Freak Show (album)

Freak Show
Studio album by Silverchair
Released	3 February 1997
Recorded	Pre-production: Tuesday 21 May Recording: Thursday, 30 May–Tuesday 5 November 1996 (various times but in total 3 weeks) at Festival Studios in Pyrmont, New South Wales, Australia
Genre	Alternative rock, grunge
Length	52:08
Label	Murmur, Epic
Producer	Nick Launay
Silverchair chronology
Frogstomp (1995) Freak Show (1997) Neon Ballroom (1999)
Singles from Freak Show
"No Association" Released: 11 November 1996 (promo) "Freak" Released: 13 January 1997 "Abuse Me" Released: April 1997 "Cemetery" Released: June 1997 "The Door" Released: October 1997 "Pop Song for Us Rejects" Released: December 1997 (promo)

Freak Show is the second studio album by Australian alternative rock band Silverchair. It was recorded between May and November 1996 and released on 3 February 1997 by record labels Murmur and Epic.

Recording and production

Silverchair began recording their second studio album, Freak Show, in May 1996 while experiencing the success of their debut album, 1995's Frogstomp, in Australia and the US.

Freak Show was produced by Nick Launay (The Birthday Party, Models, Midnight Oil).^[1][2]

Content

Frontman Daniel Johns described the album's title in 1997 by comparing the on-the-road life of Silverchair to that of a traveling carnival. The album's front cover image is an illustration of Grady Stiles, Jr., a sideshow performer afflicted with ectrodactyly. His stage name was "The Lobster Boy". The illustration is courtesy of Circus World Museum, Baraboo, Wisconsin.

Johns also stated that some of the lyrics were toned-down for release on Freak Show. Although, the majority of the songs found on the album still retain morbid and angst-fueled themes that include disease, drug abuse and suicide. One writer claimed the songs focused on the anger and backlash that the expectations of Frogstomp brought upon the band.^[3]

The main riff in "Slave" is similar to the one in the Mad Season song "I Don't Know Anything".

Many Freak Show songs such as "Slave", "Freak", "No Association", and "Nobody Came" were performed live two years prior to their release on the album. A demo version of "Freak" is featured in trailers for the 1995 space combat film Screamers. This is one of the aforementioned Freak Show songs that Silverchair debuted live as early as January 1995.

Several of the songs also had different titles prior to the album's release. These include: "Cat and Mouse" ("The Closing"), "The Proxy Song" ("The Door"), and "Punk Song #1" ("Lie to Me"). A song entitled "Punk Song #2" was recorded but not renamed; it later appeared on the "Freak" single. "Punk Song #3" ("Satin Sheets") was originally recorded for Freak Show, but was omitted from the album and included on Neon Ballroom instead.

The riff in "The Door" bears resemblance to The Brian Jonestown Massacre's "Super-Sonic", from their album released the same year, Give It Back!.

An unreleased song entitled "Slime" was recorded during the Freak Show sessions, but has yet to see release of any kind. The existence of "Slime" can originally be traced back to the 1996 late October/early November European press release where it is listed amongst the rest of the Freak Show track listing. The song was described in the press release as "similar to 'No Association'" but "more melodic". Thematically-speaking, it was described as the "linchpin" of the entire album.

Release

Although Freak Show was shelved until February 1997 for the general public, European and Australian promotional pressings were officially circulated throughout the music press in late October/early November 1996.^[4] The release of Freak Show was originally slated for the autumn of 1996; it was later pushed back to avoid competition from Pearl Jam's No Code.

Freak Show was released on 3 February 1997. The album reached number 1 in the Australian charts and yielded three Top 10 singles – "Freak", "Abuse Me" and "Cemetery".^[5] Its fourth single, "The Door", reached No. 25.^[5] Freak Show was certified gold in the US, 4× platinum in Australia and global sales eventually exceeded 1.5 million copies.^[6][7][8]

The album was initially released on CD and limited edition cassette and 12" vinyl (coloured black in Australasia and yellow in Europe; limited to 3,000 copies worldwide). The CD release of Freak Show is an enhanced CD that includes interactive CD-ROM media from the making of the album. The material found on the Enhanced CD is accessed when placing the disc into the CD-ROM drive of a computer.

