Greyfriars School

Greyfriars School

A map of Greyfriars School
Established 1540s
Type Independent fictional boarding school
Public school
Religion Church of England
Headmaster The Rev Herbert Henry Locke, D.D.
Chairman of the Board of Governors Sir Hilton Popper
Founder Henry VIII
Location Kent
England
Gender Boys
Ages 13–18
Publication The Greyfriars Herald
Created by Charles Hamilton (writer) writing as Frank Richards

Greyfriars School is a fictional English public school used as a setting in the long-running series of stories by the writer Charles Hamilton, who wrote under the pen-name Frank Richards. Although the stories are focused on the Remove (or lower fourth form), whose most famous pupil was Billy Bunter, other characters also featured on a regular basis.

From 1908 to 1940, the stories appeared in The Magnet, in a total of 1,683 weekly issues. After 1940, the stories continued to appear in book form until Hamilton's death in 1961. Billy Bunter of Greyfriars School was broadcast as a BBC television series from 19 February 1951 to 22 July 1961. A comic strip was published in Knockout (drawn by Frank Minnitt) from 1939 to 1958, and then drawn by various other artists until Knockout merged with Valiant, in which comic strips continued to appear from 23 February 1963 to 16 October 1976.

Location

Exterior views of Greyfriars School

Greyfriars School is situated in the county of Kent. The school lies on the fictional river Sark, upstream of the nearby village of Friardale and downstream of the market town of Courtfield. It is near the coast: the fishing village of Pegg is described as being within a mile (1.6 km). There are two other public schools nearby, Cliff House girls school and Highcliffe. Farther away are the towns of Lantham and Wapshott.

Organisation

The school consists of seven forms, loosely based on age groups. Each form has its own Form Master, who take the majority of the lessons. Specialist masters are used for French, sports and mathematics.

Unusually, both in terms of real-life public schools and their fictional counterparts, Greyfriars School does not have a House system. In the early Magnet stories, this created a problem for the author in that inter-house rivalries are a useful source of plot conflicts in many fictional school stories. To compensate for this, Frank Richards created three separate forms of similar age groups at Greyfriars (the Lower Fourth, the Fourth and the Upper Fourth) as well as rival characters in the neighbouring Highcliffe School. As the stories developed, the time would come when plot conflicts would arise naturally from the minutely detailed characters that were fleshed out over the years.[1]

The school is supervised by a Board of Governors, whose members include the buffoonish local landowner, Sir Hilton Popper, as well as Colonel Wharton and Major Cherry, both relatives of prominent characters in the Greyfriars Remove (Lower Fourth) form.

Boys spend most of the day in class, or in their spare time either in a common room, on the sports fields, or in shared studies; they sleep in shared dormitories. Breakfast and lunch are taken communally. A modest high tea in hall is also provided (disparagingly known as "doorsteps and dishwater"), but most of the boys prefer to make their own arrangements in their studies.[2]

Ethos

While the masters naturally emphasise scholastic matters, for the pupils (and readership) it is physical activities that are at the heart of the school's ethos. Prowess at sports is the best route to popularity and respect, while over-attainment at study is something of lesser, if not negative, importance. Disputes are often settled by fights, with the invariable, if unrealistic, outcome that virtue triumphs over vice. Corporal punishment is widely used by the masters and by the Sixth Form prefects. The ultimate punishment, short of expulsion, is a birching administered by the saintly headmaster, Dr Locke. Lesser punishments are lines (copying out a hundred lines from a Latin text by the classical author Virgil), or for really serious infractions among the older forms a 'book' (copying out a complete Latin text by Virgil, which might be up to 952 lines. There is also a Punishment Room ("Punny") which, in rare and particularly serious cases, may be used to keep an offender in solitary confinement for a number of days.

Style and themes

Harold had no eye for scenery. He was taking a rest – his career being one of successive rests. Mr. Hinks was one of those men born with a natural disinclination to work. Under happier auspices he might have been a Cabinet Minister or an ornament of the Diplomatic Service. But, as a matter of sad fact, he was a tramp.

Hamilton’s writing style has been compared with that of his contemporary P G Wodehouse. A light and distinctive prose style combines with a strong comedic element and a large ensemble of strongly-drawn characters. The exceptional volume of material produced by Hamilton over his writing career allowed both characters and locations to be developed in great depth.

Observations of contemporary life and satire are found in Hamilton's work, and he frequently uses his characters as mouthpieces to make telling ironic points:[4]

"The old bounder's unemployed," said Bunter. "Fairly up against it, you know. Can't get a job. My opinion is they won't work. I've heard my pater say so. I remember, last evening of the holidays, seeing my pater sitting in his armchair, sipping his port, and saying it was all due to slacking and drink."

