Hugo Wilhelm Arthur Nahl

Arthur Nahl
Born Hugo Wilhelm Arthur Nahl
September 1, 1833
Kassel, Germany
Died April 1, 1889 (aged 55)
San Francisco Bay, California[1]
Nationality German-American
Education Louvre Palace, Versailles, and Luxembourg Palace gallerie
Known for Painting
Notable work The Fire in Sacramento
Movement American Old West

Arthur Nahl (1 September 1833 – 1 April 1889) was a German-born artist, daguerreotyper, engraver, portraitist, and landscape painter. Nahl was a painter known for his American Old West paintings of California. He was considered one of California's finest engravers,[2] and was ranked amongst the best gymnasts in California[3] for his time.

Early life

He was the son of Henriette (Weickh) Nahl (1796–1863). Henriette and her first husband, Georg Valentin Friedrich Nahl, had one son, the American West painter, Charles Christian Nahl. Henriette and Georg divorced in 1826. In that year, she began a relationship with Georg's cousin, Alexander Theodor Nahl. After tiring of him, she began a relationship with Alexander's brother, Wilhelm Nahl. While Wilhelm was his biological parent, he considered Alexander to be his father.[4] Henriette and Wilhelm had one other child, a daughter, Laura. Nahl was descended from a family of German artists dating to the 17th century.[5] His great-grandfather was Johann August Nahl, the German sculptor and stuccist.

His early art studies were with Charles and the family friend, Frederick August Wenderoth. He later studied at the Kassel Academy. Nahl moved with his mother, two brothers, and two sisters to Paris in 1846. Here, Arthur and Charles studied with Emile Jean Horace Vernet and Hippolyte Delaroche. Charles went on to study at the Louvre Palace, Palace of Versailles, and Luxembourg Palace galleries.[5] He received his first gold medal at age 16.[5]

Three years later, they moved to New York, settling in Brooklyn.[5] In 1851, they sailed by way of Panama to California in search of gold. The family bought a mine on Deer Creek near Rough and Ready, California which fared poorly. Within a year, the family moved to Sacramento where Nahl worked as a woodcarver. After the 1852 Sacramento fire, they moved to San Francisco.[6]

Career

Nahl worked in charcoal, crayon, oil, and watercolor. His subjects included animals, landscapes, portraits, and genre works.[6]

In San Francisco, Charles partnered first with his family friend Wenderoth. After Wenderoth married one of the Nahl sisters and moved to Philadelphia, Charles began a partnership with Arthur.[7] The Nahl brothers worked as commercial artists, daguerreotypers, engravers, and portrait painters. They became San Francisco's leading lithographers and specialized in souvenir stationary.[8] They created many wood carvings from photograph images.[9] With his brother and William Dieckmann, Nahl formed the partnership of Nahl Brothers and Dieckmann in 1867, an art and photograph gallery at 121 Montgomery Street in San Francisco.[10] When Isaiah West Taber bought out the Nahl's photography department, Nahl worked for him, coloring and retouching the photographs.[11] Nahl collaborated with others, including Bret Harte, on the cover design of Overland Monthly.[12]

"We are working like a factory; Carl [Charles] paints the heads and I paint the garments."

Letter from Arthur to his uncle Wilhelm Nahl in Germany.[13]

His exhibitions included:

Nahl's art works are held at the Oakland Museum and the California Historical Society.

Personal life

The Nahl brothers were fine athletes. At their home in San Francisco's Bush Street, their backyard gymnasium served as the early version of the Olympic Club and was its headquarters during the period of 1855 to 1860.[6] At Nahl's suggestion, it was named the "San Francisco Olympic Club" and, at the club's inaugural meeting on May 6, 1860, Nahl was elected its Leader.[14]

Nahl married Annie Sweeney in 1865 and they moved to Alameda, California. One of Nahl's sons, Perham Wilhelm Nahl (1869–1935), became an artist and art professor at the University of California, and founder of the California College of Arts and Crafts. Another son, Virgil Theodore Nahl (1876–1930), went to work as a staff artist for the San Francisco Examiner.[6] A third son, Arthur Charles Nahl, was a mining engineer; his daughter, Margery, was an impressionist painter.

He died in 1889 on a ferry in San Francisco Bay en route to Alameda.

Partial bibliography

Selected gallery

  1. ^ "Art of the Gold Rush Index". museumca.org. Oakland, California: Oakland Museum of California. 1998. Retrieved 10 May 2010. 

References

  1. ↑ McMann, Evelyn de Rostaing (2003). Biographical index of artists in Canada. University of Toronto Press. p. 170. ISBN 0-8020-2790-3.
  2. ↑ Palmquist, p. 315
  3. ↑ Starr, p. 304
  4. ↑ Palmquist, Peter E.; Thomas R. Kailbourn (2000). Pioneer photographers of the far west: a biographical dictionary, 1840-1865. Stanford University Press. pp. 415, 417. ISBN 0-8047-3883-1.
  5. ↑ 5.0 5.1 5.2 5.3 Driesbach, Janice Tolhurst; Harvey Jones & Katherine Church Holland (1998). Art of the gold rush. National Museum of American Art (U.S.). University of California Press. p. 126. ISBN 0520214323.
  6. ↑ 6.0 6.1 6.2 6.3 "About The Nahl Brothers". parish-paughhouse.com. Hughes Publishing. Retrieved 9 May 2010.
  7. ↑ Driesbach, pps. 51-52
  8. ↑ Hart, James David (1987). A companion to California. University of California Press. p. 344. ISBN 0-520-05543-8.
  9. ↑ Palmquist, p. 66
  10. ↑ Palmquist, p. 204
  11. ↑ Palmquist, p. 539
  12. ↑ Starr, Kevin; Richard J. Orsi (2000). Rooted in barbarous soil. California Historical Society. p. 219.
  13. ↑ Driesbach, p. 59
  14. ↑ Janssen, Frederick William (1888). A history of American amateur athletics and aquatics: with the records (Digitized Mar 9, 2010 ed.). Outing Co. p. 131.