan_Frans_van_Bredael_(I)_-_A_cavalry_skirmish.jpg)
Jan Frans van Bredael was born into an artist family in Antwerp as the eldest son of Alexander van Bredael (1663–1720).[1] His father as well as his grandfather Peeter van Bredael and brothers Jan Peeter the Elder and Joris were all painters, while several cousins were also artists.[2] Jan Frans trained under his father.[1]
In 1706 Jan Frans van Bredael and his cousin Jozef entered into a contract with the Antwerp art dealer Jacob de Witte to produce for a number of years copies after the paintings of Philips Wouwerman and Jan Brueghel the Elder. Under the contract, Jozef was to receive for each copy he produced 6 guilders in the first year, 8 guilders in the second and 10 guilders in the third and fourth years plus a bonus of 1 shilling. At the end of the contract he would also get a blue coat. Jan Frans was paid a marginally higher fee but was also bound by an exclusivity obligation to work only for Jacob de Witte. Since Jan Frans and Jozef did not sign the copies they made, it is not possible to distinguish who was responsible for individual copies.[3] It is possible that the not so scrupulous art dealer de Witte even sold these copies as originals since the copies were such good imitations of the style of the original artists. Jan Frans worked for de Witte for a period of nine years.[4]
Jan Frans van Bredael worked in England early in his career (probably before 1716).[1] Little is known with certainty about his residence in England. He is deemed to have enjoyed the patronage of important clients, among whom James Radclyffe, 3rd Earl of Derwentwater.[5] In the period from 1719 to 1725 he was active in Paris. He returned to Antwerp in 1626 where he became deacon of the Antwerp Guild of Saint Luke.[4] He died in Antwerp in 1750.[1] He had a son also named Jan Frans who was a painter.[4]
In his lifetime Bredael enjoyed an excellent reputation and King Louis XV of France is reported to have commissioned four works from him.[5]
Work
![](../I/m/Jan_Frans_van_Bredael_(I)_-_Landscape_with_Castle_and_Bridge.jpg)
Jan Frans van Bredael painted in a variety of genres including history and religious painting. However, he is best known for his landscapes with genre scenes, battle and hunting scenes and equestrian paintings. While he initially mainly copied works of Wouwerman and Brueghel, Jan Frans van Bredael was able to develop his own style. Van Bredael quoted Wouwerman’s tropes in his own compositions of equestrian and battle scenes. In his landscapes he remained closer in style to Jan Brueghel the Elder.[5]
As many of the members of the extended van Bredael family painted in a similar style and in the same genres, it is not always easy or possible to ascribe a particular work to a specific van Bredael.[6]
As van Bredael appears to have worked mainly for the export market, very few of his works are in public collections in his home country.
References
![](../I/m/Jan_Frans_van_Bredael_(I)_-_Hunters_Resting_beside_a_Fountain.jpg)
- ↑ 1.0 1.1 1.2 1.3 1.4 Jan Frans van Bredael (I) ] at the Netherlands Institute for Art History (Dutch)
- ↑ Walther Bernt, The Netherlandish painters of the seventeenth century, Volume 1, Phaidon, 1970, p. 19
- ↑ Die Künstlerfamilie Van Bredael at wouwerman.de (German)
- ↑ 4.0 4.1 4.2 Ad. Siret, BREDAEL, Jean-François VAN, in Biographie nationale de Belgique (French)
- ↑ 5.0 5.1 5.2 Matthew Pilkington, A General Dictionary of Painters: Containing Memoirs of the Lives and Works of the Most Eminent Professors of the Art of Painting, from Its Revival, by Cimabue, in the Year 1250, to the Present Time. A New Edition, Revised and Corrected Throughout, with Numerous Additions, Particularly of the Most Distinguished Artists of the British School, Volume 1, T. M'Lean, 1824, p. 114
- ↑ Walther Bernt, The Netherlandish painters of the seventeenth century, Volume 1, Phaidon, 1970, p. 19
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