In particular, he had little respect for professions or pretensions, and politicians, lawyers and stockbrokers are regularly at the sharp end of his cynical prose.[5]

The style of the stories evolved over the years. For the first decade, the stories tended to be complete episodes. This was also a development period in which the author established his style. During the 1920s, the format gradually changed to serials; this was also a period of character development in which many of the large cast of characters were given their own storylines in turn. Many commentators agree that the "golden age" of Greyfriars stories was in the period 1930 to 1934, when the standard of plotlines and mellow humour reached its peak; while after 1934, the high standard of plot construction continued, but plots and themes were increasingly repeated.[6]

Hamilton’s work has attracted criticism, most notably from George Orwell in a 1940 essay published in Horizon magazine. Orwell described Hamilton’s style as easily imitated (to facilitate substitute writers), plagiarist, and largely comprising shallow right wing content.[7] He also expressed incredulity that stories spanning 30 years could have been authored by the same individual. The key passage in his essay, which was to provoke a strong response from Hamilton, is reproduced below.

The year is 1910, or 1940, it is all the same. You are at Greyfriars. A rosy-cheeked boy of fourteen in posh tailor-made clothes is sitting down to tea in your study on the Remove passage, after an exciting game of football which was won by an odd goal in the last half-minute. There is a cosy fire in your study; outside the wind is whistling, the ivy clusters thickly round the old grey stone, the King is on his throne, and the pound is worth a pound. Over in Europe the comic foreigners are jabbering and gesticulating; but the grim grey battleships of the British Fleet are steaming up the Channel, and at the outposts of Empire the monocled Englishmen are holding the niggers at bay. Lord Mauleverer has just got another fiver and we are settling down to a tremendous tea of sausages, sardines, crumpets, potted meat, jam and doughnuts. After tea, we shall sit round the study fire having a good laugh at Billy Bunter and discussing the team for next week's match against Rookwood. Everything is safe, solid and unquestionable. Everything will be the same for ever and ever.

Hamilton's response to this criticism was presented in an article published in the same magazine shortly afterwards, in which he rebutted each of Orwell’s points.[8]

Other commentators have challenged the view that Hamilton’s work can be narrowly categorised as right wing,[9][10] drawing attention to examples of his output that demonstrate strong independent views. Over the years, Hamilton was ever ready to air unfashionable causes to his young audience, but did so in a way that did not attract controversy or jeopardise publication of his stories. Anti-capitalism, early Socialism, the Suffragette movement and conscientious objectors during World War I all received sympathetic treatment in Hamilton’s work.[11] In an age when the word "nigger" was not yet regarded in the same pejorative sense that applies today, Hamilton's work consistently emphasised the offensive nature of the term from as early as 1922;[12] and his output even included unfashionable anti-British sentiments in stories set against the background of imperial India.[13]

Storylines

The extraordinary volume of output of Greyfriars stories inevitably meant that plotlines and themes were repeated, though usually involving different characters and novel twists. In the early years, this often meant stories that were resolved across 1-2 issues; but by the early 1930s a series would typically take 8-12 weekly issues to play out.

Characters with Double Lives

An oft-repeated theme involves the arrival of a new character at the school who turns out to be not quite what he seems. Dick Lancaster joins the Greyfriars Sixth form in 1931 (Magnets #1209 to #1219) and immediately becomes one of the most popular men in the school: handsome, easy going and a fine cricketer. Unknown to his schoolfellows though, he is also the “Wizard” – a member of a criminal gang of burglars who is particularly skilled at safe-cracking.

Greyfriars turns out to be highly popular as a base for disguised burglars. The “Courtfield Cracksman” (Magnets #1138 to #1151) conceals himself by finding employment on the Greyfriars staff in 1930; as does “Jimmy the One” (Magnets #1247 to #1255) in 1931, and “Slim Jim” (Magnets #1660 to #1675) in 1939. In two of these cases Herbert Vernon-Smith has his suspicions – in one case he is proved right, and ends up in danger as a result; in the other case he is disastrously wrong, suspecting the undercover detective assigned to the case and befriending the real villain.

Rivals for a Fortune

A variation on the former theme was the arrival of a new boy who turns out to be the secret enemy of an established Greyfriars character. Usually this involved a rivalry over an inheritance. An early example was the “Da Costa” series of 1928 (Magnets #1059 to #1067), when new arrival Arthur Da Costa attempts to disgrace Harry Wharton in an attempt to disinherit him of a large fortune. This plotline was repeated a number of times.

