High (The Blue Nile album)
| High | ||||
|---|---|---|---|---|
 | ||||
| Studio album by The Blue Nile | ||||
| Released | 30 August 2004 | |||
| Recorded | 1997–2004 | |||
| Genre | Adult alternative, sophisti-pop | |||
| Length | 40:49 | |||
| Label | Sanctuary Records | |||
| Producer | The Blue Nile | |||
| The Blue Nile chronology | ||||
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| Singles from High | ||||
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| Music sample | ||||
| Because of Toledo | ||||
| Music sample | ||||
| She Saw The World | ||||
High is the fourth and (to date) final album from Glaswegian adult contemporary band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially.
"Soul Boy" had already been recorded by former Spice Girl Melanie C for her album Reason the previous year.
Critical reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |    [1] |
| BBC Music | favourable[2] |
| The Guardian | [3] |
| MusicOMH | favourable[4] |
| Stylus | C+[5] |
The album received generally favourable reviews, with many critics considering High to be a stronger album than their previous effort Peace at Last. AllMusic said "the Blue Nile have returned with a more balanced album [than Peace at Last] and Buchanan is broken-hearted again, thank the stars. He's been struggling with fatigue and illness and as selfish and inconsiderate as it sounds, it's brought the spark back to his writing... given the time to sink in, the album fits well in their canon."[1] The Guardian believed that with High "the emotional commitment of Peace at Last is combined with the observational detachment of the earlier work... In pop, most people do their best work within five or six years. How extraordinary, then, that after more than two decades of activity, the Blue Nile remain on course, their range expanded, their focus more refined, unshaken in their determination to proceed at their own measured pace."[3]
MusicOMH said "High is proof that they may have been away for a while, but they certainly haven't lost their touch... Although some may call this album bland, that is to miss the point... Buchanan's vocals are what raises most of the songs to another level—sometimes a gentle whisper, at other times an anguished cry, it's one of the great, if less celebrated voices in modern music. They may only appear at around the same frequency as Halley's Comet but it's records like High that remind you why The Blue Nile are so highly regarded."[4] BBC Music said "High manages to maintain the Blue Nile's impeccably tasteful standards while soaring blissfully over the rattle and hum of most contemporary music. Paul Buchanan still sings his songs of faded love affairs, broken dreams and squandered ambitions with almost painful emotional candor, while the musical backings are as lush and flowing as ever... There are many recognizable Blue Nile motifs throughout—the imagery of rain, railway stations, traffic and rooftops will certainly be familiar—and the tempo barely rises above a stately shuffle, which for some might seem a missed opportunity for stylistic innovation. However, for those of us who've cherished the band's previous albums, High is like meeting a new friend, albeit one possessing a reassuring familiarity."[2]
Other reviewers were less enthusiastic: Stylus said, "If you were hoping for something to stand above Hats as a late-night, solitary classic, then High will only get halfway there, because it sounds exactly as you would expect a fourth Blue Nile album to sound. Perhaps their best music has long since been made, but The Blue Nile still do what they do exquisitely well."[5] The Observer was disappointed, saying "the empty streets of provincial towns are the stock-in-trade landscapes of the Blue Nile, and it's one of the saddening facts about High that those landscapes have become a little predictable",[6] while Uncut said that "Paul Buchanan revisits the same spot on the hillside overlooking the evening city lights, is still filled with the same surging, oblique melancholy and longing that has sustained The Blue Nile since 1984, is still crafting singularly mature MOR in a darker shade of turquoise all his own. This time, however, the overall return feels diminished in effect."[7]
Track listing
All songs written and composed by Paul Buchanan.
- "The Days of Our Lives" – 3:32
- "I Would Never" – 4:26
- "Broken Loves" – 5:20
- "Because of Toledo" – 3:53
- "She Saw the World" – 3:36
- "High" – 3:46
- "Soul Boy" – 4:40
- "Everybody Else" – 3:50
- "Stay Close" – 7:46
Personnel
- The Blue Nile
- Robert Bell – bass, synthesizers
- Paul Buchanan – vocals, guitar, synthesizers
- Paul Joseph Moore – keyboards, synthesizers
- Additional personnel
- Calum Malcolm – engineer
References
- ↑ 1.0 1.1 Jeffries, David. The Blue Nile – High > Review at AllMusic
- ↑ 2.0 2.1 Fitzsimmons, Michael (8 September 2004). "Review: The Blue Nile – High". BBC Music. Retrieved 12 March 2013.
- ↑ 3.0 3.1 Williams, Richard (13 August 2004). "Review: The Blue Nile – High". The Guardian (London, England: Guardian Media Group). Retrieved 12 March 2013.
- ↑ 4.0 4.1 Murphy, John (30 August 2004). "Review: The Blue Nile – High". MusicOMH. Retrieved 12 March 2013.
- ↑ 5.0 5.1 Southall, Nick (17 August 2004). "Review: The Blue Nile – High". Stylus. Retrieved 12 March 2013.
- ↑ Hoskyns, Barney (18 July 2004). "Review: The Blue Nile – High". The Observer (London, England: Guardian Media Group). Retrieved 12 March 2013.
- ↑ "Review: The Blue Nile – High". Uncut. Retrieved 12 March 2013.