Giuseppe Amisani
Giuseppe Amisani | |
---|---|
Giuseppe Amisani, Self Portrait, 1900 | |
Born |
Giuseppe Amisani 12 July 1881[1] Mede Lomellina, Lombardy, Italy |
Died |
8 June 1941[2] Portofino, Liguria, Italy |
Nationality | Italian |
Education | Brera Academy, Milan |
Known for | paintings on cardboard |
Movement | Portrait |
Awards |
|
Giuseppe Amisani (7 December 1881 – 8 September 1941) was an Italian portrait painter of the Belle Époque.
Life
Amisani was born on 7 December 1881 in Piazza Mercato (now Piazza Amisani) in the comune of Mede di Lomellina, near Pavia in Lombardy, northern Italy. He studied at the technical institute, where he failed the technical drawing course;[3] he then studied at the Accademia di Brera in Milan under Cesare Tallone and Vespasiano Bignami.[4] He won the Mylius prize of the Academy for his painting l'Eroe ("the hero") in 1908,[1] and in 1911 won the Fumagalli prize for figure-painting with his portrait of Lyda Borelli.[5]:208 From then on he concentrated almost exclusively on portrait-painting;[4] his landscapes of the Italian Alps, of Rhodes and of Tunisia also attracted interest.[1][6]
Although almost entirely forgotten today, Amisani was internationally famous in his time. He spent several years in Argentina and Brasil,[3] and travelled also to England, France, North Africa and to the United States.
In 1924, at the peak of his career, he was invited to Egypt to execute decorations at Ras al-Tin, the royal palace of Fuad I of Egypt. While there he painted a portrait of Farouk, then a small child.[3] In 1926 Amisani was commissioned by the publishers of L'Illustrazione Italiana to paint landscapes in Rhodes. In the following year he exhibited North African landscapes in London.[3]
Amisani died in Portofino on 8 September 1941.[2]
Reception
Amisani was an important figure in his lifetime, although his name is not included in the principal works of reference in the twenty-first century.[3][7] He was a close contemporary of Umberto Boccioni and of Pablo Picasso, but completely ignored currents such as Futurism and Cubism which changed the face of fine art in the twentieth century, preferring to satisfy the tastes of his clients, who were the noble, rich and the famous of his time.[3] His reputation was for elegance and for the fresh colours of his palette.[1] A retrospective exhibition of his work at the Castello Sforzesco of Vigevano in the province of Pavia in 2008 was the first dedicated to him in fifty years.[8]
Museum
The museums with works by Giuseppe Amisani include:
- Galleria degli Uffizi, Florence[9]
- Museo di Palazzo Pitti, Florence
- Museo del Teatro La Scala, Milan[10]
- Galleria d'arte moderna (Milano)[11]
- Galleria d'arte moderna Ricci Oddi of Piacenza[12]
- São Paulo Museum of Art, Brazil
- Museo de Arte Italiano, Lima, Perù[13]
- Collezioni d'arte del Museo nazionale della scienza e della tecnologia Leonardo da Vinci, Milan.[14]
- Galleria Civica of Bari, Italy[15]
- Museum of Monza, Italy
- Galleria d'arte moderna (Genova), Italy
- Royal Palace, Ras al-Tin, Egypt
Works
Many of Amisani's portraits are of women. They include:
- La Toeletta, oil on cardboard, 1918, Galleria d'arte moderna di Milano
- Ritratto di Lyda Borelli, oil on cardboard, 29.5 × 29 cm, São Paulo Museum of Art, Brasil
- Amore a Londra ("Love in London"), oil on cardboard, 19 × 26 cm, c. 1918
- Signora Katja, Palazzo Pitti, Florence
- Princess Yolanda of Savoy
- Amalie Auguste of Bavaria
- Lidia d’Arenberg
- Princess Marie Louise of Schleswig-Holstein
- Cleopatra lussuriosa
- Signora in poltrona, Museo Ricci Oddi, Piacenza
- Bianca Virginia Camagni
- Signora in grigio, portrait of Maria Melato
- Riri col giubbetto rosa
- Nobildonna inglese
- Lady Chamberlain
- The model, oil on canvas
- S. Teresa
- Nonna Bestetti, 1930
Exhibitions
Amisani participated in exhibitions in London, United States, Milan, Rome, Venice, Buenos Aires, Lima, Sao Paolo and Cairo. They include:
- Giuseppe Amisani e Amedeo Bocchi, Esposizione di Belle Arti di Brera, Brera Academy, Milan, 1912.
