Gayatri Sinha

Gayatri Sinha is an art critic and curator based in New Delhi. Her primary areas of enquiry are around the structures of gender and iconography, media, economics and social history. She has initiated Critical Collective, a forum for thinking on conceptual frames within art history and practice in contemporary India.

Gayatri Sinha has graduated in English literature and Economics from Calcutta University with a Post graduation in Media Studies Social Psychology and Critical Appreciation, Bombay University.

Curatorial projects

• Convenor, Speakers' Forum, India Art Fair, New Dew Delhi, 2014.
• Water City of Liege, Belgium ICCR-Europalia, 2013.
• Ideas of Sublime Lalit Kala Akademi, April 2013.
• Convenor, Speakers' Forum, India Art Fair, New Dew Delhi, 2013.
• Peak Shift Effect Vadehra Art Gallery, January 2013.
• Cynical Love: Life in the Everyday Kiran Nadar Museum of Art, Noida, Delhi, 2012.
• Window in the Wall: India and China – Imaginary Conversations Pearl Lam Fine Art, Shanghai, China, September 2011.
• Fabular Bodies: New Narratives in the Art of the Miniature Harmony Art Foundation, Prince of Wales Museum, Mumbai, August 2011.
• Tolstoy Farm: Archive of Utopia Lalit Kala Akademi, New Delhi, April 2011. Times of India by Neelam Raj
• Looking Glass: The Existence of Difference (Religare Arts Initiative, Max Mueller Bhavan, British Council), October 2010.
• Constructed Realities Guild Art Gallery, Mumbai, July 2010.
• Convenor, Speakers' Forum, India Art Fair, New Dew Delhi, 2009.
• Failed Plot Korean International Art Fair, Seoul, September 2009.
• Purple Wall Project India Art Summit, Delhi, August 2009.
• Bapu – On Gandhi in Contemporary India Saffronart, Mumbai, January 2009.
• Mutant Beauty Anant Art Gallery, Noida, 2008.
• Faultlines – Zarina Hashmi, Dayanita Singh, Manisha Parek Bodhi Art, Mumbai, 2008.
• Public Places, Private Spaces: Contemporary Photography and Video Art in India The Newark Museum, New Jersey (September 2007). Minneapolis Institute of Arts, US (2008) *
• Frame/Grid/Room/Cell Bodhi Art, Mumbai 2007*
• I fear, I believe, I desire an exhibition of video installation, photography, sculpture and painting, Gallery Espace, New Delhi 2007*
• Watching Me Watching India Contemporary photography in India, Fotographie Forum, Frankfurt (co-curator, Celina Lunsford) 2006. *
• Middle Age Spread Imaging India 1947–2004, National Museum, New Delhi, 2004. *
• Frame/Grid/Room/Cell Bodhi Art, Mumbai 2007
• After Dark Sakshi gallery, Mumbai, March, 2004.*
• Cinema Still Apparao galleries, New Delhi, 2002. *
• In Conversation- an exhibition of artists’ sketch books, Gallery Espace, September, 2001.
• Vilas: The Idea of Pleasure, Birla Academy, Mumbai, December, 2000.
• The Self and the World - The Festival of India in Bangladesh National Gallery of Modern Art, New Delhi 1997.
• The Self and the World Women artists at the National Gallery of Modern Art, April, 1997. [

Photography and video exhibitions

• Video Art at the Bhau Daji Lad Museum, Mumbai, 2014-2015
• Video Wednesdays II, Gallery Espace, New Delhi, September 2011- August 2012.
• Public Places, Private Spaces Contemporary Photography and Video Art in India, The Newark Museum, New Jersey (September 2007). Minneapolis Institute of Arts, US (2008) * NewYork times
• Watching Me Watching India Contemporary photography in India, Fotographie Forum, Frankfurt (co-curator, Celina Lunsford) 2006.
• Kashmir, A Passage in Time for the Ministry of Information and Broadcasting, Government of India at New Delhi, 2005, on 50 years of Kashmiri social history.
• Middle Age Spread Imaging India 1947–2004, National Museum, New Delhi, 2004 *
• Woman/Goddess 1999-2000 Delhi, Bombay, Bangalore, Calcutta, Chennai, and New York 2001 *

Publications

• Cartographic Necessities: Contemporary Practices and the Making of a Brave New World, published in InFlux-Contemporary Art in Asia (Ed. Parul Dave Mukherjee, Naman P. Ahuja, Kavita Singh, Sage Publications, New Delhi, 2013).
• Voices of Change 20 Indian Artists (ed. Marg Publications, 2010).
• Art and Visual Culture in India 1857-2007 (ed. Marg Publications, Bodhi Art, National Culture Fund, 2009).
• India Public Places Private Spaces Contemporary Photography and Video Art Marg/The Newark Museum, USA 2007.
• Krishen Khanna: Images in my Time Mapin Publishing and Lund Humphries, UK, 2007.
• Himmat Shah: An Unreasoned Act of Being Mapin/ Lundhumphries, 2007
• Krishen Khanna : The Embrace of Love Mapin, 2005
• The Art of Adimoolam Mapin, 2004
• Indian art: An Overview [ed. A collection of 15 essays, 1850-2000] Rupa books, 2003.
• A Critical Biography of Krishen Khanna, Vadehra art gallery, 2002
• Expressions and Evocations: Contemporary Women Artists of India, (ed.) Marg publications 1996
• The Other Self, The National Gallery of Modern Art, India Stedelijk Museum/ Bureau Amsterdam, the Netherlands,1996
• Cinema Still: Apparao Gallery, India Habitat Centre, March 2002.
• Vilas – The Idea of Pleasure Birla Academy, Mumbai, December, 2000

Awards

• University of Sussex and the London Institute Project Art Modernity and Nationalism India, Japan and Mexico, 1860-1940 [2002-2004].
• Ford Foundation award for Women/Goddesses, 1998-2000.
• Senior Fellowship by the Department of Culture for a critical biography on the artist Krishen Khanna (1995–1997)
• Department of Culture award for Representation of the Divine Feminine in Himachali Painting and Sculpture (1995).

Devi Foundation

Devi Foundation , a registered not for profit organization, was set up in New Delhi in 2003. The Foundation’s leading objectives are the preservation and enhancement of the arts, and support to under privileged woman and children. Through a programme of health camps and direct support to school children the Foundation has attempted to reach out and directly benefit a cluster of villages located outside Lucknow. The Foundation also seeks to support traditional music and various art practices. Its focus has been on the Benaras gayiki with its unique emphasis on a traditional folk ethos.

She had been an art critic with The Indian Express (1981–1991), The Telegraph (1991–1994) and The Hindu (1995 to 2006).

References

• The Afterlives of Monuments(ed. Deborah Cherry, Taylor and Francis, Routledge, 2014.