Coker’s younger cousin, Edgar Caffyn, one of the most unpleasant characters ever to appear in the stories, arrives at the school in 1935 (Magnets #1404 to #1412) with the intention of getting Coker expelled and replacing him as Aunt Judy’s heir. It is Billy Bunter’s turn in 1938, when his relation Arthur Carter, having been expelled from his previous school, has been disinherited by a wealthy uncle. He comes to Greyfriars with the intention of disgracing Bunter, his uncle’s new adopted heir (Magnets #1561 to #1572). In all of these storylines, the rascally newcomer is aided and abetted by an even more rascally lawyer.

Finally, in 1939, Herbert Vernon-Smith’s relative Bertie Vernon arrives at the school. Vernon is startlingly similar to Vernon-Smith in appearance, which allows a number of dramatic situations to develop before Vernon’s real purpose in coming to Greyfriars is revealed.

Doppelgangers

Many storylines have involved the arrival at Greyfriars of a relative who bears a startling resemblance to an existing character. Usually, the two "Doppelgangers" are of opposite character types, and are continuously mistaken for each other, enabling a number of plot conflicts to develop. As well as the Bertie Vernon series, mentioned above, other doppelgangers have included Billy Bunter's cousin Wally, Peter Todd's cousin Alonzo and Harry Wharton's relative Ralph Stacey (Magnets #1422 to #1433). The Stacey series, in particular, is rated by many commentators as being among the finest Greyfriars series written by Hamilton.[14]

The Rebellious Remove

The Remove included a number of naturally rebellious characters and several plotlines exploited this to the full. A typical storyline would involve an act of injustice or tyranny resulting in the juniors rising up in open rebellion against authority.

One of the first examples was the "Judge Jeffreys" series of 1917 (Magnets #501 to #505), in which a new head master, Mr Jeffreys, institutes a severe punishment regime, causing the Remove to lead a rebellion against his rule that ends in Mr Jeffreys being driven out by the whole school.

The “High Oaks Rebellion” series of 1928 (Magnets #1043 to #1049) sees Mr Quelch, the Remove Master, unjustly dismissed from the school through a malicious trick by Skinner. Led and financed by Lord Mauleverer, the Remove walk out of Greyfriars, set up their own school at High Oaks and defend it against a number of attempts to forcibly return them to Greyfriars.

The "Brander" series, from 1930 (Magnets #1169 to #1174) is a particularly notable example of this story type. Newcomer Otto van Tromp grievously injures Dr. Locke in an unscrupulous scheme to install his uncle, Mr. Brander, as the new headmaster of Greyfriars. In this, the pair enlist the assistance of the debt-laden chairman of the Greyfriars governors, Sir Hilton Popper, who owes money to Brander. Van Tromp becomes head prefect and abuses his position to such an extent that the Remove rise up in open rebellion and barricade themselves in the Remove passage. They are eventually joined by characters from other forms in the school, including fifth formers and prefects. Mr. Quelch, meanwhile, is dismissed by Brander, but invokes the school statutes that allow a dismissed master of long standing to remain at the school until his appeal is heard by the governors.

In 1934, Billy Bunter is expelled after being unjustly blamed for drenching Mr Prout in ink (Magnets #1374 to #1382). The Remove rise up in his support and build a fortified camp on Popper Island, which they successfully defend against a number of assaults by the prefects and other seniors.

Later in the same year, Headmaster Dr Locke and several senior prefects are hospitalised following a motor accident. Fifth form master Mr Prout takes over as temporary headmaster and appoints the bullying Gerald Loder as Head Prefect; as a result, a tyrannical regime develops at the school. Prompted by Vernon-Smith, the juniors form a secret society, the Secret Seven, to fight back. Although the Secret Seven has over 30 members, only 7, wearing masks, are ever seen to take part in active operations at any one time. The Magnet gave away a number of detective-themed promotional free gifts over the course of the series which were featured in the narrative of the stories.

After Dr Locke is again incapacitated in 1937, the temporary headmastership passes this time to Mr Hacker, unpopular Master of the Shell, who is supported by Sixth form bully Arthur Carne. The resultant tyranny again prompts the Remove to fight back; this time, they march out of the school and barricade themselves in the tuckshop (Magnets #1510 to #1515).

Travel Series

The summer holiday break, between the summer and Michaelmas terms, saw the Greyfriars juniors depart on a number of adventures away from the school. Frequently, this involved travel overseas.

The early Magnets saw some short trips to Europe, but it was not until 1922 that the first proper foreign travel series appeared. In Magnets #768 to #774 the juniors travel with Bob Cherry's cousin to Africa in search of buried ivory. The juniors revisited Africa with Mr Vernon-Smith in 1931 (Magnets #1228 to #1236).

