Horacio Vaggione
Horacio Vaggione (born 1943) is a composer of electro-acoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces often are for performers and computers ("mixed music")(see Landy 1994; Solomos 2005,2007) . He studied composition at the National University in Córdoba (1958-1961) and privately in Buenos Aires with Juan Carlos Paz (1960-1963), then at the University of Illinois with Lejaren Hiller and Herbert Brün (1966) where he first gained exposure and access to computers. In 1983 he received a Doctorate at the University of Paris VIII (thesis director: Prof. Daniel Charles). In 1982 took the course Informatics for Composers at IRCAM, Paris, followed by a 3 years residence at that center, and in 1987 was a resident of the DAAD Kunstler Program in Berlin. Vaggione was born in Córdoba, Argentina, but lives in Europe since 1969. From 1969 to 1973 he lived in Madrid, Spain, and was part of the ALEA live electronics music group, the ALEA electronic studio and the Project Music and Computer at the University of Madrid with Luis de Pablo. In 1978 he moved to France, where he still resides, and began work at GMEB in Bourges, INA-GRM and IRCAM in Paris. Since 1989 he has been Professor of Music (Composition and Research) at the University of Paris VIII. In 1996 founded the CICM (Centre de Recherche Informatique et Création Musicale) .
Composition Prizes: Newcomp Prize (Cambridge, USA, 1983). Euphonie d'Or (Bourges, 1992). ICMA International Computer Music Association Award (USA, 1992). Ton Bruynel Foundation Prize (Amsterdam, 2010). Giga-Hertz Produktion Preis (ZKM, Karlsruhe, 2011), among others.
Writings and research papers: 54 papers, published in Proceedings, books (MIT Press, Harwoord Academic Publishers, Swett and Zeitlinger, L’Harmattan, Routledge) and specialized journals (Computer Music Journal, Contemporary Music Review, Journal of New Music Research, Musica-Realtà, etc.).
Selected Compositions
- Thema for bass saxophone & computer-generated tape (1985, Wergo WER 2026-2; Adda AD581047)
- Tar for bass clarinet & computer-generated tape (1987, Le Chant du Monde, LCD 278046/47)
- Kitab for bass clarinet, piano, contrabass and computer-processed and controlled sounds (1992, Centaur CRC 2255)
- Ash (1990, Ina REF INAG 6032)
- Till for piano & computer-generated tape (1991,Chrysopée Electronique LCD 278 1102)
- Tahil for solo piano (1992,Chrysopée Electronique LCD 278 1102)
- Myr for solo piano (1993),Chrysopée Electronique LCD 278 1102)
- Schall (1995, Chrysopée Electronique LCD 278 1102)
- Nodal (1997, Ina REF INAG 6032)
- Agon (1998, ICMC 01, Berlin; Opus 30 IMEB LCD 2781117)
- Sçir for contrabass flute in G & tape (2001, DAAD Berlin LC 0864)
- Atem for horn, bass clarinet, piano, double bass and electroacoustic set-up (2002)
- Harrison Variations (2002, EMF Media, EM 153)
- Gymel Electroacoustic music (2003)
- Taléas for Paezold recorders and electroacoustics (2002/2004)
- Préludes Suspendus II (2000)
- Préludes Suspendus III (2009)
- 24 Variations (2001,ICMC Göteborg LJCD 5232)
- Arenas (2007, Ina REF INAG 6032)
- Phases for clarinet, piano and electroacoustic set-up (2001, Ina REF INAG 6032)
- Points critiques (2012, Ina REF INAG 6032)
- Consort for convolved violins(2011)
- Consort for convolved pianos (2012
- Arches (2013)
- Mécanique des fluides (2014)
Sources
- Leigh Landy (1994). Experimental Music Notebooks. ISBN 3-7186-5553-5.
- Solomos, Makis, Ed. (2005). Horacio Vaggione: Composition Theory. Contemporary Music Review, Vol 24, Parts 4 + 5. 0749-4467(2005)24.4.1-0
- Solomos, Makis, Ed. (2007). Espaces composables, essais sur la musique et la pensée musicale de Horacio Vaggione. L'Harmattan, Paris. ISBN 978-2-296-02832-6
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