Flexography

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History of printing
Woodblock printing 200 Movable type 1040 Printing press c. 1440 Etching c. 1515 Mezzotint 1642 Aquatint 1772 Lithography 1796 Chromolithography 1837 Rotary press 1843 Hectograph 1869 Offset printing 1875 Hot metal typesetting 1884 Mimeograph 1886 Photostat and Rectigraph 1907 Screen printing 1910 Spirit duplicator 1923 Xerography 1938 Phototypesetting 1949 Inkjet printing 1951 Dye-sublimation 1957 Dot matrix printing 1968 Laser printing 1969 Thermal printing c. 1972 3D printing 1984 Digital press 1993

Flexography (often abbreviated to flexo) is a form of printing process which utilizes a flexible relief plate. It is essentially a modern version of letterpress which can be used for printing on almost any type of substrate, including plastic, metallic films, cellophane, and paper. It is widely used for printing on the non-porous substrates required for various types of food packaging (it is also well suited for printing large areas of solid color).

History

In 1890, the first such patented press was built in Liverpool, England by Bibby, Baron and Sons. The water-based ink smeared easily, leading the device to be known as "Bibby's Folly". In the early 1900s, other European presses using rubber printing plates and aniline oil-based ink were developed. This led to the process being called "aniline printing". By the 1920s, most presses were made in Germany, where the process was called "gummidruck," or rubber printing. In modern-day Germany, they continue to call the process "gummidruck."

During the early part of the 20th century, the technique was used extensively in food packaging in the United States. However, in the 1940s, the Food and Drug Administration classified aniline dyes as unsuitable for food packaging. Printing sales plummeted. Individual firms tried using new names for the process, such as "Lustro Printing" and "Transglo Printing," but met with limited success. Even after the Food and Drug Administration approved the aniline process in 1949 using new, safe inks, sales continued to decline as some food manufacturers still refused to consider aniline printing. Worried about the image of the industry, packaging representatives decided the process needed to be renamed.

In 1951 Franklin Moss, then the president of the Mosstype Corporation, conducted a poll among the readers of his journal The Mosstyper to submit new names for the printing process. Over 200 names were submitted, and a subcommittee of the Packaging Institute's Printed Packaging Committee narrowed the selection to three possibilities: "permatone process", "rotopake process", and "flexographic process". Postal ballots from readers of The Mosstyper overwhelmingly chose the last of these, and "flexographic process" was chosen.^[1]

Evolution

Originally, flexographic printing was rudimentary in quality. Labels requiring high quality have generally been printed using the offset process until recently. Since 1990,^[2] great advances have been made to the quality of flexographic printing presses, printing plates and printing inks.

The greatest advances in flexographic printing have been in the area of photopolymer printing plates, including improvements to the plate material and the method of plate creation.

Digital direct to plate systems have been a good improvement in the industry recently. Companies like Asahi Photoproducts, AV Flexologic, Dupont, MacDermid, Kodak and Esko have pioneered the latest technologies, with advances in fast washout and the latest screening technology.

Laser-etched ceramic anilox rolls also play a part in the improvement of print quality. Full-color picture printing is now possible, and some of the finer presses available today, in combination with a skilled operator, allow quality that rivals the lithographic process. One ongoing improvement has been the increasing ability to reproduce highlight tonal values, thereby providing a workaround for the very high dot gain associated with flexographic printing.

Process overview

1. Platemaking^[3]
The first method of plate development uses light-sensitive polymer. A film negative is placed over the plate, which is exposed to ultra-violet light. The polymer hardens where light passes through the film. The remaining polymer has the consistency of chewed gum. It is washed away in a tank of either water or solvent. Brushes scrub the plate to facilitate the "washout" process. The process can differ depending on whether solid sheets of photopolymer or liquid photopolymer are used, but the principle is still the same. The plate to be washed out is fixed in the orbital washout unit on a sticky base plate. The plate is washed out in a mixture of water and 1% dishwasher soap, at a temperature of approximately 40°C. The unit is equipped with a dual membrane filter. With this the environmental burdening is kept to an absolute minimum. The membrane unit separates photopolymer from the washout water. After addition of absorb gelatine for example, the photopolymer residue can be disposed of as standard solid waste together with household refuse. The recycled water is re-used without adding any detergent.^[4]

The second method used a computer-guided laser to etch the image onto the printing plate. Such a direct laser engraving process is called digital platemaking. Companies such as AV Flexologic, Esko, Kodak ,Polymount and Screen from The Netherlands are market leaders in manufacturing this type of equipment.

The third method is to go through a molding process. The first step is to create a metal plate out of the negative of our initial image through an exposition process (followed by an acid bath). In the early days the metal used was zinc, leading to the name 'zincos'. Later magnesium was used.This metal plate in relief is then used in the second step to create the mold that could be in bakelite board or even glass or plastic, through a first molding process. Once cooled, this master mold will press the rubber or plastic compound (under both controlled temperature and pressure) through a second molding process to create the printing plate.

2. Mounting
For every colour to be printed, a plate is made and eventually put on a cylinder which is placed in the printing press. To make a complete picture, regardless of printing on flexible film or corrugated paper, the image transferred from each plate has to register exactly with the images transferred from the other colors. To ensure an accurate picture is made, mounting marks are made on the flexographic plates. These mounting marks can be microdots (down to 0.3 mm) and/or crosses. Special machinery is made for mounting these plates on the printing cylinders to maintain registration.

