Fluellen

Fluellen intimidates the cowering Pistol, watercolour by Joseph Noel Paton

Fluellen is a fictional character in the play Henry V by William Shakespeare. Fluellen is a Welsh Captain, a leader of a contingent of troops in the small army of King Henry V of England while on campaign in France during the Hundred Years' War. He is a comic figure, whose characterisation draws on stereotypes of the Welsh at that time, but he is also portrayed as a loyal, brave and dedicated soldier.

The name

The name 'Fluellen' is the anglicised version of the Welsh language surname Llywellyn.[1] The English, finding it difficult to render the Welsh sound [ɬ]), employ the sequence fl, as they did with Floyd for Lloyd.

Character

Fluellen forces Pistol to eat a leek. Illustration to Shakespeare's Henry V by H. C. Selous

Shakespeare adheres to his seemingly common principle of portraying Welsh characters in his plays as basically comedic, offering the audience an opportunity to mock the manners, language, temperament and outmoded attitudes of their Celtic neighbours; compare with Glendower in Henry IV, Part 1 and Sir Hugh Evans the Welsh Parson in The Merry Wives of Windsor. All are wordy 'Welsh windbags', with amusing speech patterns, pronunciations and reactionary, overly sensitive and pedantic to a degree.[1][2] Fluellen's obsession with proper military procedure epitomises this.

However, Fluellen has some 281 lines in Henry V and is not simply a peripheral character or merely comic in nature. The character is well rounded, affords humour but avoids buffoonery and also generates great affection from the audience, having poignancy, scope and dramatic range.

We see him first as a soldier, albeit driving rather than leading his soldiers into the breach. His appearance comes after the bombastic 'Once more unto the breach..' speech delivered by the King and he drives the comic stragglers Bardolph, Nym, Pistol and the Boy towards the enemy. Into the scene his character is immediately fleshed out with the emphasis on Fluellen's much mentioned 'disciplines of the wars' and the first opportunity for a smirk at his accent, mannerisms and delivery (e.g., the Welsh "B" is far less voiced than the English "B", leading English hearers to half-mistake it for a "P". Hence, "Alexander The Pig").[3]

However as the play develops just in case there should be any underestimation of the Welshman's qualities it is the King himself who Shakespeare has deliver the words:

"Though it appear a little out of fashion,
There is much care and valour in this Welshman."

By the end of the play the audience comes to share the King's perspective, the affection for the character being firmly secured by Fluellen's words after the seemingly miraculous victory at Agincourt, just after the French herald Montjoy comes to cede for peace Fluellen's relief and joy bursts out in his interchange with the King culminating in his tearful "By Jeshu, I am your majesty's countryman, I care not who know it; I will confess it to all the 'orld: I need not to be ashamed of your majesty, praised be God, so long as your majesty is an honest man." At this point Henry refers to his own Welsh origins, declaring "I am Welsh".

Another scene towards the end of the play also undermines the mockery in the portrayal of the Welsh Fluellen: Ancient Pistol mocks Fluellen for wearing a leek in his cap on Saint David's Day in commemoration of a legendary Welsh victory against the Saxons. Fluellen beats Pistol and makes him eat the raw leek, with his comrade-in-arms Gower commenting, "You thought, because he could not speak English in the native garb, he could not therefore handle an English cudgel: you find it otherwise; and henceforth let a Welsh correction teach you a good English condition."

Origins

The character of Fluellen draws on stereotypes of Welsh characters in the era, and may have been influenced by the character Lluellen (Llywelyn ap Gruffudd) in George Peele's play The Famous Chronicle of King Edward the First.[4] He may well also have origins based on historical figures who may have been familiar to at least some of the contemporary theatre audience; comparisons have been made between Fluellen and two real life Welsh soldiers. One was Sir Dafydd ap Llewelyn, known as David Gam, a medieval Welshman who fought for King Henry IV of England and his son against Owain Glyndŵr during the Welsh rebellion of the early 15th century and subsequently accompanied Henry V of England to France where he was killed at the Battle of Agincourt. Gam ("Davy Gam") is mentioned by name in the play as one of the casualties, and thus as clearly a separate person from Fluellen.

Another possible source is an Elizabethan era Welsh soldier of fortune Roger Williams. A national hero in the wars against Spain, he would certainly have been known to audiences at the time the play was written and performed. Williams, who died in 1595, was a close ally of the Earl of Essex, and had been given a large public funeral in St Paul's cathedral four years before the play was written. Julian S. Corbett wrote that Williams "with his professional pedantry, his quaint and forcible turns of speech, his vanity and cool valour, was another 'Fluellen'.".[5] Shakespeare scholar J. Dover Wilson suggested that Fluellen was intended as "a careful and unmistakable portrait—a real portrait—of Sir Roger Williams, the Welsh soldier who had accompanied Essex during the French campaign of 1592 and had died, tended by Essex to the last, in 1595." He went on to claim that this was evidence that the play promoted the Essex's 1599 expedition to Ireland, to which the Chorus specifically refers: "That this old friend [of the Earl] should reappear in a stage-representation of Agincourt four years later is strong evidence that the play was intended to be associated with the hope of England."[6]

Fluellen and Bardolph are also Stratford names that appear on the 1592 recusant list, alongside that of William Shakespeare’s father.[7]

Actors playing Fluellen on screen

Fluellen has been portrayed by several notable actors such as:

Legacy

References & External Links

  1. ↑ 1.0 1.1 Innes, Paul, Class and Society in Shakespeare, Bloomsbury, 2007, p.535.
  2. ↑ Hawkes, Terence, Shakespeare in the Present, Routledge, 2002, pp.34-65.
  3. ↑ Marisa R. Cull, Shakespeare's Princes of Wales: English Identity and the Welsh Connection, Oxford University Press, 2014, p.113.
  4. ↑ Kevin A Quarmby, The Disguised Ruler in Shakespeare and his Contemporaries, Ashgate Publishing, 2013, p.34.
  5. ↑ Julian S. Corbett, Drake and the Tudor Navy:With a History of the Rise of England as a Maritime Power. Volume: 2. Longmans, Green., 1898, p.320.
  6. ↑ J. Dover Wilson, The Essential Shakespeare: A Biographical Adventure, Cambridge University Press, Cambridge, England. 1932. p.97.
  7. ↑ Michael Wood: In Search of Shakespeare 2003, page 96

External links