George Rodney Willis

George Rodney Willis, was an American architect associated with the Prairie School and the Oak Park, Illinois studio of Frank Lloyd Wright who thereafter had a successful career in California and in Texas.

George Willis was born in Chicago, Illinois, on August 11, 1879, to Byron and Mary (Rodney) Willis. George was the third of four children. His mother was a descendant of Caesar Rodney, who cast Delaware's vote for the Declaration of Independence.[1]

Education and Architectural Practice in Chicago

Willis attended Chicago public schools and enrolled in the Art Institute of Chicago in 1899, affiliated with the Armour Institute (now Illinois Institute of Technology). In his last year of school Willis began working in the Oak Park, Illinois, studio of architect Frank Lloyd Wright, for whom he served as draftsman for four years, rising to the position of head draftsman. During his years with Wright, he worked with draughtsmen and architects who were important practitioners of Prairie School architecture, including Barry Byrne, William Eugene Drummond, Marion Mahony, Isabel Roberts and Walter Burley Griffin. As Wright's son John Lloyd Wright recorded:

“William Drummond, Francis Barry Byrne, Walter Burley Griffin, Albert McArthur, Marion Mahony, Isabel Roberts and George Willis were the draftsmen. Five men, two women. They wore flowing ties, and smocks suitable to the realm. The men wore their hair like Papa, all except Albert, he didn’t have enough hair... I know that each one of them was then making valuable contributions to the pioneering of the modern American architecture for which my father gets the full glory, headaches and recognition today! [2]

Architecture Practice in Texas

Willis moved to California in 1904 and worked for Myron Hunt. Projects on the boards during the time that Willis worked with Hunt and his partner Elmer Grey include:the Edith Daniels House, in Aradia, CA (1904), the Livingston Jenks House, San Rafael, CA (1904), the Astronomer's House (aka The Monastery) and other buildings, at the Mount Wilson Observatory, Mount Wilson, CA (1904), the Thomas H. Foote House, East Colorado Street, Pasadena, CA (1905), and the J.W. Gillespie House, in Montecito, CA.

Then, Willis moved to Dallas, and formed a partnership with Stewart Moore in 1906. From 1907 to 1909 he worked with J. Edward Overbeck in a practice known as Overbeck and Willis. They collaborated on the expansive J. T. Trezevant House along Turtle Creek of 1907, providing Dallas with one of the two most imposing Prairie houses in Texas.[3] In 1910 Willis was practicing alone in Dallas.

Work in San Antonio

In 1911, he moved to San Antonio and was employed by Atlee B. Ayres until 1916, where he produced Prairie Style homes for Frank Winerich (1913) and Lonnie Wright (1914-1917).[4] Thereafter he formed his own architectural practice.

Among Willis’ San Antonio works are the Lawrence T. Wright house (1914-1917), houses in Alamo Heights and Monte Vista, and a grouping of four small apartments at the corner of Bandera Road and E. Skyview, providing fine Texas example of Prairie School architecture. George Willis should be credited as having designed the first air conditioned tall office building in the United States, the 21-story Milam Building, completed in San Antonio in 1928.[5] The air-conditioning design team was led by Willis H. Carrier, founder of the Carrier Engineering Corporation.[6] Willis also designed the Brackenridge Park Amphitheater.

Personal Life and Later Years

Willis met his future wife, Louise Scott, about 1918 in San Antonio. They had no children. Willis was a member of the West Texas chapter of the American Institute of Architects. He maintained his office in the Smith-Young Tower until his death. He died on January 22, 1960.[1]

Architectural Work - Partial Listing

References

  1. ↑ 1.0 1.1 George Rodney Willis, The Handbook of Texas on Line, by Stephanie Hetos Cocke
  2. ↑ ”My Father”, John Lloyd Wright, 1995
  3. ↑ Dallas Modern: A Perspective on the Modern Movement in Dallas by Stephen Fox; www.dougnewby.com
  4. ↑ Architecture in Texas: 1895-1945, by Jay C. Henry.
  5. ↑ “Going Gershwin, by Donald Albrecht and Thomas Mellins, "Interior Design", March 1, 2007.
  6. ↑ The Milam Building management: http://www.themilambuilding.com
  7. ↑ Architecture in Texas, 1895-1945, by Jay C. Henry, p. 62; http://books.google.com/books?id=XSEKMBiN-OQC&pg=PA61&lpg=PA61&dq=%22george+willis%22+%22frank+lloyd+wright%22&source=web&ots=P5oh1rtqld&sig=tDYo9J0YIsQ-BYGx3JhZkVactss&hl=en&sa=X&oi=book_result&resnum=7&ct=result#PPA62,M1
  8. ↑ idem
  9. ↑ http://www.limbacher-godfrey.com/refugiocc.html
  10. ↑ Architectural record, Volume 49 By American Institute of Architects, 1921, p. 47 and following
  11. ↑ See: http://www.la84foundation.org/SportsLibrary/GolfIllustrated/1921/gi146l.pdf
  12. ↑ See: http://www.saconservation.org/places/buildersexchange.htm
  13. ↑ Architecture in Texas, 1895-1945 By Jay C. Henry, p. 173
  14. ↑ See: http://www.sanantonio.gov/sapar/sunkenhis.asp?res=1280&ver=true

External links