In the India series of 1926 (Magnets #960 to #970) the juniors travel to Bhanipur with Colonel Wharton to ensure Hurree Singh's throne is kept safe against the machinations of foreign spies.

In 1927 the juniors visit the South Seas in Mr Vernon-Smith's yacht (Magnets #1017 to #1026), in search of Black Peter's treasure, which will make Redwing financially independent. The juniors revisited the Southern seas in 1938 (Magnets #1588 to #1598)

The longest foreign travel series came in 1929 (Magnets' 1092 to #1107), when Mr Fish took a party of juniors and seniors all the way across the United States to Hollywood to make a school film. Though the trip was sold to the school and parents as educational, the primary purpose of the trip was to make films with real schoolboys without paying them Hollywood rates. The juniors went to the US for a second time in 1938 (Magnets #1573 to #1582), this time to Texas, where they encountered another of Charles Hamilton's characters, the Rio Kid.

The Egypt series of 1932 (Magnets #1277 to #1284) follows the adventures of Billy Bunter, accompanied by Lord Mauleverer and the Famous Five, across Europe and the Mediterranean Sea to the North African deserts (a locale previously visited in the Sahara series of 1925). They are pursued by the villain Konstantine Kalizelos, who is convinced the schoolboys have a clue to the whereabouts of a fabulous lost jewel. Author Charles Hamilton never visited Egypt, and the authenticity of many of the descriptions and scenes in this series are remarkable. In particular, the characterisation of two Egyptians, the millionaire Hilmi Maroudi and the lower caste guide, Hassan the Dragoman, has won acclaim. These stories were partially reprinted in the Schoolboys Own Libraries before World War II and again by Armada in the 1970s, but both omitted the conclusion of the series.

The China Series of 1930 begins with the Remove junior, Wun Lun, menaced by the distant Chinese mandarin Tang Wang. Accompanied by Billy Bunter, the Famous Five and the detective Ferrers Locke, he returns to China via Hong Kong and Singapore. A series of adventures ensues. The author draws a vivid picture of a very different China ruled by Mandarins – a colourful land rich in history and ancient customs.

Characters

Staff

"Come in!" said the Head gently, as there was a tap at his door.

The door opened, to reveal the master of the Shell and the master of the Remove. Each stood aside with ceremonious and bitter politeness to allow the other to enter first. Each, finding that the other waited, decided at the same moment to enter first - with the natural result that there was a sudden jam in the doorway.

The Head promptly suppressed a smile. "Pray come in!" he said mildly.

Sixth Form

Fifth Form

Shell (Upper Fourth)

Fourth

Remove (Lower Fourth)

The Remove is the home of the main protagonists in the stories, including the Famous Five, Billy Bunter, and Herbert Vernon-Smith. It is frequently described in the stories as a "numerous" form, and with good reason: over the 53-year period of publication, it is estimated that more than 80 schoolboys passed through the form. Most of these arrived as a central character in a particular storyline, and disappeared shortly afterwards, having either been expelled or simply not mentioned again.[15]

The following list of members of the Remove is that published in The Magnet #1,659. Of the 39 characters in the list, it is noteworthy that it took the author 559 weeks to assemble 38 of them.

Third Form

Second Form

First Form

There are few mentions of a First form at Greyfriars and none at all after the early era of the Magnet.[18]

Other characters

In other fiction

Greyfriars, and some of its (by then) former pupils, appeared in The League of Extraordinary Gentlemen: The Black Dossier.

See also

Notes

  1. ↑ Lofts & Audley, P.41
  2. ↑ Greyfriars, The Magnet & Billy Bunter
  3. ↑ 3.0 3.1 Richards, Frank (8 July 1933). "Bunter's £100 Boater". Retrieved 27 July 2013.
  4. ↑ Sutton, P.107
  5. ↑ Sutton, P.105-107
  6. ↑ Fayne & Jenkins, P.235-236
  7. ↑ http://orwell.ru/library/essays/boys/english/e_boys
  8. ↑ http://www.friardale.co.uk/Ephemera/Newspapers/George%20Orwell_Horizon_Reply.pdf
  9. ↑ Sutton, P.229, P.244
  10. ↑ Hamilton Wright, P.162-164
  11. ↑ Sutton, P.214, P.229, P.239, P.163
  12. ↑ Hamilton Wright, P.164-167
  13. ↑ Hamilton Wright, P.167
  14. ↑ Fayne & Jenkins P.215-216
  15. ↑ Lofts & Audley, P.49
  16. ↑ Lofts & Audley, P.50
  17. ↑ Greyfriars for Grown-Ups, Lawrence Sutton, ISBN 0 7030 0188 4
  18. ↑ http://www15.brinkster.com/hiamie/greyfriars/greyfriars.htm

References

External links