Hamish MacCunn

See also: McCunn
Hamish MacCunn

1889 Portrait of MacCunn by John Pettie.
Background information
Genres Classical music
Occupation(s) Pianist
Instruments Piano

Hamish MacCunn (22 March 1868 – 2 August 1916) was a Scottish Romantic composer, conductor and teacher. His opera Diarmid (libretto by the Marquis of Lome) was produced at Covent Garden on 23 October 1897.[1][2] His other music includes cantatas, concert overtures, part-songs, instrumental pieces and songs, all markedly Scottish in type. He had a genuine love of Scottish folksong, and although he lived in London he was a lifelong champion of Scottish music and of the country’s musical life.

Biography

Born in Greenock as James MacCunn,[3] the son of a shipowner, he went to London in 1883[4] and was educated at the Royal College of Music,[3] where his teachers included Sir Hubert Parry and Sir Charles Villiers Stanford.[5] His first success was with the overture The Land of the Mountain and the Flood on 5 November 1887 at the Crystal Palace,[6] and this remains far and away his best-known piece. It was followed by other compositions, always with a characteristic Scottish colouring. From 1888 to 1894 McCunn was a professor at the Royal College of Music,[5][7] where he had a long artistic association and friendship with Marmaduke Barton.

In 1888, he married Alison Pettie,[3] daughter of John Pettie, RA, who had painted MacCunn's portrait several times. They had one son. John Pettie was an enthusiastic musician, who helped MacCunn build up his career by organising concerts of his work. It was at this point that Carl Rosa commissioned MacCunn to write an opera on a Scottish subject. The world premiere of his first opera, Jeanie Deans, conducted by the composer, took place at the Royal Lyceum Theatre in Edinburgh on 15 November 1894.[8] He was for some years a conductor with the Carl Rosa Opera Company and subsequently to other companies.[5] A hectic programme of composing, conducting and teaching brought about a gradual deterioration in MacCunn's health, and he died in 1916 aged only 48.

Compositions (selective list)

Orchestral

Choral and vocal

Operatic

Gallery

References

  1. ↑ Hermann Klein (1933). The Golden Age of Opera. Da Capo Press. p. 238. ISBN 978-0-306-70840-4. Retrieved 24 August 2012.
  2. ↑ William Butler Yeats; George Moore; J. C. C. Mays (2005). Diarmuid And Grania: Manuscript Materials. Cornell University Press. p. 30. ISBN 978-0-8014-4361-9. Retrieved 24 August 2012.
  3. ↑ 3.0 3.1 3.2 Fondazione Levi (2004). Musica e storia. Società editrice Il Mulino. p. 555. Retrieved 24 August 2012.
  4. ↑ Stuart Scott. "MusicWeb, HAMISH MucCUN". Retrieved 2014-01-13.
  5. ↑ 5.0 5.1 5.2 Charles Edward McGuire; Steven Eric Plank (8 April 2011). Historical Dictionary of English Music: Ca. 1400-1958. Scarecrow Press. p. 191. ISBN 978-0-8108-5750-6.
  6. ↑ Rachel Cowgill; Julian Rushton (1 December 2006). Europe, Empire, and Spectacle in Nineteenth-Century British Music. Ashgate Publishing, Ltd. p. 146. ISBN 978-0-7546-5208-3.
  7. ↑ Michael Rossington (21 December 2008). The Reception of P. B. Shelley in Europe. Continuum International Publishing Group. p. 295. ISBN 978-0-8264-9587-7. Retrieved 24 August 2012.
  8. ↑ "Opera Scotland, Jeanie Deans 1894". Retrieved 2013-01-13.

External links