- Individual exhibition of the painter Giuseppe Amisani, London, 1923.
- Individual exhibition of the painter Giuseppe Amisani, Galleria Pesaro, Milan, 1923.
- Exotic Egyptian views, Arlington Gallery, Bond Street, London, England, UK, 1927.
- Venice Biennale, XVII Esposizione Internazionale d'arte, Venice, 1930.[16]
- Mostra Commemorativa di Giuseppe Amisani, Milano 1951.[17]
- Il Novecento a Palazzo Isimbardi: nelle collezioni della Provincia di Milano, Raffaele De Grada, Palazzo Isimbardi of the Province of Milano, Italian Government.
- Antonio Mancini, 1852-1930 : il collezionismo del suo tempo in Lombardia, Accademia Tadini, Lovere, 1997.
- Industria, arte e moda in Lombardia: 1830-1945, Castello di Masnago, 2005.[18]
- Da Pellizza a Carrà: artisti e paesaggio in Lomellina, Vigevano, 2007.[16]
- Giuseppe Amisani, Il pittore dei Re ("Giuseppe Amisani, the painter of the Kings"), Castello Sforzesco, Vigevano, Pavia, Italy, 2008.[19]
- Rirì la sciantosa e le altre. Ritratti di donne nella pittura di Giuseppe Amisani (1879-1941), Galleria Civica di Bari, 2012.[15]
- From the Collection of the Uffizi Gallery, Beijing (2010) and Changsha (2011), China.[16]
Gallery
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Vera Vergani
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Riri in rosa
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References
- ↑ 1.0 1.1 1.2 1.3 Giorgio Nicodemi (1929) AMISANI, Giuseppe (in Italian). Enciclopedia Italiana. Roma: Istituto dell’Enciclopedia Italiana. Accessed February 2015.
- ↑ 2.0 2.1 [s.n.] (1948) AMISANI, Giuseppe (in Italian). Enciclopedia Italiana - II Appendice. Roma: Istituto dell’Enciclopedia Italiana. Accessed February 2015.
- ↑ 3.0 3.1 3.2 3.3 3.4 3.5 Michele Tavola (11 October 2008). Tutti in posa da Amisani il pittore dei re e dei vip (in Italian). La Repubblica. Accessed February 2015.
- ↑ 4.0 4.1 Biografie: Giuseppe Amisani (in Italian). Comune di Mede. Archived 20 February 2015.
- ↑ Francesca Cagianelli, Dario Matteoni (eds.) (2008). La Belle Époque: arte in Italia, 1880-1915 (catalogue of an exhibition held at the Palazzo Roverella, Rovigo, 10 February – 13 July 2008; in Italian). Cinisello Balsamo, Milano: Silvana. ISBN 9788836610303.
- ↑ Chiara Gatti, Leo Lecci (2008). Giuseppe Amisani, il pittore dei re (catalogue of an exhibition held at the Castello Sforzesco, Vigevano (PV), 27 September – 14 December 2008; in Italian). Milano: Skira. ISBN 9788861309418.
- ↑ Hai cercato: Amisani, Giuseppe (search result, in Italian). Dizionario Biografico degli Italiani. Roma: Istituto dell’Enciclopedia Italiana. Accessed February 2015.
- ↑ Arte: Giuseppe Amisani (1879 - 1941). Il pittore dei re (in Italian). Archimagazine. Accessed February 2015.
