Graham Whettam

Graham Whettam (7 September 1927 – 17 August 2007) was an English post-romantic composer.

Biography

Graham Whettam was born in Swindon, Wiltshire. He studied at the St Luke's College, but he never learnt at a Music School and remains largely self-taught in composition. As soon as in his twenties, several of his compositions had already been performed by major orchestras and soloists : the Sinfonietta for Strings in 1951 at Kensington Palace ; the Symphony No. 1 in the early 1950s by the Bournemouth Symphony Orchestra conducted by Charles Groves ; the Concertino for oboe and string orchestra at the 1953 Proms performed by famous oboist Léon Goossens ; the Viola Concerto in 1954 at the Cheltentham Festival by violist Harry Danks and conducted by Sir John Barbirolli). Other of his works had been performed by the City of Birmingham Symphony Orchestra and by the London Symphony Orchestra, by conductors Basil Cameron, Meredith Davies, Sir Eugene Goossens, Willem van Otterloo and Sir Malcolm Sargent, and by the oboist Janet Craxton, the clarinettist Jack Brymer and the hornist Dennis Brain.[1] In 1959 it was the premiere of his first clarinet concerto (performed by Raymond Carpenter and the Bournemouth Symphony Orchestra conducted by Sir Charles Groves), the work he considered to be his first mature one.

In 1958 he divorced Rosemary Atkinson (with whom he had married in 1948) and he moved to Coventry, West Midlands, where he married Janet Lawrence in 1959. It was in Coventry that he founded and directed his own publishing company, "Meriden Music". In 1962 he wrote his first "masterpiece", the powerful Sinfonia contra timore (Symphony Against Fear), which has been premiered three years later in 1965 by the City of Birmingham Symphony Orchestra conducted by Hugo Rignold. His following symphonic works follow each other in rapid succession : Sinfonietta Stravagante (1964) performed by the Netherlands Philharmonic Orchestra conducted by Herbert Sourdant ; Sinfonia Concertante (1966) performed by the Northern Sinfonia conducted by Bryden Thomson. Nonetheless Whettam never had as much success as in his youth, such that several of his works have been premiered/published only a long time after their composition (cf. below). Some of his late works (such as the Promethean Symphony and the Symphony No. 5) still wait for a world premiere.

Regarded as "a natural symphonist" by the Sunday Times,[2] it's no surprise that symphonies form the core of his output. Whettam composed symphonies (nearly a dozen in all) during his whole life, since his mid-twenties in the early 1950s to the very late of his life in the 2000s. They are supplemented by some large-scale concertos and several shorter orchestral (both symphonic and concertante) works. Nonetheless Graham Whettam's vast compositional output also includes numerous chamber and instrumental works (such as four string quartets and three solo violin sonatas) as well as a certain number of vocal and choral works. His music, labelled as "invariably dramatic"[3] (which is reflected by his titles : Sinfonia Drammatica, Concerto Drammatico, Concerto Ardente, Sinfonia Intrepida...) features skilful construction and a deep sense of poignancy and atmosphere.

Graham Whettam died on 17 August 2007 at Woolaston, Gloucestershire, aged 79.

Works

Symphonies

Several of Graham Whettam's symphonies have never been published ; other ones have been premiered/published many years after their compositions, causing several numbering inversions/omissions. The following list tries to restore chronological order.

Other Symphonic Works

Concertante works

Vocal and Choral Works

Chamber music

Works for solo instruments

Recordings

References

Sources