3. Printing
A flexographic print is made by creating a positive mirrored master of the required image as a 3D relief in a rubber or polymer material. Flexographic plates can be created with analog and digital platemaking processes. The image areas are raised above the non image areas on the rubber or polymer plate. The ink is transferred from the ink roll which is partially immersed in the ink tank. Then it transfers to the anilox or ceramic roll (or meter roll) whose texture holds a specific amount of ink since it is covered with thousands of small wells or cups that enable it to meter ink to the printing plate in a uniform thickness evenly and quickly (the number of cells per linear inch can vary according to the type of print job and the quality required).^[5] To avoid getting a final product with a smudgy or lumpy look, it must be ensured that the amount of ink on the printing plate is not excessive. This is achieved by using a scraper, called a doctor blade. The doctor blade removes excess ink from the anilox roller before inking the printing plate. The substrate is finally sandwiched between the plate and the impression cylinder to transfer the image.^[6] The sheet is then fed through a dryer, which allows the inks to dry before the surface is touched again. If a UV-curing ink is used, the sheet does not have to be dried, but the ink is cured by UV rays instead.

Basic parts of the press

• Unwind and infeed section – The roll of stock must be held under control so the web can unwind as needed.

• Printing section – Single color station including the fountain, anilox, plate and impression rolls.

• Drying station – High velocity heated air, specially formulated inks and an after-dryer can be used.

• Outfeed and rewind section – Similar to the unwind segment, keeps web tension controlled.

Operation

Operational overview

1. Fountain roller
The fountain roller transfers the ink that is located in the ink pan to the second roller, which is the anilox roller. In Modern Flexo printing this is called a Meter or "metering" roller.

2. Anilox roller
This is what makes flexography unique. The anilox roller meters the predetermined ink that is transferred for uniform thickness. It has engraved cells that carry a certain capacity of inks that can only be seen with a microscope. These rollers are responsible to transfer the inks to the flexible-plates that are already mounted on the Plate Cylinders.

3. Doctor Blade (optional)
The doctor blade scrapes the anilox roll to insure that the predetermined ink amount delivered is only what is contained within the engraved cells. Doctor blades have predominantly been made of steel but advanced doctor blades are now made of polymer materials. With several different types of beveled edges.

4. Plate cylinder
The plate cylinder holds the printing plate, which is soft flexible rubber-like material. Tape, magnets, tension straps and/or ratchets hold the printing plate against the cylinder.

5. Impression Cylinder
The impression cylinder applies pressure to the plate cylinder, where the image is transferred to the substrate. This impression cylinder or "print Anvil" is required to apply pressure to the Plate Cylinder.

Flexographic printing inks

The nature and demands of the printing process and the application of the printed product determine the fundamental properties required of flexographic inks. Measuring the physical properties of inks and understanding how these are affected by the choice of ingredients is a large part of ink technology. Formulation of inks requires a detailed knowledge of the physical and chemical properties of the raw materials composing the inks, and how these ingredients affect or react with each other as well as with the environment. Flexographic printing inks are primarily formulated to remain compatible with the wide variety of substrates used in the process. Each formulation component individually fulfills a special function and the proportion and composition will vary according to the substrate.

There are five types of inks that can be used in flexography: solvent-based inks, water-based inks, electron beam (EB) curing inks, ultraviolet (UV) curing inks and two-part chemically-curing inks (usually based on polyurethane isocyanate reactions), although these are uncommon at the moment.^[7] Water based flexo inks with particle sizes below 5 µm may cause problems when deinking recycled paper.

Ink controls

The ink is controlled in the flexographic printing process by the inking unit. The inking unit can be either of fountain roll system or doctor blade system. The fountain roll system is a simple old system yet if there is too much or too little ink this system would likely not control in a good way. The doctor blade inside the anilox/ceramic roller uses cell geometry and distribution. These blades insure that the cells are filled with enough ink.^[8]

Presses

Stack press
Color stations stack up vertically, which makes it easy to access. This press is able to print on both sides of the substrate.

Central Impression press
All color stations are located in a circle around the impression cylinder. This press can only print on one side. Advantage: excellent registry

In-line press
Color stations are placed horizontally. This press prints on both sides, via a turnbar. Advantages: Can print on heavier substrates, such as corrugated boards.

Applications

Flexo has an advantage over lithography in that it can use a wider range of inks, water based rather than oil based inks, and is good at printing on a variety of different materials like plastic, foil, acetate film, brown paper, and other materials used in packaging. Typical products printed using flexography include brown corrugated boxes, flexible packaging including retail and shopping bags, food and hygiene bags and sacks, milk and beverage cartons, flexible plastics, self-adhesive labels, disposable cups and containers, envelopes and wallpaper. In recent years there has also been a move towards laminates, where two or more materials are bonded together to produce new material with different properties than either of the originals. A number of newspapers now eschew the more common offset lithography process in favour of flexo. Flexographic inks, like those used in gravure and unlike those used in lithography, generally have a low viscosity. This enables faster drying and, as a result, faster production, which results in lower costs.

Printing press speeds of up to 600 meters per minute (2000 feet per minute) are achievable now with modern technology high-end printers. Flexo printing is widely used in the converting industry for printing plastic materials for packaging and other end uses. For maximum efficiency, the flexo presses produce large rolls of material that are then slit down to their finished size on slitting machines.

References

External links

• Flexographic Technical Association
• European Flexographic Industry Association
• Rupa Colour Inks., India.
• AV Flexo