- ↑ "Autoritratto di Giuseppe Amisani", oil on cardboard, 118 x 101, museum number: N. Inv.: 9237
- ↑ Il Novocento a Palazzo Isimbardi: nelle collezioni della Provincia di Milano, Raffaele De Grada, Palazzo Isimbardi (Milan, Italy), Vita Firenza, Fabbri ed. 1988, opera "Marco Praga"
- ↑ "Le Telette", Italian government catalogue museum number: SIRBeC scheda AFRLIMM - IMM-3a110-0000308
- ↑
- ↑ Mario Quesada, Museo d'arte italiana di Lima, Marsilio, 1994
- ↑ "Il cappello nero", museum catalogue number 1860
- ↑ 15.0 15.1 La Provincia, 4 marzo 2011
- ↑ 16.0 16.1 16.2 Polo Museale Fiorentino, Centro documentazione, Ufficio Ricerche
- ↑ Biennale di Venezia, volume 12, Arno Press, 1971
- ↑ Corriere della Sera, 25 novembre 2004
- ↑ Repubblica, 27 settembre 2008
Further reading
- Carlo Sisi, Alberto Salvadori, Galleria d'arte moderna of Palazzo Pitti (Florence, Italy), 2008
- Sotheby's, Dipinti e disegni, 1992
- The Illustrated London News, Volume 178, Edizione 2, ed. Illustrated London News & Sketch Limited, London, England, UK, 1931
- La Ca' Granda: cinque secoli di storia e d'arte, Palazzo Reale di Milano, 1981
- Luciano Caramel, Musei di Monza: Museo civico dell'Arengario, 1981
- Maria Teresa Fiorio, Sforza Castle Pinacoteca, Milan, 2001
- A Checklist of Painters, C 1200-1994 Represented in the Witt Library, Witt Library, Courtauld Institute of Art, London, England, UK, 1996
- Henry McBride (art critic), Creative Art: A Magazine of Fine and Applied Art, Volume 7, A. & C. Boni, London, England, UK, 1930
- Mario Quesada, Museum of Italian Art of Lima, Perù, Marsilio, 1994
- Barbara Cinelli, Arte moltiplicata. L'immagine del '900 italiano, Ed. Bruno Mondadori, Milano, 2014, ISBN 978-88-6159-857-7
- Raffaele De Grada, Palazzo Palazzo Isimbardi (Milan, Italy), Vita Firenza ed.
- Raffaele Calzini, G. Amisani: con otto tavole a colori, Istituto Italiano d'Arti Grafiche, 1942
- Giorgio Nicodemi, Giuseppe Amisani, Milano ,1924
- Raffaele Calzini, Giuseppe Amisani, Edizioni del Poligono, 1931
- Susanna Zatti, La collezione Morone, Museum of Pavia (Italy), 2002
- Museo della scienza e della tecnica "Leonardo da Vinci", Milano, 2000
- Maurizio Agnellini, Novecento italiano: pittori e scultori 1900-1945, 1997
- Carlo Pirovano, La Pittura in Italia: Il Novecento - Volumi 1-2, 1992
- Mario Monteverdi, Storia della pittura italiana dell'Ottocento, Volume 2, 1984
- Gaetano Panazza, La pinacoteca e i musei di Brescia, 1968
- Luiz Marques, Catálogo do Museu de Arte de São Paulo Assis Chateaubriand: Arte italiana. São Paulo: Prêmio, 1998. 157 p. vol. I. CDD-709.4598161
- Raffaele De Grada, Cristina Fiordimela, Ottocento Novecento: le collezioni d'arte
- Library, G. Nicodemi, Gius. Amisani, Milano s. d.
- V. Bucci, G. Amisani, Milano, 1924
- R. Calzini, G. Amisani, Milano, 1926 and 1931
- U. Galetti-E. Camesasca, op. cit. 1951, p. 55
- A. M. Comanducci, op. cit. 1962, p. 44
- M. Merlo, Giuseppe Amisani e Ferdinando Bialetti, Mede Lomellina, 1970
- R. Calzini, Giuseppe Amisani, in Emporium, 1920, pp. 289–293