The Freak Box

The Freak Box
Box set by Silverchair
Released	November 1997
Recorded	1996–1997
Genre	Post-grunge
Length	44:51
Label	Murmur

A limited-edition CD box set was released in 1997 by Murmur titled The Freak Box, and includes the four main singles from the album as well as a bonus CD containing interviews with the band members about the singles and their respective album.

Reception

Professional ratings
Review scores
Source	Rating
AllMusic	[9]
Entertainment Weekly	C–[10]
Rolling Stone	[11]

Lorraine Ali of Rolling Stone wrote "Silverchair have loads of potential. The band may still be using other peoples' riffs to guide its post-pubescent fury, but it's the enthusiasm that makes this Freak Show more than a novelty."^[11]

In his retrospective review, Stephen Thomas Erlewine, writing for AllMusic, wrote "Silverchair were slaves to their influences on their debut Frogstomp, but on their second album [...] they're beginning to show signs of developing their own style. While they may still concentrate too heavily on Pearl Jam and Nirvana, they're beginning to fuse the elements together in a more interesting way and are writing stronger hooks. Freak Show still has its share of mediocre moments [...] but the album shows potential that Frogstomp never did."^[9] David Browne of Entertainment Weekly panned the album, writing "Freak Show is one dejected screed after another, whether the subject is an abusive father ("Nobody Came") or suicide (mentioned in several songs). [...] Attempting longer, denser dirges and grafting strings and Indian instrumentation onto other tracks, Silverchair attempt to sound more adult on Freak Show. They only succeed in sounding more joyless than ever. With its squiggly metal riffs and ludicrously self-immolating lyrics, Freak Show affords the pointless opportunity of hearing what Nirvana would have sounded like had Kurt Cobain worshipped Megadeth rather than the Melvins."^[10]

In 2007, after explaining that he felt Neon Ballroom was Silverchair's "first album", Johns referred to Freak Show as "some kind of dark, high school band skeleton" in the band's "closet".^[12]

Track listing

All lyrics written by Daniel Johns. 

Personnel

• Daniel Johns – vocals, guitar, sleeve art direction
• Ben Gillies – drums, sleeve art direction
• Chris Joannou – bass guitar, sleeve art direction

Additional personnel

• Jane Scarpantoni – cello on track 6
• Margaret Lindsay – cello on track 10
• Amanda Brown – violin on track 8
• Ian Cooper – violin on track 8
• Lorenza Ponce – violin on track 6
• Elizabeth Knowles – violin on track 6
• Todd Reynolds – violin on track 6
• David Mansfield on track 6
• Ravi Kutilak – violin on track 10
• Matthew Pierce – viola on track 6
• Alan Parry – viola on track 6
• Rudi Crivici – viola on track 10
• Pandit Ran Chander Suman – tampura, tabla on track 10
• Ruk Mali – sitar on track 10
• Jane Scarpantoni – string arrangements on track 6
• Daniel Denholm – string arrangements on track 10

Technical

• Nick Launay – production, recording, mixing on "Petrol & Chlorine" and "The Closing", string arrangements on track 10
• Andy Wallace – mixing on all tracks except "Petrol & Chlorine" and "The Closing"
• Mark Thomas – engineering assistance (Sydney)
• Matt Lovell – engineering assistance (Sydney)
• Steve Sisco – engineering assistance (NYC)
• Bob Ludwig – mastering
• John Watson – sleeve art direction
• John O'Donnell – sleeve art direction
• Kevin Wilkins – sleeve art direction
• Sophie Howarth – sleeve photography
• Adrienne Overall & others – sleeve photography
• Lydia Kullik – cover art design

Chart positions

References